Titãs are one of the most successful rock bands in Brazil, along with Legiã… Read Full Bio ↴Titãs are one of the most successful rock bands in Brazil, along with Legião Urbana, Os Paralamas do Sucesso and Barão Vermelho. The best known formation of the band was the one from the album "Cabeça Dinossauro" (Dinosaurhead): Nando Reis, Branco Mello, Marcelo Fromer, Arnaldo Antunes, Tony Bellotto, Paulo Miklos, Charles Gavin and Sérgio Britto. Out of these, only Mello, Bellotto, and Britto remain to this day.

History

* Formation and first works

The majority of the integrants of the band met each other at Colégio Equipe in São Paulo at the end of the seventies and, since their first live venue, at the school itself in 1981, the band began to play at several night clubs in the city. The first formation was: Arnaldo Antunes (vocals), Branco Mello (vocals), Marcello Fromer (guitar), Nando Reis (bass guitar), Paulo Miklos (sax and vocals), Sérgio Britto (keyboards and vocals), Tony Bellotto (guitar), Ciro Pessoa (vocals) and André Jung (drums). It was a pop/new wave-styled band, with small creativity and rather odd looks, with tender and little ball neckties. In 1984, without Ciro Pessoa, the band was signed by WEA to record their first album, produced by Pena Schimdt. Although not well sold and promoted, the band spawned at that time their first hit: "Sonífera Ilha"(Sleepy Island).

In 1985, with Charles Gavin replaced André Jung on drums (the latter going on to Ira!), their second album, Televisão (Television), producted by Lulu Santos, was released with slightly better arrangements than in their previous recording. This album had a greater advertising than the first one and brought in more opportunities to the group.

* Up to the Spotlights

In November 1985, Tony Bellotto and Arnaldo Antunes were arrested by heroin traffic and transportation. The episode made a huge impact on the band. The next album, Cabeça Dinossauro, released in June 1986, brought in a lot of tracks criticizing the public institutions ("Estado Violência" (Violence State) and "Polícia" (Police), as well as other "pillars" of Brazilian society such as"Igreja" (Church) and "Família" (Family). The heavy and punk-influenced rhythms and the strong lyrics, caracteristic of the band in this phase, are fully represented in this album which is considered by the critics as one of the best works of the group and one of the landmarks of the Brazilian rock.

Jesus Não Tem Dentes no País dos Banguelas (Jesus doesn't have teeth in the country of the toothless), released at the end of 1987, built on the previous album in tracks like "Nome aos Bois"(Name to the Oxes),"Lugar Nenhum"(Nowhere) and "Desordem"(Disorder), however adding samplers in tracks like "Corações e Mentes"(Hearts and Minds), "Comida"(Food) and "Diversão"(Fun). After some international presentations,the band recorded some of their hits in live venues and released Go Back in 1988.

The producer Liminha was always an important associate of the band since Cabeça Dinossauro, and this association arrived to it's climax in Õ Blésq Blom (untraslatable), one of the most popular productions of the band by that time. Some of the most popular tracks are: "Miséria" (Misery), "Flores" (Flowers),"O Pulso" (The Pulse)and "32 Dentes" (32 Teeth). One of the prominent features of this work was the special guest appearance of a couple of improvisors, called Mauro and Quitéria, discovered by the band in a beach in Recife.

* The First Changes

The band had arrived to a decisive point in it's history and the next album, Tudo ao Mesmo Tempo Agora(Everything at the Same Time Now) mark a strong yaw at the musicians' style, searching for heavier and authorial sound. The members themselves produced the album and the work was possibly the final reason for Arnaldo Antunes to leave for a solo career. The following album, Titanomaquia (Titanomachy), in 1993, continued the previous work in a way, with heavy instrumentation and disgusting lyrics, only now produced by Jack Endino, producer of important bands like Nirvana.

At 1995, Titãs released Domingo (Sunday), a more pop-rock outfit, unless for the track "Eu Não Aguento" (I Can't Take It), a more rap-rock oriented featuring the work of Sérgio Boneka. It was the first time that Titãs recorded a song recorded by another artist or group.

* The Return

Titãs had experienced some loss of their fanbase because the critics took their records as "less good" than the previous works from 80s. This changed in 1997 when they released Titãs - Acústico MTV (Unplugged MTV), an acoustic show recorded for MTV. With guests like Fito Paez, Marisa Monte and Arnaldo Antunes, the album sold pretty good and the band returned to the popularity of previous times.

In the following year, Volume Dois (Volume Two) was released, like a "next chapter" of the Acústico MTV. They recorded some of its previous hits, like "Insensível" (Insensitive) and also a song of Roberto Carlos, "É Preciso Saber Viver" (It's Needed to Know how to Live).

As Dez Mais (The Ten Most) was released in 1999. It was a cover record with some famous songs of other Brazilian artists. It featured a cover of "Pelados em Santos" (Naked in Santos), the most famous song of late group Mamonas Assassinas, which in the video made fun of commercials. The two records didn't repeat the hit that was Acústico MTV.

* These Days

The band returned to a full new material record with A Melhor Banda de Todos os Tempos da Última Semana (The Best Band of All-Time of Last Week), in 2001. The title of the record and epynomous song made critical fun of the Brazilian music market.

Prior to the release, Marcelo Fromer died after being hit by a motorcycle while running in the streets of São Paulo. After some days in comma, Fromer deceased. They made a song talking about it, "Epitáfio" (Epitaph). It was the major hit of the record, winning two MTV Video Music Brasil awards. Soon after that, Nando Reis left the band to pursue a sucessful solo career.

Como Estão Vocês? (How do You Are?) was released at 2003, and continued with the line of A Melhor Banda... "Enquanto Houver Sol" (As Long the Sun Exists) was a big hit, with a positive lyric and a somehow dark video.

MTV Ao Vivo, released in 2005, it's a recording of one concert to a live MTV special, available in CD and DVD. "Vossa Excelência" (Your Honor) was recorded, with lyrics who taked about the political situation of Brazil.

In their recent works (Sacos Plásticos, 2009 and Nheengatu, 2014), they've returned to a heavier sound, simillar to Cabeça Dinossauro.

* Discography

* Nheengatu (2014)
* Sacos Plásticos (2009)
* Titãs - MTV Ao Vivo (Live) (2005)
* Como estão vocês? (2003)
* A Melhor Banda de Todos os Tempos Da Última Semana (2001)
* As Dez Mais (1999)
* Volume Dois (1998)
* Titãs - Acústico MTV (MTV Unplugged) (1997)
* Domingo (1995)
* Titanomaquia (1993)
* Tudo Ao Mesmo Tempo Agora (1991)
* O Blésq Blom (1989)
* Go Back (Live) (1988)
* Jesus Não Tem Dentes No País Dos Banguelas (1987)
* Cabeça Dinossauro (1986)
* Televisão (1985)
* Titãs (1984)

Source: Wikipedia

Família
Titãs Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Família, família
Papai, mamãe, titia
Família, família

Almoça junto todo dia
Nunca perde essa mania
Mas quando a filha quer fugir de casa
Precisa descolar um ganha pão

Filha de família se não casa
Papai, mamãe não dão nenhum tostão

Família ê
Família ah
Família
Família ê
Família ah
Família

Família, família
Vovô, vovó, sobrinha
Família, família
Janta junto todo dia
Nunca perde essa mania
Mas quando o nenê fica doente
Procura uma farmácia de plantão
O choro do nenê é estridente
Assim não dá pra ver televisão, nao

Família ê
Família ah
Família
Família ê
Família ah
Família

Família, família
Cachorro, gato, galinha
Família, família
Vive junto todo dia
Nunca perde essa mania
A mãe morre de medo de barata
O pai vive com medo de ladrão
Jogaram inseticida pela casa
Botaram um cadeado no portão

Família ê
Família ah
Família
Família ê
Família ah
Família

Família ê
Família ah
Família
Família ê

Família ah
Família

Overall Meaning

The song "Família" by Titas celebrates the concept of family and their quirks and idiosyncrasies that make them unique. The lyrics depict the daily routines and traditions that families have, such as eating meals together and facing common fears, but also portrays the difficulties that some family members face when trying to escape certain pre-established roles. The chorus of "Família ê, Família ah" serves as a kind of cheer for the family, reinforcing the idea that no matter how challenging or unconventional they may be, they are still a family at the end of the day.

The first stanza introduces the idea of a traditional family unit consisting of a father, mother, and aunt. They eat together every day, but when the daughter wants to leave the nest and find a job, her parents refuse to give her any financial help. The second stanza includes the grandparents and nieces and emphasizes the importance of family dinners. When the baby is sick, the parents must go out to look for medicine, and they can't watch television because of the child's loud cries. The third and final stanza adds pets to the family and highlights how families deal with their fears in their own ways. The mother hates roaches, and the father fears burglars. When the house is sprayed with insecticides, and the gate is locked, it shows how the family tries to protect themselves from these obstacles together.

Overall, "Família" is a tribute to the resilience and love that family units possess, even in the face of adversity. It also touches upon the idea that sometimes, families have difficulty accepting changes and breaking away from specific roles or expectations.

Line by Line Meaning

Família, família
Family, family

Papai, mamãe, titia
Dad, mom, auntie

Almoça junto todo dia
Lunches together every day

Nunca perde essa mania
Never loses this habit

Mas quando a filha quer fugir de casa
But when the daughter wants to run away

Precisa descolar um ganha pão
She needs to get a job

Filha de família se não casa
Daughter of the family, if she doesn't marry

Papai, mamãe não dão nenhum tostão
Dad, mom won't give a single penny

Família ê
Family, hey

Família ah
Family, ah

Família
Family