The Lost Pandas fell apart in 1984 when guitarist Michael Duane (later of dustDevils) was sacked, and Panda's drummer Jaz Rigby followed in protest. Gedge and the Pandas' bass player, Keith Gregory, decided to continue the band, renaming it The Wedding Present.
Gedge wanted to use the name "The Wedding Present" in honour of one of his favourite bands,The Birthday Party.
Gedge and Gregory recruited an old schoolmate of Gedge's, Peter Solowka, to play guitar and auditioned a string of drummers, including Mike Bedford, with whom they recorded a demo tape, before settling on Shaun Charman. The country's clubs and bars were toured as the band prepared for the recording of their first, self-financed single.
After some consideration, "Go Out and Get 'Em, Boy!" was chosen over early favourite "Will You Be Up There?". The A-side features drumming by hired hand Julian Sowa with Charman on its B-side. The single was released on the band's own Reception Records label with distribution through Red Rhino. Although Reception was only intended to be a vehicle for the release of their own material, it also released a number of singles by This Poison! and Cud.
Two more singles followed that did well on the independent charts and the band was spotted by veteran BBC radio DJ John Peel, who immediately started championing them and invited them to do a radio session, starting a long collaboration.
By the time the band started work on their debut album, a number of independent and major record companies showed interest, but the band declined all offers and decided to keep releasing their material themselves. The album was released in 1987 and titled George Best after the well-known Northern Irish football player. Disagreement on production values with the record's producer, Chris Allison, led to the product being remixed by the band and their engineer, Steve Lyon. The larger part of these conflicts seemed to lie with the personal and musical incompatibility of Allison and Charman.
Upon its release, the album was critically acclaimed and the band were soon lumped in with some of their peers as the 'shambling' or C86 scene, a categorization that they vehemently declined (although they were featured on the original C86 compilation). Musically, the album featured fast-paced rhythm guitar attacks; lyrically, apart from a few tentative excursions into social critique ("All This and More") and politics ("All About Eve"), Gedge's main concerns (which would become his trademark) were love, lust, heartbreak and revenge. Soon after the release of George Best, the early singles and radio sessions were compiled and released as Tommy (1985-1987).
With the departure of Charman very early on in 1988, Simon Smith took up the drum stool and follow up album, 1989's Bizarro was again popular with the music weeklies.
When Solowka, who has Ukrainian roots, started fooling around with a Ukrainian folk tune during one of their many Peel sessions, the idea arose to devote some of their radio time to recording their versions of Ukrainian and Russian folk song, encouraged by Peel. To this end, two guest musicians were invited, singer/violin player Len Liggins and mandolin player Roman Remeynes, and three Peel sessions were recorded with Gedge temporarily limiting himself to playing rhythm guitar and arranging the songs.
The band planned on releasing eight cuts from the Ukrainian sessions on a 10" LP and an initial batch was pressed when Red Rhino went into receivership. Rather than trying to find a new distribution company, the band decided to fold their Reception label altogether and sign with a regular record company: RCA. Solowka, Liggins, and Remeynes later split from the band to concentrate on the Ukrainian material as the band The Ukrainians.
Seamonsters is the third studio album by English rock band The Wedding Present. It was recorded in ten days in 1991 by American producer Steve Albini at Pachyderm Studio in Cannon Falls, Minnesota. Albini had previously recorded two EPs with the group, Brassneck and 3 Songs and, like those records, Seamonsters has a rougher, harsher overall sound than the group's earlier two albums.
Solowka was replaced by Paul Dorrington and the band in 1992 released a single every month, and each of these songs charted before being released as compilations of both the A and B-sides. Each of these 12 singles hit the UK Top 40 and the band tied Elvis Presley's record of most Top 40 singles in the span of a year.
Following a quiet 1993 in which Gregory left and was replaced by Darren Belk, they followed up their record-breaking 1992 year with a new LP in 1994 called "Watusi". Following this, Dorrington left, Belk moved to guitar and they temporarily became a 3-piece before Jayne Lockey arrived. A mini LP, helpfully called "Mini" drove up early '96 shortly before "Saturnalia" zoomed in Summer '96 (along with the addition of new guitarist Simon Cleave after Belk's depature).
Following a gig in January 1997, Gedge decided to rest the Wedding Present name and started performing as Cinerama however while recording a new Cinerama album in 2004 he decided to resurrect the name the Wedding Present.
The first Wedding Present single in 7 years was released in November 2004 followed by an album in February 2005. This line-up was Gedge, Cleave, bassist Terry de Castro and drummer Kari Paavola. Paavola declined to tour and subsequently left replaced by Simon Pearson and then Graeme Ramsey. Simon Cleave left early 2006 but rejoined in 2009. His 3 year void was filled by guitarist Christopher McConville.
In more musical chairs, guitarist Cleave departed again later in 2009 due to ill health. The vacant guitar position was actually snabbed by the drummer, Ramsay, who was replaced on the drum stool by Charlie Layton (who had previously served for a very short time in 2006). Following this in Summer 2010, long-serving bassist, Terry de Castro, also vacated to be replaced by Pepe le Moko. A year later, in late 2011, after the recording of the band's 8th studio album, Valentina, Ramsay departed to be replaced by (ex-The Young Playthings and The Pipettes), Patrick Alexander.
The band emerged in February 2013 with yet another new line-up after the sacking of le Moko and Alexander - bassist Jen Schwartz (from Me of a Kind) and guitarist Geoff Maddock (from Goldenhorse).
For more information please visit www.scopitones.co.uk
Ringway to SeaTac
The Wedding Present Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
really no in between? And I still don't feel better I just wondered if it
could be like before And I think you just made me sure! But then that's
typically you And I might have been a bit rude But I wrote it in a bad mood
I'm not being funny with you But it's hard to be engaging When the things you
love keep changing Brassneck, Brassneck I just decided I don't trust you
anymore I just decided I don't trust you anymore First time you came over
Do you remember saying then you'd stay for good? No I didn't think you would
the past There I've said it now at last! You grew up quicker than me I kept
so many old things I never stopped quite hoping I think I know what it means
It means I've got to grow up It means y Brassneck, Brassneck I just decided
I don't trust you anymore I just decided I don't trust you anymore I just
know, you weren't listening were you? Oh please go, whenever you prefer to I
said it means a lot, when you use an old phrase But then so what? We can't
have it both ways I know, you're not bothered are you Even so, I'm not going
to argue He won't object! Keep writing to me Just don't forget you ever knew
me
In The Wedding Present's song Ringway to SeaTac, the lyrics tell the story of a relationship that has gone sour. The first stanza sees the singer reflecting on a letter they sent to their significant other asking if the end was worth the means and if there was any in-between. The singer admits they still don't feel better, but wonders if it could be like before, only to have their hopes dashed. The second stanza sees a shift in the singer's tone as they declare they don't trust their partner anymore. The third and final stanza sees the singer reminiscing about the times when things were better between them, but acknowledging that they need to grow up and move on.
Overall, the lyrics are about the painful process of letting go of a relationship that has become toxic. The singer is struggling to come to terms with the fact that things will never be the same between them again, but they know they need to move on for their own good.
Line by Line Meaning
No, I sent you that letter
The singer clarifies that they were the one who sent a certain letter
To ask you if the end was worth the means
The singer was trying to determine if the eventual outcome of a situation was worth the efforts taken to get there
Was there really no in between?
The singer questions if there was any other option or compromise available
And I still don't feel better
The artist remains unsettled and unsatisfied despite asking the questions
I just wondered if it could be like before
The artist was hoping for a return to a previous state of things
And I think you just made me sure!
The singer believes that the response they received confirmed their doubts and concerns
But then that's typically you
The singer implies that the response was consistent with the addressee's usual behavior or character
And I might have been a bit rude
The artist acknowledges that they may have been impolite or harsh in their letter
But I wrote it in a bad mood
The artist explains that their negative emotions influenced their writing
I'm not being funny with you
The artist wants to be taken seriously, without any humor or irony
But it's hard to be engaging
The singer finds it difficult to be interesting or appealing to the addressee
When the things you love keep changing
The artist struggles to connect with the addressee because their interests or priorities seem to constantly shift
Brassneck, Brassneck
The title of the song, serving as a refrain
I just decided I don't trust you anymore
The singer declares that they have lost trust in the addressee
First time you came over
The singer recalls an earlier visit by the addressee
Do you remember saying then you'd stay for good?
The artist asks if the addressee remembers making a promise to stay permanently
No I didn't think you would
The artist admits that they did not expect the promise to be kept
Well we couldn't've been closer
The singer acknowledges that they were once very close with the addressee
But it was different then and that's all in the past
The singer recognizes that things have changed and the past cannot be regained
There I've said it now at last!
The artist is relieved to finally express their thoughts and feelings
You grew up quicker than me
The artist perceives the addressee as having matured faster
I kept so many old things
The artist has held onto many sentimental or nostalgic items
I never stopped quite hoping
The singer has retained some hope or optimism despite changes and disappointments
I think I know what it means
The artist believes they understand the significance of their experiences and emotions
It means I've got to grow up
The singer realizes that they need to mature and move on from the past
It means y Brassneck, Brassneck
The refrain is repeated, emphasizing the loss of trust and disappointment in the addressee
I just know, you weren't listening were you?
The singer assumes that the addressee was not paying attention or understanding their perspective
Oh please go, whenever you prefer to
The artist expresses a desire for the addressee to leave or move on
I said it means a lot, when you use an old phrase
The artist appreciates certain nostalgic or sentimental language
But then so what?
The singer acknowledges that these preferences do not matter in the bigger picture
We can't have it both ways
The singer recognizes that some choices involve sacrificing certain options or desires
I know, you're not bothered are you
The artist believes the addressee is indifferent or unconcerned about the situation
Even so, I'm not going to argue
The artist decides not to engage in a conflict or debate with the addressee
He won't object!
The artist sarcastically refers to a nonexistent third party who would not have any issue with the situation
Keep writing to me
The singer requests continued correspondence with the addressee
Just don't forget you ever knew me
The artist wants to preserve some connection or history with the addressee
Lyrics © A SIDE MUSIC LLC D/B/A MODERN WORKS MUSIC PUBLISHING
Written by: DAVID GEDGE
Lyrics Licensed & Provided by LyricFind
Shasta
You ask me how I feel, well suddenly this is all for real
It hasn't seemed like that till now,
It's as if you almost were still mine somehow
I hope you've realised just how I'm being so civilised
But it's nearly time I went,
We've got one last chance to have an argument
Watching you walk back to your car
Was the lowest point of my life so far
Don't stare into my eyes, I couldn't bear for you to realise
That I'm still desperately in love with you
And darling that's all I can think of
It'll get easier every day, well I'll be five thousand miles away
And I'm good at hiding pain
But now I really should get on that plane
And watching you walk back to your car
Was the lowest point of my life so far
As if you still could ever do a single thing
That'd make me hate you
retrotechnical
"But watching you walk back to your car, was the lowest point of my life so far" simple, raw, devastating - David Gedge is a master of this - those awful, transient moments of heartbreak you rewind and replay while you're going through it.
cockney1980
i watched my ex wife do this with her new boyfriend i'd never met waiting there at a junction on the road to Northampton, we were meeting to arrange things about our daughter who was only 3....that line does me everytime
Neil Larmour
Pure bloody genius. One of the best pop love songs ever.
CUSTERDOME
Proof that Pop is a format, not a style. And that Gedge is a master craftsman.
Doug Wise
Masterful indeed.
thesmithselvis
My all time favourite band after The Smiths, and David Gedge is a fucking genius.
Wert Nevis
Can't believe how few views for such a great song
nic j Gourmelon
John Peel said "that guy Gedge is really a genius. You may contest but I know I'm right". well, I've seen them live (5-6?) and they're great: they play loud with a maximum energy but very sensitive. That's where Gedge is unique.
Shasta
You ask me how I feel, well suddenly this is all for real
It hasn't seemed like that till now,
It's as if you almost were still mine somehow
I hope you've realised just how I'm being so civilised
But it's nearly time I went,
We've got one last chance to have an argument
Watching you walk back to your car
Was the lowest point of my life so far
Don't stare into my eyes, I couldn't bear for you to realise
That I'm still desperately in love with you
And darling that's all I can think of
It'll get easier every day, well I'll be five thousand miles away
And I'm good at hiding pain
But now I really should get on that plane
And watching you walk back to your car
Was the lowest point of my life so far
As if you still could ever do a single thing
That'd make me hate you
Marc Domicello
JOHN PEEL WAS ABSOLUTELY RIGHT! MAYBE THE MOST UNIQUE BAND EVER, NEXT TO THE COCTEAU TWINS