Tilly and the Wall sprang out of Omaha in 2001 - a Midwestern band of like-minded friends with pockets full of melodies, and a lot of pockets. The serendipitous result of five Omaha residents with a penchant for the same classic '60s pop, boy/girl harmonies and Americana folk records, Tilly and the Wall celebrates the petulant, determined, feisty nature of youth. They rejoice in tales of dreams followed, mistakes made, and hearts broken.
Tilly and the Wall released their debut album, Wild Like Children, in June 2004 on Conor Oberst's label, Team Love. Neely and Jamie were once in a band with Conor before he became known worldwide as Bright Eyes. Derek and Nick moved to Omaha from Atlanta, Georgia. Upon meeting, it was as if long-lost friends had found each other: without a doubt, the Tillys were born. Once the songs were written, Conor agreed to helm the production duties, and hence, Wild Like Children was unleashed on the world. As one of the first albums released on Team Love, Tilly and the Wall set a precedent for the label's identity: original, smart, exciting and, above all, easy to sing along to. The record consisted of 11 perfectly formed songs bursting with enthusiastic hyperactivity, while emanating a bitter sweet melancholy of long lost summers and misguided first loves. In front of a backdrop of sunshine, rain and snow, Tilly and the Wall sang songs about loving and kissing, dancing and drinking, staying and leaving, driving and talking, sleeping and dreaming, all set to the tap-tap-tapping of Jamie's toes. The press from sea to shining sea fell in love instantly.
And so, the Tillys went to meet their adoring fans, playing shows throughout America with the likes of Bright Eyes, Rilo Kiley, The Go! Team, Pedro the Lion, Of Montreal and more. When not on the road, the band began working on the follow-up to Wild Like Children, simply titled Bottoms of Barrels. Recorded over three weeks in October and November 2005, the album was recorded by AJ Mogis, brother and mixed by studio co-hort to Bright Eyes' Mike Mogis. Bottoms of Barrels sees the Tillys taking their signature sound to the next level. The choruses are more rousing, the tapping more intense, the instrumentation fuller, each sound painting broad brush strokes across your speakers. Longtime friend Nate Walcott contributes a bit of trumpet, while other friends have added drums, accordion and cello. A couple of tracks even feature the vocal styling of University of Nebraska's own choir Trip the Light Fantastic, bolstering Neely and Kianna's dulcet harmonies. Bottoms of Barrels fully demonstrated the importance of Tilly’s “we” perspective – with a gang full of voices, the band made strong declarations about love, freedom and their own place in the world. The album took the band on travels they had only dreamt about, resulting in extensive tours throughout Europe, Australia, Japan and even Iceland. They also played their first-ever sets at major music festivals, including the Reading/Leeds Festival, Coachella and Japan’s Summer Sonic. By the middle of 2007, they returned home to Omaha to begin work on their next long-playing record, having amassed legions of fans, as well as frequent flyer miles, across the entire globe.
Their 2008 record, which has no title but is represented by the shape o (the cut-out shape framing the handmade cover artwork for the record), was produced by acclaimed producer Mike Mogis through the harsh Nebraska winter of 2007. o sees Tilly and the Wall redefining their sound, taking bigger, bolder steps towards experimentation while maintaining the elements that have always made them who they are. o draws on everything from nature to magic, from sex to astrology, with a larger focus on percussion, rhythm, harmonies and kaleidoscopic melodies, yet ultimately still sounds like our five musical friends from Omaha.
Their album Heavy Mood was released in 2012. They broke up soon after that. Vocalist Kianna Alarid joined the Kansas City band Yes You Are. A retrospective album I Want to F*ck It Up (Tilly and the Wall 2002-2013) is planned for 2020 on the Team Love label.
Bad Education
Tilly and the Wall Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You found it hard to really find out what felt right
You wanna be a pretty girl, you hunt at night
The streets, your urgency to bleed
You bruised up both your knees
While rifling through women's jeans
'Cause the attraction's always high
Sparkle in the sparkle fire
You're running in the wild, almost carrying a child
You got your kite so high, I think you flew it
I know it, I think you knew it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
Will my heart teeter, tatter?
Iâ??m a believer, I'm solid matter
Oh, pretty girl
You turned it on, you turned it out, it all felt off
That's how it is, that's how it was
You searched it all so well, underwater in a well
You smeared on cool lips while checking off a checked off list
The situation's never kind, feathering a dance-hall stride
You're playing with the craziest locomotive
You broke your fingers in the climb
Scuffed the ball, you're pretty shy
You've got your air so thin
I think you blew it, did I blow it?
You fell into it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
Will my heart teeter, tatter?
I'm a believer, I'm solid matter
Hey, I think I faked it, oh did I fake it?
Oh boy, you look so good
Oh, when you fake it
Hey, I think I made it, oh did I make it?
You tried so hard, boy, you better make it
I think I'll take it, oh, should I take it?
Oh, pretty girl, I don't think you can take it
I think I hate it, oh, do I hate it?
I taste it, I taste it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
I'm tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
I hope you feel it in your hands
I hope you feel it in your hands
I hope you feel it in your hands
The first verse of "Bad Education" by Tilly and the Wall tells the story of a person who is struggling with their identity and sexuality. They are searching for a feeling that "felt right" and explore their feminine side by "rifling through women's jeans." The lyrics suggest that this person is living a wild and reckless lifestyle, chasing after the "sparkle in the sparkle fire." The second verse presents a similar struggle but from the perspective of a woman who has turned to cool lips and checked off lists to find fulfillment. Both characters find themselves in situations that are "never kind" and they are both teetering on the edge of something.
The chorus, "Now it's all bad education, Feeling fine, I'm feeling patient, Girls and boys in full frustration, St. Valentine, I think I taste it," suggests that these struggles are a form of education. The characters are learning about themselves and what they want, but it's not an easy road. The use of the St. Valentine reference adds a romantic and bittersweet element to the lyrics, as if the characters are searching for love or connection, but are also haunted by the past.
Line by Line Meaning
Oh, pretty boy
You found it hard to really find out what felt right
You wanna be a pretty girl, you hunt at night
The streets, your urgency to bleed
You bruised up both your knees
While rifling through women's jeans
'Cause the attraction's always high
Sparkle in the sparkle fire
The grittiest of grimes, your clothes are ruined
You're running in the wild, almost carrying a child
You got your kite so high, I think you flew it
I know it, I think you knew it
Addressing a boy who is struggling with his identity and desires, the lyrics describe his reckless pursuit for satisfaction while physically and emotionally hurting himself. His actions suggest he's trying to fulfill a deep-seated lack of fulfillment, even if it means indulging in potentially dangerous or harmful behavior. Despite indulging in dangerous behavior, he's aware of what he's doing.
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
Will my heart teeter, tatter?
Iâ??m a believer, I'm solid matter
The singer suggests that the outcomes of their actions have resulted in a situation that is inadequately understood or explained. Despite feeling frustrated and anxious, they remain patient and hopeful for resolution. They describe themselves as stable and whole, but also susceptible to the emotional damage caused by the situation. There is a sense of uncertainty and confusion about what the future holds.
Oh, pretty girl
You turned it on, you turned it out, it all felt off
That's how it is, that's how it was
You searched it all so well, underwater in a well
You smeared on cool lips while checking off a checked off list
The situation's never kind, feathering a dance-hall stride
You're playing with the craziest locomotive
You broke your fingers in the climb
Scuffed the ball, you're pretty shy
You've got your air so thin
I think you blew it, did I blow it?
You fell into it
The song then addresses a girl who has similarly fallen into a problematic cycle of behavior, seeking fulfillment in ways that only leave her feeling worse. Her actions are marked by a sense of emptiness and a feeling of futility. Even when she is trying to enjoy herself, she is aware of the dangers and risks involved. Despite her struggles, the singer suggests that she is trying to enjoy herself while acknowledging the pitfalls of her choices.
Hey, I think I faked it, oh did I fake it?
Oh boy, you look so good
Oh, when you fake it
Hey, I think I made it, oh did I make it?
You tried so hard, boy, you better make it
I think I'll take it, oh, should I take it?
Oh, pretty girl, I don't think you can take it
I think I hate it, oh, do I hate it?
I taste it, I taste it
The song concludes with an exploration of the ambiguous feelings surrounding the situations the boy and girl have found themselves in. The artist is confused about whether or not they have actually found any fulfillment or have merely been pretending to feel satisfied. There is a sense that the artist's feelings are conflicted and unresolved.
Lyrics © ROUGH TRADE PUBLISHING, Kobalt Music Publishing Ltd.
Written by: Derek Pressnall, Jamie L Williams, Kianna Alarid, Neely Jenkins, Nicholas White
Lyrics Licensed & Provided by LyricFind
Ben W
Oh, pretty boy
You found it hard to really find out what felt right
You wanna be a pretty girl, you hunt at night
The streets, your urgency to bleed
You bruised up both your knees
While rifling through women's jeans
'Cause the attraction's always high
Sparkle in the sparkle fire
The grittiest of grimes, your clothes are ruined
You're running in the wild, almost carrying a child
You got your kite so high, I think you flew it
I know it, I think you knew it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
Will my heart teeter, tatter?
Iâ??m a believer, I'm solid matter
Oh, pretty girl
You turned it on, you turned it out, it all felt off
That's how it is, that's how it was
You searched it all so well, underwater in a well
You smeared on cool lips while checking off a checked off list
The situation's never kind, feathering a dance-hall stride
You're playing with the craziest locomotive
You broke your fingers in the climb
Scuffed the ball, you're pretty shy
You've got your air so thin
I think you blew it, did I blow it?
You fell into it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
Will my heart teeter, tatter?
I'm a believer, I'm solid matter
Hey, I think I faked it, oh did I fake it?
Oh boy, you look so good
Oh, when you fake it
Hey, I think I made it, oh did I make it?
You tried so hard, boy, you better make it
I think I'll take it, oh, should I take it?
Oh, pretty girl, I don't think you can take it
I think I hate it, oh, do I hate it?
I taste it, I taste it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
I'm tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
I hope you feel it in your hands
I hope you feel it in your hands
I hope you feel it in your hands
Ben W
Oh, pretty boy
You found it hard to really find out what felt right
You wanna be a pretty girl, you hunt at night
The streets, your urgency to bleed
You bruised up both your knees
While rifling through women's jeans
'Cause the attraction's always high
Sparkle in the sparkle fire
The grittiest of grimes, your clothes are ruined
You're running in the wild, almost carrying a child
You got your kite so high, I think you flew it
I know it, I think you knew it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
Will my heart teeter, tatter?
Iâ??m a believer, I'm solid matter
Oh, pretty girl
You turned it on, you turned it out, it all felt off
That's how it is, that's how it was
You searched it all so well, underwater in a well
You smeared on cool lips while checking off a checked off list
The situation's never kind, feathering a dance-hall stride
You're playing with the craziest locomotive
You broke your fingers in the climb
Scuffed the ball, you're pretty shy
You've got your air so thin
I think you blew it, did I blow it?
You fell into it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
Will my heart teeter, tatter?
I'm a believer, I'm solid matter
Hey, I think I faked it, oh did I fake it?
Oh boy, you look so good
Oh, when you fake it
Hey, I think I made it, oh did I make it?
You tried so hard, boy, you better make it
I think I'll take it, oh, should I take it?
Oh, pretty girl, I don't think you can take it
I think I hate it, oh, do I hate it?
I taste it, I taste it
Now it's all bad education
Feeling fine, I'm feeling patient
Girls and boys and full frustration
St. valentine, I think I taste it
Tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
I'm tugging at the seat belt
I'm jumping out the saddle
I'm shuffling my feet around
I'm kneeling at the steeple
I hope you feel it in your hands
I hope you feel it in your hands
I hope you feel it in your hands
Samantha Robles
Still every bit as great in 2018 <3 Good old Tilly and the Wall will always be one of my favorites!
Saint John
One of The Best Fuckin Songs I've Ever Heard... And NO ONE Know's about It.
Jon Carter
My oldest sister listen to this I heard about 13 and I still remember it I'm 25 now but it still made and impact somehow cuz I'm really listening to it and I love it more now than I was when I was 13 and they're newer stuff OMG so angelic I wouldn't want to say life-changing but I don't know and in between word so Soul piercing maybe I don't know every album and doesn't go stale always fresh always refreshing always making me smile
Monica Isilda
How can this not pump you up!?
Panda Marry
Why are they unknown, they're just great!!
Tsunderella
Pretty amazing. Yes yes yes.
Joseph Sirianni
i couldn't agree more. it's kind of astounding that they have not caught on. they did make it on sesame street, though. :/
Nicole Brown
So good.
Sarah Ferrier
Just watching this from the 2007 show at Jackrabbits in Jacksonville FL. Love y'all so much even still!