Throwing Muses is known for performing music with shifting tempos, creative chord progressions, unorthodox song structures, and surreal lyrics. The group was set apart from other contemporary acts by Hersh's stark, candid writing style; Donelly's pop stylings and vocal harmonies; and David Narcizo's unusual drumming techniques eschewing use of cymbals. Hallucinatory, febrile songs by Hersh occasionally touched on the subject of mental illness, more often drawing portraits of characters from daily life or addressing relationships.
Donelly left the band in 1991 and was a member of The Breeders and Belly, before starting to perform solo. She also contributed vocals to the Throwing Muses self-titled album in 2003. Hersh has also worked solo, and fronts the power trio 50 Foot Wave (which also includes Muses bassist Bernard Georges). Narcizo works in graphic design and has a musical project Lakuna.
In March 2003, Throwing Muses came back with their eighth album, Throwing Muses, which also saw the return of Tanya Donelly who provided backing vocals on the album. A greatest hits compilation titled Anthology was released in 2011. The band's ninth album, Purgatory / Paradise was released on October 29, 2013 in the UK and November 11 in the US. In early 2014, the band toured a few U.S. cities, with Donelly opening for the East Coast dates.
Bea
Throwing Muses Lyrics
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Banging in the night
Ankle deep in mud
I can sleep in mud
I was a kind of hooker
My lover was free
I don't speak I ramble he was a gamble
And I can sleep with anything and more
Stripped women, stripped men
I fall instead of him
I'm useless in the light for the distance
I could break you for all the right reasons
I could hate you but what have I got
Nobody feels your tongue
Nobody sees you run
Nobody sees you make
Nobody knows your face
Love lives your whim
I'm stripped instead of him
I'm harmless in the light of the distance
I could break you for all the right reasons
I could hate you but what have I got
Nobody sees me old
Nobody feels me cold
Nobody lives my whim
Nobody knows you're him
I roam this head I cram what's left
I hide myself from her love
Nothing make me older
But the birthmark on your back
But making babies in the fields
And the birthmark on your shoulder
Making babies in the fields
Makes me older
Banging in fence posts
Banging in the night
Ankle deep in mud I can sleep in mud
I was a kind of hooker but his lover was me
I don't sleep I ramble my kids was a gamble
I just want to own something (old dirty earth)
I can sleep with anything and more
'Cause the birthmark on your shoulder
Making babies in the field
Nothing makes me older
Nothing makes me live my life but you
And that mark on your back making babies
In the field
The lyrics to Throwing Muses' song "Bea" paint a vivid picture of a gritty and tumultuous relationship. The song opens with the line "Banging in fevered ports," setting a dark and intense tone. The singer describes being ankle-deep in mud, and sleeping in mud, highlighting a sense of desperation and disillusionment. She admits to being a "kind of hooker," but her lover was free. The lyrics suggest a feeling of being trapped, and seeking ownership or control over something in her life.
The second verse talks about being "stripped," both literally and figuratively. The singer falls instead of her lover, suggesting a power dynamic in the relationship. She feels "useless in the light" and searches for meaningful reasons to break free. The chorus repeats the idea of being unseen and unknown, but also touches on the theme of love and whim.
The third verse is perhaps the most enigmatic, describing the birthmark on her lover's back and shoulder, and the act of making babies in the fields. The singer says that nothing makes her older but him, suggesting a sense of stagnation and lack of growth. The song ends with a repetition of the opening lines, creating a cyclical feeling of being stuck.
Overall, "Bea" is a haunting and complex song that explores the themes of power, identity, and love in a relationship that is both destructive and compelling.
Line by Line Meaning
Banging in fevered ports
Creating loud noise and commotion in chaotic, seaport areas
Banging in the night
Creating loud noise and commotion at night
Ankle deep in mud
Standing in thick layers of wet, sticky soil up to the ankles
I can sleep in mud
I can rest or even sleep while standing in thick layers of wet, sticky soil
I was a kind of hooker
I sold my body for sex
My lover was free
My romantic partner was unencumbered and had no obligations to me or anyone else
I don't speak I ramble he was a gamble
I don't communicate coherently, and he was a risky bet for a partner
I just want to own something (young dirty street)
I desire to control and possess something, such as a young, gritty neighborhood
I can sleep with anything and more
I am indiscriminate in my sexual partners and am capable of sleeping with anyone and more
Stripped women stripped men
Men and women who are naked or vulnerable
I fall instead of him
I experience a setback or failure instead of him
I'm useless in the light for the distance
I'm ineffective in the light, particularly from a distance or upon close analysis
I could break you for all the right reasons
I could harm you for legitimate or defensible reasons
I could hate you but what have I got
I could hold a strong aversion to you, but what would that accomplish
Nobody feels your tongue
No one is able to understand your communication
Nobody sees you run
No one observes you running away, escaping or fleeing
Nobody sees you make
No one notices the things that you produce
Nobody knows your face
No one recognizes or is familiar with your appearance
Love lives your whim
Your romantic partner exists for your benefit and whims
I'm stripped instead of him
I'm the one who is vulnerable or exposed, instead of him
I'm harmless in the light of the distance
My lack of threat or danger is only apparent from a distance
Nobody sees me old
No one is able to observe me as I age and grow older
Nobody feels me cold
No one is able to sympathize or empathize with how cold I feel
Nobody lives my whim
No one exists solely to fulfill my desires
Nobody knows you're him
No one realizes that you are the person in question
I roam this head I care what's left
I wander around in my mind and I am concerned with what remains there
I hide myself from her love
I conceal myself from the affection of a woman
Nothing make me older
Nothing causes me to grow older except...
But the birthmark on your back
Except for the birthmark located on your back
But making babies in the fields
But having intercourse in fields and conceiving and delivering offspring
And the birthmark on your shoulder
And the birthmark located on your shoulder
Making babies in the fields
Having intercourse in fields and conceiving and delivering offspring
Makes me older
Causes me to grow older
Banging in fence posts
Causing loud noise and commotion around wooden posts used to delineate property lines or pastures
I don't sleep I ramble my kids was a gamble
I don't sleep, I talk incoherently, and having kids was a risky decision for me
I just want to own something (old dirty earth)
I just want to possess and control something, such as old, soiled soil
Cause the birthmark on your shoulder
Because of the birthmark located on your shoulder
Nothing makes me older;
Nothing causes me to grow older except...
Nothing makes me live my life but you
Nothing gives me purpose in life except for you
And that mark on your back making babies
And that mark on your back, which is involved in the act of conceiving and delivering children
In the field
In natural, outdoor environments or locations
Lyrics © HEYDAY MEDIA GROUP LLC
Written by: Kristin Hersh
Lyrics Licensed & Provided by LyricFind