Terry's productions can be described as a varied collection of samples blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy.[citation needed]
Much of Todd Terry's early work in the late 1980s is considered a milestone in the development of both progressive and modern deep house. Todd Terry has been responsible for releasing two of the most respected crossover remixes of the house era: "I'll House You" by the Jungle Brothers and "Missing" by Everything But the Girl by the mid 1990s.
Among his fans, Todd Terry is known as Todd the God, God Terry, Todd Godrry, Godd Gerry (or, occasionally, simply God, because he might be a Five Percenter, but this is unconfirmed).
Todd's tracks "Something Goin' On'" and "Keep on Jumpin'" were both UK Top-10 hits as well as Us Hot Dance Music/Club Play #1s, with the vocals provided by Jocelyn Brown and Martha Wash. Freestyle diva Shannon was the featured vocalist on the Top Twenty hit "It's over Love" in 1997.
In 1999 Todd Terry released Resolutions, successfully embracing the then-still avant-garde Drum-n-Bass aestethics.
Terry also has several aliases such as Swan Lake, Orange Lemon, Royal House, Amy Studt, Black Riot, CLS, Masters at Work (although this moniker he gave to Kenny "Dope" Gonzalez & "Little" Louie Vega), Dredd Stock, House of Gypsies, Limelife, Hard House, Tyme Forse, Gypsymen.
Todd Terry became one of the best-paid DJs in both Europe and the United States. He normally performs on four turntables, mostly playing his own tracks.
In October 2004, Weekend by the Todd Terry Project appeared in popular video game Grand Theft Auto: San Andreas, playing on House music radio station SF-UR.
I Wanna Go Bang
Todd Terry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I wanna go bang, I wanna go bang, I wanna go
I wanna go bang, I wanna go bang, I wanna go
I wanna go bang, I wanna go bang, I wanna go bang
I wanna go bang, I wanna go bang, I wanna go bang
I wanna go, I wanna go, I wanna go bang
I wanna go bang, I wanna go bang, I wanna go bang
I wanna go, I wanna go, I wanna go bang
I wanna go bang, I wanna go bang, I wanna go bang
I wanna go bang
I wanna go, I wanna go, I wanna go bang
I wanna go bang, I wanna go bang, I wanna go bang
I wanna go bang
I wanna go, I wanna go, I wanna go bang
We, we, we
We, we, we
We, we, we
Hey, hey, hey
I wanna go bang
Oh baby
I wanna go bang
Oh baby
I wanna go bang
Hey, hey, hey
I wanna go bang
Oh baby, oh baby
I wanna go bang
Oh baby, oh, oh, oh
I wanna go bang
Oh baby
I wanna go bang
Oh baby
I wanna go bang
Oh baby
The repeated phrase "I wanna go bang" in Todd Terry's song carries a few subtle meanings. Firstly, hip-hop culture often uses the term "bang" to refer to playing music and dancingβhence why the song is a classic beat-driven dance tune. However, given the repeated use of the phrase, it seems likely that "bang" also represents a desire for sexual pleasure. Additionally, the "we" group chant at various points in the song creates a sense of community, suggesting an interconnectedness between the various dancers and club-goers.
The way the song is structured also reinforces its status as a dance-floor classic. First, the simple but driving beat in the background sets an upbeat tone that keeps the crowd moving. Second, the verse and chorus have the same structure and lyrics, making the song easy to sing along for those who know itβa hallmark of many other dance or pop songs. Finally, the song includes a breakdown section near the end, where the beat slows down and various sounds and phrases are repeated to create a sense of anticipation before the final climax.
In terms of chord progressions, "I Wanna Go Bang" is primarily constructed around a basic four-chord motif that is repeated throughout. The chords are A minor, G major, F major, and E minor in that order. The song follows a fairly simple structure, with a steady beat and the same melody throughout, which allows dancers to feel and connect to its rhythm easily.
Line by Line Meaning
I wanna go bang, I wanna go bang, I wanna go
The singer desires to experience an intense and pleasurable musical experience and expresses this desire multiple times.
I wanna go bang, I wanna go bang, I wanna go bang
The singer emphasizes the intensity of the desired musical experience and repeats the phrase for emphasis.
I wanna go, I wanna go, I wanna go bang
The singer wants to move, dance, and respond physically to the music.
We, we, we
The singer includes the listener in the experience and seeks to create a collective celebration of musical pleasure.
Hey, hey, hey
The singer signals excitement, anticipation, and an upbeat attitude appropriate to a celebratory musical experience.
Oh baby
The singer expresses an intimate and personal connection to the music, identifying with it in a sensory way.
Lyrics Β© Universal Music Publishing Group
Written by: TODD N. TERRY
Lyrics Licensed & Provided by LyricFind
D.L.G
Still one of my favorite tracks to this day, I would always loop 1:17 to death and drive the crowd crazy when i use to spin at house parties, thanks for posting.
MrAntiSellOut
A song like this will never die
Bedrock NJ
Man that piano breakdown is the bomb. Brings me back to the days of the tunnel and the sound factory
Christian Boutell
First head this tune back in 89,on a pirate station called smart boys radical crew, still love it even now.ππβ€οΈπ
Bolo718
Damn we did it up something crazy in NYC!! The party never stopped. Shout to all my Bronx cats that went down to Studio 54, Roseland etc. and put the place on smash. New school cats don't have a movement like that to be a part of thats why music is so wack now.
frank arroyo
hELL NOOOOO AND YUR RIGHT
g o o d v i b e s
yessss sirrrrrr we used used to do it up back in them days these new checks dont know nathen about the movements use cats started ..
Anthony Vega
Word is bond to that! Little Louie Vega .
STUDIO 54 88/89. ROSELAND Baby Hec . REDZONE. David Morales
lokuazaz
I love this tune and it's the first time I've heard it. Now, it's my favorite. Sounds groovy. Do u have more of underground house and classic house?
koolzainski
Almost half of Glen Friscia's mixes put me to sleep yet the other half were amazing... Franco Iamello had more than superb mixing skills, but he was way too "safe" with his playlist... Whereas Roman Ricardo, Junior Vasquez, Frankie Bones, Baby J spun a lot more underground joints in between the sparse commercial tracks, making it seem more exclusive!