Thomas Montgomery Newman (born October 20, 1955) is an American composer be… Read Full Bio ↴Thomas Montgomery Newman (born October 20, 1955) is an American composer best known for his many film scores.

Newman has been nominated for 15 Academy Awards and 4 Golden Globes, and has won 2 BAFTAs, 6 Grammys and an Emmy Award. Newman was honored with the Richard Kirk award at the 2000 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.

Born in Los Angeles, California, he is the youngest son of Martha Louis Montgomery (1920–2005) and composer Alfred Newman (1900–1970), who won the Academy Award for Best Original Score nine times. He is a member of a film-scoring dynasty in Hollywood that includes his father Alfred, brother David Newman, sister Maria Newman, uncles Lionel Newman and Emil Newman, cousin Randy Newman (also known as a singer and songwriter), and his first cousin, once removed, Joey Newman. His paternal grandparents were Russian immigrants, and his mother was from Mississippi.

During their upbringing, Martha herded her sons into violin lessons in the San Fernando Valley every weekend. Newman later studied composition and orchestration for two years at the University of Southern California, before transferring to Yale University, where he graduated as a Bachelor of Arts in 1977 and a Master of Music in 1978. While at Yale, he met composer Stephen Sondheim, who became an early mentor.

Newman and his wife, Ann Marie, have three children. They reside in the Pacific Palisades neighborhood of Los Angeles.

At first, Newman was more interested in musical theater than in film composition, working with Sondheim in Broadway plays. Lionel, who succeeded Alfred as music director for 20th Century Fox, gave Thomas his first scoring assignment on a 1979 episode of the series The Paper Chase. In 1983, John Williams, who was a friend of both Alfred and Lionel, invited Newman to work on Return of the Jedi, orchestrating the scene where Darth Vader dies. Afterwards Newman met in New York producer Scott Rudin, who invited him to compose the score for Reckless (1984). Newman said that he thought "it was a tough job, at first" for requiring him to "develop vocabularies and a sense of procedure", only getting comfortable with writing scores "and not fraudulent in my efforts" after 8 years.

In 1992, Newman composed the score to Martin Brest's film Scent of a Woman.

In 1994, he got his first Academy Award nominations with the scores to The Shawshank Redemption and Little Women. He also scored the film The War. In 1996, he scored Diane Keaton's Unstrung Heroes, receiving yet another Oscar nomination. In 1998, he scored Robert Redford's The Horse Whisperer as well as Meet Joe Black. In 1999, Newman composed the score to Sam Mendes' first feature film American Beauty, created using mainly percussion instruments. Newman believed the score helped move the film along without disturbing the "moral ambiguity" of the script, saying "It was a real delicate balancing act in terms of what music worked to preserve that." This was his first collaboration with Mendes, and he would go on to score all of the director's subsequent films except for the comedy-drama Away We Go, which featured songs instead of a score. He received a fourth Oscar nomination for this score, and although he lost again (to John Corigliano for The Red Violin), he did receive a Grammy and a BAFTA.

His critical and commercial success has continued in the following years with his scores for films such as Meet Joe Black, The Green Mile, Erin Brockovich, In the Bedroom and The Salton Sea. He was nominated consecutively for a further three Academy Awards, for Road to Perdition (2002), Finding Nemo (2003), and Lemony Snicket's A Series of Unfortunate Events (2004). However, he lost on each occasion to Elliot Goldenthal (for Frida), Howard Shore (for The Lord of the Rings: The Return of the King), and Jan A. P. Kaczmarek (for Finding Neverland) respectively.

He was again nominated for an Oscar for scoring Steven Soderbergh's The Good German (2006). At the Oscar ceremony, he appeared in the opening segment by Errol Morris, who jokingly stated that Newman had been nominated for and failed to win an Oscar eight times. Newman replied: "No, I've failed seven but this will be my eighth", and indeed, he again lost, this time to Gustavo Santaolalla for Babel.

His first score since The Good German was for the 2008 animated film WALL-E, collaborating for the second time with director Andrew Stanton (with the first collaboration being Finding Nemo). The film won the Academy Award for Best Animated Feature (as had Nemo). Newman received two Oscar nominations: one for Best Original Score, and another for Best Original Song for "Down to Earth", which he co-wrote with Peter Gabriel. He was nominated in the Original Score category with two other veteran composers, James Newton-Howard and Danny Elfman, both of whom have also been nominated for several Oscars but each time unsuccessfully. Newman lost both the score and song nominations to A R Rahman for his work on Slumdog Millionaire. He and Peter Gabriel did however win a Grammy for "Down to Earth".

In 2008, Newman scored Towelhead and Sam Mendes' Revolutionary Road and in 2009 he scored Brothers. In 2011 he scored The Help, The Debt, The Iron Lady, and The Adjustment Bureau.

In 2012, Newman scored The Best Exotic Marigold Hotel. He also scored the 23rd James Bond movie Skyfall, directed by his longtime collaborator Sam Mendes, which celebrates the film franchise's 50th anniversary. His work on this film earned him his eleventh Oscar nomination and a second BAFTA win. During 2013, he scored Steven Soderbergh's Side Effects and Saving Mr. Banks. The latter score was very well received by film music critics, earning Newman BAFTA and Oscar nominations for the second consecutive year, both of which he lost to Steven Price for Gravity.

Newman's 2014 projects included The Judge and Get on Up. He scored 2015's The Second Best Exotic Marigold Hotel, marking the first time Newman has scored a sequel to a film he also wrote the score for.

In 2016, Newman scored the motion picture Passengers starring Andy Garcia, Michael Sheen, Laurence Fishburne, Jennifer Lawrence and Chris Pratt.

Newman likes to vary the instrumentation in his scores, ranging from full orchestra to percussion-only music. He is also fond of incorporating unusual instruments such as the zither, hurdy-gurdy, psaltery and hammered dulcimer, or unexpected sounds, like Aboriginal chants and the chirping of cicadas. The composer declared that he has "an interest in mundane experimentation."

If I Didn't Care
Thomas Newman Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

If I didn't care more than words can say
If I didn't care, would I feel this way?
If this isn't love then why do I thrill?
And what makes my head go 'round and 'round
While my heart stands still?

If I didn't care, would it be the same?
Would my every prayer begin and end with just your name?

And would I be sure that this is love beyond compare?
Would all this be true if I didn't care for you?

If I didn't care
Honey child, more than words can say
If I didn't care
Would I feel this way?
Darlin' if this isn't love
Then why do I thrill so much?
And what is it that makes my head go 'round and 'round
While my heart just stands still so much?

If I didn't care would it be the same?
Would my every prayer begin and end with just your name?

And would I be sure that this is love beyond compare?
Would all this be true if I didn't care for you?

Overall Meaning

This song, Thomas Newman's If I Didn't Care, contemplates the intensity and depth of romantic love. The repeated question of "If I didn't care" is the singer's exploration of the extent of their own feelings. The lyrics convey the idea that the love the singer is experiencing is so profound that it is difficult for them to comprehend it. They question the nature of their emotions, wondering if it is love that makes their head spin and their heart stand still. Newman suggests that if the singer did not care for their beloved deeply, they would not be experiencing such intensity and joy.

Newman's use of language is particularly poignant in this song, as he creates juxtapositions to convey the conflicting emotions that love can bring. For example, the contrast between "my head goes round and round" and "my heart stands still" is used to express the idea that while the singer's thoughts are in a constant state of flux, their emotions and feelings are resolute and unwavering. Additionally, the use of the phrase "beyond compare" emphasizes the uniqueness and unmatched nature of the love that the singer is experiencing.

Overall, If I Didn't Care is a touching and emotional song that explores the complexities of romantic love. Newman's evocative lyrics capture the all-consuming nature of love and the depths of emotion that it can evoke.

Line by Line Meaning

If I didn't care more than words can say
If my love for you could be expressed solely through words, would it be as strong as it is now?

If I didn't care, would I feel this way?
If I didn't love you, would I have these powerful emotions overwhelming me?

If this isn't love then why do I thrill?
If what I'm feeling isn't love, then what could it possibly be causing me to be so ecstatic?

And what makes my head go 'round and 'round While my heart stands still?
Why is my mind constantly racing while my heart remains steady and focused on you?

If I didn't care, would it be the same?
If I didn't love you, would our relationship be as special and fulfilling as it is now?

Would my every prayer begin and end with just your name?
Do I continuously think about you and hold you in my heart even when I'm praying?

And would I be sure that this is love beyond compare?
If I didn't love you with all my heart, would I be convinced that this is the most incredible kind of love that exists?

Would all this be true if I didn't care for you?
Are all of these powerful, beautiful feelings I have for you contingent on my love and care for you?

Lyrics © Warner/Chappell Music, Inc., CARLIN AMERICA INC
Written by: Jack Lawrence

Lyrics Licensed & Provided by LyricFind

To comment on or correct specific content, highlight it

TRACKS