1) T… Read Full Bio ↴There is more than one act that goes by the name 'The Shadows';
1) The Shadows (originally known as the Drifters) were an English instrumental rock group, who dominated the British popular music charts in the late 1950s and early 1960s, in the pre-Beatles era. They served as the backing band for Cliff Richard from 1958 to 1968, and have joined him for several reunion tours.
The Shadows have had 69 UK chart singles from the 1950s to the 2000s, 35 credited to the Shadows and 34 to Cliff Richard and the Shadows. The group, who were in the forefront of the UK beat-group boom, were the first backing band to emerge as stars. As pioneers of the four-member instrumental format, the band consisted of lead guitar, rhythm guitar, bass guitar and drums. Their range covers pop, rock, surf rock and ballads with a jazz influence.
The core members from 1958 to present are guitarists Hank Marvin and Bruce Welch and drummer Brian Bennett (who has been with the group since 1961) with various bassists and occasionally keyboardists through the years. Along with the Fender and the Burns guitars, another cornerstone of the Shadows sound was the Vox amplifier. Around 1964, the Shadows replaced the Fender with the Burns, Bruce Welch citing tuning issues as the main reason.
The Shadows' number one hits include "Apache", "Kon-Tiki", "Wonderful Land", "Foot Tapper" and "Dance On!". Although these and most of their best-remembered hits were instrumentals, the group also recorded occasional vocal numbers, and hit the UK top ten with the group-sung "Don't Make My Baby Blue" in 1965. Four other vocal songs by the Shadows also made the UK charts. They disbanded in 1968, but reunited in the 1970s for further commercial success.
The Shadows are the fifth most successful act on the UK Singles Chart, behind Elvis Presley, the Beatles, Cliff Richard and Madonna. The Shadows and Cliff Richard & the Shadows each have had four No. 1 selling EPs.
The Shadows are difficult to categorize because of their stylistic range, which includes pop, rock, surf rock and ballads with a jazz influence. Most tunes are instrumental rock, with a few vocal numbers. Their rhythmic style is primarily on the beat, with little syncopation. They said in 1992 that "Apache" set the tone with its surf guitar sound.
The Shadows have been cited as a major influence on many guitarists, including Brian May, Eric Clapton, Mark Knopfler, Andy Summers, Ritchie Blackmore, David Gilmour, Tommy Emmanuel, Andy Powell and Tony Iommi. A tribute album, Twang! A Tribute to Hank Marvin & the Shadows (Capitol 33928), in October 1996 featured Blackmore, Iommi, Peter Green, Randy Bachman, Neil Young, Mark Knopfler, Peter Frampton and others playing Shadows hits. The early set of Queen (who played their first gig on 27 June 1970 with Freddie Mercury, Roger Taylor and Brian May) included a cover of Cliff and the Shadows' "Please Don't Tease".
The Shadows influenced 1960s Yugoslav beat bands like Atomi, Bele Višnje, Bijele Strijele, Crni Biseri, Crveni Koralji, Daltoni, Delfini, Elektroni, Elipse, Iskre, Samonikli, Siluete and Zlatni Dečaci, all of whom were the pioneers of the Yugoslav rock scene. In the words of Crni Biseri member Vladimir Janković "Jet" (who got his nickname after Harris), "even the Beatles weren't as popular in Belgrade as the Shadows were". The second episode of Rockovnik, a Serbian 2011 documentary series about the Yugoslav rock scene, deals with the appearance of the Shadows and the influence they had on Yugoslav bands.
2) A band out of Georgia who recorded the album titled 'It Ain't Easy If It's Not Sleazy'.
Recorded at Kala studios, Atlanta, Georgia. Includes liner notes by Bryan Cole. Producers: The Shadows, Sam Whiteside, Bryan Cole. The Shadows: Joel Murphy (guitar, vocals); Albey Scholl (harmonica, saxophones, background vocals); Roger Gregory (Fender bass, acoustic bass); Tom Chavers (drums). Additional personnel: Luther "Houserocker" Johnson (guitar); Steve McRay (piano, Hammond B-3); Francine Reed (backing vocals).
As you'll hear on this effort, The Shadows have taken blues, rock, country, rock-a-billy, and a number of other musical "spices" and come up with their own boiling gumbo. In the tradition of groups like Little Feat, Los Lobos and The Band, they have developed a unique sound while still being respectful of their influences. It was my sincere pleasure to work with such a fine group. All of us involved hope you will dig what you hear - Turn It Up! (Bryan Cole)
3) Known best for their longtime residence at Blind Willie's, a popular blues club in Atlanta, the Shadows released several albums during the '90s before the untimely death of singer/guitarist Mike Lorenz. Shadows bassist Roger Gregory opened Blind Willie's in 1986 with Eric King. The club, which is located in the Virginia-Highland neighborhood of Atlanta, hosted many local blues artists such as Billy Wright, Grady "Fats" Jackson, Sandra Hall, and Chicago Bob.
In 1988, Chicago Bob, who was also a Blind Willie's resident, recorded an album called Just Your Fool that featured the Shadows as his backing band. A few years later, in 1992, the Shadows -- comprised of Gregory, Lorenz, harp/saxman Albey Scholl, and drummer Tom Chavers -- released an album of their own, Party Tuff or Stay Home!, that Ichiban released.
Several successive albums followed: It Ain't Easy Bein' Sleazy (1993), Steppin' to the Shadows (1994), Dreamtime (1994), Dark Side of the Shadows (1995), Pale Interpretators (1997), and One Night of Sin (2000). Unfortunately, Lorenz died an accidental death on July 3, 2001, when his car caught on fire behind his home after he'd fallen asleep with the car running. ~ Jason Birchmeier, Rovi
4) The Shadows is a heavy metal band from Chile signed with Sentient Ruin Laboratories.
After the pure magic and fire of the "Into the Nightmare" precursor demo tape, we're thrilled to bring you its full-scale successor and evolution: the unrivaled debut album by Chilean heavy metal cult Shadows. Packing in 30 minutes of legendary songwriting and visionary revivalism "Out for Blood" takes us back to a time, somewhere in the early 80's, when acts like Mercyful Fate, Satan, Death SS, Judas Priest, and Alice Cooper were laying the unforgettable foundations of what would soon become a generational, industry-changing phenomenon: the defining of heavy metal as we know it. A raging and undying fire of searing leads, thundering drums, spooky operatic vocals, ripping guitars, unforgettable hooks and outrageous transgression. With no hesitation or limits to its deathless imagination, Shadows has conceived a classic metal crucible of unparalleled wizardry and dominance, using familiar concepts borrowed from dark b-movies, old comic strips, occultism and esotericism to take the listener down a dark, left-hand path of cinematic storytelling, thrilling fantasy, dark impulses and transgressive paranoia.
The ten tracks of "Out for Blood" display a breadth of tricks and expertise rarely seen at such an accomplished level in contemporary NWOTHM and classic metal acts, and this should come as no surprise knowing that Shadows mastermind and main songwriter John Shades (a pseudonym of Cristian Silva of Apostasy fame), has been shaping the pillars of true and untamed underground South American heavy metal for at least three decades. Using a mist of dark, keyboard-laden atmospheres, vorticose melodies and a dominating, dual attack of criss-crossing, blazing razor-sharp solos, Shades and his co-conspirators have unfolded a half-hour of absolute, boundless imagination, covering almost fifty years of heavy metal evolution and transformation, and delving deep into the primordial fabric of the genre's most defining traits, those of technical extremism, frantic intensity, and adrenaline-pumping darkness. A full-frontal assault on the senses where the limitless imagination of epic storytelling and of rare musicianship have converged in creating the ultimate homage, heirloom and celebration to the undying, sacred and eternal flame of heavy metal.
5) S H A D O W S is a punk rock band from Japan formed in 2009.
https://www.last.fm/music/%EF%BC%B3%EF%BC%A8%EF%BC%A1%EF%BC%A4%EF%BC%AF%EF%BC%B7%EF%BC%B3
Round And Round
The Shadows Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Life is more than just tryna be the best around
If it's bout money then it's something we can talk about
Put some respect on my name if it come out your mouth
If you a snake nigga please stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
Whole clique crows cause it's murder when we show up
Breaking every record they thinking I work for Sho Nuff
Grass stay cut and I'm watching you niggas slither
Like the gospel in my vocals, what I give you is scripture
Rip the track apart, this is art and I'm Picasso
Trained for the cold world like I'm working out with Drago
I don't deal with fakes, and the snakes will get they heads chopped
Bars got a flare, this that figure four leg lock
Ghost pepper reaper bro, everything I said hot
Sniper with the ladies, I just show up for the headshots
Let's not pretend you nigga seeing me on any level
I was born in hell, coming up I seen a lot of devils
Praying on my downfall turns you into prey for me
This ain't Hamilton, you don't want to rap and play with me
Big bitch, Baby D, please stay away from me
If any of you niggas hating me
I got too much to live for
Life is more than just tryna be the best
If it's bout money then it's something we can talk about
Put some respect on my name if it come out your mouth
If you a snake nigga please stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
If you a snake stay the fuck from round me
Young naive, only worried about copping items
Wanting to be fly, now my friends are dropping like them
Fuck those meds, you pessimistic
My head is twisted with these premonitions
That amounts to cash flow, so you assholes know I see you tryna steal the signs like an Astro
See my name frontpage I'm ill
Knowing that any day that this fame could kill
Yeah these problems I'ma meddle with these
Grab the metal and squeeze
Never settle for the devilish greed
A fallen angel still can't level with me
And if you hear who's on this track you know our levels are even
You make a lot of moves, I turn them down
I consume the space that you work around
My frame of mind it don't exist, I'm thinking out the box
Got a problem? Meet me outside with the balls to box
I got too much to live for
Life is more than just tryna be the best
If it's bout money then it's something we can talk about
Put some respect on my name if it come out your mouth
If you a snake nigga please stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
If you a snake stay the fuck from round me
To be advised, I ain't with the fake shit
Snakes get hit with the 8 quick, that's ape shit
Rules of the jungle, I'm humble with it, you fumble with it
Glock will rumble, put you in the Earth at a social distance
That's six feet for you slow niggas, I wrote for real
These niggas they roll on reels but I ain't with the acting
Jay Reed's from Akron, tryna front on God
No fake, that's 6ix9ine shit, they go both ways
Let's get it shaking, money in the conversation
I'm an alchemist nigga, cause we gone make it
That's a double, since Big was rapping bout Lex Bubbles
I was round the hustle
That's worth a flintstones like the rubbles
Bout my money, by the duffle
I got niggas that might touch you if you fuck around
Come around me on your Belly they put you on the ground
And underground, that's mad shit for the realest is
If you can't feel that disappear
I got too much to live for
Life is more than just tryna be the best
If it's bout money then it's something we can talk about
Put some respect on my name if it come out your mouth
If you a snake nigga please stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
Stay the fuck from round me
If you a snake stay the fuck from round me
In "Round and Round" by The Shadows, the lyrics convey a strong message about self-worth, integrity, and the consequences of associating with dishonest and fake people. The song emphasizes that life is more than just striving to be the best or accumulating wealth. Instead, it encourages putting value on personal relationships and respecting others' names and reputations.
The first verse talks about staying away from "snake" individuals who only bring negativity and betrayal into one's life. The repetition of the line "stay the fuck from round me" emphasizes the singer's strong desire to distance themselves from such toxic individuals. The lyrics imply that these "snakes" are those who lack loyalty or have ulterior motives and urges listeners not to associate with them.
The second verse highlights the singer's talent and determination, comparing themselves to an artist like Picasso. They declare their refusal to deal with fakes and their ability to overcome obstacles. The lines about being born in hell and encountering many devils symbolize the hardships faced and how these experiences have shaped the singer into a strong individual.
The third verse delves into personal growth and reflection. The lyrics depict the artist's evolution from a young, naive person driven by materialistic desires to someone who can see through the deception and seeks true success. The lines about turning down opportunities and thinking outside the box indicate a refusal to conform to societal norms. The mention of having a problem and the willingness to confront it physically with boxing shows a confrontational and determined attitude.
The final verse emphasizes the singer's authenticity and warns against engaging in deceitful behavior. The analogy of snakes getting hit and the mention of the "rules of the jungle" suggest that those who engage in fake behavior will face consequences. The lyrics also touch upon the importance of money and success as a way to elevate oneself. The mention of being an alchemist refers to the artist's ability to turn anything into gold. The verse further illustrates the singer's commitment to their hustle and the loyalty of their crew.
Overall, "Round and Round" urges listeners to value personal integrity, self-worth, and respect for others. It warns against associating with disloyal and deceitful individuals while emphasizing the importance of personal growth and determination. The lyrics paint a picture of an artist who has overcome adversity and risen above negativity, focusing on their journey toward success and authenticity.
Line by Line Meaning
I got too much to live for
I have many reasons to keep living and enjoying life
Life is more than just tryna be the best around
Life is about more than just striving to be the top
If it's bout money then it's something we can talk about
If the conversation revolves around money, we can discuss it
Put some respect on my name if it come out your mouth
Show me respect when you mention me
If you a snake nigga please stay the fuck from round me
If you are a deceitful person, please stay away from me
Stay the fuck from round me
Keep your distance from me
Whole clique crows cause it's murder when we show up
Our group attracts attention and causes a stir when we arrive
Breaking every record they thinking I work for Sho Nuff
We are surpassing expectations, making people think we have a secret advantage
Grass stay cut and I'm watching you niggas slither
I keep my surroundings clean and observe the deceptive actions of others
Like the gospel in my vocals, what I give you is scripture
My music carries a powerful message, like religious teachings
Rip the track apart, this is art and I'm Picasso
I showcase my artistic skills by dismantling the song, like Picasso with his paintings
Trained for the cold world like I'm working out with Drago
I am prepared for the harsh realities of life, just like training with Drago from Rocky IV
I don't deal with fakes, and the snakes will get they heads chopped
I don't associate with fake people, and those who deceive will face consequences
Bars got a flare, this that figure four leg lock
My lyrics have a unique style and deliver a strong impact, like a figure four leg lock in wrestling
Ghost pepper reaper bro, everything I said hot
My words are powerful and fiery, like a ghost pepper that brings intense heat
Sniper with the ladies, I just show up for the headshots
I am skilled at capturing the attention of women and only interested in casual encounters
Let's not pretend you nigga seeing me on any level
Don't pretend that you are on the same level as me
I was born in hell, coming up I seen a lot of devils
I grew up in a challenging environment and encountered many evil people
Praying on my downfall turns you into prey for me
If you hope for my failure, you become vulnerable to my retaliation
This ain't Hamilton, you don't want to rap and play with me
Don't mistake this for a friendly game like Hamilton, you don't want to engage in a rap battle with me
Big bitch, Baby D, please stay away from me
Avoid me, Big bitch, Baby D
Young naive, only worried about copping items
When I was young and inexperienced, I only cared about acquiring material possessions
Wanting to be fly, now my friends are dropping like them
Desiring to be fashionable, now I see my friends abandoning me
Fuck those meds, you pessimistic
I don't care about medication, you're pessimistic
My head is twisted with these premonitions
My mind is filled with unsettling predictions
That amounts to cash flow, so you assholes know I see you tryna steal the signs like an Astro
This leads to financial success, and I'm aware of your attempts to deceive and profit like a baseball team's sign-stealing scandal
See my name frontpage I'm ill
Being featured on the front page highlights my talent and success
Knowing that any day that this fame could kill
Being aware that fame can have destructive consequences
Yeah these problems I'ma meddle with these
Yes, I will involve myself in these troubles
Grab the metal and squeeze
Take a weapon and exert force
Never settle for the devilish greed
I refuse to accept the temptation of selfish desires
A fallen angel still can't level with me
Even though I may have made mistakes, I am still superior to others
And if you hear who's on this track you know our levels are even
If you recognize the artists on this song, you would understand that we are equally talented
You make a lot of moves, I turn them down
You may make many attempts, but I reject them
I consume the space that you work around
I dominate the area where you operate
My frame of mind it don't exist, I'm thinking out the box
I have a unique perspective and don't conform to conventional thinking
Got a problem? Meet me outside with the balls to box
If you have an issue, confront me in a physical fight with courage
To be advised, I ain't with the fake shit
Just to let you know, I don't tolerate dishonesty
Snakes get hit with the 8 quick, that's ape shit
I swiftly deal with deceitful people, it's a wild reaction
Rules of the jungle, I'm humble with it, you fumble with it
Following the laws of survival, I am modest in my actions while you struggle
Glock will rumble, put you in the Earth at a social distance
My gun will make a loud noise and bury you in the ground, at a safe distance due to social distancing
That's six feet for you slow niggas, I wrote for real
That means you will be six feet underground, a serious consequence for those who don't understand
These niggas they roll on reels but I ain't with the acting
These individuals fake their actions, but I am not interested in playing a role
Jay Reed's from Akron, tryna front on God
I am Jay Reed from Akron, Ohio, and I won't tolerate anyone disrespecting me
No fake, that's 6ix9ine shit, they go both ways
I don't engage in deception like 6ix9ine, who collaborates with multiple sides
Let's get it shaking, money in the conversation
Let's get things moving, with money as the topic of discussion
I'm an alchemist nigga, cause we gone make it
I am a skilled creator, because we are going to succeed
That's a double, since Big was rapping bout Lex Bubbles
That's a powerful accomplishment, referencing Notorious B.I.G.'s lyrics about luxury cars
I was round the hustle
I was involved in the street life and illegal activities
That's worth a flintstones like the rubbles
That's valuable like the Flintstones' house in the cartoon
Bout my money, by the duffle
I am serious about making money, carrying large amounts
I got niggas that might touch you if you fuck around
I have associates who might harm you if you provoke them
Come around me on your Belly they put you on the ground
If you approach me in a confrontational manner, my associates will swiftly subdue you
And underground, that's mad shit for the realest is
And when it comes to the underground music scene, I am highly respected
If you can't feel that disappear
If you can't understand and appreciate my music, then you should go away
Lyrics © O/B/O DistroKid
Written by: Abraham Brown, Chad Amatangelo, Deon Flynn, Gerald Washington
Lyrics Licensed & Provided by LyricFind
Kevin Douglas
They were extremely brilliant artists and musicians.
Norman Gensler
what a clean sound for sixty three! Good echo, vibrato, as well... impressive!! actually, this sounds like an excellent movie background theme!~
RockinRedRover
that clean sound was the same for all the Shads, Cliff, etc etc recordings, going back to the late 50s nevermind 62 - cos it was recorded properly at EMI's Abbey Road studio.
Jay Morgan
A great piece by the Shads when I first heard this no I used to play it over n over
Papprajoo Sachanarayana
My first tune i ever played by the Shadows
Kevin Traynor
I always rember hanks one line in Summer holiday when playing this instrumental " I feel so cool"
Maggie Grayson
Burton Cumming's (The Guess Who) favorite Shadows song per FB today.
James George Coke
My all time favorite. Cannot find this on any other album. Only on the the Summer Holiday cd.
Kevin Douglas
@Bryt25 This track made the film.
Bryt25
In the sixties our band wanted to learn this but couldn't find a recording...