began as a sound system DJ in 1961, spinning records for the Doctor Dickies set, later known as Dickies Dynamic, in such well-known Jamaican venues as Victoria Pier, Foresters Hall and Emmett Park. His inspiration was the DJ Winston Count Machuki, who worked for Coxsone Dodd and subsequently on Prince Buster's Voice Of The People sound system. By the mid-60s he was DJ for Sir George The Atomic, based around Maxfield Avenue in Kingston. Around 1967 he began to work with King Tubby as DJ for his Home Town Hi-Fi. From this association developed the whole modern DJ style; Tubby's work at Duke Reid's studio, where he was disc-cutter, led him to discover dub. He found that by dropping out the vocal track and remixing the remaining rhythm tracks he created new �versions� of much-loved tunes. He began to record a series of special acetate recordings or dub plates for exclusive use on his sound system. The space left by the absent vocal tracks enabled U-Roy to improvise his own jive-talk raps or toasts when the sound system played dances. The effect in the dancehall was immediate and electrifying. In 1969 U-Roy was invited to play for Dodd's Down Beat sound system, playing the number 2 set; the number 1 set had King Stitt as DJ. U-Roy became dissatisfied with playing the latest Coxsone music only after Stitt had first exposed it to dance patrons, and returned to Tubby's. He then began his recording career in full, recording two discs for Lee Perry, Earth's Rightful Ruler and OK Corral, before moving to producer Keith Hudson, for whom he made the outstanding Dynamic Fashion Way.
U-Roy then began recording for Duke Reid, using as backing tracks Reid's rocksteady hits from 1966-67; their success was unprecedented. His first record for Reid, Wake The Town, which used Alton Ellis� Girl I've Got A Date as backing, immediately soared to the top of both Jamaican radio charts. His next two releases, Rule The Nation and Wear You To The Ball, soon joined it. These three releases held the top three positions in the Jamaican charts for 12 weeks during early 1970. Other sound system DJs were quick to follow U-Roy, including Dennis Alcapone and Scotty. The radio stations refused to play DJ music just to give singers a chance, so big was the demand. U-Roy recorded 32 tracks for Reid, in the process versioning almost every rocksteady hit issued on the label and releasing two albums. By 1973 he was recording for other producers, including Alvin Ranglin, Bunny Lee, Glen Brown and Lloyd Charmers as well as self-productions. However, the rise of the next DJ generation including Big Youth signalled the partial eclipse of U-Roy. In 1975 he made a series of albums for producer Prince Tony Robinson which were leased to Virgin Recordsin the UK, wherein the DJ revisited Reid's earlier hits in the then prevalent rockers style. He appeared at the London Lyceum in August 1976, backed by a band featuring Channel One stalwarts Sly Dunbar (bass) and Ansell Collins (organ). He operated his own sound system, Stur-Gav, featuring Ranking Joe and selector Jah Screw. When they left after the sound system was broken up during the turbulent 1980 Jamaican election, it was rebuilt with new DJs Charlie Chaplin and Josey Wales, and Inspector Willie as selector. U-Roy continued to record sporadically throughout the '80s, recording Hustling, a single for Gussie Clarke, in 1984, and two excellent albums for DJs turned producers Tapper Zukie and Prince Jazzbo, in 1986 and 1987 respectively. In 1991 he played a successful �revival� concert at the Hammersmith Palais, London. U-Roy is the man who is responsible for putting the DJ on the map, both as recording artist in Jamaica and as a major indirect influence on the US rappers. As such his importance is immense. source: http://u-roy.20m.com/
Behold
U Roy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
AND SUDDENLY I HEARD...
A VOICE COME TO I AN`SAY`AY
BEHOLD I COME COME QUICKLY
TO PAY EVERY MAN
ACORDING THE WORK SHALL BE HERE
(CHORUS)
THE VOICE OF THE MOST I....
SHOULD BEHOLD
BEHOLD...I COME QUICKLY (HEAR WHAT HE SAY TO ONE AN`ALL
BEHOLD
BEHOLD...I COME QUICKLY (CAN YU HEAR DIS IS CULTURE)
THIS WORLD IS LIKE A MIRROR
REFLECTED IN WHAT YU DOOOOO
AND IF YU FACE IT SMILING
WILL SMILE RIGHT BACK TO YU...
SO DO ONE TO OTHERS
AS YU WILL'AVE THEM TOO
SO DAT YOUR DAYS
WILL BE MANY MANY EARS MUCH LONGER
(CHORUS)
(CHORUS)
AND I KNOW....DAT IT WAS THE VOICE
THE VOICE OF THE MOST I....
SHOULD BEHOLD
BEHOLD...I COME QUICKLY
BEHOLD
BEHOLD...I COME QUICKLY
U Roy's song 'Behold' is a spiritual and inspirational number that speaks about the second coming of Christ and the importance of treating others with kindness and respect. The first verse tells the story of the singer traveling up a mountain, where he hears a voice proclaiming that it will come quickly to pay every man according to his work. The chorus follows, where the singer affirms that the voice he heard was that of the Most High instructing everyone to behold and prepare for the imminent return of Christ. The second verse offers a message of kindness, emphasizing that the world is like a mirror and that we must treat others as we would like to be treated, so that our days on this earth will be longer.
The lyrics of 'Behold' display a mix of scripture-based allusions and practical concepts that are still relevant today. The song appears to be uplifting and inspiring, with a message that anyone regardless of their religious or spiritual beliefs can appreciate. With the emphasis on treating others with respect and kindness, the song encourages listeners to become better people who can look at themselves in the mirror and see who they truly are.
Line by Line Meaning
I WAS TRAVELING UP THE MOUNTAINS ONE DAY
Once while journeying over the mountains
AND SUDDENLY I HEARD...
I heard distinctly and unexpectedly
A VOICE COME TO I AN`SAY`AY
A voice spoke out to me and proclaimed
BEHOLD I COME COME QUICKLY
Take notice, for I shall soon arrive
TO PAY EVERY MAN
To render recompense to each person
ACORDING THE WORK SHALL BE HERE
According to their deeds, will be the reward.
THIS WORLD IS LIKE A MIRROR
The world works like a reflective surface
REFLECTED IN WHAT YU DOOOOO
The nature of your actions will be reflected in what the world does
AND IF YU FACE IT SMILING
If you face the world with a positive outlook
WILL SMILE RIGHT BACK TO YU...
The world will reflect that positivity back to you
SO DO ONE TO OTHERS
Treat others in the way you would like to be treated
AS YU WILL'AVE THEM TOO
As you expect others to treat you
SO DAT YOUR DAYS
So that your times and days
WILL BE MANY MANY EARS MUCH LONGER
Shall be prolonged for years to come
AND I KNOW....DAT IT WAS THE VOICE
I truly know that it was the divine voice
THE VOICE OF THE MOST I....
The voice of the most high God
SHOULD BEHOLD
Therefore take note
BEHOLD...I COME QUICKLY (HEAR WHAT HE SAY TO ONE AN`ALL
Behold, I am coming soon (listen to what he says to everyone)
BEHOLD
Take a moment to view
BEHOLD...I COME QUICKLY (CAN YU HEAR DIS IS CULTURE)
Look, I am coming soon (do you hear this? It is culture).
Lyrics © Universal Music Publishing Group, Royalty Network
Written by: LLOYD AKA DALEY DAYES, JOSEPH HILL, ALBERT WALKER, BRINSLEY ALLAN FORDE
Lyrics Licensed & Provided by LyricFind