The Pioneers were formed in 1962 by brothers Sydney and Derrick Crooks, and their friend Winston Hewitt. Their early recordings "Good Nanny" and "I'll Never Come Running Back to You" were self-produced at the Treasure Isle studio using money lent to the Crooks brothers by their mother and appeared on Ken Lack's Caltone label.
Several other singles followed, none of them hits, before Hewitt immigrated to Canada in 1966. Hewitt was replaced for around a year by former Heptone Glen Adams.
The Pioneers' early singles were not successful, and Sydney began promoting concerts, while Derrick took up a job with the Alcoa bauxite company. The group broke up in mid-1967.
Sydney began working at Joe Gibbs' record shop, and through Gibbs, returned to recording. At his first session (to record "Give Me Little Loving"), with the other members of The Pioneers gone, Crooks recruited Jackie Robinson, who he found outside the studio just before recording began. Crooks later said of the encounter:
"When I was about to voice the song I looked outside the studio and I saw a little boy sitting on a stone. I said 'Hey, come here man, you can sing?' He sang the harmony for 'Give Me Little Loving' and his name was Jackie Robinson. After that I said to him 'You are one of the Pioneers from today' and he became the lead singer of the Pioneers".
The new version of The Pioneers enjoyed success with singles such as "Longshot" (a track written and produced by Lee "Scratch" Perry on Gibbs' behalf about a long-lived but unsuccessful racehorse), "Jackpot", "Catch the Beat", and "Pan Yu Machete" (an attack on Perry, who left Gibbs in 1968 to start working on his own productions). Crooks and Robinson also recorded as The Soul Mates in 1967. The group parted ways with Gibbs after an argument and moved on to work with Leslie Kong, the first recording for Kong being "Samfie Man", a song about a confidence trickster, which topped the Jamaican singles chart.
The classic trio, and the move to the UK: 1969-77
After a few further singles with Kong, the group recruited Desmond Dekker's half-brother George Agard to become a trio again. Sydney Crooks and his former Pioneer brother Derrick, along with Winston Bailey also recorded as The Slickers, recording "Nana" for producer Neremiah Reid. The Pioneers scored again with a sequel to "Long Shot", "Long Shot (Kick De Bucket)". When Kong heard that the horse had died (during its 203rd race), he insisted that the group write a song about it; The song was written and recorded quickly and became an instant hit. The band was popular in the United Kingdom, particularly among skinheads. "Long Shot Kick de Bucket" was a big hit in 1969, and led to a tour of the UK, during which they resolved to relocate there. Their cover of Jimmy Cliff's "Let Your Yeah Be Yeah" made #5 as a single in 1971.
The band did indeed move to the UK in 1970. Their third UK hit was "Give and Take", which reached #35 in January 1972.
In 1976 the Pioneers teamed up with Eddy Grant for an album for Mercury Records called Feel The Rhythm. Grant preferred to produce them as a soul group and they released a number of singles in that idiom, including "Broken Man", "Feel The Rhythm" and "My Good Friend James"
The change of style was a critical but not a commercial success and the band split up for a time in the late 1970s, with Crooks concentrating on production work and continuing with his brother in The Slickers, while Agard and Robinson continued to record, together on the album George & Jackie Sing, and separately.
The group reformed in the late 1970s and continued until 1989, when they split again to concentrate on separate careers. "Long Shot Kick de Bucket" was a minor UK chart hit again in 1980 upon re-issue. At the same time, "Long Shot Kick de Bucket" was covered by The Specials on their The Special AKA Live! EP, which was a UK #1 hit in 1980.
The Pioneers song "Starvation" was also covered on the "Starvation/Tam Tam Pour L'Ethiopie" charity single released in 1985, which peaked at UK number 33. The Pioneers shared lead vocal duties on the single with members of UB40, with backing vocals by General Public.
In 1999, the group reformed again and have continued to perform together since.
In 2005, the Pioneers performed at the Maranhão Roots Reggae Festival in São Luís, Brazil before 15,000 fans. The following year they appeared at the Godiva Festival in the War Memorial Park, Coventry, England. "Long Shot Kick de Bucket" was used in the 2008 film, The Wackness.
The Pioneers also had a number 42 UK hit in 1980 with a double-A-side release of "Long Shot Kick de Bucket" and Harry J All-Stars' "Liquidator", and a four-track EP consisting of tracks by The Pioneers, The Maytals, The Skatalites, and Jimmy Cliff reached number 86 in 1989.
The Pioneers track "Jackpot" was covered by The Beat on their 1980 album I Just Can't Stop It. Their song "Starvation" was also covered on the "Starvation/Tam Tam Pour L'Ethiopie" charity single released in 1985.
The Selecter covered "Time Hard" as "Everyday" on their 1980 album Too Much Pressure
Discography
Albums
Greetings From The Pioneers - 1968 - Amalgamated - produced by Joe Gibbs
Long Shot - 1969 - Trojan Records - produced by Leslie Kong
Battle Of The Giants - 1970 - Trojan Records - produced by Leslie Kong
Yeah - 1971 - Trojan Records
I Believe In Love - 1972 - Trojan Records
Freedom Feeling - 1973 - Trojan Records
I'm Gonna Knock On Your Door - 1974 - Trojan Records
Feel The Rhythm -1976 - Mercury Records
Roll On Muddy River - 1977 - Trojan Records
Pusher Man - 1978 - Squad Disco
Pusher Man - 1978 - Trojan Records (different tracks to the Squad Disco release)
What A Feeling - 1980 - Pioneer International
Reggae for Lovers - D.M.C.
Compilations
From The Beginning - 1969-1976 - WWS
Kick De Bucket - Rhino Records
Greatest Reggae Hits - 1979 - Trojan Records
More Reggae For Lovers Vol.4 - 1985 - Vista Sounds
Longshot Kick De Bucket (The Best Of) - 1997 - Trojan Records
Let Your Yeah Be Yeah (Anthology) - 2002 - Trojan Records
Give And Take: The Best of The Pioneers - 2003 - Trojan Records
Singles
"Good Nanny" (196?), Caltone
"I'll Never Come Running Back to You" (196?), Caltone
"Sometimes" (1965), Island (B-side to Theo Beckford's "Trench Town People")
"Good Nanny" (1966), Rio
"Too Late" (1966), Rio
"Give Me Little Loving" (1968), Amalgamated
"Long Shot" (1968), Amalgamated
"Jackpot" (1968), Amalgamated
"No Dope Me Pony" (1968), Amalgamated
"Tickle Me For Days" (1968), Amalgamated
"Catch the Beat" (1968), Amalgamated
"Sweet Dreams" (1968), Amalgamated
"Shake It Up" (1968), Blue Cat
"Give It To Me" (1968), Blue Cat
"Whip Them" (1968), Blue Cat
"Reggae Beat" (1968), Blue Cat
"I Love No Other Girl" (1968), Caltone
"Easy Come Easy Go" (1968), Pyramid
"Pee Pee Cluck Cluck" (1968), Pyramid
"Pan Yu Machete"
"Love Love Everyday" (1969), Amalgamated (B-dside to the Moon Boys' "Apollo 11")
"Don't You Know" (1969), Amalgamated
"Mama Look Deh" (1969), Amalgamated
"Who the Cap Fits" (1969), Amalgamated
"Alli Button" (1969), Amalgamated
"Long Shot Kick De Bucket" (1969), Trojan (UK #21)
"Black Bud" (1969), Trojan
"Poor Rameses" (1969), Trojan
"Samfie Man" (1970), Trojan
"Boss Festival" (1970), Trojan
"Driven Back" (1970), Trojan
"Simmer Down Quashie" (1970), Trojan
"Battle of the Giants" (1970), Trojan
"Money Day" (1970), Trojan
"I Need Your Sweet Inspiration" (1970), Trojan
"Starvation" (1971), Summit
"Get Ready" (1971), Summit
"Land of Complexion" (1971), Summit
"Let Your Yeah Be Yeah" (1971), Trojan (UK #5)
"Give and Take" (1971), Trojan (UK #35)
"I am a Believer" (1971), Hot Shot
"Story Book Children" (1972), Summit
"I Believe in Love" (1972), Trojan
"Roll Muddy River" (1972), Ifusion
"At the Discotheque" (197?), Trojan
"Bad to be Good" (1973), Trojan
"Do It Right" (197?), Trojan
"Hit Me With Music", (197?), Trojan
"Some Livin' Some Dyin'" (197?), Trojan
"Sweet Number One" (197?), Trojan
"World Needs Love" (197?), Trojan
"Honey Bee" (1974), Trojan
"Jamaica Jerk Off" (1974), Trojan
"Feel The Rhythm (of You and I)" (1976), Mercury
"Broken Man" (1976), Mercury
"My Good Friend James" (1977), Mercury
"Mother Ritty" (19??), Beverleys
"Rock My Soul" (1985), Creole
"Reggae in London City" (1986)
"Bad Company" (198?), Pioneer International
"Starvation" (198?), Boss
"Papa Was a Rolling Stone" (1973), Joe Gibbs
"Bring Back the Yester Years" (1997), Joe Gibbs
"Run Run Run" (19??), MGA
"Mettle" (19??), Trojan
Don
The Pioneers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Say you do, baby when you don't
Let me know, honey, how you fell
Tell the truth now, is love real?
So, aw, aw
Well, honey don't
Well, honey don't
Honey don't
Honey don't
I say you will when you won't
Aw, aw, honey don't
Well, I love you, baby, and you ought to know
I like the way that you wear your clothes
Everything about you is so doggone sweet
You got that sand all over your feet
So, aw, aw
Well, honey don't
Honey don't
Honey don't
Honey don't
Honey don't
I say you will when you won't
Aw, aw, honey don't
I feel fine
Oh, oh, I say
Well Sometimes I love you on a Saturday night
Sunday morning you don't look right
You been out painting the town
Uh huh, baby you been slipping around
So, aw, aw
Well, honey don't
I say, honey don't
Honey don't
Honey don't
Honey don't
I say you will when you won't
Aw, aw, honey don't
Well, honey don't
Well, honey don't
A little, little, honey don't
I say, you will when you won't
Aw, aw, honey don't
The Pioneers' song "Don't" is a classic example of rock and roll music with its upbeat rhythm, catchy melody, and engaging lyrics. The song starts with an interesting paradox, "how come you say you will when you won't? Say you do, baby when you don't." This paradox is a reflection of one of the most common challenges in human relationships, dishonesty. The singer is confronting a loved one who is not being truthful about their feelings. The use of the word 'honey' in the song is a symbol of affection and endearment, which indicates that the singer genuinely cares about the relationship.
The chorus of the song, "Honey don't," is a repetition of a key message that the singer wants to communicate. This message is about the importance of honesty in a relationship. The singer says, "I say you will when you won't. Aw, aw, honey don't," which implies that if the relationship is to survive, there must be a level of commitment, trust, and honesty.
The song's bridge reinforces this message, as the singer talks about how the relationship is unpredictable. "Sometimes I love you on a Saturday night, Sunday morning, you don't look right. You've been out painting the town, Uh huh, baby, you've been slipping around," suggests that relationships can be challenging at times, but through honesty and love, they can endure.
Line by Line Meaning
Well, how come you say you will when you won't?
Why do you make promises you don't intend to keep?
Say you do, baby when you don't
You claim to have done something when you really haven't.
Let me know, honey, how you fell
Please tell me honestly how you feel about me.
Tell the truth now, is love real?
Be honest and tell me if you truly love me.
So, aw, aw
Expressing mild disappointment or frustration.
Well, honey don't
Don't make false promises or commitments.
I say you will when you won't
You pretend to agree or commit to something you have no intention of doing.
Well, I love you, baby, and you ought to know
I am revealing my true feelings of love for you, in hopes that you reciprocate.
I like the way that you wear your clothes
I appreciate your sense of style and how it complements you.
Everything about you is so doggone sweet
You are an all-around charming and delightful person.
You got that sand all over your feet
You have been spending time at the beach and it shows on your feet.
I feel fine
I am currently content with our relationship.
Well Sometimes I love you on a Saturday night
At times, I feel a strong affection for you on weekend nights.
Sunday morning you don't look right
However, the morning after, my feelings change and you don't seem to fit as well.
You been out painting the town
You have been socializing and possibly flirting with others.
Uh huh, baby you been slipping around
I suspect that you have been cheating on me.
A little, little, honey don't
I am pleading with you to act honestly and not deceive me.
Lyrics © Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Carl Lee Perkins
Lyrics Licensed & Provided by LyricFind