THIEVES' KITCHEN is a UK based progressive rock band that has forged a cont… Read Full Bio ↴THIEVES' KITCHEN is a UK based progressive rock band that has forged a continuously evolving path throughout its career, with each CD revealing changes in both band lineup and stylistic influences.

Formed in Berkshire in 1998 by guitarist Phil Mercy and bassist Paul Beecham, the band quickly acquired singer Simon Boys and drummer Mark Robotham, but the search for a suitably talented keyboard player was to take nearly two years, with the intervening time spent writing and rehearsing with sequencing software. Recording for their independently released debut album Head (2000) began just six weeks after the arrival of Wolfgang Kindl on keyboards.

Writing began almost immediately for the next CD, but a few months later Paul Beecham announced his departure due to family commitments and the band recruited bassist Andy Bonham. Andy introduced some fretless bass playing for variation and the less pressured Beecham was able to contribute some oboe playing to the second album, Argot (2001).

The next lineup change came with Simon Boys leaving for nearly identical reasons as Paul Beecham. Never ones to miss an opportunity, the remaining members decided to shake things up a bit and persuaded Amy Darby to join on lead vocals and woodwind. Shibboleth, the third album, was released in 2003.

After some touring and appearances at various prog friendly festivals in the USA and Europe, Wolfgang Kindl decided to return to his native Germany and start a family. This kicked the band into a period of hibernation. Without knowing the palette of sounds and influences that a new keyboard player would bring, Phil Mercy found himself uninspired to write new material and he instead concentrated on updating his recording studio and ironing out the many problems that the process uncovered.

Eventually, when it looked like the studio update would become a never ending saga, It was discovered that Anglagard alumnus Thomas Johnson was living and working in Oxford. A few emails and a pub meeting later and Thieves' Kitchen had a new keyboard player.

Phil, Amy and Thomas quickly forged a blissful writing team and soon had much of the material written that was to become The Water Road. Thomas had brought with him a darker and more symphonic approach which blended well with Phil's Canterburyesque fusion stylings. Amy's folk influences were also highlighted with the introduction of her harp playing. With the richness that was starting to become apparent in the sound of the new material it was decided to go all the way to achieve a more orchestral and organic sound. Ironically, considering the extensive update of Phil's studio, this involved the band recording the backing tracks live without a clicktrack as an ensemble in Aubitt Studios. This allowed the tempo to ebb and flow naturally as the mood required. Mark Robotham also set aside his hitherto ubiquitous electronic kit and used acoustic drums for greater sensitivity. Additional instruments were added, with Anna Holmgren of Anglagard on flute, Stina Peterssen on cello and Paul Beecham making a reappearance on oboe and soprano sax.

The Water Road was released in 2008 to critical acclaim.

While work continued on new material, during delays caused by various factors, including Thomas Johnson's relocation back to Sweden and his work on the new Anglagard release (all with everyone's full blessing and encouragement), it became apparent that Thieves' Kitchen was not destined to be the busy live act that both Andy Bonham and Mark Robotham would wish for, so they and Thieves' Kitchen amicably parted company.
Their places have been taken for the recording sessions by the rhythm section from Sanquine Hum, Paul Mallyon on drums and Brad Waissman on bass.

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www.thieveskitchen.co.uk

De profundis
Thieves' Kitchen Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

This is my life
This broken fence
This grey and fractured
Spiralling spike in my side
The splinter in my side
The splinter in my dreams
Too real, too real

Hollowed whole
Lightning-struck and smoking
The trauma of I
The danger of being, and feeling, and seeing

I'm fighting time
I can't explain
I'm torn apart by
My compulsion to destroy
I'm splintering inside
It's too real, too real

Hollowed whole
Lightning-struck and smoking
The trauma of I
The danger of being, and feeling, and seeing
I live where I stand
For tomorrow I die

I'm open now, the wound may heal
I smile inside in spite of me

I try in vain to redefine
The worn and ancient part of me

Overall Meaning

The lyrics of Thieves' Kitchen's De Profundis confront the pain and complexity of living. The singer starts with a metaphor of a broken fence, representing their life, which is grey and fractured, full of the splinters of their unattainable dreams. The pain is too real and too constant, represented by the spiraling spike in their side. The second verse continues the depiction of the singer's pain, as they feel hollowed out and destroyed by the trauma of their existence. The danger of being, feeling, and seeing is too much, and they feel torn apart by their own compulsions toward self-destruction. However, there is a glimmer of hope in the last stanza, as they may be able to heal the wound that has split them apart from the inside. Despite their struggles, they smile inside, trying to redefine the parts of themselves that are worn and ancient.

Overall, the lyrics suggest a delicate balancing act between pain and hope. The singer is engulfed in overwhelming pain and trauma, but they try to find light and healing where they can, clinging onto hope by a thread.

Line by Line Meaning

This is my life
I am experiencing my existence

This broken fence
My life is imperfect and vulnerable

This grey and fractured
My life is dull and damaged

Spiralling spike in my side
The pain within me is severe and twisting

The splinter in my side
A small but painful reminder of my trauma

The splinter in my dreams
My trauma haunts me even in my sleep

Too real, too real
My trauma is overwhelming and hard to escape

Hollowed whole
I feel empty and broken

Lightning-struck and smoking
I am electrified with emotion and turmoil

The trauma of I
My personal struggles have left deep scars

The danger of being, and feeling, and seeing
The risk of being alive, feeling emotions, and perceiving the world