The Pioneers were formed in 1962 by brothers Sydney and Derrick Crooks, and their friend Winston Hewitt. Their early recordings "Good Nanny" and "I'll Never Come Running Back to You" were self-produced at the Treasure Isle studio using money lent to the Crooks brothers by their mother and appeared on Ken Lack's Caltone label.
Several other singles followed, none of them hits, before Hewitt immigrated to Canada in 1966. Hewitt was replaced for around a year by former Heptone Glen Adams.
The Pioneers' early singles were not successful, and Sydney began promoting concerts, while Derrick took up a job with the Alcoa bauxite company. The group broke up in mid-1967.
Sydney began working at Joe Gibbs' record shop, and through Gibbs, returned to recording. At his first session (to record "Give Me Little Loving"), with the other members of The Pioneers gone, Crooks recruited Jackie Robinson, who he found outside the studio just before recording began. Crooks later said of the encounter:
"When I was about to voice the song I looked outside the studio and I saw a little boy sitting on a stone. I said 'Hey, come here man, you can sing?' He sang the harmony for 'Give Me Little Loving' and his name was Jackie Robinson. After that I said to him 'You are one of the Pioneers from today' and he became the lead singer of the Pioneers".
The new version of The Pioneers enjoyed success with singles such as "Longshot" (a track written and produced by Lee "Scratch" Perry on Gibbs' behalf about a long-lived but unsuccessful racehorse), "Jackpot", "Catch the Beat", and "Pan Yu Machete" (an attack on Perry, who left Gibbs in 1968 to start working on his own productions). Crooks and Robinson also recorded as The Soul Mates in 1967. The group parted ways with Gibbs after an argument and moved on to work with Leslie Kong, the first recording for Kong being "Samfie Man", a song about a confidence trickster, which topped the Jamaican singles chart.
The classic trio, and the move to the UK: 1969-77
After a few further singles with Kong, the group recruited Desmond Dekker's half-brother George Agard to become a trio again. Sydney Crooks and his former Pioneer brother Derrick, along with Winston Bailey also recorded as The Slickers, recording "Nana" for producer Neremiah Reid. The Pioneers scored again with a sequel to "Long Shot", "Long Shot (Kick De Bucket)". When Kong heard that the horse had died (during its 203rd race), he insisted that the group write a song about it; The song was written and recorded quickly and became an instant hit. The band was popular in the United Kingdom, particularly among skinheads. "Long Shot Kick de Bucket" was a big hit in 1969, and led to a tour of the UK, during which they resolved to relocate there. Their cover of Jimmy Cliff's "Let Your Yeah Be Yeah" made #5 as a single in 1971.
The band did indeed move to the UK in 1970. Their third UK hit was "Give and Take", which reached #35 in January 1972.
In 1976 the Pioneers teamed up with Eddy Grant for an album for Mercury Records called Feel The Rhythm. Grant preferred to produce them as a soul group and they released a number of singles in that idiom, including "Broken Man", "Feel The Rhythm" and "My Good Friend James"
The change of style was a critical but not a commercial success and the band split up for a time in the late 1970s, with Crooks concentrating on production work and continuing with his brother in The Slickers, while Agard and Robinson continued to record, together on the album George & Jackie Sing, and separately.
The group reformed in the late 1970s and continued until 1989, when they split again to concentrate on separate careers. "Long Shot Kick de Bucket" was a minor UK chart hit again in 1980 upon re-issue. At the same time, "Long Shot Kick de Bucket" was covered by The Specials on their The Special AKA Live! EP, which was a UK #1 hit in 1980.
The Pioneers song "Starvation" was also covered on the "Starvation/Tam Tam Pour L'Ethiopie" charity single released in 1985, which peaked at UK number 33. The Pioneers shared lead vocal duties on the single with members of UB40, with backing vocals by General Public.
In 1999, the group reformed again and have continued to perform together since.
In 2005, the Pioneers performed at the Maranhรฃo Roots Reggae Festival in Sรฃo Luรญs, Brazil before 15,000 fans. The following year they appeared at the Godiva Festival in the War Memorial Park, Coventry, England. "Long Shot Kick de Bucket" was used in the 2008 film, The Wackness.
The Pioneers also had a number 42 UK hit in 1980 with a double-A-side release of "Long Shot Kick de Bucket" and Harry J All-Stars' "Liquidator", and a four-track EP consisting of tracks by The Pioneers, The Maytals, The Skatalites, and Jimmy Cliff reached number 86 in 1989.
The Pioneers track "Jackpot" was covered by The Beat on their 1980 album I Just Can't Stop It. Their song "Starvation" was also covered on the "Starvation/Tam Tam Pour L'Ethiopie" charity single released in 1985.
The Selecter covered "Time Hard" as "Everyday" on their 1980 album Too Much Pressure
Discography
Albums
Greetings From The Pioneers - 1968 - Amalgamated - produced by Joe Gibbs
Long Shot - 1969 - Trojan Records - produced by Leslie Kong
Battle Of The Giants - 1970 - Trojan Records - produced by Leslie Kong
Yeah - 1971 - Trojan Records
I Believe In Love - 1972 - Trojan Records
Freedom Feeling - 1973 - Trojan Records
I'm Gonna Knock On Your Door - 1974 - Trojan Records
Feel The Rhythm -1976 - Mercury Records
Roll On Muddy River - 1977 - Trojan Records
Pusher Man - 1978 - Squad Disco
Pusher Man - 1978 - Trojan Records (different tracks to the Squad Disco release)
What A Feeling - 1980 - Pioneer International
Reggae for Lovers - D.M.C.
Compilations
From The Beginning - 1969-1976 - WWS
Kick De Bucket - Rhino Records
Greatest Reggae Hits - 1979 - Trojan Records
More Reggae For Lovers Vol.4 - 1985 - Vista Sounds
Longshot Kick De Bucket (The Best Of) - 1997 - Trojan Records
Let Your Yeah Be Yeah (Anthology) - 2002 - Trojan Records
Give And Take: The Best of The Pioneers - 2003 - Trojan Records
Singles
"Good Nanny" (196?), Caltone
"I'll Never Come Running Back to You" (196?), Caltone
"Sometimes" (1965), Island (B-side to Theo Beckford's "Trench Town People")
"Good Nanny" (1966), Rio
"Too Late" (1966), Rio
"Give Me Little Loving" (1968), Amalgamated
"Long Shot" (1968), Amalgamated
"Jackpot" (1968), Amalgamated
"No Dope Me Pony" (1968), Amalgamated
"Tickle Me For Days" (1968), Amalgamated
"Catch the Beat" (1968), Amalgamated
"Sweet Dreams" (1968), Amalgamated
"Shake It Up" (1968), Blue Cat
"Give It To Me" (1968), Blue Cat
"Whip Them" (1968), Blue Cat
"Reggae Beat" (1968), Blue Cat
"I Love No Other Girl" (1968), Caltone
"Easy Come Easy Go" (1968), Pyramid
"Pee Pee Cluck Cluck" (1968), Pyramid
"Pan Yu Machete"
"Love Love Everyday" (1969), Amalgamated (B-dside to the Moon Boys' "Apollo 11")
"Don't You Know" (1969), Amalgamated
"Mama Look Deh" (1969), Amalgamated
"Who the Cap Fits" (1969), Amalgamated
"Alli Button" (1969), Amalgamated
"Long Shot Kick De Bucket" (1969), Trojan (UK #21)
"Black Bud" (1969), Trojan
"Poor Rameses" (1969), Trojan
"Samfie Man" (1970), Trojan
"Boss Festival" (1970), Trojan
"Driven Back" (1970), Trojan
"Simmer Down Quashie" (1970), Trojan
"Battle of the Giants" (1970), Trojan
"Money Day" (1970), Trojan
"I Need Your Sweet Inspiration" (1970), Trojan
"Starvation" (1971), Summit
"Get Ready" (1971), Summit
"Land of Complexion" (1971), Summit
"Let Your Yeah Be Yeah" (1971), Trojan (UK #5)
"Give and Take" (1971), Trojan (UK #35)
"I am a Believer" (1971), Hot Shot
"Story Book Children" (1972), Summit
"I Believe in Love" (1972), Trojan
"Roll Muddy River" (1972), Ifusion
"At the Discotheque" (197?), Trojan
"Bad to be Good" (1973), Trojan
"Do It Right" (197?), Trojan
"Hit Me With Music", (197?), Trojan
"Some Livin' Some Dyin'" (197?), Trojan
"Sweet Number One" (197?), Trojan
"World Needs Love" (197?), Trojan
"Honey Bee" (1974), Trojan
"Jamaica Jerk Off" (1974), Trojan
"Feel The Rhythm (of You and I)" (1976), Mercury
"Broken Man" (1976), Mercury
"My Good Friend James" (1977), Mercury
"Mother Ritty" (19??), Beverleys
"Rock My Soul" (1985), Creole
"Reggae in London City" (1986)
"Bad Company" (198?), Pioneer International
"Starvation" (198?), Boss
"Papa Was a Rolling Stone" (1973), Joe Gibbs
"Bring Back the Yester Years" (1997), Joe Gibbs
"Run Run Run" (19??), MGA
"Mettle" (19??), Trojan
Let It All Hang Out
The Pioneers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
after midnight, we're gonna chug-a-lug and shout
we're gonna cause talk and suspicion
give an exhibition
find out what it is all about
after midnight, we're gonna let it all hang out
after midnight, gonna shake your tambourine
after midnight, it's gonna be peaches and cream
give an exhibition
find out what it is all about
after midnight, we're gonna let it all hang out
after midnight, we're gonna let it all hang out
The Pioneers's song "Let It All Hang Out" is a simple yet frenetic tune about letting loose and forgetting societal norms. The lyrics suggest that after the clock strikes midnight, the group plans to engage in wild behavior such as chugging alcohol, shouting, and causing suspicion among onlookers. The song also mentions playing music with instruments like the tambourine, suggesting that the group plans to create a spontaneous and carefree atmosphere. The repetition of the lyrics, especially the statement "we're gonna let it all hang out" highlights that the group will remove their inhibitions and live life to the fullest.
The message of the song is clear- forget the rules and let loose. The lyrics are a testament to the youth counterculture of the 1960s, which encouraged people to reject conformity and embrace freedom. The simplicity of the song's melody and repetitive lyrics also suggest that the group could be coming together in the spirit of togetherness, suggesting that perhaps the song is about communal bonding and the creation of a communal identity.
Line by Line Meaning
After midnight, we're gonna let it all hang out
We're going to release all inhibitions and behave wildly after midnight
After midnight, we're gonna chug-a-lug and shout
We're going to drink excessively and yell loudly after midnight
We're gonna cause talk and suspicion
Our behavior will stir up gossip and doubt from others
Give an exhibition
We'll put on a show by acting flamboyantly or outrageously
Find out what it is all about
We'll discover and experience what it means to live life to the fullest
After midnight, gonna shake your tambourine
We're going to dance and make music with enthusiasm after midnight
After midnight, it's gonna be peaches and cream
Everything will be easy and perfect after midnight
We're gonna let it all hang out
We're going to be completely uninhibited and free
Writer(s): Jerry Masters, Gary Mcewen, B. B. Cunningham Jr, John Hunter
Contributed by Jason M. Suggest a correction in the comments below.
@MichaelSSmith-hs5pw
It was a hell of a lot more fun being 20 in the โ60s, than being 60 in the โ20s.๐คฃ
@TheOriginalRick
Ahhh... the 60s. Those of us who lived thru them were blessed.
@timmotel5804
I turn 70 on the 28th of this month. I will have lived through the 60s twice and now i'm starting to live through the 70s for the second time. memories
@whicker59
Yes indeed.
@coyotestylepro1150
If t/ 80s were drastically different in comparison to t/ 2020s i can only imagine how drastic t/ 60s were ๐๐
@masonsimpson4296
In order to make some sense out of the beginning 60s a person needed to experience the 50s,the calm before the chaotic 60s when all hell broke loose, the children of the 40s, 50s, 60, demanded change and they got it.
Amidst the chaotic circumstance was born a new age, history of the 60s and 70s will tell the rest of the story. What an amazing and exciting time to experience ,so many changes and alot were for the good of humanity.
Only time will tell if we have chosen a path of irreversible destruction of all civilization!!
Party on will you still can,I Guess, no one seems to care!!!
@Guitar44469
Yes yโall were so lucky my parents say that Iโm a 65 year old in a childโs body
@guydreamr
If the 60s had a motto, this would definitely be it. โโฎ
@TheCircleHouse
And today's culture would be wtf
@deltonkillen8024
Love it!
My generation.
Bring it on, man.