1) Versus the World is a … Read Full Bio ↴There are at least 2 bands with this name.
1) Versus the World is a post-hardcore/pop punk supergroup from Santa Barbara, California.
2) vs. the world was a melodic noise punk band formed in 2019 in St. Gallen, Switzerland, consisting of Iris "Weeder" Graser (bass, vocals), Lukas "Rufus" Frefel (guitar, vocals) and "GG" Annika Szokody (drums). They disbanded in 2023.
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1.) Versus the World was formed in 2005 by singer-songwriter Donald Spence and bassist Mike Davenport, who performed together as an acoustic duo called Pencapchew. They issued their first studio album as Versus the World in 2005, followed by a string of shows with bands like No Use for a Name, Suicide Machines, Bouncing Souls, and Social Distortion, as well as appearances at the Vans Warped Tour. The group spent the ensuing years working on other projects. Versus the World released their long-awaited sophomore long-player Homesick/Roadsick via Kung Fu Records in 2015.
The lineup currently consists of Donald Spence (guitar), Mike Davenport (bass, formerly of The Ataris, Tony Caraffa (guitar), Chris Flippin (guitar, formerly of Lagwagon), and Bryan Charlson (drums, formerly of Crooks and Liars). Former members include Nic Matsuda, Marco Peña, Trevor Lewis Matthias, and Casey James Cress.
There’s an unshakable bond that can only be forged through a combination of shared passion, life experiences, and world travel hardened camaraderie. It’s not really something tangible, touchable or scientifically provable. But if that electric chemistry that makes friends into family has a sound, that sound is definitely VERSUS THE WORLD.
The appropriately titled Homesick/Roadsick is Versus The World coming full circle, a third album supercharged by a triple-guitar attack and filled with all of the urgency, earnestness and restlessly adventurous spirit the album’s title represents. The thrilling paradox of wishing for a familiar bed on tour only to yearn to get back on the road after coming home spills out of Homesick/Roadsick with powerful drive and renewed focus.
The dense pop-punk pedigree of Versus The World is the foundation for the some of the most exciting post-hardcore troubadour jams to ever emerge from the West Coast. The floorshow style energy of Hot Water Music, the darkly romantic but uplifting melodicism of Alkaline Trio and the modern-but-timeless singer/songwriter DNA found in Gaslight Anthem collide within Versus The World, whose own signature sound is further enhanced by the group’s individual resumes, which includes The Ataris and Lagwagon.
Dave Hause guests on the album opener, “Santa Margarita,” which vocalist/guitarist Donald Spence wrote for fallen friend Tony Sly, the late frontman for No Use For A Name. “The Black Ocean” was born from a combination of a sound check riff and the view from the plane on an overnight flight to Japan. Homesick/Roadsick is the first Versus The World record where Spence shared the writing responsibility, collaborating with guitarist Tony Caraffa on songs like “A Storm Like Me,” “A Brooklyn Rooftop” and the title track. The band rehearsed “Our Song” for the very first time in the studio.
Familiarity and family remain at the forefront for Versus The World. They’ve made all three albums with Bad Astronaut guitarist and producer Thom Flowers. Drink.Sing.Live.Love (2012) and the new album were mixed by Ian MacGregor, whose discography includes work with Katy Perry and All-American Rejects. They’re back with Kung Fu Records, the label that released Versus The World’s self-titled debut in 2005. The long-running SoCal punk institution is also the label that first discovered The Ataris.
Mike Davenport played bass for The Ataris during the late ‘90s and early 2000s, lending his talents and stage presence to genre-classics Blue Skies, Broken Hearts… Next 12 Exits, End Is Forever and the gold-certified mainstream breakthrough, So Long, Astoria. He met teenaged singer/songwriter and Ataris fan Donald Spence in Texas and casually told him to feel free to visit the band owned indie record store in Santa Barbara sometime. The next year, Spence ran away from home and scored at job at that very record store, Down On Haley, where the pair started Versus The World in the backroom.
Thanks to the strength of Spence’s songs and the positive reception to their debut, Versus The World grew from a side project to a real-deal band and put in significant road miles on tours with No Use For A Name, Social Distortion, Bouncing Souls, The Vandals and the Vans Warped Tour, among others. During the much-needed downtime that followed, Davenport started Cave Mummy with Lagwagon cofounder/virtuoso guitarist Chris Flippin. Spence had a “home project” too, Crooks & Liars, with drummer Bryan Charlson, whose ferocity behind the kit runs in hilarious contrast to his laid back Hawaiian vibes.
Flippin and Charlson were members of Versus The World by the time the group teamed with Fletcher Dragge from Pennywise (and a few industry vets) for the release and subsequent promotion of their second album. With Flippin still a full-time member of Lagwagon, the band would often draft Murderland guitarist Tony Caraffa to fill-in during the increasing touring that followed, which included US tours with MxPx and Unwritten Law, Japanese dates with Useless ID, a trip to China and to Australia’s Soundwave Festival.
Midwest metal shredder Caraffa became a full-time member, elevating the band to an Iron Maiden style triple guitar status, which is put to incredible and inventive use on what is surely Versus The World’s most invigorating and confident full-length thus far. The hard-hitting heft of the first album and the dynamic diversity of the second are not only present but turbo-boosted all over Homesick/Roadsick. The end result is the penultimate expression of the musical and personal experiences of each member.
Anyone who gets a charge from the subcultural sound of songs driven by purposeful power is invited to dive into the fan community supporting Versus The World, just like that invitation teenaged Donald Spence accepted that started it all.
-Ryan Downey
Forgive Me
Versus The World Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Your secret's safe with me
Just drive, I've broken our mirror
So our past won't look so tempting
I never thought it'd feel this good to quit
Failure tastes so sweet
I'm not afraid anymore, forgive me
I'll swing here, I'll hang from this rope
Just at least until they've found me
Stay close dear, the note on the floor says
I wish that you were here
I never thought it'd feel this good to quit
Failure tastes so sweet
I'm not afraid anymore, forgive me
So long to the future I never
Had a chance anyways
I get a
problem with my brain
This is a problem so intense
I cannot explain
Over and over
Which way to turn?
There's no way out
At this point I'm not concerned
I never thought it'd feel this good to quit
Failure tastes so sweet
I'm not afraid anymore, forgive me
I never thought it'd feel this good to quit
Failure tastes so sweet
I'm not afraid anymore, forgive me!
The lyrics to Versus The World’s “Forgive Me” convey a sense of defeat and surrender as the singer reflects on their past mistakes and failures. The opening line, “Red eyes just keep my heart beating,” suggests that the singer may have been crying or upset, but they have not given up yet. The line, “Your secret's safe with me,” implies that there may be something that the singer knows that they have promised to keep quiet about. The next line, “Just drive, I've broken our mirror,” symbolizes the singer’s attempt to leave their past behind and move on without any reminders of what they have left behind.
The chorus, “I never thought it'd feel this good to quit, Failure tastes so sweet, I'm not afraid anymore, forgive me,” reveals the singer’s acceptance of their past failures and mistakes. They have come to the realization that giving up can sometimes be liberating and that the feeling of failure can be satisfying in its own way. By saying, “I'm not afraid anymore, forgive me,” the singer is asking for forgiveness for their past mistakes and is ready to move forward.
The next verse, “I'll swing here, I'll hang from this rope, Just at least until they've found me,” again highlights the singer’s surrender and willingness to accept whatever consequences come their way. The phrase, “Stay close dear, the note on the floor says, I wish that you were here,” suggests that the singer is not alone in their struggle and that they have someone they care about who they wish was there with them.
All in all, “Forgive Me” is a powerful and emotive song that touches on themes of surrender, acceptance, and moving on from past mistakes.
Line by Line Meaning
Red eyes just keep my heart beating
I am tired and worn out, but I am still alive and fighting.
Your secret's safe with me
I will keep your secret and not reveal it to anyone else.
Just drive, I've broken our mirror
So our past won't look so tempting
Let's leave the past behind and focus on moving forward without looking back.
I never thought it'd feel this good to quit
Failure tastes so sweet
I'm not afraid anymore, forgive me
Even though giving up seems like a failure, it can feel empowering and liberating.
I'll swing here, I'll hang from this rope
Just at least until they've found me
Stay close dear, the note on the floor says
I wish that you were here
I am in a dark place and contemplating suicide, but I still want to be with you and share my pain with you.
So long to the future I never
Had a chance anyways
I have lost all hope for the future and believe that I never had a chance for success.
I get a
problem with my brain
This is a problem so intense
I cannot explain
Over and over
Which way to turn?
There's no way out
At this point I'm not concerned
I am struggling with mental health issues that are difficult to describe, and I feel trapped and hopeless.
I never thought it'd feel this good to quit
Failure tastes so sweet
I'm not afraid anymore, forgive me!
Despite the risk of failure, giving up can feel like a release from the burdens of life.
Contributed by Jackson A. Suggest a correction in the comments below.