Webb Michael Pierce (August 8, 1921 – February 24, 1991) was one of the mos… Read Full Bio ↴Webb Michael Pierce (August 8, 1921 – February 24, 1991) was one of the most popular American honky tonk vocalists of the 1950s, charting more number one hits than any other country artist during the decade.
His biggest hit was "In the Jailhouse Now," which charted for 37 weeks in 1955, 21 of them at number one. Pierce also charted number one for several weeks' each with his recordings of "Slowly" (1954), "Love, Love, Love" (1955), "I Don't Care" (1955), "There Stands the Glass" (1953), "More and More" (1954), "I Ain't Never" (1959), and his first number one "Wondering," which stayed at the top spot for four of its 27 weeks' charting in 1952.
For many, Pierce, with his flamboyant Nudie suits and twin silver dollar-lined convertibles, became the most recognizable face of country music of the era and its excesses. Pierce was a one-time member of the Grand Ole Opry and was posthumously inducted into the Country Music Hall of Fame.
Born in West Monroe, Louisiana in 1921, as a boy Pierce was infatuated with Gene Autry films and his mother's hillbilly records, particularly those of Jimmie Rodgers and Western swing and Cajun groups. He began to play guitar before he was a teenager and at 15 was given his own weekly 15-minute show, Songs by Webb Pierce, on KMLB-AM in Monroe.
He enlisted in the US Army, and in 1942 he married Betty Jane Lewis. After he was discharged, the couple moved to Shreveport, Louisiana, where Pierce worked in the men's department of a Sears Roebuck store. In 1947, the couple appeared on KTBS-AM's morning show as "Webb Pierce with Betty Jane, the Singing Sweetheart". Pierce also performed at local engagements, developing his unique style that was once described to be "a wailing whiskey-voiced tenor that wrang out every drop of emotion."
In 1949, California-based 4 Star Records signed the Webbs under separate contracts, with his wife signed for duets with her husband under the name Betty Jane and Her Boyfriends. However, success only came for Pierce, and in the summer of 1950, the couple divorced.
He moved to KWKH-AM and joined Louisiana Hayride during its first year and devised a plan to achieve instant "stardom." Before the show, he bought tickets for several young girls in line and asked them to sit in the first row, and after each of his songs to scream and beg for more. It worked; their enthusiasm spread throughout the audience.
Pierce assembled and performed with a band of local Shreveport musicians, including pianist Floyd Cramer, guitarist-vocalist Faron Young, bassist Tillman Franks and vocalists Teddy and Doyle Wilburn. He also founded a record label, Pacemaker; and Ark-La-Tex Music, a publishing company, with Horace Logan, the director of the Hayride. On Pacemaker, Pierce made several records between 1950 and 1951 designed to attract radio play around Louisiana.
In 1951, Pierce got out of his 4 Star contract and was quickly signed by Decca Records. His second single, "Wondering", became his breakthrough hit, climbing to No. 1 early in 1952. Pierce moved to Nashville, Tennessee where he met and married his second wife, Audrey Greisham. In June 1952, he had his second No. 1 single with "That Heart Belongs to Me".
In September 1953, the Grand Ole Opry needed to fill the vacancy left by the firing of Hank Williams, and Pierce was invited to join the cast. After Williams' death, he became the most popular singer in country music; for the next four years, every single he released hit the top ten, with ten reaching No. 1, including "There Stands the Glass" (1953), "Slowly" (1954), "More and More" (1954), and "In the Jailhouse Now" (1955). His singles spent 113 weeks at No. 1 during the 1950s, when he charted 48 singles. Thirty-nine reached the top ten, 26 reached the top four and 13 hit No. 1.
Other hits included "Back Street Affair", "Why Baby Why", "Oh, So Many Years", and "Finally"; the latter two being duets with Kitty Wells. His 1954 recording of "Slowly" was one of the first country songs to include a pedal steel guitar.[2] He made regular appearances on ABC-TV's Ozark Jubilee including as a guest host once a month during 1956. In 1958, he recorded a rockabilly record, "The New Raunchy"/"I'll Get by Somehow" for Decca under the name Shady Wall. (Shady Wall (1922–1985) was a member of the Louisiana House of Representatives and a banker from West Monroe. It is not known if Pierce knew the political Wall or merely made up the name for the record and was unaware of the actual Shady Wall.)
On February 19, 1957, Pierce resigned from the Opry after he refused to pay commissions on bookings and for associated talent.
Pierce continued charting until 1982 with a total of 96 hits; and he toured extensively and appeared in the movies Buffalo Guns, Music City USA, Second Fiddle To A Steel Guitar, and Road To Nashville.
As his music faded from the spotlight, Pierce became known for his excessive lifestyle. He had North Hollywood tailor Nudie Cohen, who had made flamboyant suits for Pierce, line two convertibles with silver dollars. He built a $30,000 guitar-shaped swimming pool at his Nashville home which became a popular paid tourist attraction—nearly 3,000 people visited it each week—causing his neighbors, led by singer Ray Stevens, to file suit and prevail against Pierce to end the tours.
He remained with Decca and its successor, MCA, well into the 1970s, but by 1977 he was recording for Plantation Records. Even though he had occasional minor hits, charting in a 1982 duet with Willie Nelson, a remake of "In the Jailhouse Now," he spent his final years tending to his businesses, and his legend became clouded due to his reputation as a hard drinker. Webb and daughter Debbie recorded the ballad "On My Way Out" as The Pierces, and she was a member of the Country group "Chantilly" in the early 1980s.
Pierce waged a long battle with pancreatic cancer, which he lost on February 24, 1991, and was buried in the Woodlawn Memorial Park Cemetery in Nashville.
Pierce has a star on the Hollywood Walk of Fame at 1600 Vine Street. He was inducted into the Country Music Hall of Fame in October 2001 and into the Louisiana Music Hall of Fame in 2008.
Caught In The Webb–a Tribute to the Legendary Webb Pierce was released on Audium Records in 2001. Produced and arranged by singer-songwriter Gail Davies, this album features Willie Nelson, Crystal Gayle, George Jones, Emmylou Harris, The Del McCoury Band, Charlie Pride, Allison Moorer, Dwight Yoakam, Pam Tillis, The Jordanaires and other great artists. Proceeds go to benefit The Minnie Pearl Cancer Foundation. Ms. Davies herself first charted in 1978 with "No Love Have I," a No. 26 Billboard Country hit that Pierce had recorded (and taken to No. 4) in 1959.
Footage of Pierce singing "There Stands the Glass" was featured in the 2005 documentary No Direction Home by Martin Scorsese about early influences on Bob Dylan. Pierce's hit single "More and More" was played in the title credits of 2006 horror film, The Hills Have Eyes.
His biggest hit was "In the Jailhouse Now," which charted for 37 weeks in 1955, 21 of them at number one. Pierce also charted number one for several weeks' each with his recordings of "Slowly" (1954), "Love, Love, Love" (1955), "I Don't Care" (1955), "There Stands the Glass" (1953), "More and More" (1954), "I Ain't Never" (1959), and his first number one "Wondering," which stayed at the top spot for four of its 27 weeks' charting in 1952.
For many, Pierce, with his flamboyant Nudie suits and twin silver dollar-lined convertibles, became the most recognizable face of country music of the era and its excesses. Pierce was a one-time member of the Grand Ole Opry and was posthumously inducted into the Country Music Hall of Fame.
Born in West Monroe, Louisiana in 1921, as a boy Pierce was infatuated with Gene Autry films and his mother's hillbilly records, particularly those of Jimmie Rodgers and Western swing and Cajun groups. He began to play guitar before he was a teenager and at 15 was given his own weekly 15-minute show, Songs by Webb Pierce, on KMLB-AM in Monroe.
He enlisted in the US Army, and in 1942 he married Betty Jane Lewis. After he was discharged, the couple moved to Shreveport, Louisiana, where Pierce worked in the men's department of a Sears Roebuck store. In 1947, the couple appeared on KTBS-AM's morning show as "Webb Pierce with Betty Jane, the Singing Sweetheart". Pierce also performed at local engagements, developing his unique style that was once described to be "a wailing whiskey-voiced tenor that wrang out every drop of emotion."
In 1949, California-based 4 Star Records signed the Webbs under separate contracts, with his wife signed for duets with her husband under the name Betty Jane and Her Boyfriends. However, success only came for Pierce, and in the summer of 1950, the couple divorced.
He moved to KWKH-AM and joined Louisiana Hayride during its first year and devised a plan to achieve instant "stardom." Before the show, he bought tickets for several young girls in line and asked them to sit in the first row, and after each of his songs to scream and beg for more. It worked; their enthusiasm spread throughout the audience.
Pierce assembled and performed with a band of local Shreveport musicians, including pianist Floyd Cramer, guitarist-vocalist Faron Young, bassist Tillman Franks and vocalists Teddy and Doyle Wilburn. He also founded a record label, Pacemaker; and Ark-La-Tex Music, a publishing company, with Horace Logan, the director of the Hayride. On Pacemaker, Pierce made several records between 1950 and 1951 designed to attract radio play around Louisiana.
In 1951, Pierce got out of his 4 Star contract and was quickly signed by Decca Records. His second single, "Wondering", became his breakthrough hit, climbing to No. 1 early in 1952. Pierce moved to Nashville, Tennessee where he met and married his second wife, Audrey Greisham. In June 1952, he had his second No. 1 single with "That Heart Belongs to Me".
In September 1953, the Grand Ole Opry needed to fill the vacancy left by the firing of Hank Williams, and Pierce was invited to join the cast. After Williams' death, he became the most popular singer in country music; for the next four years, every single he released hit the top ten, with ten reaching No. 1, including "There Stands the Glass" (1953), "Slowly" (1954), "More and More" (1954), and "In the Jailhouse Now" (1955). His singles spent 113 weeks at No. 1 during the 1950s, when he charted 48 singles. Thirty-nine reached the top ten, 26 reached the top four and 13 hit No. 1.
Other hits included "Back Street Affair", "Why Baby Why", "Oh, So Many Years", and "Finally"; the latter two being duets with Kitty Wells. His 1954 recording of "Slowly" was one of the first country songs to include a pedal steel guitar.[2] He made regular appearances on ABC-TV's Ozark Jubilee including as a guest host once a month during 1956. In 1958, he recorded a rockabilly record, "The New Raunchy"/"I'll Get by Somehow" for Decca under the name Shady Wall. (Shady Wall (1922–1985) was a member of the Louisiana House of Representatives and a banker from West Monroe. It is not known if Pierce knew the political Wall or merely made up the name for the record and was unaware of the actual Shady Wall.)
On February 19, 1957, Pierce resigned from the Opry after he refused to pay commissions on bookings and for associated talent.
Pierce continued charting until 1982 with a total of 96 hits; and he toured extensively and appeared in the movies Buffalo Guns, Music City USA, Second Fiddle To A Steel Guitar, and Road To Nashville.
As his music faded from the spotlight, Pierce became known for his excessive lifestyle. He had North Hollywood tailor Nudie Cohen, who had made flamboyant suits for Pierce, line two convertibles with silver dollars. He built a $30,000 guitar-shaped swimming pool at his Nashville home which became a popular paid tourist attraction—nearly 3,000 people visited it each week—causing his neighbors, led by singer Ray Stevens, to file suit and prevail against Pierce to end the tours.
He remained with Decca and its successor, MCA, well into the 1970s, but by 1977 he was recording for Plantation Records. Even though he had occasional minor hits, charting in a 1982 duet with Willie Nelson, a remake of "In the Jailhouse Now," he spent his final years tending to his businesses, and his legend became clouded due to his reputation as a hard drinker. Webb and daughter Debbie recorded the ballad "On My Way Out" as The Pierces, and she was a member of the Country group "Chantilly" in the early 1980s.
Pierce waged a long battle with pancreatic cancer, which he lost on February 24, 1991, and was buried in the Woodlawn Memorial Park Cemetery in Nashville.
Pierce has a star on the Hollywood Walk of Fame at 1600 Vine Street. He was inducted into the Country Music Hall of Fame in October 2001 and into the Louisiana Music Hall of Fame in 2008.
Caught In The Webb–a Tribute to the Legendary Webb Pierce was released on Audium Records in 2001. Produced and arranged by singer-songwriter Gail Davies, this album features Willie Nelson, Crystal Gayle, George Jones, Emmylou Harris, The Del McCoury Band, Charlie Pride, Allison Moorer, Dwight Yoakam, Pam Tillis, The Jordanaires and other great artists. Proceeds go to benefit The Minnie Pearl Cancer Foundation. Ms. Davies herself first charted in 1978 with "No Love Have I," a No. 26 Billboard Country hit that Pierce had recorded (and taken to No. 4) in 1959.
Footage of Pierce singing "There Stands the Glass" was featured in the 2005 documentary No Direction Home by Martin Scorsese about early influences on Bob Dylan. Pierce's hit single "More and More" was played in the title credits of 2006 horror film, The Hills Have Eyes.
Wondering
Webb Pierce Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Wondering, wondering who's kissing you
Wondering, wondering if you're wondering too
Every hour through the day, since you been away
I keep wondering, yes wondering, if you're wondering too
I pray every night to the good Lord above
To send back to me the one I really love
Wondering, wondering who's kissing you
Wondering, wondering if you're wondering too
Every hour through the day, since you been away
I keep wondering, yes wondering, if you're wondering too
I pray every night to the good Lord above
To send back to me the one I really love
Wondering, wondering who's kissing you
Wondering, wondering if you're wondering too
Every hour through the day, since you been away
I keep wondering, yes wondering, if you're wondering too
Wondering, wondering if you're wondering too
Every hour through the day, since you been away
I keep wondering, yes wondering, if you're wondering too
I pray every night to the good Lord above
To send back to me the one I really love
Wondering, wondering if you're wondering too
Every hour through the day, since you been away
I keep wondering, yes wondering, if you're wondering too
I pray every night to the good Lord above
To send back to me the one I really love
Wondering, wondering who's kissing you
Wondering, wondering if you're wondering too
Every hour through the day, since you been away
I keep wondering, yes wondering, if you're wondering too
The song "Wondering" by Webb Pierce is a heart-wrenching ballad about a person who is left wondering about their significant other's actions and feelings while they are apart. The lyrics depict a person who is continuously thinking about their lover and wondering who is kissing them in their absence. The phrases "Wondering, wondering who's kissing you" and "Wondering, wondering if you're wondering too" emphasize the singer's fears and uncertainty regarding their loved one's loyalty and devotion.
The desperation and longing in the lyrics are further emphasized by the repetition of the words "every hour through the day" and "I keep wondering, yes wondering, if you're wondering too." The singer's emotional turmoil is revealed in their nightly prayers to the "good Lord above" to bring back the one they truly love.
Overall, the lyrics of "Wondering" convey a sense of heartache, uncertainty, and fear of losing someone they love deeply. The song can be interpreted as a plea for reassurance and a declaration of love to that special person.
Line by Line Meaning
Wondering, wondering who's kissing you
I keep asking myself who is kissing you now that you are not with me.
Wondering, wondering if you're wondering too
I wonder if you are also thinking about me just like I am thinking about you.
Every hour through the day, since you been away
Each hour, I contemplate about you every day that you are gone.
I keep wondering, yes wondering, if you're wondering too
I continue to think and ponder whether you're also having the same thoughts and feelings towards me.
I pray every night to the good Lord above
Every night, I pray to God for guidance in bringing you back to me.
To send back to me the one I really love
I'm pleading to God that you come back to me because you are the one I truly love.
Lyrics © Royalty Network, Warner Chappell Music, Inc.
Written by: JOE WERNER
Lyrics Licensed & Provided by LyricFind
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charlie
excellent voice.I remember listing to Webb when I was in Nam. My God what a comfort from being soo far from family and home. So many will never understand this. But my brothers in the infantry will know.
Margie Hale
Thank you ,thank God,and Web Pierce.
T4TEXASTOM JOHNNYCAT
Mickey May
Thank you for your service, Soldier.
👍🇺🇸
Micky May
I guess excellent voice. His first 32 singles releases made it into the top 10 and if my memory is correct, the next 36 singles releases made in into the top 25. That is 68 single releases in a row that went that high. No country artist has come close to that record to date. Every Marine is in infantry out of boot camp. When I got my orders for Infantry training at Camp LeJeune, NC, out of boot at the swamps of Paris Island, SC, back in 1968, I told the First Sergeant that I was 22 years old, so too old for the Infantry. I was ready for the adultery. He was not amused to say the least.
Bud Maxwell
A great song by a great country singer!!!!!
David L. Rogers
This is such a good song, and since I'm going down memory lane tonight, I just must say, I've been Wondering, why did things have to change, and why did they have to change the way they did, I remember when things were much different, more friendly, you could walk by someone on the street and say hello and hear have a nice day in return, now the person walking by either has earbuds in, or they give you the, you know the rest, I was Wondering.... Why?
studebaker Larry
yeah I sure miss those days :-(
D Hager
@Avro Arrow West Virginians are friendly and any time we travel we still smile & say hello... yes. even to impersonal strangers. :)
Avro Arrow
Regardless of why...keep greeting strangers on the street as friendly as can be. I do it all the time and sometimes they look completely surprised! But often they return a cheerful greeting, and little things like that are really wonderful.
Ruth Boykin
C'est la vie mon amis!