Wire's debut album, Pink Flag (1977), contains songs which are diverse in mood and style, but most use a minimalist punk approach, unorthodox structures, and several songs are under a minute in length; "Field Day For The Sundays" is only 28 seconds long.
Chairs Missing followed in 1978, and found Wire stepping back from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne. The experimentation was even more prominent on 154 (1979). Many of the songs had bassist Graham Lewis on lead vocals.
In 1979, creative differences pulled the band in different directions, leading to the Document and Eyewitness LP (1981), a recording of a performance that featured, almost exclusively, new material. The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Colin Newman's post-Wire solo albums ("5/10", "We Meet Under Tables"), while others were released by Gilbert and Lewis' primary post-Wire outlet Dome ("And Then...", "Ritual View"). The band disbanded for the first time in 1980
Between 1981-85 Wire ceased recording and performing in favour of solo and non-Wire collaborative projects such as Dome, Cupol, Duet Emmo, and several Colin Newman solo efforts. In 1985, the group reformed as a "beat combo" (a joking reference to early 1960s beat music or even possibly beatniks), with greater use of electronic musical instruments. It released It's Beginning To And Back Again (IBTABA) in 1989, a "live" album of mostly re-worked versions of songs from The Ideal Copy and A Bell Is a Cup...Until It Is Struck, heavily re-arranged, edited, and remixed. A new song from the album, "Eardrum Buzz", became the band's biggest charting single.
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. Once again, the band disbanded in 1992 There followed a further period of solo recordings, during which Newman founded the Swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall on 26 February 2000. Wire's reception during a short tour of the US, and a number of UK gigs, convinced the band to continue. Two EPs and an album Send (2003) followed, as well as collaborations with stage designer Es Devlin and artists Jake and Dinos Chapman. In 2004 the band split once more.
In 2006, Wire's 1970s albums were re-released with original vinyl track listings. Rumours abounded of a renewal of activity to mark the 30th anniversary of the band's debut as a 4 piece and the re-release of Pink Flag in 2007. A third Read & Burn EP was released in November, 2007.
A full-length album of new material entitled Object 47 was released in July 2008. Bruce Gilbert was not involved in this recording, although according to Colin Newman, he did feature in a minimal capacity on the third Read and Burn EP. 2011 saw the release of the band's twelfth studio album Red Barked Tree.
Blessed State
Wire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Opens eyes
To the fatal gift
Of a well timed lie
Loved in the flesh
And (but) butchered in the mind
Oh what a pearl
What a well made world
Holy globe
Eternal home
Sacred sphere
So glad I'm here
Oh what a pearl
What a well made world
The lyrics of the song Blessed State by Wire revolve around the idea of the conflict between the external world and the internal psyche. The lines "Closing doors opens eyes" imply that one attains a greater awareness of the world around them when they shut themselves off from it. However, this newfound awareness comes with a price, which is the realization that the world is not always what it seems. The "well-timed lie" mentioned in the song represents the illusions that people construct for themselves as a form of escapism from the harshness of reality. These illusions can be both beneficial and harmful, which is why the lyrics mention being "loved in the flesh but butchered in the mind".
The second stanza of the song shifts towards a more spiritual tone. The lines "Holy globe, eternal home, sacred sphere" may indicate a reference to a higher power or spirituality. However, this higher power is still rooted in the material world as the lyrics celebrate the physical aspect of existence with the phrase "so glad I'm here". The ending repetition of "Oh what a pearl, what a well-made world" suggests a certain irony in the contrast between the beauty of the world and its inherent flaws.
Line by Line Meaning
Closing doors
When opportunities end, it allows us to see other possibilities
Opens eyes
It leads to new perspectives and understanding
To the fatal gift
But sometimes those possibilities come with negative consequences
Of a well timed lie
Which may seem like a good thing in the moment, but ultimately harms us
Loved in the flesh
We can connect with others on a physical level and feel affection for them
And (but) butchered in the mind
However, our thoughts can sometimes turn against us and ruin those connections
Oh what a pearl
Despite the hardships, there is still beauty in the world
What a well made world
The world may seem chaotic, but it is still intricately designed
Holy globe
Our planet is something to be revered and protected
Eternal home
A place we will always belong, even after we pass on
Sacred sphere
A space uniquely created for life to flourish
So glad I'm here
Expressing gratitude for the opportunity to experience life on this planet
Contributed by Isaac D. Suggest a correction in the comments below.
Pierre Clary
on Champs
i believe this song is about amphetamine abuse, endemic on the punk scene...Speed, "more speed than before ,less time than before (tolerance build up)........
Pierre Clary
on Champs
The song "Champs" by Wire is an intense and fast-paced track that addresses themes of competitiveness, the desire for success, and the sacrifices one must make in order to achieve their goals. The repeated phrases "The taste of champions, the pace, the pace, the speed, the need, the need to seed, the chance to die" suggest that the speaker is wholly dedicated to winning and will stop at nothing to achieve their goals. The subsequent line "Another dead don't cry" implies that the speaker has seen others perish in their pursuit of victory and is not phased by it. The stanza "You've still got speed, you'll maybe bleed, there's less time" highlights the idea that time is running out and that one must act quickly if they wish to be successful.
The next stanza begins with the phrase "More speed than before, you've done it before, there is no for, what are you doing it for?" which suggests that the speaker is no longer satisfied with their previous achievements and is compelled to push themselves even harder. The line "Want more, want more" is a clear indication that the speaker is never satisfied with what they have and will always strive for more. The repetition of "Another dead don't cry" throughout the song serves as a haunting reminder that the pursuit of success often has a cost, and that cost can be the lives of others.i think this so,
Pierre Clary
on Champs
YOU'RE RICH NOT POOR