Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront of the British Invasion in 1964, becoming identified with the youthful and rebellious counterculture of the 1960s. They then found greater success with their own material, as "(I Can't Get No) Satisfaction" (1965), "Get Off of My Cloud" (1965), and "Paint It Black" (1966) became international number-one hits. Aftermath (1966) – their first entirely original album – is considered by The Daily Telegraph to be the most important of their formative records. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. They returned to their rhythm and blues roots with hit songs such as "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums such as Beggars Banquet (1968), featuring "Sympathy for the Devil", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter". Let It Bleed was the first of five consecutive number-one albums in the UK.
Jones left the band shortly before his death in 1969, having been replaced by guitarist Mick Taylor. That year they were first introduced on stage as "The Greatest Rock and Roll Band in the World". Sticky Fingers (1971), which yielded "Brown Sugar" and included the first usage of their tongue and lips logo, was their first of eight consecutive number-one studio albums in the US. Exile on Main St. (1972), featuring "Tumbling Dice", and Goats Head Soup (1973), yielding the hit ballad "Angie", were also best sellers. Taylor was replaced by Ron Wood in 1974. The band continued to release successful albums, including their two largest sellers: Some Girls (1978), featuring "Miss You", and Tattoo You (1981), featuring "Start Me Up". Steel Wheels (1989) was widely considered a comeback album and was followed by Voodoo Lounge (1994), a worldwide number-one album. Both releases were promoted by large stadium and arena tours, as the Stones continued to be a huge concert attraction; by 2007 they had recorded the all-time highest-grossing concert tour three times, and as recently as 2021 they were the highest-earning live act of the year. From Wyman's departure in 1993 to Watts' death in 2021, the band continued as a four-piece core, with Darryl Jones playing bass on tour and on most studio recordings, while Steve Jordan became their touring drummer following Watts' death. Their 2016 album, Blue & Lonesome, became their twelfth UK number-one album.
The Rolling Stones' estimated record sales of 200 million make them one of the best-selling music artists of all time. The band has won three Grammy Awards and a Grammy Lifetime Achievement Award. They were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. Billboard magazine and Rolling Stone have ranked the band as one of the greatest of all time.
Full Wikipedia article: https://en.wikipedia.org/wiki/The_Rolling_Stones
Studio albums
The Rolling Stones / England's Newest Hit Makers (1964)
12 X 5 (1964)
The Rolling Stones No. 2 / The Rolling Stones, Now! (1965)
Out of Our Heads (1965)
December's Children (And Everybody's) (1965)
Aftermath (1966)
Between the Buttons (1967)
Their Satanic Majesties Request (1967)
Beggars Banquet (1968)
Let It Bleed (1969)
Sticky Fingers (1971)
Exile on Main St. (1972)
Goats Head Soup (1973)
It's Only Rock 'n Roll (1974)
Black and Blue (1976)
Some Girls (1978)
Emotional Rescue (1980)
Tattoo You (1981)
Undercover (1983)
Dirty Work (1986)
Steel Wheels (1989)
Voodoo Lounge (1994)
Bridges to Babylon (1997)
A Bigger Bang (2005)
Blue & Lonesome (2016)
Hackney Diamonds (2023)
Oh No Not You Again
The Rolling Stones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Waiting to be kissed
You're a beauty, such a cutie
How could I resist?
It's been a month of Sundays
Since we last have spoke
So much water, you've got daughters
Oh no, not you again
Fucking up my life
It was bad the first time
I can't stand it twice
Oh no, not you again
I can't stand the pace
Once bitten, twice shy
Let me out of the race
The setting's so romantic
Love is in the air
All is perfect but I'm allergic
To your piercing stares
You look so cool and tempting
In your couture dress
You're addictive, as predicted
I'm nervous, I confess
Oh no, not you again
Messing up my life
It was bad the first time, yeah
You had me in a vice
Oh no, not you again
I hear the inner shout
It was bad the first time around
When you turned me inside out
Everybody's talking
Showing off their wit
The moon is yellow but I'm not jello
Staring down your tits
My life flashes forward
Then it flashes back
I'm still dreaming and I'm screaming
"Get me off the rack!"
Oh no, not you again
I can't stand the pain
I was burned the first time, yeah
I can't deal again
Oh no, not you again
Messing up my life, yeah
Once bitten, twice shy
But I can't do it twice
Oh no, not you again
Fucking up my life
It was bad the first time around
I better take my own advice
Oh no
The Rolling Stones's song Oh No Not You Again is a song about the frustration of dealing with someone who has caused problems in the past and has returned again to cause more. The song's narrator is faced with a person they find attractive but can't resist, despite knowing that this person has caused trouble in the past. The lyrics talk about the unpredictability of love, with the line "It's been a month of Sundays since we last have spoke" suggesting that the two parties have not seen each other in a long time, but they still find themselves irresistibly drawn to each other. The singer, however, is hesitant about getting involved again, as they don't want to be hurt once more.
The song's chorus, which repeats the phrase "Oh no, not you again" emphasizes the frustration felt by the singer over the situation. They are tired of this person continually being a source of trouble in their life and are exasperated by their inability to resist the temptation of this individual's charm. The singer is aware of the consequences of getting involved but can't help themselves. The mood of the song is upbeat and jazzy, with a catchy melody that adds to the easy tone of the song.
Line by Line Meaning
Here you stand before me
Waiting to be kissed
You're a beauty, such a cutie
How could I resist?
The singer sees someone he finds attractive and charming, but he knows from past experience that getting involved with this person will only lead to trouble.
It's been a month of Sundays
Since we last have spoke
So much water, you've got daughters
I fell out of the boat
It's been a long time since the singer has had contact with the person he's addressing. He knows a lot has happened in that time but he's confused and disoriented and wants to have nothing to do with the person.
Oh no, not you again
Fucking up my life
It was bad the first time
I can't stand it twice
The singer is reflecting on how chronicling the relationship between him and the other person has had a negative effect on his life. He's come to the conclusion that he can't deal with it anymore and tries to distance himself from the other person.
The setting's so romantic
Love is in the air
All is perfect but I'm allergic
To your piercing stares
The artist is acknowledging how physically appealing the environment and the person he's addressing is, but he's also on guard against the other person's manipulative, coveting behavior.
You look so cool and tempting
In your couture dress
You're addictive, as predicted
I'm nervous, I confess
The person in question seems like a high-class, alluring object of desire to the artist, but he realizes that he's too easily caught up in the person's manipulative behavior and is worried about repeating past mistakes.
Oh no, not you again
Messing up my life
It was bad the first time, yeah
You had me in a vice
The singer is haunted by bad memories of the person in question, who has been emotionally and psychologically controlling of him in the past, and is terrified of getting sucked back in again.
Oh no, not you again
I hear the inner shout
It was bad the first time around
When you turned me inside out
The singer is overwhelmed with fear because the person in question has already done him wrong before, and he can barely control his internalized shame that was caused by their initial relationship.
Everybody's talking
Showing off their wit
The moon is yellow but I'm not jello
Staring down your tits
The artist is dealing with social distractions and visual distractions. He's fixated on the person's physical attributes and is trying to distance himself from them outwardly.
My life flashes forward
Then it flashes back
I'm still dreaming and I'm screaming
"Get me off the rack!"
The artist is in a deeply negative headspace and he feels trapped inside of his anxiety about the other person. He's alternating between destructive behavior and trying to break free of their grip on him.
Oh no, not you again
I can't stand the pain
I was burned the first time, yeah
I can't deal again
The artist is struggling with the pain and anxiety that this person brings him. He decides that it's not worth the cost to keep engaging with them and so decides to protect himself by cutting off his relationship with the person.
Oh no, not you again
Messing up my life, yeah
Once bitten, twice shy
But I can't do it twice
The singer feels like he's been victimized emotionally by this person in the past and is deeply suspicious of them. He knows he's not in a position to handle another emotional blow from them and decides to protect himself by dumping them.
Oh no, not you again
Fucking up my life
It was bad the first time around
I better take my own advice
The artist is advocating for himself to take his own advice – stay away from toxic people and from those who have already hurt him. He's come to the conclusion that the person is a bad influence and will only cause trouble for him if he allows them back into his life.
Lyrics © BMG Rights Management
Written by: KEITH RICHARDS, MICK JAGGER
Lyrics Licensed & Provided by LyricFind
Greg Halder
on 2000 Light Years From Home
Totally underrated track and album..