Jennings then worked as a DJ in Coolidge, Arizona, and Phoenix. He formed a rockabilly club band, The Waylors. He recorded for independent label Trend Records and A&M Records before succeeding with RCA Victor after achieving creative control.
During the 1970s, Jennings was instrumental in the inception of Outlaw country movement. He released critically acclaimed albums Lonesome, On'ry and Mean and Honky Tonk Heroes followed by hit albums Dreaming My Dreams as well as Are You Ready for the Country. In 1976, he released the album Wanted! The Outlaws with Willie Nelson, Tompall Glaser, and Jessi Colter, the first platinum country music album. That success was followed by Ol' Waylon and the hit song "Luckenbach, Texas". Jennings was featured in the 1978 album White Mansions performed by various artists documenting the lives of people in the Confederacy during the Civil War. The songs on the album were written by Paul Kennerley. By the early 1980s, Jennings was struggling with a cocaine addiction, which he quit in 1984. Later, he joined the country supergroup The Highwaymen with Willie Nelson, Kris Kristofferson, and Johnny Cash, which released three albums between 1985 and 1995. During that period, Jennings released the successful album Will the Wolf Survive. He toured less after 1997 to spend more time with his family. Between 1999 and 2001, his appearances were limited by health problems. On February 13, 2002, Jennings died from complications of diabetes.
Jennings also appeared in films and television series. He was the balladeer for The Dukes of Hazzard, composing and singing the show's theme song and providing narration for the show. In 2001, he was inducted into the Country Music Hall of Fame, which he chose not to attend. In 2007, he was posthumously awarded the Cliffie Stone Pioneer Award by the Academy of Country Music.
Jennings's music was characterized by his "powerful" singing voice, noted by his "rough-edged quality", as well as his phrasing and texture. He was also recognized for his "spanky-twang" guitar style. To create his sound, he used a pronounced 'phaser' effect' plus a mixture of thumb and fingers during the rhythmic parts, while using picks for the lead runs. He combined hammer-on and pull-off riffs, with eventual upper-fret double stops and modulation effects. Jennings played a 1953 Fender Telecaster, a used guitar that was a gift from The Waylors. Jennings's bandmates adorned his guitar with a distinctive leather cover that featured a black background with a white floral work. Jennings further customized it by filing down the frets to lower the strings on the neck to obtain the slapping sound. Among his other guitars, Jennings used a 1950 Fender Broadcaster from the mid-1970s, until he gave it to guitarist Reggie Young in 1993. The leather covers of his guitars were carved by leather artist Terry Lankford.
His signature image was characterized by his long hair and beard, as well as his black hat and the black leather vest he wore during his appearances.
Jennings's music had a major influence on several neotraditionalist and alternative country artists, including Hank Williams Jr., The Marshall Tucker Band,[124] Travis Tritt, Steve Earle, Jamey Johnson, John Anderson, his son, Shooter Jennings, Sturgill Simpson, and Hank Williams III.
In 2008, his first posthumous album, Waylon Forever, was released. The album consisted of songs recorded with his son Shooter when he was 16. In 2012, Waylon: The Music Inside a three-volume project, consisting of covers of Jennings's songs by different artists, was released. The same year, it was announced for September the release of Goin' Down Rockin': The Last Recordings, a set of 12 songs recorded by Jennings and bassist Robby Turner before his death in 2002. Jennings's family was reluctant to release any new material because they did not feel comfortable at the time. The songs only featured Jennings and Turner on the bass, while further accompaniment would be added later. Ten years after, Turner completed the recordings with the help of former Waylors. The Jennings family approved the release despite the launch of a new business focused on his estate. Shooter Jennings arranged deals for a clothing line, while also launching a renewed website, and started talks with different producers about the making of a biographical film.
Let Me Love You
Waylon Jennings Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We've both have paid don't be afraid just let me try to prove
I would do anything you want me to
Just one more dance just one more chance let me talk to you
Don't go too far with that crowd at the bar
That's not the way to win let's fall in love again
Give me your heart and let me start to build our life anew
Just one more dance just one more chance let me talk to you
Just one more dance just one more chance let me talk to you
In Waylon Jennings's song Let Me Love You, the singer is pleading with someone to give him one more chance to prove his love. He asks for just one more dance, one more opportunity to talk things over and make things right between them. The singer acknowledges that both of them have made mistakes in the past, but he implores her not to be afraid of the future. He is willing to do whatever she wants, to prove that he truly loves her.
The singer then warns her not to get caught up with the wrong crowd, as it will not help them to win back their love. He promises to build a new life together, if she just gives him the chance. The repetition of "just one more dance, just one more chance" throughout the song emphasizes the singer's desperation for a resolution.
This song portrays a common theme in country music - the effort to regain a lost love. The lyrics are simple yet effective, and Waylon Jennings delivers them with raw emotion. It is a great example of classic country storytelling.
Line by Line Meaning
Just one more dance just one more chance so I can talk to you
Requesting for another opportunity to have a conversation with the person he loves through dancing.
We've both have paid don't be afraid just let me try to prove
Assuring that there's nothing to worry about and that he just wants to prove his love.
I would do anything you want me to
Expressing his willingness to do anything for the person he loves.
Don't go too far with that crowd at the bar
Advising his loved one not to get influenced by the crowd at the bar as it may not lead to a positive outcome.
That's not the way to win let's fall in love again
Emphasizing that trying to win through influence will not lead to true love and instead suggesting to fall in love again.
Give me your heart and let me start to build our life anew
Asking his loved one to trust him with her heart so that they can start building a new life together.
Just one more dance just one more chance let me talk to you
Repeating his request for one more opportunity to have a conversation with the person he loves through dancing.
Lyrics © Universal Music Publishing Group
Written by: DANNY DILL, DON STEWART DAVIS
Lyrics Licensed & Provided by LyricFind
@annewhite4028
Thank you for sharing this beautiful song from Waylon, I LOVE IT !!!
@judyritter7596
Talk to me Waylon, I love your voice❤
@mbmbeach4
Love this song by Waylon great voice!!!
@ThePansye
Awesome!