instruments, built his own fretless device. This left field approach would signal the inception of a career which would emrace all styles of music from Symphonic Rock, Fusion, Jazz and Hard Rock.
Relocating to Japan, Donahue's opening gambit was the 'Fifth Season' album. The studio band for this record comprised of bassist Kevin Axt, drummer Joel Taylor and keyboard player Ken Shima. The record certainly turned heads, especially in the Jazz Rock field.
Building upon this success the guitarist changed tack and returned, touting a whole new instrument innovation- - the fretless electric harp guitar. In order to maximise the full potential of these harp guitars Donahue painstakingly developed completely new playing practices which, at times, leaves the listener
thinking there is more than one player involved. This novel method combined with his own distinctive sound ignited a solo career leading through a series of well received albums.
Donahue signed up with Nippon Crown Records for the 1994 record 'Still Dreaming'. Assisting in the studio would be accomplished Japanese musicians Tatsuhiko Hizawa on fretless bass guitar, Masay Nakano on keyboards and drummer Jun Saito. This outing caught the attention of film makers Shochiku Productions who would in turn persuade Donahue to score the 'Marks No Yama' movie soundtrack, a major Japanese psychological thriller. With Donahue adding mandolin to his repertoire Hizawa, Nakano and Saito would turn in performances yet again together with
flutes, bagpipes and full orchestration.
In 1997 Donahue ventured into the realms of Progressive Rock cutting the Eddie Kramer produced 'Voices In The Wind' album. Vocals were on hand from an undisputed giant of the Rock World- PAUL RODGERS of FREE and BAD COMPANY. Bass, fretless naturally, came courtesy of Jaz Lochrie whilst Toss Panos supplied drums.
During 2000 Donahue would unite with vocalist Kelly Hansen of HURRICANE and UNRULY CHILD fame forging a band project 'Into The Light' for an eponymous album. 2003 saw the formation of MADMEN & SINNERS, a collaboration between Donahue, DREAM THEATER singer James LaBrie and the ANNIHILATOR, STEVE VAI and
EXTREME credited drummer Mike Mangini.
Credit/s: Garry Sharpe-Young
Copyright: © 2001-2007 Musicdetector Websites
Last updated: 23 December 2003
Feel My Pain
Tim Donahue Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Shed a million tears
But one thing lasts forever
The scars of love will burn you deep inside
As you step across that flaming deep divide
Climbing up the walls
I've been through it all
The scars of love burning deep inside
As you step across that flaming deep divide
The man above is watching in the sky
Take a step across that flaming deep divide
A young man prays a friend betrays
It's all the same now its all the same to me
Lie awake lie in state its too late now
To change what's meant to be
Consecrate desecrate seal you fate now
Doesn't matter much to me
Can't you see can't you see
Don't, don't turn away feel my pain
Don't, don't go astray feel my pain
Feel my conscience slip away
As my body levitates
Better hold on tight
'Cause the earth tonight will shake
Burning at the stake
So don't, don't go away feel my pain
And don't, don't go astral feel my pain
And don't, don't walk away
Feel my
Feel my pain
The lyrics to Tim Donahue's song Feel My Pain explore the idea of enduring emotional pain from a failed relationship. The first two lines of the song speak to the longevity of the hurt, suggesting that it has been ongoing for a long time. The scars of love are described as burning deep inside, a metaphor that suggests the pain is intense and difficult to forget. The line "as you step across that flaming deep divide" is a reference to moving on or trying to start anew, but the pain and scars from the failed relationship are still very present and feel insurmountable.
The song's chorus urges the listener to feel the pain that the singer is experiencing. The lines "don't turn away, feel my pain" and "don't go astray, feel my pain" are a plea for someone to understand the hurt the singer is feeling. The bridge of the song describes a sense of being lost and alone, with the singer feeling like their conscience is slipping away and their body levitating. The final lines of the song return to the withering pain caused by the failed relationship, urging the listener not to walk away from the singer's pain.
Overall, the song explores the deep and lasting pain caused by a broken relationship. The lyrics suggest that the pain is all-encompassing and difficult to move past, even when trying to start anew. The singer's plea for empathy from the listener underscores the idea that this is a universal experience that many people can relate to.
Line by Line Meaning
It's been a thousand years
The singer has experienced a long period of time, possibly referring to the emotional pain they have endured.
Shed a million tears
The singer has cried many times, indicating emotional distress.
But one thing lasts forever
Despite the passage of time, some emotional pain can have a lasting effect on a person.
The scars of love will burn you deep inside
Love can leave emotional scars that can be very painful.
As you step across that flaming deep divide
As you navigate difficult times in relationships, it can be like crossing a flaming chasm of pain.
Climbing up the walls
The singer feels trapped or helpless in their situation.
I've been through it all
The singer has experienced many challenges and struggles.
And threw it all away yeah
Despite efforts to overcome hardships, the artist has given up or lost hope.
The scars of love burning deep inside
Emotional pain from failed romantic relationships is deeply embedded in the artist.
The man above is watching in the sky
The artist may believe in a higher power or feel that they are being observed by someone above them.
Take a step across that flaming deep divide
The singer encourages others to face their challenges head-on, despite how hard it may be.
A young man prays a friend betrays
A person who relied on a friend has been let down or betrayed.
It's all the same now its all the same to me
The singer has become indifferent to their situation, possibly due to feeling defeated.
Lie awake lie in state its too late now
The singer may be stuck in a difficult situation, unable to change the outcome.
To change what's meant to be
The singer believes that some things are predetermined and cannot be changed.
Consecrate desecrate seal you fate now
The artist suggests that actions or decisions can have long-lasting consequences.
Doesn't matter much to me
The artist is indifferent to the outcome or consequences.
Can't you see can't you see
The singer wants others to recognize or understand their pain and struggles.
Don't, don't turn away feel my pain
The singer wants others to acknowledge or empathize with their emotional pain.
Don't, don't go astray feel my pain
The artist urges others to stay focused and not give up in the face of adversity.
Feel my conscience slip away
The artist may feel guilty or conflicted about their situation, and their sense of right and wrong is fading.
As my body levitates
The artist may feel detached from reality or disconnected from their physical body.
Better hold on tight
The singer urges others to stay grounded and not lose themselves in difficult times.
'Cause the earth tonight will shake
The artist suggests that there may be more struggles or upheavals to come.
Burning at the stake
The singer may feel like they are being punished or persecuted for something out of their control.
Feel my
The singer wants others to understand their pain and not ignore it.
Feel my pain
The singer wants others to acknowledge their emotional pain and struggle.
Contributed by Adam S. Suggest a correction in the comments below.