- … Read Full Bio ↴There are or have been - at least - two bands named The Wailers:
- The legendary Jamaican reggae band (founded as a ska group 1963, and became a Rastafarian reggae band in 1968), renamed Bob Marley & The Wailers in 1974, which are still active led by bassist Aston Barrett after Marley's death in 1981.
- The Fabulous Wailers, a rock and roll and garage band from the USA, active 1958-1969, first led by John Greek, replaced in 1960 by Rockin' Robin Roberts.
1) Bob Marley & The Wailers have together sold in excess of 255 million albums worldwide. Since they are extraordinary popular also in poor countries in Africa, Asia and Latin America with big markets for pirate copies the total amounts of albums sold has been estimated to over 1 billion. In England alone, they've notched up over 20 chart hits, including seven Top 10 entries. In USA on the other hand, Bob Marley & The Wailers reached superstar status only after Marley's death, with the album Legend , focusing on the person Bob Marley but not on the band. Outside of their groundbreaking work with Marley, the Wailers have also played or performed with international acts like Sting, the Fugees, Stevie Wonder, Carlos Santana, and Alpha Blondy, as well as reggae legends such as Peter Tosh, Bunny Wailer, and Burning Spear. As the greatest living exponents of Jamaica's reggae tradition, the Wailers have completed innumerable other tours, playing to an estimated 24 million people across the globe. They have also been the first reggae band to tour new territories on many occasions, including Africa and the Far East.
Their nucleus formed in 1969, when the vocalist group "The Wailers" (formed 1963 by Bob Marley, Bunny Wailer, and Peter Tosh) requited the talented Barrett brothers: bassist Aston "Family Man" and drummer Carlton (writer of well-known Marley songs like "War" and "Talking Blues", 'sound-maker' of more Marley songs, developer of the one drop style in reggae music) played on hits such as Lively Up Yourself, Trenchtown Rock, Duppy Conqueror, and many more besides. Inspired by Rastafari and their ambitions of reaching an international audience, this is the line-up that pioneered roots rock reggae, and signed to Island Records in 1971. Bunny and Peter left two years later. It was at this point that the in-demand Barrett brothers - whose rhythms also underpinned innumerable seventies' reggae hits by other acts - assumed the title of Wailers, and backed Marley on the group's international breakthrough album, Natty Dread. Under Family Man's musical leadership, they then partnered Bob Marley on the succession of hit singles and albums that made him a global icon, winner of several Lifetime Achievement awards, and Jamaica's best-loved musical superstar.
Drummer Carlton "Carlie" Barrett was murdered 1987, leaving his brother as the main beneficiary of the Wailers' mantle. Subsequent line-ups have revolved around Family Man, who is widely regarded as one of the world's greatest bass players. Modest and unassuming, he was present on all of those unforgettable performances by Bob Marley & The Wailers from the seventies. Family Man continues to be the main axis of the current Wailers - a group that's one of the last, great reggae institutions, yet which refuses to live off past glories. That's because Family Man represents tried and trusted roots authenticity and, along with the Wailers, injects fresh excitement into a show that continues to attract enthusiastic audiences from around the world.
2) The Fabulous Wailers were an American rock band from Tacoma, Washington. Formed around 1958, they are often considered the first garage rock group. They performed a hybrid of saxophone-driven rhythm and blues and Chuck Berry rock and roll.
Five 45s (four released in 1959, including Tall Cool One, and one in 1960) and an LP release, The Fabulous Wailers (released December 1959 on Golden Crest Records), put the Wailers on the national scene. Their 1961 cover of Louie Louie, which they recorded as a backing band for singer Rockin' Roberts, was the first to use the trademark 1-2-3, 1-2, 1-2-3 riff. Their version inspired other groups from the Seattle area, most notably the The Kingsmen of Portland, Oregon, to record the same song. The Fabulous Wailers' influence established the Pacific Northwest area as a center for musical innovation and the home of a long string of regional favorites playing a kind of raunchy, amateur, yet passionate, form of rock and roll, such as The Sonics, with whom they exchanged various band members and who recorded on The Wailers own Etiquette Records label.
They became popular around the United States Pacific Northwest around the late 1950s and the start of the 1960s, performing saxophone-driven R&B and Chuck Berry rock and roll. Their biggest hit was "Tall Cool One", first released in 1959, and they have been credited as being "one of the very first, if not the first, of the American garage bands."
The group was formed – originally as The Nitecaps – in 1958, by five high school friends:
John Greek (27 October 1940 – 6 October 2006) – rhythm guitar, trumpet
Richard Dangel (1 December 1942 – 2 December 2002) – lead guitar
Kent Morrill (2 April 1941 – 15 April 2011) – keyboards, vocals
Mark Marush (15 August 1940 – 9 August 2007) – tenor sax
Mike Burk (b. 1942) – drums
In late 1958, the group recorded a demo of an instrumental written by Dangel, Morrill and Greek, which found its way to Clark Galehouse of New York based Golden Crest Records. He liked the track and had it re-recorded by the band in Lakewood in February 1959; its title "Tall Cool One" was apparently suggested by Morrill's mother. Released as a single, it reached # 36 on the Billboard Hot 100 and # 24 on the R&B chart. The band made the cross-country trip to New York to record an LP, The Fabulous Wailers, which was released in December 1959 and featured two vocals by Morrill as well as instrumentals. They also appeared on Dick Clark's nationally televised American Bandstand, and toured the east coast. A second instrumental from their first recording session, "Mau-Mau", made # 68 on the Billboard pop chart, but their third single, "Wailin'", failed to make the chart.
The band decided to return to the Northwest, rather than staying in New York as their record label wished, and they were dropped from their contract. Around the same time, they added lead vocalist "Rockin' Robin" Roberts (Lawrence Fewell Roberts II), a charismatic frontman who had previously been the singer with rival Tacoma band the Bluenotes. John Greek left the group in acrimonious circumstances, and was replaced by bassist John "Buck" Ormsby (Seattle, October 29, 1941 - October 29, 2016). Ormsby, Morrill and Roberts then formed Etiquette Records and, in 1961, the label released its first single, a cover version of Richard Berry's "Louie Louie". For contractual reasons the single was credited to Roberts, but was performed by the whole band. Their recording became a local hit and was distributed nationally by Imperial Records, but did not make the national chart. However, its style, with its trademark 1-2-3, 1-2, 1-2-3 riff, inspired other groups from the Seattle area, most notably the Kingsmen of Portland, Oregon, to record the same song.
The Wailers continued to perform locally and, according to Morrill, one of their biggest fans was the young Jimi Hendrix, then starting to perform guitar. The band performed both with and without Roberts, who studied at the University of Washington, the University of Puget Sound, and Oregon State University, eventually achieving a masters degree in biochemistry. They also occasionally featured teenage girl singer Gail Harris, notably on the live album The Fabulous Wailers at the Castle, recorded in 1961, which has been described as "undoubtedly one of the most influential albums in Seattle rock & roll history." In all, the band recorded and released four albums on their own Etiquette label between 1962 and 1966, as well as a succession of singles. They also helped instigate the recording career of The Sonics, whose first two albums were issued by the label, and helped begin Jini Dellaccio's career as a rock'n'roll photographer when they hired her to shoot cover photos for their album Wailers, Wailers, Everywhere.
Mark Marush left The Wailers in 1962 and was replaced by Ron Gardner, who also handled lead vocals; Dangel and Burk left in 1964 and were replaced by guitarist Neil Andersson and drummer Dave Roland respectively. Continuing to perform live as well as recording, the band added a trio of girl backing singers, known as the Marshans. Also in 1964, "Tall Cool One" was re-promoted by the Golden Crest label, and again made the Billboard pop chart, this time peaking at # 38. In 1965 Roberts made his final recordings with the group, and, in 1967, guitarist Neil Andersson was replaced by Denny Weaver. Roberts was killed, aged 27, in a car crash in late 1967.
The band split up in 1969, by which time Kent Morrill was the only remaining original member. Morrill, Dangel and Ormsby, with other musicians, reunited as The Wailers for occasional concerts from the 1970s onwards. In 1979, they joined with Burk, Gardner, and Gail Harris to play a reunion show.
Later activities
Ormsby re-established the Etiquette label in the mid-1980s, and issued a Wailers compilation, The Boys from Tacoma, in 1993. The Wailers' song, "Out of Our Tree", was featured in the 1998 CD version of the Nuggets: Original Artyfacts From the First Psychedelic Era collection. Several of the Wailers' tunes were also covered by The Ventures, and the two bands released an album together, Two Car Garage, in 2009 to celebrate their 50 years in existence.
Ron Gardner died in 1992. Richard Dangel died of an aneurysm in 2002. John Greek died in 2006, Mark Marush in 2007, and Kent Morrill died of cancer on 15 April 2011. Buck Ormsby died in 2016.
War / No More Trouble
The Wailers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Inferior
Is finally
And permanently
Discredited
And abandoned
Well, everywhere is war
Me say war
And until there's no longer
First-class nor second-class citizens of any nation
Until the colour of a man's skin
Is of no more significance than the colour of his eyes
I've got to say war, yeah
And until the basic human rights
Are equally guaranteed to all
Without regard to race
Dis a war, yeah
But until that day
The dream of lasting peace
World citizenship
And the rule of international morality, yeah
Will remain in but a fleeting illusion to be pursued
But never attained
Well, everywhere is war
Me say war
War in the east
War in the west
War up north
War down south, yeah
Dis a war, war
And the rumours of war
And until the ignoble and unhappy regime that hold our brothers in
South Africa, yeah
South Africa, yeah
Sub-human bondage
Have been toppled
Utterly down-stroyed
Well, everywhere is
Everywhere, everywhere, everywhere
Everywhere, everywhere, everywhere
War in the east
War in the west
War up north
War down south, yeah
Dis a war, war
And the rumours of war
And until
And until
And till all these things have a meaning
To man on earth
There'll be always war, now
There'll be always war
And the war in the east
War in the west
War up north
War down south
Some winnin'
Some losin'
Some dyin'
Some cryin'
Some singin'
We don't need
No more troulbles
We don't need
No more troulbles, no more troubles, no more troubles
No more troulbles, ey!
What we need is love
To guide and protect us on
If you're up, look down from above
After we give you our strong
We don't need no troubles
What we need is love (what we need is love, sweet love)
(We don't need)
(No more troubles) no more troubles, no more troubles, no more troubles
What we need, we don't need
No more troubles, no more war, no more war
No more war, I say
Speak happiness
Sad enough without your wars
Come on and speak love
Sad enough without your fault, yeah
We don't need no troubles
What we need is love (what we need is love, sweet love)
The lyrics of The Wailers' song "War / No More Trouble" address the ongoing struggles and injustices faced by people around the world due to racial discrimination, inequality, and oppression. The opening lines emphasize the need to dismantle the harmful philosophy that perpetuates the belief in the superiority of one race over another. The repetition of the word "war" signifies the ongoing conflicts that arise from these deep-rooted societal issues.
The song calls for the elimination of distinctions based on social class and skin color, advocating for a society where everyone is treated equally and where a person's race holds no significance. It highlights the importance of guaranteeing basic human rights to all individuals regardless of their racial background, and laments the current state of affairs where war and injustice prevail due to the failure to uphold these principles.
The mention of South Africa brings attention to the oppressive regime of apartheid and the need to dismantle systems of subjugation and discrimination. The lyrics emphasize the urgency of ending this regime of sub-human bondage and affirm that as long as such injustices exist, there will always be conflict and war in the world.
The song concludes with a plea for love and unity as the solution to overcoming these troubles and conflicts. It stresses the need for compassion and understanding in place of division and violence, highlighting that love is the guiding force that can lead to peace and harmony. The lyrics urge listeners to reject the cycle of war and instead embrace love as the path towards a more just and equitable world.
Line by Line Meaning
Until the philosophy which hold one race superior and another Inferior Is finally And permanently Discredited And abandoned
As long as the belief that one race is superior to another is discredited and abandoned once and for all
Well, everywhere is war Me say war
Conflict and inequality persist across the world
And until there's no longer First-class nor second-class citizens of any nation
Until all individuals are treated equally regardless of their social status
Until the colour of a man's skin Is of no more significance than the colour of his eyes I've got to say war, yeah
Until skin color ceases to determine how people are treated, I must speak out against injustice
And until the basic human rights Are equally guaranteed to all Without regard to race Dis a war, yeah
As long as basic human rights are not universally respected regardless of race, there is still a struggle against injustice
But until that day The dream of lasting peace World citizenship And the rule of international morality, yeah Will remain in but a fleeting illusion to be pursued But never attained Well, everywhere is war Me say war
As long as lasting peace, global citizenship, and moral governance remain elusive goals rather than realities, conflict will persist
War in the east War in the west War up north War down south, yeah Dis a war, war And the rumours of war
Conflict is rampant in all directions, both actual wars and the looming threat of wars to come
And until the ignoble and unhappy regime that hold our brothers in South Africa, yeah South Africa, yeah Sub-human bondage Have been toppled Utterly down-stroyed Well, everywhere is Everywhere, everywhere, everywhere Everywhere, everywhere, everywhere
As long as the oppressive regime in South Africa remains in power, oppression and injustice will continue to plague all corners of the world
And until And until And till all these things have a meaning To man on earth There'll be always war, now There'll be always war
As long as these issues remain unresolved and lack significance for humanity, conflict will persist
We don't need No more troulbles We don't need No more troulbles, no more troubles, no more troubles No more troulbles, ey! What we need is love To guide and protect us on If you're up, look down from above After we give you our strong
Instead of troubles, we need love to lead and shield us. Look down on us and our strength after we offer it
We don't need no troubles What we need is love (what we need is love, sweet love) (We don't need) (No more troubles) no more troubles, no more troubles, no more troubles What we need, we don't need No more troubles, no more war, no more war No more war, I say Speak happiness Sad enough without your wars Come on and speak love Sad enough without your fault, yeah We don't need no troubles What we need is love (what we need is love, sweet love)
Instead of troubles and wars, we require love. Spread happiness and love instead of conflict
Lyrics © Universal Music Publishing Group, Peermusic Publishing
Written by: Allan Cole, Carlton Barrett
Lyrics Licensed & Provided by LyricFind
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@SG-oh2hr
It's 2024, who's watching this Incredible Performance.?🇯🇲❤️💛💚RIP Mr. Marley. 🙏
@DouglasF68
I am. YAH. The energy cannot be split.❤
@juanprins5041
Watching from South Africa
@fabiojuniorlinoalvesvei4205
🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷
@user-nq3zu2nz1l
so actual song today
@misst2775
Who experience this live❤️💚💛!! One Love!!🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲
@GettnitTwtch
This man was preaching over fifty years ago! Look at the state of the world now, look how much worst things have become!! Lord bless this world and all who are in it. ❤
@OingoBoingo-eg2cw
Same with our Angel Michael ❤
@KonsciousKomedyKay
not getting worse , people are waking up and vibrations WILL get higher ! we have to claim the future we desire ✨️
@user-dm9gt8ct1q
❤juste magique une merveille cet homme ❤love Julie ❤❤😮😅et ces belles voix des chanteuses