The original group consisted of Stefan Cush (Vocals, Guitar), Paul Simmonds (Guitar, Bouzouki, Mandolin, Keyboards), Phil "Swill" Odgers (Vocals, Guitar, Tin Whistle, Melodica), Jon Odgers (Drums, Percussion) and Shanne Bradley (Bass, Flute).
Their first single, "The Green Fields of France", was released in 1984. Written by Eric Bogle (of 'The Band Played Waltzing Matilda' fame), the song's protagonist imagined having a conversation with one of the fallen soldiers of World War I whilst sitting by his graveside. The song received considerable airplay on the John Peel show on BBC Radio 1 and finished at No.3 in Peel's Festive 50 for that year.
The following year came TMTCH's debut album, 'The Night of a Thousand Candles' and its accompanying single "Ironmasters" - this time a self-penned number by main songwriter Simmonds, linking the Industrial Revolution to the present-day treatment of the working class. The original final line of the song - "and oh, that iron bastard, she still gets her way" (a reference to the then Prime Minister Margaret Thatcher) had to be removed for the single version to ensure radio airplay.
In 1985 the band signed for MCA records and released "How Green Is The Valley". The record included "Ghosts Of Cable Street" a political number concerning The Battle of Cable Street in 1936 and "Shirt Of Blue" which regarded the miners' strike of 1984-5 . At the end of promotion for the album Shanne Bradley was replaced on bass by Ricky McGuire (ex UK Subs ).
In 1987 the band switched to Magnet Records and the new record released was, what may fans consider their best "Waiting For Bonaparte". Once again the strongest songs were stories of historical origin. "The Colours" told of an English mutineer sailor during the Napoleonic War and "The Crest" a stretcher bearer during World War II. Sadly whilst "The Colours" was at no.61 in the British top 75 it was blacklisted by Radio 1 due to the line "You've Come Here To Watch Me Hang", which echoed the events happening in South African townships at the time.
In 1988 the band were on the move again and signed for new label Silvertone (who later put out The Stone Roses debut release). Highlights of "Silvertown" included "Rain, Steam and Speed", "A Place In The Sun" and "A Map Of Morocco". They followed this up in 1990 with "The Domino Club" , which had a more conventional rock sound dispensing with much of the folk element in their sound.
Surprisingly the band split in 1991 after releasing a live set "Alive, Alive-0". Paul Simmonds and "Swill" Odgers then formed Liberty Cage who released an album "Sleep Of The Just" in 1994 and an EP "I'll Keep It With Mine" in 1995.
To the delight of their fans the band reformed (minus drummer Jon Odgers who had become Therapy? drum technician). Their new cd was "Never Born To Follow", released on the Demon label in 1996. The following year the band released the mini-album "Six Pack". Two "Best Of" collections followed "Majestic Grill" and "The Mud, The Blood And The Beer" both 1998.
The band again withdrew into semi retirement during which Odgers and Simmonds again relased new material together, "Baby Fishlips" in 1999 and "Folk At The Fortress" in 2002.
The band released a brand new cd in 2003 "The Cherry Red Jukebox", which most fans agreed was a real return to form. In 2005 the band released a DVD to celebrate 21 years together "21 Years Of Love And Hate". This was later released as a live double CD "Smugglers and Bounty Hunters". The band continue to play occasional live concerts. Their next planned release is an acoustic folk orientated cd, including reworking of several popular old songs from their back catalogue.
During breaks from the band "Swill" Odgers has released two Cd's with his band "The Swaggerband" which includes Ricky McGuire and Jon Odgers plus lyrical contribution from Paul Simmonds. They are "The Day After" in 2004 and "Elvis Lives Here" on Irregular Records in 2006.
Official Website http://www.tmtch.net/
Denis Law And Ali Macgraw
The Men They Couldn't Hang Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Was There Really Life On Mars,
Jumping Jackie Pallo, Jackson Browne
Hillmann Hunters, Norman Hunter, Gary Sprake
Denis Law And Ali Mcgraw
And All Of Hattie Jacques
Chippers, Tomahawks And Choppers
Grasshopper Kwai Chang Kane
Confess You Wore A Rally-Jacket, Or Is It All A Blur
Gonna Get A Rally-Jacket, Gonna Get A Girl
This Time Tomorrow's Out Of Fashion
Everybody's Future's In The Breeze
I Want To Live Like All Our Yesterdays
In The Nineteen Seventies
Lucid Honey-Scented Grass - Fragrant And Serene
Kaleidoscopic Green And Mellow Yellow Tambourine
King Pour Party Seven - It's Got Everything You Need
Ain't Nobody Faking - Satisfaction Guaranteed
Terry, Tommy, Henry Cooper - Splash It On All Over
Eight Track Partridge Family On Your Motorola
This Time Tomorrow's Out Of Fashion
Everybody's Future's In The Breeze
I Want To Live Like All Our Yesterdays
In The Nineteen Seventies
Duckbill Shoes In Paintbox Hues
Orange-Feathered Hair
Suede-Head, Mod Or Greaser
Northern Soul At Southport Fair
Wizzard's In My Radio - See My Baby Jive
Armchair Theatre Revolutionaries Never Go To War
Three-Day Weeks And Edward Heath Ain't Worth Fighting For
The Devil Danced With Cozy Powell
The Devil Raced With Gun
The Who Put The Boot In At Swansea City
Seasons In The Sun
This Time Tomorrow's Out Of Fashion
Everybody's Future's In The Breeze
I Want To Live Like All Our Yesterdays
In The Nineteen Seventies
The Men They Couldn't Hang's song "Denis Law And Ali Macgraw" is a nostalgic trip into the past, expressing a strong desire to live in the 1970s. The lyrics contain a variety of cultural references to people, objects, and events from that period. The opening lines mention "Curly Wurlys, Aztec Bars," two popular chocolate bars from the time, and then ask the question "Was there really life on Mars," referencing David Bowie's hit song from 1971. The lyrics go on to mention famous wrestlers, Hillman Hunters cars, and footballers Norman Hunter and Gary Sprake, before name-checking Denis Law and Ali Macgraw, both popular figures in the 1970s.
The chorus of the song emphasizes the desire to live in the past, with the line "I want to live like all our yesterdays in the nineteen seventies." The verses are filled with more cultural references, including various types of motorcycles and the character Kwai Chang Kane from the TV series Kung Fu. The lyrics mention clothing items such as "rally jackets" and "duckbill shoes," as well as musical acts like Wizzard and The Who. Finally, the song references the political turmoil of the time, including the Three-Day Week and the controversial Prime Minister Edward Heath.
Overall, "Denis Law And Ali Macgraw" is a celebration of the 1970s and a lament for a bygone era that the singer wishes to return to.
Line by Line Meaning
Curly Wurlys, Aztec Bars
This song reminisces about various aspects of the singer's childhood, including the sweets they used to eat, such as Curly Wurlys and Aztec Bars.
Was There Really Life On Mars,
The singer wonders whether there was ever life on the planet Mars.
Jumping Jackie Pallo, Jackson Browne
The singer recalls wrestlers like Jumping Jackie Pallo and musicians like Jackson Browne, both of whom were popular in the 1970s.
Hillmann Hunters, Norman Hunter, Gary Sprake
The artist remembers cars like the Hillmann Hunter, as well as football players Norman Hunter and Gary Sprake.
Denis Law And Ali Mcgraw
The artist mentions the names of two famous people from the time period, soccer player Denis Law and actress Ali Macgraw.
And All Of Hattie Jacques
The singer also references the late British actress Hattie Jacques as someone they remember from their childhood.
Chippers, Tomahawks And Choppers
The singer mentions various types of toys, such as Chippers, Tomahawks, and Choppers.
And Red Space-Hoppers
The artist also recalls having a red space-hopper, which was a popular toy in the 1970s.
Grasshopper Kwai Chang Kane
The artist references the TV series Kung Fu, which starred David Carradine as the character Kwai Chang Kane, who was often likened to a grasshopper.
Confess You Wore A Rally-Jacket, Or Is It All A Blur
The artist asks their listeners to admit whether or not they wore a specific type of fashionable jacket from the 70s called a rally-jacket.
Gonna Get A Rally-Jacket, Gonna Get A Girl
The singer expresses their desire to obtain a rally-jacket and a girl to go with it, suggesting that these were popular items for young men during the time period.
This Time Tomorrow's Out Of Fashion
The artist suggests that tomorrow's trends are always changing, and this phrase could reflect anxiety about the future.
Everybody's Future's In The Breeze
The singer suggests that everyone's future is uncertain, like blowing in the breeze.
I Want To Live Like All Our Yesterdays
The singer desires to live as they did in the past, nostalgic for days gone by.
In The Nineteen Seventies
The singer clarifies that the time period they are nostalgic for is the 1970s.
Lucid Honey-Scented Grass - Fragrant And Serene
The artist describes a sensory memory of the scent of grass, perhaps at a childhood home or outdoor location.
Kaleidoscopic Green And Mellow Yellow Tambourine
The artist references the colors of a tambourine, perhaps recalling a musical performance they witnessed in the 70s.
King Pour Party Seven - It's Got Everything You Need
The singer references an alcoholic beverage called Party Seven, which was popular in the UK in the 1970s.
Ain't Nobody Faking - Satisfaction Guaranteed
The singer suggests that the quality of the drink is guaranteed and authentic.
Terry, Tommy, Henry Cooper - Splash It On All Over
The artist references various celebrity men, including boxers Henry Cooper and Terry Downes, and singer Tommy Steele, who promoted Brut aftershave in the 70s.
Eight Track Partridge Family On Your Motorola
The artist mentions the technology of the time, Eight Track cassettes, and how they would play the music of The Partridge Family on a Motorola device.
Duckbill Shoes In Paintbox Hues
The artist references fashion trends of the 70s, including Duckbill shoes which had a distinctive, pointy shape.
Orange-Feathered Hair
The singer recalls a popular hairstyle in the 70s, which involved using artificial hair dye to turn hair orange and styled in a feathered look.
Suede-Head, Mod Or Greaser
The artist references different subcultures of the time period, including the Suedeheads, Mods, and Greasers.
Northern Soul At Southport Fair
The singer references a music subculture called Northern Soul, which emerged in the UK in the late 60s and early 70s and became popular at events like Southport Fair.
Wizzard's In My Radio - See My Baby Jive
The singer references the band Wizzard and their popular hit song 'See My Baby Jive,' noting that it was playing on their radio at the time.
Armchair Theatre Revolutionaries Never Go To War
The singer critiques certain types of activists who talk a big game but never actually engage in real-world revolution or conflict.
Three-Day Weeks And Edward Heath Ain't Worth Fighting For
The artist references a time of economic hardship in the UK, during which the government implemented a three-day work week. They suggest that this was not worth fighting for.
The Devil Danced With Cozy Powell
The artist references the drummer Cozy Powell and the phrase 'the devil danced with,' which is a reference to the idea of making a deal with the devil.
The Devil Raced With Gun
The singer suggests that the devil is racing to keep up with the fast pace of modern life.
The Who Put The Boot In At Swansea City
The singer references the British rock band The Who, who played a concert in Swansea City during the 70s and were known for their energetic performances.
Seasons In The Sun
The artist references the song 'Seasons in the Sun' which was originally written in French but popularized in the UK and US in the 70s. It has sentimental lyrics about life and death.
Contributed by Natalie M. Suggest a correction in the comments below.
Paul Smeenis
on Ironmasters
Dunno what track 6 is but it sure isn't Ironmasters