The group was formed in late 1950s by Mike Barnett, Dick Stewart and Tony Butala. They auditioned for Jackie Barnett, chief comedy writer for the Jimmy Durante TV show. They landed the part to impersonate The Rhythm Boys, the vocal group that traveled with Paul Whiteman and his orchestra in the late 1920s, and gave Bing Crosby his initial fame. The "Newcomers of 1928" review opened on 28 February 1958 at the Desert Inn in Las Vegas, Nevada. This review also starred Paul Whiteman, Buster Keaton, Rudy Vallée, Harry Richmond and Fifi D'Orsay. They played to sell-out audiences and were held over for many weeks. This review also played a six week review at the Deauville Hotel in Miami Beach, Florida, with Butala being the only consistent Letterman. Barnett and Russell were replaced by Gary Clarke and Jerry Paul. When the review ended, Butala landed a job as singer/bass player in a lounge group, "Bill Norvas and the Upstarts", with Gary Clarke. After a few months, Clarke left the group and was replaced by Jim Pike. Pike and Butala decided to leave the Upstarts and resume the Lettermen although they had not yet decided to use the Lettermen name. Pike envisioned a group where each member was an excellent soloist as well as a competent group singer. Pike recommended the third Letterman should be Bob Engemann, a singer that Pike had met when he attended Brigham Young University a few years earlier. Both had come to Los Angeles, California, and sang together in different combinations until Engemann had go into the National Guard for 6 months. At that point, Pike joined Bill Norvis and met Butala. This combination first recorded in late 1959.
They secured a recording contract with Warner Bros. Records through Bob Engemann's older brother, Karl Engemann, who was a record producer there, and for whom Pike had released a record earlier called "Lucy D", which was not successful. Pike, Butala and Engemann as "The Lettermen" released two singles in 1960. The A-sides were "Two Hearts" and "There Hearts Were Full Of Spring". They were not successful. Karl Engemann moved on to Capitol Records as President of A&R. He got them out of their contract at Warner Bros., and made an appointment with Nick Venet, a producer at Capitol and they were signed.
There was another "Lettermen" group in the late 1950s and early 1960s that recorded for Liberty Records, (which was a major label at the time). They were an R&B group with five members, and their single was called "Hey Big Brain". But the "Lettermen" of Pike, Engemann and Butala had the first hit record, so they were entitled to exclusively use the "Lettermen" name. There was also a group in the mid 1950s called The Lettermen Trio, but had no record success.
The Lettermen were unknown until they signed with Capitol Records in 1961. Their first single for Capitol, "The Way You Look Tonight," succeeded on the Billboard Hot 100 pop chart, and their next, "When I Fall in Love," reached the Top 10 in late 1962. They had several other Top 10 hits, such as the 1965's, "Theme From A Summer Place". In late 1967 Bob Engemann resigned, and was replaced by Jim Pike's younger brother, Gary Pike. The hits continued with the 1968 medley "Goin' Out of My Head"/"Can't Take My Eyes Off You", and in 1968 with "Put Your Head on My Shoulder", plus 1969's "Hurt So Bad", which reached number 12. The last successful single was in 1972, "Love" a solo by Pike.
The Lettermen have had 32 consecutive Billboard Magazine chart albums, 11 gold records, five Grammy nominations, an Andy Award, and a Cleo Award. In 1976, Jim Pike left the group and sold the Lettermen name to Butala.
In 1981 Gary Pike left the Lettermen, and today Jim and Gary Pike, along with Ric de Azevedo, sing The Lettermen hits, billed as Reunion.
In 1961, The Lettermen started performing live concerts doing over 100 shows a year, an unbroken string that continues to the present now amounting to 46 years.
Over the decades, the group has had various line-ups, replacing members who left for various reasons with new people to maintain a trio. Tony Butala, who (as of 2007) is still a member, has stated that the group ethos is that of three strong soloists that harmonize, and that the group encourages individual singing and songwriting.
They pride themselves in welcoming audience member photographs during the show, unlike many recording acts.
Against All Odds
The Lettermen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just let you leave without a trace?
When I stand here taking every breath with you, ooh ooh
You're the only one who really knew me at all
How can you just walk away from me
When all I can do is watch you leave?
'Cause we've shared the laughter and the pain
You're the only one who really knew me at all
So take a look at me now
Well there's just an empty space
And there's nothing left here to remind me
Just the memory of your face
Take a look at me now
Well there's just an empty space
And you coming back to me is against the odds
And that's what I've got to face, oh
I wish I could just make you turn around
Turn around and see me cry
There's so much I need to say to you
So many reasons why
You're the only one who really knew me at all
So take a look at me now
Well there's just an empty space
And there's nothing left here to remind me
Just the memory of your face
Take a look at me now
Well there's just an empty space
But to wait for you is all I can do
And that's what I've got to face
Take a good look at me now
'Cause I'll still be standing here
And you coming back to me is against the odds
And it's what I've got to face
Take a look at me now
The Lettermen's "Against All Odds" is a poignant song about heartbreak, loss and the irreparable damage that comes when a love ends. In the first verse, the singer expresses his heartbreak, wondering how he can let his love walk away and leave him without a trace. He reveals that he had shared an intimate connection with his partner and that she was the only one who had ever truly understood him.
The second verse is more pained as the singer grapples with the idea of his love leaving him for good. The singer mourns the shared experiences they had together, both the happy and the painful, and wonders how his love could simply walk away from all of it.
The chorus continues the theme of loss and heartache as the singer reflects on the space left empty by his partner’s departure. Despite the empty space and painful memories left behind, the singer is willing to wait for her, even though it's against all odds. He wishes he could make her stay and cries out for her to look back at him and see the pain she’s caused.
Line by Line Meaning
How can I just let you walk away,
I cannot let you go this easily,
Just let you leave without a trace?
How can I let you leave without any memory,
When I stand here taking every breath with you, ooh ooh
When I stand here cherishing every moment with you,
You're the only one who really knew me at all
You're the only one who truly understood me,
How can you just walk away from me
How can you just leave me behind,
When all I can do is watch you leave?
When all I can do is stand here and see you go,
'Cause we've shared the laughter and the pain
We've shared our joy and sufferings together,
And even shared the tears
We've even cried together,
So take a look at me now
See how I have changed now,
Well there's just an empty space
There's just loneliness and despair,
And there's nothing left here to remind me
There's nothing here to bring back the memories,
Just the memory of your face
Just the memory of your presence,
But to wait for you is all I can do
All I can do is wait for you,
And that's what I've got to face
That's what I need to confront,
I wish I could just make you turn around
I wish I could make you look back,
Turn around and see me cry
And see how much I am hurting,
There's so much I need to say to you
There's so much that I still want to tell you,
So many reasons why
So many things that I want to explain,
And you coming back to me is against the odds
It's unlikely that you'll come back to me,
And that's what I've got to face, oh
And that's what I need to accept,
'Cause I'll still be standing here
Even though you've left, I'll still be here,
And it's what I've got to face
And it's what I need to deal with,
Take a look at me now
Take a good look at me now
Lyrics © O/B/O APRA AMCOS
Written by: Phillip David Charles Collins
Lyrics Licensed & Provided by LyricFind