Wire's debut album, Pink Flag (1977), contains songs which are diverse in mood and style, but most use a minimalist punk approach, unorthodox structures, and several songs are under a minute in length; "Field Day For The Sundays" is only 28 seconds long.
Chairs Missing followed in 1978, and found Wire stepping back from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne. The experimentation was even more prominent on 154 (1979). Many of the songs had bassist Graham Lewis on lead vocals.
In 1979, creative differences pulled the band in different directions, leading to the Document and Eyewitness LP (1981), a recording of a performance that featured, almost exclusively, new material. The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Colin Newman's post-Wire solo albums ("5/10", "We Meet Under Tables"), while others were released by Gilbert and Lewis' primary post-Wire outlet Dome ("And Then...", "Ritual View"). The band disbanded for the first time in 1980
Between 1981-85 Wire ceased recording and performing in favour of solo and non-Wire collaborative projects such as Dome, Cupol, Duet Emmo, and several Colin Newman solo efforts. In 1985, the group reformed as a "beat combo" (a joking reference to early 1960s beat music or even possibly beatniks), with greater use of electronic musical instruments. It released It's Beginning To And Back Again (IBTABA) in 1989, a "live" album of mostly re-worked versions of songs from The Ideal Copy and A Bell Is a Cup...Until It Is Struck, heavily re-arranged, edited, and remixed. A new song from the album, "Eardrum Buzz", became the band's biggest charting single.
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. Once again, the band disbanded in 1992 There followed a further period of solo recordings, during which Newman founded the Swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall on 26 February 2000. Wire's reception during a short tour of the US, and a number of UK gigs, convinced the band to continue. Two EPs and an album Send (2003) followed, as well as collaborations with stage designer Es Devlin and artists Jake and Dinos Chapman. In 2004 the band split once more.
In 2006, Wire's 1970s albums were re-released with original vinyl track listings. Rumours abounded of a renewal of activity to mark the 30th anniversary of the band's debut as a 4 piece and the re-release of Pink Flag in 2007. A third Read & Burn EP was released in November, 2007.
A full-length album of new material entitled Object 47 was released in July 2008. Bruce Gilbert was not involved in this recording, although according to Colin Newman, he did feature in a minimal capacity on the third Read and Burn EP. 2011 saw the release of the band's twelfth studio album Red Barked Tree.
Feed Me
Wire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's your table
I alter my altar
For every mouthful
I hunger
Feed me
It's your table
I grow by in inches
For every mouthful, you're living
For every mouthful, I'm running
How fast do you run?
How fast can you run?
The lyrics of Wire's song "Feed Me" present a powerful metaphorical commentary on the nature of power dynamics and exploitation. The song opens with the lyric "What's the point, it's your table," suggesting a sense of resignation and subservience on the part of the singer. They then go on to describe how they "alter [their] altar for every mouthful," indicating that they are willing to change themselves in order to conform to the expectations and demands of those in a position of power.
The repetition of the phrase "feed me" throughout the song emphasizes the singer's dependence on others for sustenance and support, and highlights the cruel and abusive nature of this dynamic. The verse "I grow by inches for every mouthful, you're living / For every mouthful, I'm running" echoes the central idea at the heart of the song: that those who hold power and privilege are able to thrive and flourish at the expense of those who are forced to rely on them.
In the final lines of the song, the singer demands to know "how fast do you run? / How fast can you run?" These questions serve to underscore the power imbalance between those who hold power and those who are exploited by them. By positioning themselves as the one who is running, the singer suggests that they are constantly at risk of being left behind and left to suffer the consequences of the actions of those in power.
Line by Line Meaning
What's the point
What is the purpose of this situation?
It's your table
This is your domain and control.
I alter my altar
I modify my way of thinking and beliefs.
For every mouthful
After each instance or occurrence.
I hunger
I am still yearning for more nourishment.
Feed me
Provide me with my needed sustenance.
Don't give me that
I do not accept that argument or excuse.
I grow by in inches
I am gradually increasing in size or power.
For every mouthful, you're living
You are enjoying life with each new experience.
For every mouthful, I'm running
I am always seeking more, moving ahead.
How fast do you run?
How quick are you to pursue your goals?
How fast can you run?
What is your maximum speed or potential?
Writer(s): GRAHAM LEWIS, ROBERT SELWYN GREY, BRUCE CLIFFORD GILBERT, COLIN JOHN NEWMAN
Contributed by Samuel L. Suggest a correction in the comments below.
David Ellis
Just to let the fans know this was still Wire !! Intense FEED ME !!
KVID1000
Well done Bri.
Lightbox
Fucking amazing song.
John Ries
that song has never made me so hungry until I watched this
Srdjan Saljic
great work
BunnymanVids
Very cool. WHere did you get this?
Cripta Farcio
wire+fassbender nice couple ;)
Lone Eagle
sadistic deprivation at its finest