His biggest hit was "In the Jailhouse Now," which charted for 37 weeks in 1955, 21 of them at number one. Pierce also charted number one for several weeks' each with his recordings of "Slowly" (1954), "Love, Love, Love" (1955), "I Don't Care" (1955), "There Stands the Glass" (1953), "More and More" (1954), "I Ain't Never" (1959), and his first number one "Wondering," which stayed at the top spot for four of its 27 weeks' charting in 1952.
For many, Pierce, with his flamboyant Nudie suits and twin silver dollar-lined convertibles, became the most recognizable face of country music of the era and its excesses. Pierce was a one-time member of the Grand Ole Opry and was posthumously inducted into the Country Music Hall of Fame.
Born in West Monroe, Louisiana in 1921, as a boy Pierce was infatuated with Gene Autry films and his mother's hillbilly records, particularly those of Jimmie Rodgers and Western swing and Cajun groups. He began to play guitar before he was a teenager and at 15 was given his own weekly 15-minute show, Songs by Webb Pierce, on KMLB-AM in Monroe.
He enlisted in the US Army, and in 1942 he married Betty Jane Lewis. After he was discharged, the couple moved to Shreveport, Louisiana, where Pierce worked in the men's department of a Sears Roebuck store. In 1947, the couple appeared on KTBS-AM's morning show as "Webb Pierce with Betty Jane, the Singing Sweetheart". Pierce also performed at local engagements, developing his unique style that was once described to be "a wailing whiskey-voiced tenor that wrang out every drop of emotion."
In 1949, California-based 4 Star Records signed the Webbs under separate contracts, with his wife signed for duets with her husband under the name Betty Jane and Her Boyfriends. However, success only came for Pierce, and in the summer of 1950, the couple divorced.
He moved to KWKH-AM and joined Louisiana Hayride during its first year and devised a plan to achieve instant "stardom." Before the show, he bought tickets for several young girls in line and asked them to sit in the first row, and after each of his songs to scream and beg for more. It worked; their enthusiasm spread throughout the audience.
Pierce assembled and performed with a band of local Shreveport musicians, including pianist Floyd Cramer, guitarist-vocalist Faron Young, bassist Tillman Franks and vocalists Teddy and Doyle Wilburn. He also founded a record label, Pacemaker; and Ark-La-Tex Music, a publishing company, with Horace Logan, the director of the Hayride. On Pacemaker, Pierce made several records between 1950 and 1951 designed to attract radio play around Louisiana.
In 1951, Pierce got out of his 4 Star contract and was quickly signed by Decca Records. His second single, "Wondering", became his breakthrough hit, climbing to No. 1 early in 1952. Pierce moved to Nashville, Tennessee where he met and married his second wife, Audrey Greisham. In June 1952, he had his second No. 1 single with "That Heart Belongs to Me".
In September 1953, the Grand Ole Opry needed to fill the vacancy left by the firing of Hank Williams, and Pierce was invited to join the cast. After Williams' death, he became the most popular singer in country music; for the next four years, every single he released hit the top ten, with ten reaching No. 1, including "There Stands the Glass" (1953), "Slowly" (1954), "More and More" (1954), and "In the Jailhouse Now" (1955). His singles spent 113 weeks at No. 1 during the 1950s, when he charted 48 singles. Thirty-nine reached the top ten, 26 reached the top four and 13 hit No. 1.
Other hits included "Back Street Affair", "Why Baby Why", "Oh, So Many Years", and "Finally"; the latter two being duets with Kitty Wells. His 1954 recording of "Slowly" was one of the first country songs to include a pedal steel guitar.[2] He made regular appearances on ABC-TV's Ozark Jubilee including as a guest host once a month during 1956. In 1958, he recorded a rockabilly record, "The New Raunchy"/"I'll Get by Somehow" for Decca under the name Shady Wall. (Shady Wall (1922–1985) was a member of the Louisiana House of Representatives and a banker from West Monroe. It is not known if Pierce knew the political Wall or merely made up the name for the record and was unaware of the actual Shady Wall.)
On February 19, 1957, Pierce resigned from the Opry after he refused to pay commissions on bookings and for associated talent.
Pierce continued charting until 1982 with a total of 96 hits; and he toured extensively and appeared in the movies Buffalo Guns, Music City USA, Second Fiddle To A Steel Guitar, and Road To Nashville.
As his music faded from the spotlight, Pierce became known for his excessive lifestyle. He had North Hollywood tailor Nudie Cohen, who had made flamboyant suits for Pierce, line two convertibles with silver dollars. He built a $30,000 guitar-shaped swimming pool at his Nashville home which became a popular paid tourist attraction—nearly 3,000 people visited it each week—causing his neighbors, led by singer Ray Stevens, to file suit and prevail against Pierce to end the tours.
He remained with Decca and its successor, MCA, well into the 1970s, but by 1977 he was recording for Plantation Records. Even though he had occasional minor hits, charting in a 1982 duet with Willie Nelson, a remake of "In the Jailhouse Now," he spent his final years tending to his businesses, and his legend became clouded due to his reputation as a hard drinker. Webb and daughter Debbie recorded the ballad "On My Way Out" as The Pierces, and she was a member of the Country group "Chantilly" in the early 1980s.
Pierce waged a long battle with pancreatic cancer, which he lost on February 24, 1991, and was buried in the Woodlawn Memorial Park Cemetery in Nashville.
Pierce has a star on the Hollywood Walk of Fame at 1600 Vine Street. He was inducted into the Country Music Hall of Fame in October 2001 and into the Louisiana Music Hall of Fame in 2008.
Caught In The Webb–a Tribute to the Legendary Webb Pierce was released on Audium Records in 2001. Produced and arranged by singer-songwriter Gail Davies, this album features Willie Nelson, Crystal Gayle, George Jones, Emmylou Harris, The Del McCoury Band, Charlie Pride, Allison Moorer, Dwight Yoakam, Pam Tillis, The Jordanaires and other great artists. Proceeds go to benefit The Minnie Pearl Cancer Foundation. Ms. Davies herself first charted in 1978 with "No Love Have I," a No. 26 Billboard Country hit that Pierce had recorded (and taken to No. 4) in 1959.
Footage of Pierce singing "There Stands the Glass" was featured in the 2005 documentary No Direction Home by Martin Scorsese about early influences on Bob Dylan. Pierce's hit single "More and More" was played in the title credits of 2006 horror film, The Hills Have Eyes.
Fool
Webb Pierce Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You know that it's wrong
But you keep hanging on
In the game
Fool, fool, fool
You know it won't be long
Till you find out she's gone
And you're lonely again
This time be smart
And don't leave with your heart
The way you always do
Listen to me
And this time you won't be
A fool, fool, fool
Fool, fool, fool
You know that it's wrong
But you keep hanging on
In the game
Fool, fool, fool
You know it won't be long
Till you find out she's gone
And you're lonely again
This time be smart
And don't leave with your heart
The way you always do
Listen to me
And this time you won't be
A fool, fool, fool
Fool, fool, fool
The song "Fool" by Webb Pierce is a cautionary tale about falling in love with the wrong person and not being able to let go. The lyrics describe a person who knows that their relationship is not healthy or right, but they continue to stay in it, refusing to face the reality of the situation. The repetitive use of the word "fool" reinforces the idea that the person is acting foolishly by staying in the relationship.
The chorus serves as a warning to the person to "be smart" and not let their heart lead them astray as it has done in the past. The singer is urging the person to listen to their advice so that they do not end up alone and heartbroken once again. The use of repetition in the chorus, along with the simple, straightforward language, makes it clear that this is a message that the singer feels strongly about and wants the listener to take to heart.
Overall, "Fool" is a timeless song that speaks to the human experience of falling in love and making mistakes. The lyrics are relatable and poignant, and the melody is catchy and memorable. The song serves as a reminder to be cautious when it comes to matters of the heart and to listen to the advice of those who care about us.
Line by Line Meaning
Fool, fool, fool
The singer is addressing someone who is acting foolishly in a repetitive manner.
You know that it's wrong
The person being addressed knows that their behavior is not wise or appropriate.
But you keep hanging on
Despite knowing that their actions are unwise, the person continues to persist in the same behavior or situation.
In the game
The person is participating in some sort of risky or unpredictable activity or relationship.
You know it won't be long
The person's behavior will eventually lead to negative consequences or outcomes.
Till you find out she's gone
The person is in a romantic relationship that is likely to end soon due to their poor choices or behavior.
And you're lonely again
The person will experience feelings of isolation and sadness once the relationship ends.
This time be smart
The artist is encouraging the person to change their behavior and make smarter choices in the future.
And don't leave with your heart
The person should not let their emotions or feelings dictate their decisions and actions.
The way you always do
The person has a pattern of letting their heart lead them astray, and the artist wants them to break this habit.
Listen to me
The singer wants the person to pay attention to their advice and guidance.
And this time you won't be
If the person listens to the artist's advice and makes better decisions, they will not be.
A fool, fool, fool
The person will no longer be seen as foolish by others or themselves.
Lyrics © Universal Music Publishing Group
Written by: MAX POWELL, WAYNE P. WALKER
Lyrics Licensed & Provided by LyricFind