The brothers adopted the name Louvin Brothers in the 1940s as they began their career in gospel music. Their first foray into secular music was the minor hit "The Get Acquainted Waltz", recorded with Chet Atkins. Other hits included "Cash on the Barrelhead" and "When I Stop Dreaming". They joined the Grand Ole Opry in 1955 and stayed there until breaking up in 1963.
Their songs were heavily influenced by their Baptist faith and warned against sin. Ira Louvin was notorious for his drinking, womanizing, and short temper. He was married four times; his third wife Faye shot him four times in the chest and twice in the hand after he allegedly beat her. Although seriously injured, he survived. When performing and drinking, Ira would sometimes become angry enough on stage to smash his mandolin; otherwise his style was heavily influenced by Bill Monroe.
As of 1963, Charlie was making enough money that he was able to start a solo career, and Ira also went on his own.
Ira died on June 20, 1965, at the age of 41. He and his fourth wife, Anne Young, were on the way home from a performance in Kansas City when they came to a section of construction on Highway 70 outside of Williamsburg, Missouri where traffic had been reduced down to one lane. A drunken driver struck their car head-on, and both Ira and Anne were killed instantaneously.[4] At the time, a warrant for Ira's arrest had been issued on a DUI charge.
Country-rock band The Byrds recorded the Louvin-penned "The Christian Life" for their 1968 release Sweetheart of the Rodeo.
In 2001, the Louvin brothers were inducted into the Country Music Hall of Fame. The tribute CD Livin', Lovin', Losin': Songs of the Louvin Brothers, produced by Carl Jackson and Kathy Louvin and released in 2003, won the 2004 Grammy Award for Best Country Album.
Although the brothers are still remembered today for their musical talent, they are also remembered for the unusual cover used for their 1959 album, Satan Is Real. Designed by Ira Louvin, the cover features the brothers standing in a rock quarry in front of a 12-foot-tall (3.7 m) plywood rendition of the Devil as several hidden tires soaked in kerosene burn behind them as fire and brimstone. While some reviewers count this as being one of the "greatest iconic album covers of all time", the cover can also be found today on several Web sites celebrating unusual or bizarre album covers. The cover has also become an Internet meme on a number of Web sites such as Fark.com, where it has been posted in discussion threads as an example of religious views of the era.
The opening bars of the album's title track "Satan is Real" can be heard at the beginning of Hank Williams III's "Medley: Straight to Hell / Satan is Real", on his Straight to Hell album of 2006. It is also excerpted in Will Ferrell's 2009 one-man Broadway show, You're Welcome America. A Final Night With George W Bush.
Today
The Louvin Brothers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Our love will always be a hit and run affair
I know you love me but you're just a wanderer
Today I love you but tomorrow I may not care
For absence never makes the heart grow fonder
I get lonesome for someones company
Here today and gone tomorrow
When you're gone I wish we'd never met
For your memory remains within my heart
Here today and gone tomorrow
We can't be happy so I guess it's best we part
The Louvin Brothers' "Here today and gone tomorrow" is a song about the fleeting nature of love. The lyrics talk about a relationship that is doomed from the start, as both parties seem to be unsure of their commitment to each other. The singer acknowledges that their love is a "hit and run affair," meaning that it comes on strong and then disappears just as quickly. There is a sense of resignation in the lyrics, with the singer admitting that their love is just a fantasy and that they would be better off apart.
The line "absence never makes the heart grow fonder" is particularly poignant, as it suggests that the couple's time apart will only lead to further distance between them. The singer also seems to suggest that their memories of the relationship will be painful, as they wish they had never met their lover in the first place. Overall, the song has a melancholy tone and speaks to the universal experience of love that never quite lives up to our expectations.
Line by Line Meaning
Here today and gone tomorrow
Our relationship is volatile and unpredictable
Our love will always be a hit and run affair
Our relationship is fleeting and short-lived
I know you love me but you're just a wanderer
You have commitment issues and cannot stay in one place for long
Today I love you but tomorrow I may not care
My feelings for you are constantly changing and inconsistent
For absence never makes the heart grow fonder
Being apart from you only makes me feel more lonely and disconnected
I get lonesome for someone's company
I crave human connection and feel lonely when you're not here
And my loving you is just a fantasy
My feelings for you are based on an idealized version of you rather than reality
When you're gone I wish we'd never met
The pain of missing you makes me regret ever getting involved with you
For your memory remains within my heart
I cannot forget you, and your memory continues to haunt me even after you're gone
We can't be happy so I guess it's best we part
Our relationship is not sustainable, so it's better for us to end things and move on
Writer(s): HANK THOMPSON
Contributed by Joseph B. Suggest a correction in the comments below.
Marielle Martin
They were the best. I still play their music. β€ November 2020
Ilene Chatrie
Iβm just loving your songs
Deborah Blades
so beautiful // thanks / love
Gail Lynds
They always dressed nice !
Kurt Miller
Yellow shirts were buy one get one free.