1) Paul McCart… Read Full Bio ↴There is more than one artist sharing the name Wings;
1) Paul McCartney and Wings (also known by their original name Wings) were a British–American rock band formed in 1971 by former Beatle Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for frequent personnel changes along with their commercial successes, going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence.
Created following the McCartneys' 1971 album Ram, the band's first two albums, Wild Life (1971) and Red Rose Speedway (1973) (the latter featuring guitarist Henry McCullough), were viewed as artistic disappointments beside Paul's work with the Beatles. After the release of the title track of the James Bond movie Live and Let Die, McCullough and Seiwell resigned from the band. The McCartneys and Laine then released 1973's Band on the Run, a commercial and critical success that spawned two top ten singles in "Jet" and the title track. Following that album, the band recruited guitarist Jimmy McCulloch and drummer Geoff Britton, only for Britton to quit shortly afterwards and be replaced by Joe English. With the new line-up, Wings released 1975's Venus and Mars, which included the US number one single "Listen to What the Man Said", and undertook a highly successful world tour over 1975–76. Intended as more of a group effort, Wings at the Speed of Sound (1976) was issued midway through the tour and featured the hit singles "Silly Love Songs" and "Let 'Em In".
In 1977, the band earned their only UK number one single, with "Mull of Kintyre", which became the then-best-selling UK single in history. Wings experienced another line-up shuffle, however, with both McCulloch and English departing before the release of the group's 1978 album London Town. The McCartneys and Laine again added new members, recruiting guitarist Laurence Juber and drummer Steve Holley. The resulting album, Back to the Egg, was a relative flop, with its singles under-performing and the critical reception negative. During the supporting tour, Paul was arrested in Japan for cannabis possession, putting the band on hold. Despite a final US number one with a live-recorded version of "Coming Up" (1979), after Laine departed from the band, Wings discontinued in 1981.
Wings had twelve top-10 singles (including one number one) in the UK and fourteen top 10 singles (including six number ones) in the US. All 23 singles released by Wings reached the US top 40, and one two-sided hit, "Junior's Farm"/"Sally G", reached the top 40 with each side. Of the nine albums released by Wings, all went top 10 in either the UK or the US, with five consecutive albums topping the US charts. Paul McCartney was unquestionably Wings' leader and dominant creative force, but Denny Laine, Jimmy McCulloch, and Linda McCartney all contributed in songwriting, and Laine, McCulloch, Joe English, and Linda McCartney all performed lead vocals.
The success of Wings was a vindication for McCartney. His first few post-Beatles albums were highly criticized and often dismissed by critics as "lightweight" next to the more serious nature of his former bandmates' solo output. But by the mid-1970s, the solo careers of the other three former Beatles were in varying degrees of decline, with John Lennon putting his career on hold in 1975 for the first five years of his son Sean's life. A year later, George Harrison had all but retired from live performances, with his new releases failing to match the success of his initial solo output. Ringo Starr was living in Los Angeles and was writing and recording, but as a solo artist had not been performing onstage other than rare guest appearances. Meanwhile, Wings continued to tour regularly and enjoy much commercial success. According to author Robert Rosen, by 1980, Lennon was envious enough of McCartney's continuing success to make his re-emergence on the music scene.
One of the criticisms of Wings was that the other members were little more than sidemen backing up a solo McCartney. Guitarist Henry McCullough quit the band because he grew tired of being told by McCartney exactly what to play, and said that Wings were never a "real band." On the other hand, other former members of Wings such as Joe English and Laurence Juber have said that they were allowed a degree of creative freedom. In an interview, Juber, Wings' third lead guitarist, said, "I was a sideman, but the job assignment very much included considering myself a part of the band ... In all its incarnations Wings sounded like a band, not like a solo McCartney project and I think that reflects well not only on Paul's ability to share in the creative process, but also on the importance of Denny and Linda's contributions, too. The other players brought their own personalities to the scene."
In addition to its own output, Wings recorded several songs that were released through various outlets both before and after the band's break-up. Denny Laine's 1977 solo album Holly Days was a joint effort by Laine with Paul and Linda McCartney; three songs on Laine's 1980 solo album Japanese Tears were performed by Wings with Laine on lead vocals; Laine also contributed to several songs on Paul McCartney's 1982 and 1983 solo albums Tug of War and Pipes of Peace, respectively. Juber's instrumental "Maisie"—which was backed by members of Wings—appeared on his solo album Standard Time. The McCartneys and Laine contributed backing vocals to George Harrison's 1981 tribute to John Lennon, "All Those Years Ago". Linda McCartney continued to tour and record with her husband up until her death in 1998, after which a compilation of her songs entitled Wide Prairie was released that featured seven Wings songs written or co-written by her. Wings also backed Paul's brother Mike McGear on the McGear album, as well as McGear's band the Scaffold on the single "Liverpool Lou" and its B-side "Ten Years After on Strawberry Jam". Paul McCartney also used three unreleased Wings songs as B-sides of his solo singles several years after Wings' break-up.
Wings' 1977 single "Mull of Kintyre"/"Girls School" is still the biggest-selling non-charity single in the UK (although Queen's "Bohemian Rhapsody" sold more, its sales include a reissue in aid of the Terrence Higgins Trust), and it ranked fourth in the official list of all-time best-selling singles in the UK issued in 2002.
In 2001, Wingspan: Hits and History was released, a project spanning an album and a television special retrospective.
2) Wings: A Rock band from Malaysia. Their history began on the establishment in 1985 the Secondary School Sri Ampang in Kuala Lumpur. There, four young men who are still demanding joined forces to form a school band. As motivated and very interested in Rock music, especially rhythm, they agreed to singing rock'n'roll participating during their presentations. When it began the birth of WINGS although this group has no name.
Wings' original members are Awie, Jojet, Jo and Sham. The break-hit group when Jojet migrate to GERSANG while Arid and Jo resigned. While Syria set up new groups, named Group CRK.
Members:
Vocalists:
1) Awie (Ahmad Azhar Othman) 1985 - 1993. 2002 - Now
2) Mel (Ismail Zainuddin) 1995 - 1996
3) Mus (Mustafa Din) 1996 - 2001
Guitarists
1) Sham (Sham Baharom) 1985 - 1987
2) Tham Wing Kwan 1987
3) Joe (Abdul Zamin bin Abdul Kadir) 1988
Bassist
Eddie (Samsaidi Haji Ulong Idris) 1985 -Now
Drummer
1)Black(Azmi Hashim) 1985 - 1990. 1994 - Now
2) Jojet 1990 - 1993
3) Wings was also a Finnish death metal band which started in the early 90’s as a side project of Cartilage’s Gabriel Suoraniemi. This incarnation of Wings released a demo and a 7’‘EP. In 1994 Suoraniemi found a full line-up and the style changed to a more modern direction. They released one demo and a full-lenght album through Woodcut Productions (run by Suoraniemi’s ex-Cartilage comrade Mikki Salo) before splitting up. Most of the Wings line-up played in Enochian Crescent as well.
4) A duo in Korea is also using the name Wings (윙스).
Give Ireland Back To The Irish
Wings Lyrics
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Don't make them have to take it away
Give Ireland back to the Irish
Make Ireland Irish today
Great Britain, you are tremendous
And nobody knows like me
But really, what are you doin'
Tell me, how would you like it
If on your way to work
You were stopped by Irish soldiers?
Would you lie down, do nothing
Would you give in or go berserk?
Give Ireland back to the Irish
Don't make them have to take it away
Give Ireland back to the Irish
Make Ireland Irish today
Great Britain and all the people
Say that all people must be free
And meanwhile back in Ireland
There's a man who looks like me
And he dreams of god and country
And he's feeling really bad
And he's sitting in a prison
Say, should he lie down, do nothing
Should give in or go mad?
Give Ireland back to the Irish
Don't make them have to take it away
Give Ireland back to the Irish
Make Ireland Irish today
Give Ireland back to the Irish
Don't make them have to take it away
Give Ireland back to the Irish
Make Ireland Irish today (yeah, yeah)
The lyrics to the song "Give Ireland Back to the Irish" by Wings, a band led by former Beatles member Paul McCartney, revolve around the struggle for Irish independence from Great Britain. McCartney takes a firm and unambiguous stance in favor of Irish independence, calling for the return of the land to the Irish people, making Ireland Irish today. The song is a political protest song and highlights the frustration of the Irish people at the time, who had suffered for centuries under British rule.
The opening lines of the song convey the message that Ireland should be returned to the Irish instead of forcefully taking it away from them. The song expresses indignation over Great Britain's continued occupation of Ireland and the oppression and violence that Irish people have faced. McCartney's lyrics suggest that the British are ignorant of what they are doing to Ireland and its people. He compares this to an imaginary situation where the British are the ones being oppressed, bringing the issue close to home and urging his audience to empathize with the Irish people.
Ultimately, the call to action for the British to give Ireland back to the Irish is repeated throughout the song, emphasizing the importance of this issue to McCartney.
Line by Line Meaning
Give Ireland back to the Irish
Return sovereignty of Ireland to its people
Don't make them have to take it away
Don't force them to use violent means to reclaim it
Make Ireland Irish today
Respect Ireland's heritage and its unique culture
Great Britain, you are tremendous
The UK is a magnificent nation
And nobody knows like me
I have an intimate understanding of Great Britain
But really, what are you doin'
Why is the UK occupying another nation's land?
In the land across the sea?
Refers to Northern Ireland which is part of UK's territory
Tell me, how would you like it
How would UK react if they were in the same situation?
If on your way to work
Asks the listener to imagine a hypothetical situation
You were stopped by Irish soldiers?
Asks the listener to imagine a hypothetical scenario if Ireland has an army
Would you lie down, do nothing
Asks the listener if they would accept oppression and injustice
Would you give in or go berserk?
Asks the listener if they would resist or retaliate against oppression
Great Britain and all the people
The UK and its citizens
Say that all people must be free
The UK is a proponent of liberty and sovereignty for all countries
And meanwhile back in Ireland
Refers to the controversial situation in Northern Ireland
There's a man who looks like me
The artist identifies with the struggles of Irish people
And he dreams of god and country
The Irish people have a strong sense of patriotism
And he's feeling really bad
The singer empathizes with their strife
And he's sitting in a prison
Irish people are subject to unjust imprisonment
Say, should he lie down, do nothing
Asks if the Irish should accept their condition passively
Should give in or go mad?
Asks if the Irish should resort to radical measures if all else fails
Lyrics © Kobalt Music Publishing Ltd.
Written by: Linda McCartney, Paul McCartney
Lyrics Licensed & Provided by LyricFind