William Parker (b. Bronx, New York City, New York, January 10, 1952) is an … Read Full Bio ↴William Parker (b. Bronx, New York City, New York, January 10, 1952) is an American free jazz double bassist, poet and composer. He was not formally trained as a classical player, though he did study with Jimmy Garrison, Richard Davis, and Wilbur Ware and learned the tradition. Parker is one of few jazz bassists who regularly plays arco. He also plays several other instruments from around the world, including the West African kora.
While Parker has been active since the early 1970s; he has had a higher public profile since the early 1990s. He is a prominent and influential musician in the New York City experimental jazz scene, and has regularly appeared at music festivals around the world, including the Guelph Jazz Festival, in southern Ontario. Parker first came to public attention with pianist Cecil Taylor. He has long been a member of saxophonist David S. Ware's quartet and in Peter Brötzmann' s groups.
He is a member of the cooperative Other Dimensions In Music. Together with his wife, dancer Patricia Nicholson, he organizes the annual Vision Festival in New York City.
Parker has recorded and performed with many musicians, including Lewis "Flip" Barnes, Matthew Shipp, Hamid Drake, Frank Lowe, Daniel Carter, Federico Ughi, Bill Dixon, Charles Gayle, Roscoe Mitchell, Butch Morris, Billy Bang, Fred Anderson, Kidd Jordan, Rob Brown, Joe Morris, Rashied Ali, Paul Murphy, Sunny Murray, Perry Robinson, Barre Phillips, Henry Grimes, Peter Kowald, Spring Heel Jack, El-Producto, DJ Spooky, Susie Ibarra, Joel Futterman, Julia Kent, John Zorn and Mat Maneri.
Parker is the author of “who owns music?” (2007). The book assembles his political thoughts, his musicological essays and his poems. He writes as musician, as teacher, as son, as father, but primarily as a human being, to whom it is important to contribute to shaping the world according to his spirit. The texts are both statements and dreams, just as many of his improvisations in their own right. His second book “Conversations” was published in 2011.
While Parker has been active since the early 1970s; he has had a higher public profile since the early 1990s. He is a prominent and influential musician in the New York City experimental jazz scene, and has regularly appeared at music festivals around the world, including the Guelph Jazz Festival, in southern Ontario. Parker first came to public attention with pianist Cecil Taylor. He has long been a member of saxophonist David S. Ware's quartet and in Peter Brötzmann' s groups.
He is a member of the cooperative Other Dimensions In Music. Together with his wife, dancer Patricia Nicholson, he organizes the annual Vision Festival in New York City.
Parker has recorded and performed with many musicians, including Lewis "Flip" Barnes, Matthew Shipp, Hamid Drake, Frank Lowe, Daniel Carter, Federico Ughi, Bill Dixon, Charles Gayle, Roscoe Mitchell, Butch Morris, Billy Bang, Fred Anderson, Kidd Jordan, Rob Brown, Joe Morris, Rashied Ali, Paul Murphy, Sunny Murray, Perry Robinson, Barre Phillips, Henry Grimes, Peter Kowald, Spring Heel Jack, El-Producto, DJ Spooky, Susie Ibarra, Joel Futterman, Julia Kent, John Zorn and Mat Maneri.
Parker is the author of “who owns music?” (2007). The book assembles his political thoughts, his musicological essays and his poems. He writes as musician, as teacher, as son, as father, but primarily as a human being, to whom it is important to contribute to shaping the world according to his spirit. The texts are both statements and dreams, just as many of his improvisations in their own right. His second book “Conversations” was published in 2011.
Morning Mantra
William Parker Lyrics
We have lyrics for these tracks by William Parker:
Come Sunday Ooh Lord, dear Lord above, God almighty, God of love, pleas…
Is It Alright? (ch ah ah ah ah) Verse: Before the world was…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@danjw100
Breathtaking
@GroverPY575
Fantastic ensemble, I am familiar (and have played) with many of the members of the ensemble. The beautiful thing about this music is that it is a reflection of the growth of the music. the music is no longer limited to the north american sensibilities but is a reflection of the influences of many nations many cultures.
@btanjr
A fav of mine..the 3 chord hypnosis tune
@bladome
super!
@aminopropan7556
Crazy Tunes !
@sunrara7133
Sun Ra can enlighten !!!
@killowatraibikio2855
Double sunrise over Neptune
@puttieyum
Merci
@inflatedear7131
very nice collaboration but the guitar player needs a lesson in space.
@sashakingcrimson187
sasha king crimson ₪₪₪₪