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The Seige Lyrics

Aye hold up man
The singer requests attention.

I got something to say man wait
The singer has something important to say and asks people to wait.

What y′all out here for man?
The singer questions the reason for people being present.

What you here for huh?
The artist asks again and stresses on the importance of the purpose.

Does your life matter?
The artist asks a deep, existential question about the purpose and value of one's life.

Does your life matter?
The singer repeats the question to emphasize on the previous point.

You ready for this?
The singer asks if the audience is ready for the message that will be delivered.

You ready to take control?
The artist asks if the audience is willing to take the power in their own hands.

Are you giving up control or are you taking control?
The artist proposes two alternatives - either surrender control or claim control.

Huh?
The artist asks for an answer or response to the questions asked.

You know what happens
The singer implies that not taking control has consequences.

You know what happens to people who don't take control?
The artist asks a rhetorical question to draw attention to the possible negative effects of not taking control.

They get deleted
The singer uses a direct and powerful metaphor to explain the negative consequences of not taking control.

You ready to get deleted or are you ready to take control?
The singer repeats the question and language used to remind the audience of the importance and consequences of their decision.

Huh?
The singer repeats the call for response.

Get on your feet
The artist encourages the audience to stand and take action.

Let′s go
The artist uses a common phrase that signifies beginning an action or journey.

Pack your bags girl let's get out of dodge
The singer uses a slang phrase to suggest leaving a place or situation, indicating a desire for change.

Sick of living life
The singer expresses dissatisfaction with their current lifestyle.

Sick of counting scars
The artist uses metaphorical language to describe the emotional and physical pain they have experienced.

We the ones who go to war against the Gods
The artist uses a hyperbolic phrase to convey their resilience and determination to challenge powerful entities or systems.

We the shadows that move around in the dark
The artist uses metaphorical language to portray their identity as hidden or unseen but still present and active.

Take your life back
The singer encourages the audience to regain their power over their own lives.

Take your time nigga
The artist provides guidance to their audience, emphasizing the importance of patience and making thoughtful decisions.

Welcome to the Tribe, Check the rhyme nigga I was doing bad, couldn't find niggas Now my phone ringing all the time nigga We the Only ones Holy sons Mommas dead kids holding guns
The singer uses a series of rhyming lines that underline their sense of community and belonging, specifically highlighting their ability to support one another through difficult circumstances and situations.

Catch em′ early put that poison In their bottles, word to Donald Trump
The singer uses a metaphorical phrase to criticize Donald Trump and those who use similar tactics to manipulate or harm others.

Walking around with the zombies I know my home team got me Michael Jordan with the Scotty Apollo Creed with the Rocky
The singer uses a series of metaphors to emphasize their close relationship with their team and their ability to support and protect one another.

We gon′ take it fast You can take it slow We don't take no breaks We just take control
The artist emphasizes their determination to take control and challenge existing power structures, regardless of the speed or pace at which they do so.

Take control Put out your flags Let′s get it Spazz, go Take it Take control We gotta take control Hands up let's take control Get on your feet let′s take control
The artist uses a series of commands and exclamations to motivate and guide the audience towards taking control and asserting their power.

Fight for what you know
The singer encourages the audience to advocate for their beliefs and what they know to be true.

This is the new wave Be your own boss That drop out of school wave Don′t be a fool wave Stop being a slave for minimum crew wage Graduate and try your luck Couple thousand for them books What you got? A desk job or a sex job, boy you still gettin' fucked
The singer uses a series of lines that critique modern societal structures and promote individualism and empowerment.

Wit' it now Break the pillars down
The artist uses a bold metaphor to encourage their audience to challenge existing systems and structures.

I don′t fall in love I just hit it now
The artist uses a line that objectifies women, suggesting that he only engages in sexual relationships without deeper emotional connections.

She said why is that I just gave her facts Gave my heart up once and I aint get it back
The artist describes a past experience where they were emotionally vulnerable and were hurt as a result.

Turned into a savage Happy with the madness
The singer describes a change in their personality, becoming more aggressive and seeming to enjoy causing chaos or disruption.

Sick of living broke Trying to find the balance
The artist expresses dissatisfaction with their financial situation and the challenges of finding a balance between different priorities.

Moving through the paint But they steady fouling Bearing all my fruits Feeding my battalion
The singer uses a series of sports-related metaphors to describe their resilience in the face of adversity and how they provide support to their team or community.

Fight the power We gotta take control right now everybody bring it Light it on fire Every time we′ve been down we take control It's our country baby Let′s take control Let's go
The singer uses a series of exhortations to build momentum and encourage the audience to take control and challenge established power structures.

Get on your feet Let′s take control
The singer repeats their earlier command, emphasizing the importance of standing up and taking action.