Members
Julian Casablancas (vocals), Nick Valensi (guitar), Albert Hammond Jr. (guitar), Nikolai Fraiture (bass), and Fabrizio Moretti (drums)
Formation
The founding process of The Strokes was a serendipitous convergence of childhood connections and a shared musical vision. Julian Casablancas, Fabrizio Moretti, and Nick Valensi, childhood friends with varying musical experiences, came together in the late '90s. The trio's dynamic was enriched with the addition of guitarist Albert Hammond Jr. and bassist Nikolai Fraiture. Bonded by a mutual love for garage rock, punk, and new wave, the quintet officially formed The Strokes in 1998, embarking on a journey to synthesize their diverse influences into a sound that would later redefine the indie rock landscape. The amalgamation of their individual talents and shared passion for music set the stage for The Strokes' rise to prominence in the early 2000s.
Is This It (2001)
"Is This It" The Strokes" debut album released in 2001 under the reputable record label RCA, is an electrifying sonic manifesto that not only redefined the landscape of indie rock but also garnered widespread critical acclaim. Infused with a raw and unfiltered energy, the album became an instant classic, hailed for its gritty exploration of New York City's underground music scene. Featuring iconic tracks like "Last Nite" and "Someday," Julian Casablancas' charismatic vocals, Nick Valensi and Albert Hammond Jr.'s guitar interplay, and the band's overall swagger made "Is This It" a timeless masterpiece. Its critical acclaim propelled The Strokes to the forefront of the early 2000s indie rock revival, cementing their status as trailblazers in the genre.
Room On Fire (2003)
"Room On Fire" the sophomore album by The Strokes released in 2003, seamlessly follows the success of their groundbreaking debut, "Is This It" The Strokes" (2001). While "Is This It" The Strokes" quickly became a cultural touchstone and achieved widespread acclaim, "Room On Fire" faced the challenge of living up to its predecessor's legacy.
From the rhythmic urgency of "12:51" to the infectious guitar riffs of "Reptilia," each track on "Room On Fire" showcases The Strokes' continued commitment to crafting catchy, yet substantive, rock anthems. While not eclipsing the commercial success of their debut, the album solidified The Strokes' standing as stalwarts of the early 2000s rock revival, demonstrating their artistic growth and ability to sustain their unique sound.
Juicebox and First Impressions Of Earth (2005 - 2006)
"Juicebox" by The Strokes, released as a single on November 14, 2005, ahead of their album "First Impressions of Earth," faced an early online leak, adding to the anticipation. Despite this, the track's bold guitar riffs and Julian Casablancas' charismatic vocals contributed to its positive reception, marking a significant moment in The Strokes' musical journey. They also released a catchy B-side "Hawaii".
"First Impressions Of Earth" The Strokes' third studio album released in January 2006, received a mix of reviews. Critics praised the album's experimental departure from the band's earlier sound, commending Julian Casablancas' introspective lyrics, dynamic guitar work, and rhythmic innovation. Standout tracks like "Juicebox" and "You Only Live Once" showcased The Strokes' ability to evolve while retaining their signature coolness. Despite differing opinions, the album marked a bold exploration of new musical territories and sparked conversations about the band's artistic evolution within the indie rock landscape.
Angles (2011)
"Angles" released by The Strokes in 2011, is a pivotal album in the band's journey, receiving a mix of reviews. Critics lauded its experimentation and collaborative nature, showcasing a departure from their previous works. Standout tracks like "Under Cover of Darkness" and "Machu Picchu" received praise for blending The Strokes' signature sound with fresh influences. While some critics found the album's diversity refreshing, others felt it lacked cohesion. Despite mixed reviews, "Angles" signaled The Strokes' return with a revitalized energy, sparking conversations about their evolving musical direction.
Comedown Machine (2013)
"Comedown Machine" released by The Strokes in 2013, is a unique entry in their discography. The album showcases a departure from their traditional sound, embracing a more synth-driven and experimental approach. Tracks like "One Way Trigger" and "Tap Out" demonstrate The Strokes' willingness to evolve, dividing critics but still affirming their capacity for sonic exploration. "Comedown Machine" adds another layer to The Strokes' musical evolution, inviting listeners into a realm of unexpected sounds and creative divergence. The Strokes adopted a media blackout strategy, refraining from interviews and traditional promotional activities. This intentional approach added an air of mystery to the album's release, sparking curiosity and discussions about the band's creative intentions.
Future Present Past EP (2016)
"Future Present Past" is a 2016 EP by The Strokes, featuring tracks like "Drag Queen", "OBLIVIOUS" and "Threat Of Joy" offering a glimpse into the band's evolving sound during the period between their albums "Comedown Machine" and "The New Abnormal".
The New Abnormal (2020)
Produced by legendary music producer Rick Rubin, "The New Abnormal" is The Strokes' sixth studio album, released in 2020 after a seven-year hiatus. The album represents a return to the spotlight for the band and showcases a blend of their signature rock sound with fresh and contemporary elements. Notable tracks include "The Adults Are Talking" and "Selfless". "The New Abnormal" received critical acclaim for its maturity, experimentation, and the band's ability to evolve while staying true to their distinctive style. The album's release was a highly anticipated moment for fans, marking a successful comeback for The Strokes after their extended hiatus.
Albert Hammond Jr. confirmed, that The Strokes are working on a new album, a follow-up to the succesful "The New Abnormal".
Here are the band members' side projects along with their released albums:
Julian Casablancas:
Julian Casablancas - Phrazes For The Young (2009).The Voidz - Tyranny (2014), Virtue (2018).
Albert Hammond Jr.
Albert Hammond Jr. - Yours To Keep (2006), Como Te Llama? (2008), Momentary Masters (2016), Francis Trouble (2018).
Nick Valensi
CRX - New Skin (2016), Peek (2018).
Fabrizio Moretti
Little Joy - Little Joy (2008).machinegum - Conduit (2019).
Nikolai Fraiture
Nickel Eye - The Time Of The Assassins (2008).SUMMER MOON - With You Tonight (2017), Casino Days (2023).
Vision of Division
The Strokes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tell me a tale just like me
To turn in my way, I'm being free
I'll try not to shake, I'm being free
Oh ooh
All that I do is wait for you
All that I do is wait for you
Dont know how to act, that's all there is
Why do I accept the things you say?
You know what to change
But not in what way
How long must I wait?
How long must I wait?
How long must I wait?
How long must I wait?
How long must I wait?
I am not you, we could have fun
I'm almost through, great success
It's about time, I'm such a success
That you came through, with no expense
Oh ooh
All that I do is wait for you
All that I do is wait for you
I can't get away from all your friends
I'm not coming back, that's all there is
Why do I accept the things you say?
You know what to change
But not in what way
How long must I wait?
How long must I wait?
How long must I wait?
How long must I wait?
How long must I wait?
The Strokes' "Vision of Division" is a complex song with a storyline revolving around a tumultuous relationship. The lead singer, Julian Casablancas, sings about the struggle to be himself while trying to fit in with his partner's friends who he doesn't enjoy being around. He wants to break free and have fun while simultaneously feeling like he is waiting on his partner to change their attitudes towards him.
The opening lines of "Sing me a song you can be, tell me a tale just like me" suggest that the singer wants his partner to understand his perspective and relate to him. However, he still feels restrained in the relationship and is "being free" by trying not to shake. The repeated chorus of "All that I do is wait for you" signifies his dependence on his partner in the relationship and how he feels stuck.
As the song progresses, the singer becomes more frustrated with the situation, asking "How long must I wait?" multiple times. He is ready to move on and have fun, but he can't see a way out of the current dynamic. The line "I'm not coming back, that's all there is" suggests that he has reached a breaking point and is willing to walk away from the relationship if his partner doesn't start to make changes.
Overall, "Vision of Division" is a raw and introspective track that delves into the complexities of relationships and the struggle to balance individuality with the desire to fit in.
Line by Line Meaning
Sing me a song you can be
Create an artistic expression that reflects your true self
Tell me a tale just like me
Share a story that resonates with my experience
To turn in my way, I'm being free
Embrace my authentic self and live life on my own terms
I'll try not to shake, I'm being free
I am attempting to stay committed to my identity, despite insecurities or doubts
All that I do is wait for you
My life is consumed by anticipation for your presence in it
I can't get along with all your friends
I struggle to connect with the people you surround yourself with
Don't know how to act, that's all there is
I feel out of place and unfamiliar with the social expectations of your friend group
Why do I accept the things you say?
I question my own willingness to agree with you, even when I don't entirely believe what you're saying
You know what to change, but not in what way
You recognize that something needs to be different, but you don't know exactly how to make those changes
How long must I wait?
I am tired of waiting and want to know when things will change
I am not you, we could have fun
We are two distinct individuals who could enjoy spending time together
I'm almost through, great success
I am making progress and achieving my goals
It's about time, I'm such a success
I have worked hard and earned my accomplishments
That you came through, with no expense
I appreciate that you were able to be there for me without me having to pay a price
Lyrics © Warner Chappell Music, Inc.
Written by: Julian Casablancas
Lyrics Licensed & Provided by LyricFind