Victor Stanley Feldman (April 7, 1934 – May 12, 1987) was an English jazz m… Read Full Bio ↴Victor Stanley Feldman (April 7, 1934 – May 12, 1987) was an English jazz musician, best known as a pianist and percussionist.
He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman immigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers.
British jazz musician Victor Stanley Feldman (1934-1987) caused a sensation as a musical prodigy when he was "discovered" at age 7. He appeared as a featured soloist with Glenn Miller when he was 10 years old, playing the drums. His vibraphone and conga drum playing were also notable, but it was as a pianist that he became best known.
Before leaving the UK in 1955 to work in the US, Feldman recorded with Ronnie Scott's orchestra and quintet from 1954 to 1955, which also featured other important British jazz musicians such as Phil Seamen and Hank Shaw, among others. It was Scott who recommended that Feldman emigrate to the U.S., which he did in 1957. Once there, his first steady work was with the Woody Herman Herd. From there he went on to join Buddy DeFranco. He recorded with many different jazz artists, including Benny Goodman, George Shearing, Cannonball Adderley and Miles Davis, most notably on Davis' 1963 album Seven Steps to Heaven, the title tune being his own composition.
Feldman was in great demand as a session musician, and branched out into rock music, working with artists such as Steely Dan in the 1970s and Tom Waits in the 1980s.
Feldman caused a sensation as a musical prodigy when he was "discovered", aged seven. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented sons. Feldman's first professional appearance was playing drums at No. 1 Rhythm Club as a member of the Feldman Trio with brothers Robert on clarinet and Monty on piano accordion. He featured in the films King Arthur Was a Gentleman (1942) and Theatre Royal (1943). In 1944 he was featured at a concert with Glenn Miller's AAAF band, as "Kid Krupa" (in reference to drummer Gene Krupa). His drums teacher Carlo Krahmer encouraged Feldman to play the vibraphone which he did first in the Ralph Sharon Sextet and later in the Roy Fox band. He worked in India in 1952 and 1953 in a band led by pianist Eddie Carroll. His vibraphone and conga drum playing were notable, but it was as a pianist that he became best known.
Before leaving the U.K. in 1955 to work in the U.S., Feldman recorded with Ronnie Scott's orchestra and quintet from 1954 to 1955, which also featured other important British jazz musicians such as Phil Seamen and Hank Shaw. It was Scott who recommended that Feldman emigrate to the U.S., which he did in 1957. Once there, his first steady work was with the Woody Herman Herd. From there he went on to join Buddy DeFranco. In 1958, he had his own working band on the west coast, which included the innovative bassist Scott LaFaro. His 1958 Album The Arrival of Victor Feldman includes LaFaro and Stan Levey on drums. He recorded with many jazz artists, including Benny Goodman, George Shearing, Cannonball Adderley and Miles Davis, most notably on Davis' 1963 album Seven Steps to Heaven, the title tune being his own composition. Davis invited Feldman to join his group full-time, but Feldman declined, preferring the stability of studio work to the career of a touring musician. The 5-CD Shelly Manne Black Hawk set, originally released on LP in September, 1959, is a good representation of Feldman's unmistakable driving "comping" behind the soloists, helping to define the session as a valuable hard bop genre element.
In 1957 Feldman settled in Los Angeles permanently and then specialized in lucrative session work for the US film and recording industry. He also branched out to work with a variety of musicians outside of jazz, working with artists such as Frank Zappa in 1967, Steely Dan and Joni Mitchell in the 1970s and Tom Waits and Joe Walsh in the 1980s. Feldman died at his home, aged 53, following a heart attack. In 2009, Feldman was inducted in the Musicians Hall of Fame and Museum in Nashville, TN.
It is Victor Feldmans percussion work on Steely Dan's song Do It Again that gives the song it's latin groove.
Discography
As leader
Suite Sixteen (Contemporary, 1955)
Victor Feldman in London, with Pete Blannin, Dizzy Reece, Phil Seamen, Terry Shannon, 1956
With Mallets a Fore Thought, 1957
Victor Feldman on Vibes (Mode, 1957)
The Arrival of Victor Feldman (Contemporary, 1958)
The Music of Victor Feldman, solo, 1958
Latinsville, with Walter Benton, Willie Bobo, Conte Candoli, Vince Guaraldi, Scott LaFaro, Stan Levey, Armando Peraza, Frank Rosolino, Mongo Santamaría, 1959
Merry Olde Soul, with Louis Hayes, Hank Jones, Sam Jones, Andy Simpkins, 1960
Vibes to the Power of Three, with Larry Bunker, Terry Gibbs, 1960
Stop the World, I Want to Get Off, with Larance Marable, Bobby Whitlock, 1963
Soviet Jazz Themes, solo, 1963
It's a Wonderful World, solo, 1964
Love Me with All Your Heart, solo, 1964
Venezuelan Joropo, solo, 1967
Victor Feldman Plays Everything In Sight, multitracked solo album, 1967 (You & Me/Sure As You're Born/Sunset/Do the Jake/Geronimo/This Door/Have a Heart/In the Mood/By Myself/Sunshine Superman)
Smooth, solo, 1970
Your Smile, with Larance Marable, Bobby Whitlock, 1973
The Artful Dodger, with Colin Bailey, Monty Budwig, Chuck Domanico, Jack Sheldon, 1977
Rio Nights, with Chuck Domanico, Trevor Feldman, Eddie Karam, Hubert Laws, Harvey Mason, Sr., John Patitucci, Fred Tackett, 1977
In My Pocket, solo, 1977
Livin On The Fault Line The Doobie Brothers, 1977
Down Two Then Left Boz Scaggs, 1977
Together Again, with Monty Budwig, Shelly Manne, 1978
Soft Shoulder, with Generation Band, 1982, with Ernie Watts, Tom Scott (musician), Robben Ford, Dan Sawyer, Richard Gibbs, Nathan East, Jake Feldman, Trevor Feldman
To Chopin with Love, with the Victor Feldman Trio, with John Patitucci, Trevor Feldman, Recorded May 7 & 8, 1982, Released 1983
Call of the Wild, with Generation Band, 1984
Fiesta, with Kevin Bassinson, Vinnie Colaiuta, Joseph Conlan, Chick Corea, Nathan East, Manny Fernandez, Michael G. Fisher, Chuck Mangione, Dianne Reeves, Lee Ritenour, 1984
High Visibility, with Max Bennett, Joseph Conlan, Abe Laboriel, Dean Parks, Tom Scott, 1985
Secrets of the Andes, solo, with Hubert Laws, Harvey Mason, Lee Ritenour, Abraham Laboriel, Sr., Alex Acuña, Milt Holland, Trevor Feldman, recorded February 26, 1982, LP released 1982, CD released 1987
The Young Vic, solo, 1987
Seven Steps To Heaven, with Tom Scott, Candid Productions, 2009
As sideman
With Cannonball Adderley
Cannonball Adderley and the Poll Winners (Riverside)
With Curtis Amy
Way Down (Pacific Jazz, 1962)
With James Clay
A Double Dose of Soul (Riverside, 1960)
With Bob Cooper
Coop! The Music of Bob Cooper (Contemporary, 1958)
With Miles Davis
Seven Steps to Heaven (Columbia, 1963)
With Paul Horn
Impressions of Cleopatra (Columbia, 1963)
With Milt Jackson
Memphis Jackson (Impulse!, 1969)
With Sam Jones
The Chant (Riverside, 1961)
With Barney Kessel
Let's Cook! (Contemporary, 1957 [1962])
Carmen (Contemporary, 1958)
With John Klemmer
Waterfalls (Impulse!, 1972)
Intensity (Impulse!, 1973)
With Shelly Manne
Shelly Manne & His Men Play Peter Gunn (Contemporary, 1959)
Son of Gunn!! (Contemporary, 1959)
At the Black Hawk 1 (Contemporary, 1959)
At the Black Hawk 2 (Contemporary, 1959)
At the Black Hawk 3 (Contemporary, 1959)
At the Black Hawk 4 (Contemporary, 1959)
At the Black Hawk 5 (Contemporary, 1959 [1991])
My Son the Jazz Drummer! (Contemporary, 1962)
Daktari (Atlantic, 1967)
With Carmen McRae
Can't Hide Love (Blue Note, 1976)
With Blue Mitchell
Stablemates (Candid, 1977)
With Oliver Nelson
Zig Zag (Original Motion Picture Score) (MGM, 1970)
With Lalo Schifrin
Gone with the Wave (Colpix, 1964)
The Cincinnati Kid (soundtrack) (MGM, 1965)
With Bud Shank
Girl in Love (World Pacific, 1966)
Bud Shank Plays Music from Today's Movies (World Pacific, 1967)
Magical Mystery (World Pacific, 1967)
With James Taylor
Gorilla (Warner Brothers, 1975)
With Gino Vannelli
Brother to Brother (A&M, 1978)
With Harold Vick
Commitment (Muse, 1967 [1974])
With Leroy Vinnegar
Leroy Walks! (Contemporary, 1958)
Leroy Walks Again!!! (Contemporary, 1963)
With Tom Waits
Heartattack and Vine (Asylum, 1980)
With Gerald Wilson
Feelin' Kinda Blues (Pacific Jazz, 1965)
On Stage (Pacific Jazz, 1965)
The Golden Sword (Pacific Jazz, 1966)
With Steely Dan
Percussion on Do It Again
He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman immigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers.
British jazz musician Victor Stanley Feldman (1934-1987) caused a sensation as a musical prodigy when he was "discovered" at age 7. He appeared as a featured soloist with Glenn Miller when he was 10 years old, playing the drums. His vibraphone and conga drum playing were also notable, but it was as a pianist that he became best known.
Before leaving the UK in 1955 to work in the US, Feldman recorded with Ronnie Scott's orchestra and quintet from 1954 to 1955, which also featured other important British jazz musicians such as Phil Seamen and Hank Shaw, among others. It was Scott who recommended that Feldman emigrate to the U.S., which he did in 1957. Once there, his first steady work was with the Woody Herman Herd. From there he went on to join Buddy DeFranco. He recorded with many different jazz artists, including Benny Goodman, George Shearing, Cannonball Adderley and Miles Davis, most notably on Davis' 1963 album Seven Steps to Heaven, the title tune being his own composition.
Feldman was in great demand as a session musician, and branched out into rock music, working with artists such as Steely Dan in the 1970s and Tom Waits in the 1980s.
Feldman caused a sensation as a musical prodigy when he was "discovered", aged seven. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented sons. Feldman's first professional appearance was playing drums at No. 1 Rhythm Club as a member of the Feldman Trio with brothers Robert on clarinet and Monty on piano accordion. He featured in the films King Arthur Was a Gentleman (1942) and Theatre Royal (1943). In 1944 he was featured at a concert with Glenn Miller's AAAF band, as "Kid Krupa" (in reference to drummer Gene Krupa). His drums teacher Carlo Krahmer encouraged Feldman to play the vibraphone which he did first in the Ralph Sharon Sextet and later in the Roy Fox band. He worked in India in 1952 and 1953 in a band led by pianist Eddie Carroll. His vibraphone and conga drum playing were notable, but it was as a pianist that he became best known.
Before leaving the U.K. in 1955 to work in the U.S., Feldman recorded with Ronnie Scott's orchestra and quintet from 1954 to 1955, which also featured other important British jazz musicians such as Phil Seamen and Hank Shaw. It was Scott who recommended that Feldman emigrate to the U.S., which he did in 1957. Once there, his first steady work was with the Woody Herman Herd. From there he went on to join Buddy DeFranco. In 1958, he had his own working band on the west coast, which included the innovative bassist Scott LaFaro. His 1958 Album The Arrival of Victor Feldman includes LaFaro and Stan Levey on drums. He recorded with many jazz artists, including Benny Goodman, George Shearing, Cannonball Adderley and Miles Davis, most notably on Davis' 1963 album Seven Steps to Heaven, the title tune being his own composition. Davis invited Feldman to join his group full-time, but Feldman declined, preferring the stability of studio work to the career of a touring musician. The 5-CD Shelly Manne Black Hawk set, originally released on LP in September, 1959, is a good representation of Feldman's unmistakable driving "comping" behind the soloists, helping to define the session as a valuable hard bop genre element.
In 1957 Feldman settled in Los Angeles permanently and then specialized in lucrative session work for the US film and recording industry. He also branched out to work with a variety of musicians outside of jazz, working with artists such as Frank Zappa in 1967, Steely Dan and Joni Mitchell in the 1970s and Tom Waits and Joe Walsh in the 1980s. Feldman died at his home, aged 53, following a heart attack. In 2009, Feldman was inducted in the Musicians Hall of Fame and Museum in Nashville, TN.
It is Victor Feldmans percussion work on Steely Dan's song Do It Again that gives the song it's latin groove.
Discography
As leader
Suite Sixteen (Contemporary, 1955)
Victor Feldman in London, with Pete Blannin, Dizzy Reece, Phil Seamen, Terry Shannon, 1956
With Mallets a Fore Thought, 1957
Victor Feldman on Vibes (Mode, 1957)
The Arrival of Victor Feldman (Contemporary, 1958)
The Music of Victor Feldman, solo, 1958
Latinsville, with Walter Benton, Willie Bobo, Conte Candoli, Vince Guaraldi, Scott LaFaro, Stan Levey, Armando Peraza, Frank Rosolino, Mongo Santamaría, 1959
Merry Olde Soul, with Louis Hayes, Hank Jones, Sam Jones, Andy Simpkins, 1960
Vibes to the Power of Three, with Larry Bunker, Terry Gibbs, 1960
Stop the World, I Want to Get Off, with Larance Marable, Bobby Whitlock, 1963
Soviet Jazz Themes, solo, 1963
It's a Wonderful World, solo, 1964
Love Me with All Your Heart, solo, 1964
Venezuelan Joropo, solo, 1967
Victor Feldman Plays Everything In Sight, multitracked solo album, 1967 (You & Me/Sure As You're Born/Sunset/Do the Jake/Geronimo/This Door/Have a Heart/In the Mood/By Myself/Sunshine Superman)
Smooth, solo, 1970
Your Smile, with Larance Marable, Bobby Whitlock, 1973
The Artful Dodger, with Colin Bailey, Monty Budwig, Chuck Domanico, Jack Sheldon, 1977
Rio Nights, with Chuck Domanico, Trevor Feldman, Eddie Karam, Hubert Laws, Harvey Mason, Sr., John Patitucci, Fred Tackett, 1977
In My Pocket, solo, 1977
Livin On The Fault Line The Doobie Brothers, 1977
Down Two Then Left Boz Scaggs, 1977
Together Again, with Monty Budwig, Shelly Manne, 1978
Soft Shoulder, with Generation Band, 1982, with Ernie Watts, Tom Scott (musician), Robben Ford, Dan Sawyer, Richard Gibbs, Nathan East, Jake Feldman, Trevor Feldman
To Chopin with Love, with the Victor Feldman Trio, with John Patitucci, Trevor Feldman, Recorded May 7 & 8, 1982, Released 1983
Call of the Wild, with Generation Band, 1984
Fiesta, with Kevin Bassinson, Vinnie Colaiuta, Joseph Conlan, Chick Corea, Nathan East, Manny Fernandez, Michael G. Fisher, Chuck Mangione, Dianne Reeves, Lee Ritenour, 1984
High Visibility, with Max Bennett, Joseph Conlan, Abe Laboriel, Dean Parks, Tom Scott, 1985
Secrets of the Andes, solo, with Hubert Laws, Harvey Mason, Lee Ritenour, Abraham Laboriel, Sr., Alex Acuña, Milt Holland, Trevor Feldman, recorded February 26, 1982, LP released 1982, CD released 1987
The Young Vic, solo, 1987
Seven Steps To Heaven, with Tom Scott, Candid Productions, 2009
As sideman
With Cannonball Adderley
Cannonball Adderley and the Poll Winners (Riverside)
With Curtis Amy
Way Down (Pacific Jazz, 1962)
With James Clay
A Double Dose of Soul (Riverside, 1960)
With Bob Cooper
Coop! The Music of Bob Cooper (Contemporary, 1958)
With Miles Davis
Seven Steps to Heaven (Columbia, 1963)
With Paul Horn
Impressions of Cleopatra (Columbia, 1963)
With Milt Jackson
Memphis Jackson (Impulse!, 1969)
With Sam Jones
The Chant (Riverside, 1961)
With Barney Kessel
Let's Cook! (Contemporary, 1957 [1962])
Carmen (Contemporary, 1958)
With John Klemmer
Waterfalls (Impulse!, 1972)
Intensity (Impulse!, 1973)
With Shelly Manne
Shelly Manne & His Men Play Peter Gunn (Contemporary, 1959)
Son of Gunn!! (Contemporary, 1959)
At the Black Hawk 1 (Contemporary, 1959)
At the Black Hawk 2 (Contemporary, 1959)
At the Black Hawk 3 (Contemporary, 1959)
At the Black Hawk 4 (Contemporary, 1959)
At the Black Hawk 5 (Contemporary, 1959 [1991])
My Son the Jazz Drummer! (Contemporary, 1962)
Daktari (Atlantic, 1967)
With Carmen McRae
Can't Hide Love (Blue Note, 1976)
With Blue Mitchell
Stablemates (Candid, 1977)
With Oliver Nelson
Zig Zag (Original Motion Picture Score) (MGM, 1970)
With Lalo Schifrin
Gone with the Wave (Colpix, 1964)
The Cincinnati Kid (soundtrack) (MGM, 1965)
With Bud Shank
Girl in Love (World Pacific, 1966)
Bud Shank Plays Music from Today's Movies (World Pacific, 1967)
Magical Mystery (World Pacific, 1967)
With James Taylor
Gorilla (Warner Brothers, 1975)
With Gino Vannelli
Brother to Brother (A&M, 1978)
With Harold Vick
Commitment (Muse, 1967 [1974])
With Leroy Vinnegar
Leroy Walks! (Contemporary, 1958)
Leroy Walks Again!!! (Contemporary, 1963)
With Tom Waits
Heartattack and Vine (Asylum, 1980)
With Gerald Wilson
Feelin' Kinda Blues (Pacific Jazz, 1965)
On Stage (Pacific Jazz, 1965)
The Golden Sword (Pacific Jazz, 1966)
With Steely Dan
Percussion on Do It Again
Isn't She Lovely
Victor Feldman Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Isn't she lovely
Isn't she wonderful
Isn't she precious
Less than one minute old
I never thought through love we'd be
Making one as lovely as she
But isn't she lovely made from love
Isn't she pretty
Truly the angel's best
Boy, I'm so happy
We have been heaven blessed
I can't believe what God has done
Through us he's given life to one
But isn't she lovely made from love
Isn't she lovely
Life and love are the same
Life is Aisha
The meaning of her name
Londie, it could have not been done
Without you who conceived the one
That's so very lovely made from love
Isn't she wonderful
Isn't she precious
Less than one minute old
I never thought through love we'd be
Making one as lovely as she
But isn't she lovely made from love
Isn't she pretty
Boy, I'm so happy
We have been heaven blessed
I can't believe what God has done
Through us he's given life to one
But isn't she lovely made from love
Isn't she lovely
Life and love are the same
Life is Aisha
The meaning of her name
Londie, it could have not been done
Without you who conceived the one
That's so very lovely made from love
The lyrics to Victor Feldman's song "Isn't She Lovely" celebrate the joy and wonder of new life, specifically the birth of a baby girl. The singer is in awe of this precious being who has just entered the world less than one minute ago. The lyrics convey the singer's disbelief that through the power of love, they have created something as beautiful and lovely as this child. The singer expresses their happiness and gratitude for being blessed with such a wonderful gift from heaven.
The lyrics also acknowledge the role of the mother in this creation. The singer thanks the mother, referred to as "Londie," for conceiving and bringing this lovely child into the world. The song highlights the connection between life and love, suggesting that the newborn baby is the embodiment of both. The name "Aisha" is mentioned, signifying the meaning of life. Overall, the lyrics evoke a sense of joy, amazement, and appreciation for the miracle of new life.
Line by Line Meaning
Isn't she lovely
Isn't she a delightful and beautiful person
Isn't she wonderful
Isn't she amazing and awe-inspiring
Isn't she precious
Isn't she invaluable and cherished
Less than one minute old
Just born moments ago
I never thought through love we'd be
I never imagined that love could create such a beautiful outcome
Making one as lovely as she
Producing a child as exquisite as her
But isn't she lovely made from love
However, isn't she marvelous as a result of love
Isn't she pretty
Isn't she attractive and charming
Truly the angel's best
Certainly the finest creation of the angels
Boy, I'm so happy
My goodness, I am filled with immense joy
We have been heaven blessed
We have been divinely favored and bestowed with blessings
I can't believe what God has done
I am in disbelief of the miraculous work done by God
Through us he's given life to one
Through our union, he has granted existence to another being
But isn't she lovely made from love
However, isn't she exquisite as a product of love
Isn't she lovely
Isn't she delightful and charming
Life and love are the same
Life and love share the same essence
Life is Aisha
Life is named Aisha
The meaning of her name
The significance behind her given name
Londie, it could have not been done
Londie, it would not have been possible
Without you who conceived the one
Without you, the one who brought forth this life
That's so very lovely made from love
That is extraordinarily delightful, created with love
Lyrics © Sony/ATV Music Publishing LLC, Capitol CMG Publishing, Songtrust Ave
Written by: Stevie Wonder
Lyrics Licensed & Provided by LyricFind
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