UGK (short for Underground Kingz) were a hip-hop duo from Port Arthur, Texa… Read Full Bio ↴UGK (short for Underground Kingz) were a hip-hop duo from Port Arthur, Texas, USA. Formed in 1987 by long-time friends Chad “Pimp C” Butler and Bernard “Bun B” Freeman, they were highly respected by many of their peers, due in part to their longevity and their entrenchment in hip-hop’s underground.

UGK, from Port Arthur, TX, the neighboring city to Beaumont, TX, released their debut EP The Southern Way in 1992. It was distributed by local record label Bigtyme Recordz and only available as an audio cassette. They quickly caught the attention of Jive Records, and were signed to a five album record contract. Their major label debut album Too Hard to Swallow was released later that same year, on November 10. While it featured several new recordings, it also featured several songs that had been culled from The Southern Way. However, several songs that had been intended to be included on the album were excised at the last minute, apparently due to their overly explicit content. Five of these songs would surface two months before Too Hard to Swallow’s release, on an EP distributed by Bigtyme Recordz; appropriately enough, the EP was titled Banned.

Their sophomore album Super Tight… was released two years later, on August 30. Unlike their previous effort, it managed to break into the Billboard Hot 200, but ultimately peaked at a disappointing #95. Two more years passed before the release of their third album, Ridin’ Dirty. It performed better than either of its predecessors, and almost broke into the Hot 200’s top-ten, before stopping short at #15. Ridin’ Dirty would also be UGK’s last album for the time being, as they went on a five year hiatus not long afterward.

In the interim, UGK made a high-profile guest appearance on Jay-Z’s 2000 smash hit “Big Pimpin” and also appeared on Three 6 Mafia’s hit “Sippin’ on Some Sizzurp” later the very same year. Both of these collaborations greatly increased their reputation, and helped fuel anticipation for their next project. Unfortunately, Jive failed to capitalize on this new-found interest in the duo, as their sixth album, 2001’s Dirty Money, came and went with little or no fanfare.

Further problems arose in 2002, when Pimp C was incarcerated for an aggravated gun assault charge on January 28. Throughout the time of his incarceration, Bun B carried on the UGK name by making numerous guest appearances on songs by other artists, with every appearance either mentioning Pimp C or featuring a “Free Pimp C!” or “Free the Pimp” chant. Many of UGK’s peers did the same, and mentioned Pimp C in their own songs with or without Bun B. During this period, Jive released a Best of UGK album, as well as a Chopped & Screwed remix album.

As a result of Pimp C’s incarceration, both members of UGK began solo careers out of necessity. Rap-A-Lot Records released Pimp C’s solo debut, Sweet James Jones Stories, on March 1, 2005. Bun B later released his own solo foray, Trill, on October 18, 2005. It opened at #6 on the Billboard Hot 200, and also peaked at #1 on Billboard’s Top R&B/Hip-hop Album chart. It was quickly certified gold by the RIAA.

On December 30, 2005, Pimp C was released from prison and was scheduled to be on parole until December 2009. He released his first post-incarceration album, titled Pimpalation, on July 25, 2006.

UGK released Underground Kingz, their 7th studio album in August 2007. The two-disc, 26-track album hit #1 on the Billboard charts after selling 157,000 copies in its first week, strongly supported by the hit single Int’l Players Anthem (I Choose You). The single featured OutKast, and used a beat created by Three 6 Mafia’s DJ Paul and Juicy J, which was originally used in a song by Project Pat.

On December 4th, 2007, Pimp C was found dead at age 33 in his room at Hollywood’s La Mondrian hotel in Los Angeles, California, where he had been playing shows with Too $hort. According to the Los Angeles County Coroner’s Office Pimp C died from accidental overdose of Promethazine/Codeine “syrup” combined with a preexisting medical condition known as sleep apnea, which causes a person to stop breathing during sleep. He was buried on December 11th, 2007 in his hometown of Port Arthur, TX.

Pussy Got Me Dizzy
UGK Lyrics

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Got me dizzy pussy got me (Dizzy)
Pussy got me (Dizzy)

I got some high school pussy and
You know it's the lick
'Cause every day after school
She be ridin' my dick
She come over to my house
And my dick is hung i was in love like a
Muhfucka lickin' the pearl tongue
She always come over with a new bag of tricks
She got titties like "POW!" and
A booty that's thick
The pizzy is so easy that
My tizzy's dizzy to know
But I can't get crizzy about
No busy sprung-ass ho
I got another girl, 32, a freak and shit
She work at the post office and
She work for my dick
Back in the day she kicked me
Down when I was livin' poor
I used to skip school and fuck
Her on the bedroom floor everything was cool
Cause her husband was the principal
At the local high school
I got the loot, took the kids to the park
And in return I got good hot pussy after dark

Pussy got me (Dizzy) pussy got me (Dizzy)

Yeah, my nigga's at a show
At motherfuckin' D Town
And after we rock we holler at
Hoes that wanted to be down
Rest of my niggas walk off
With they own pussy and me and Tre tryin' to
Make clean clit's mushy
We hollered at some hoes we saw
'em sittin' in a threesome
I said "I wanna see some
Pussy let's have some Bun B fun
Which way you do hoes wanna be one of
The tricks, I wanna stick and fuck"
She said "I ain't givin' up the pussy
Even boy you gots to lick and suck" (Biotch)
I said "What's up? Can I bend you over?"
She said "I'm sassy but I ain't Lassie
So don't ask for the rover"
But I talked her to goin' up to the hotel
Make this little ho smell
My dick and she would say
I fucked her so well
I sent her home and called her back
It was on again
Woke up back in her bed that I boned her in
See on the tool
I had this li'l ho skippin' school
To ride on my dick too
Had to be trippin' fool
One day I fucked her without a bath
She went to her JOB
Came back with that stank
Tryin' to lay on me when I was hittin' it on
Top I couldn't smell it
But from the back I had to inhale
It and I could tell it
Wasn't clean i told her "Hold up
I can't cope you oughta douche with some
Scope, don't bother, get you some soap
So wash your back with a
But don't push in the bush 'til she
Dush' cause the puss'll make you dizzy"

Pussy got me (Dizzy) pussy got me (Dizzy)

I want a white biotch, a blue-eyed devil
So I can put her stanky
Ass on that other level
Let her legs open, I'ma start strokin' gladly
I don't know about you but
3-2 beats the pussy badly
But see it gets kinda scary
When I place my dick in that asshole area
In and out, I work it all over
Put it in her mouth and try
To tear her fuckin' tonsils out
Cause Tre be up and I'm strong
Pressin' down on that pussy
Tryin' to break that pelvic bone
See G, my dick is like a piece of crack
It keep 'em comin' back and they love it
When I hit it from the back
So uh bend over and touch your toes
That's the way I like to do
You good for nothing hoes
And after I finish holler "3-2 thank ya"
Cause all real G niggas know
The bitches love the gangsta but still
Givin' it with the niggas on the avenue
And every day
Tre is known to flip at least a bitch or two
But you know, they know
One them hoes gon' kiss me
Cause that stanky pussy be havin' me dizzy

Pussy got me (Dizzy) pussy got me (Dizzy)

Overall Meaning

The lyrics to UGK's song "Pussy Got Me Dizzy" depict the singer's infatuation and obsession with women, particularly their sexual prowess and physical attributes. The repetition of the phrase "pussy got me dizzy" emphasizes the overwhelming effect that sexual encounters have on the singer, causing them to become disoriented or intoxicated by the experience.

The first verse describes a sexual relationship with a high school girl, highlighting her young age and the excitement this brings to the singer. The second verse introduces another woman who works at the post office and boasts of their intimate encounters. Despite her previous mistreatment of the singer, they continue to engage in sexual activities. The narrative implies that the singer is always seeking new experiences and delights in the sexual conquests they have.

In the third verse, the singer expresses a desire for a white woman, describing her in derogatory language and emphasizing their supposed willingness to engage in more adventurous sexual acts. The lyrics also indicate a preference for anal and oral sex, portraying the singer as dominating and aggressive in their sexual encounters.

Overall, the song portrays a hypersexualized and misogynistic perspective, focusing solely on physical pleasure and objectifying women. It reflects the attitudes and language often found in gangsta rap, where explicit sexual content is used for shock value and to assert dominance.

Lyrics © O/B/O APRA AMCOS

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