His biggest hit was "In the Jailhouse Now," which charted for 37 weeks in 1955, 21 of them at number one. Pierce also charted number one for several weeks' each with his recordings of "Slowly" (1954), "Love, Love, Love" (1955), "I Don't Care" (1955), "There Stands the Glass" (1953), "More and More" (1954), "I Ain't Never" (1959), and his first number one "Wondering," which stayed at the top spot for four of its 27 weeks' charting in 1952.
For many, Pierce, with his flamboyant Nudie suits and twin silver dollar-lined convertibles, became the most recognizable face of country music of the era and its excesses. Pierce was a one-time member of the Grand Ole Opry and was posthumously inducted into the Country Music Hall of Fame.
Born in West Monroe, Louisiana in 1921, as a boy Pierce was infatuated with Gene Autry films and his mother's hillbilly records, particularly those of Jimmie Rodgers and Western swing and Cajun groups. He began to play guitar before he was a teenager and at 15 was given his own weekly 15-minute show, Songs by Webb Pierce, on KMLB-AM in Monroe.
He enlisted in the US Army, and in 1942 he married Betty Jane Lewis. After he was discharged, the couple moved to Shreveport, Louisiana, where Pierce worked in the men's department of a Sears Roebuck store. In 1947, the couple appeared on KTBS-AM's morning show as "Webb Pierce with Betty Jane, the Singing Sweetheart". Pierce also performed at local engagements, developing his unique style that was once described to be "a wailing whiskey-voiced tenor that wrang out every drop of emotion."
In 1949, California-based 4 Star Records signed the Webbs under separate contracts, with his wife signed for duets with her husband under the name Betty Jane and Her Boyfriends. However, success only came for Pierce, and in the summer of 1950, the couple divorced.
He moved to KWKH-AM and joined Louisiana Hayride during its first year and devised a plan to achieve instant "stardom." Before the show, he bought tickets for several young girls in line and asked them to sit in the first row, and after each of his songs to scream and beg for more. It worked; their enthusiasm spread throughout the audience.
Pierce assembled and performed with a band of local Shreveport musicians, including pianist Floyd Cramer, guitarist-vocalist Faron Young, bassist Tillman Franks and vocalists Teddy and Doyle Wilburn. He also founded a record label, Pacemaker; and Ark-La-Tex Music, a publishing company, with Horace Logan, the director of the Hayride. On Pacemaker, Pierce made several records between 1950 and 1951 designed to attract radio play around Louisiana.
In 1951, Pierce got out of his 4 Star contract and was quickly signed by Decca Records. His second single, "Wondering", became his breakthrough hit, climbing to No. 1 early in 1952. Pierce moved to Nashville, Tennessee where he met and married his second wife, Audrey Greisham. In June 1952, he had his second No. 1 single with "That Heart Belongs to Me".
In September 1953, the Grand Ole Opry needed to fill the vacancy left by the firing of Hank Williams, and Pierce was invited to join the cast. After Williams' death, he became the most popular singer in country music; for the next four years, every single he released hit the top ten, with ten reaching No. 1, including "There Stands the Glass" (1953), "Slowly" (1954), "More and More" (1954), and "In the Jailhouse Now" (1955). His singles spent 113 weeks at No. 1 during the 1950s, when he charted 48 singles. Thirty-nine reached the top ten, 26 reached the top four and 13 hit No. 1.
Other hits included "Back Street Affair", "Why Baby Why", "Oh, So Many Years", and "Finally"; the latter two being duets with Kitty Wells. His 1954 recording of "Slowly" was one of the first country songs to include a pedal steel guitar.[2] He made regular appearances on ABC-TV's Ozark Jubilee including as a guest host once a month during 1956. In 1958, he recorded a rockabilly record, "The New Raunchy"/"I'll Get by Somehow" for Decca under the name Shady Wall. (Shady Wall (1922–1985) was a member of the Louisiana House of Representatives and a banker from West Monroe. It is not known if Pierce knew the political Wall or merely made up the name for the record and was unaware of the actual Shady Wall.)
On February 19, 1957, Pierce resigned from the Opry after he refused to pay commissions on bookings and for associated talent.
Pierce continued charting until 1982 with a total of 96 hits; and he toured extensively and appeared in the movies Buffalo Guns, Music City USA, Second Fiddle To A Steel Guitar, and Road To Nashville.
As his music faded from the spotlight, Pierce became known for his excessive lifestyle. He had North Hollywood tailor Nudie Cohen, who had made flamboyant suits for Pierce, line two convertibles with silver dollars. He built a $30,000 guitar-shaped swimming pool at his Nashville home which became a popular paid tourist attraction—nearly 3,000 people visited it each week—causing his neighbors, led by singer Ray Stevens, to file suit and prevail against Pierce to end the tours.
He remained with Decca and its successor, MCA, well into the 1970s, but by 1977 he was recording for Plantation Records. Even though he had occasional minor hits, charting in a 1982 duet with Willie Nelson, a remake of "In the Jailhouse Now," he spent his final years tending to his businesses, and his legend became clouded due to his reputation as a hard drinker. Webb and daughter Debbie recorded the ballad "On My Way Out" as The Pierces, and she was a member of the Country group "Chantilly" in the early 1980s.
Pierce waged a long battle with pancreatic cancer, which he lost on February 24, 1991, and was buried in the Woodlawn Memorial Park Cemetery in Nashville.
Pierce has a star on the Hollywood Walk of Fame at 1600 Vine Street. He was inducted into the Country Music Hall of Fame in October 2001 and into the Louisiana Music Hall of Fame in 2008.
Caught In The Webb–a Tribute to the Legendary Webb Pierce was released on Audium Records in 2001. Produced and arranged by singer-songwriter Gail Davies, this album features Willie Nelson, Crystal Gayle, George Jones, Emmylou Harris, The Del McCoury Band, Charlie Pride, Allison Moorer, Dwight Yoakam, Pam Tillis, The Jordanaires and other great artists. Proceeds go to benefit The Minnie Pearl Cancer Foundation. Ms. Davies herself first charted in 1978 with "No Love Have I," a No. 26 Billboard Country hit that Pierce had recorded (and taken to No. 4) in 1959.
Footage of Pierce singing "There Stands the Glass" was featured in the 2005 documentary No Direction Home by Martin Scorsese about early influences on Bob Dylan. Pierce's hit single "More and More" was played in the title credits of 2006 horror film, The Hills Have Eyes.
Sooner or Later
Webb Pierce Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But I thought that I could help you change your ways
But memories in time keep burning on your mind
Sooner or later you're gonna fall back to the cheating kind
Yes I know I'm losing you and there's nothing I can do
I know I'm about to give you up someday
Cause somewhere down the line your heart will fall behind
When your past starts calling you'll start falling back to the cheating kind
Yes I know I'm losing you...
Back to the cheating kind back to the cheating kind
In Webb Pierce's song "Sooner or Later," the lyrics explore the singer's realization and acceptance that their partner, whom they fell in love with despite knowing their cheating past, is bound to return to their old habits. The singer initially believed they could help their partner change their ways, but as time passes, the memories of past infidelity continue to haunt their mind. The lyrics convey the understanding that no matter how hard the singer tries, they cannot alter their partner's behavior. Eventually, they come to terms with the fact that they will lose their partner, as history repeats itself and their partner falls back into the pattern of cheating.
The lyrics evoke a sense of resignation and helplessness, as the singer recognizes that their relationship is destined to fail due to their partner's unresolved issues. Despite their awareness of the forthcoming heartbreak, they are unable to do anything about it. The repeated phrase, "Back to the cheating kind," emphasizes the predictability of their partner's actions. It suggests that no matter how much love and effort the singer invests, their partner's past will catch up with them, leading them back to their old ways.
Overall, "Sooner or Later" portrays the painful realization that some things are beyond our control, particularly when faced with a partner who cannot break free from their destructive patterns. It delves into the complexities of love, forgiveness, and the inability to change another person's character.
Line by Line Meaning
Your cheating past I knew when I fell in love with you
I was aware of your history of infidelity when I fell in love with you
But I thought that I could help you change your ways
I believed that I could be the one to change your behavior
But memories in time keep burning on your mind
The memories of your past unfaithfulness continue to haunt you
Sooner or later you're gonna fall back to the cheating kind
Eventually, you will return to your old habits of cheating
Yes I know I'm losing you and there's nothing I can do
I am aware that I am losing you and there is no way to prevent it
I know I'm about to give you up someday
I know that I will have to let you go at some point
Cause somewhere down the line your heart will fall behind
Because at some point, your emotions will regress
When your past starts calling you'll start falling back to the cheating kind
When your past mistakes come back to haunt you, you will revert to being unfaithful
Yes I know I'm losing you...
I am fully aware that I am losing you
Back to the cheating kind back to the cheating kind
Returning to the pattern of being unfaithful
Lyrics © CAPITOL CHRISTIAN MUSIC GROUP, Capitol CMG Publishing, Warner Chappell Music, Inc.
Written by: DAVE GIBSON, LONNIE MELVIN "SONNY" TILLIS
Lyrics Licensed & Provided by LyricFind