Wishbone Ash can trace its origins back to Torquay, Devon, England, a seaside resort in the southwest of the country. It was there that Martin Turner and Steve Upton first performed together; Turner on bass, Upton on drums, before moving to London in 1969 to seek fame and fortune. In the capital the decision was made to place an advertisement for a keyboard player and a lead guitarist. The resulting audition threw up two guitar leads, but nobody could decide who to choose and the trademark twin-lead sound of Wishbone Ash was born.
Ted (David) Turner and Andy Powell soon went through the poverty and growing pains of a new band, but were fortunate that Miles Copeland was championing their cause and a fairly rapid progression was achieved. The first Album, Wishbone Ash, was released in December 1970 and their second, Pilgrimage, surfaced just six months later to reach #6 in the NME charts. Great things were just 11 months away with the release of Argus (1972) -- possibly the band's best album; certainly their most commercially successful -- which reached #2 in the UK charts and went gold. Argus is considered to be one of the great rock classics of all time. The next album, Wishbone Four, only 12 months later, went silver.
After these early highs, Ted Turner decided that he had had enough, and left the band to be replaced by Laurie Wisefield. Although Laurie’s style was not to everyone’s taste, he was generally well liked by the fans and brought a slightly harder edge to the folk-tinged progressive rock that was the Wishbone Ash formula. Wisefield was a dynamic player and became an excellent partner to Andy -- they were to play together for a very successful 11 years and the MKII version of the band is very well thought of for most of its output. About this time the band became more influenced by America and would eventually move there.
The next album, There's The Rub (1974), was recorded in Florida and produced by Eagles producer Bill Szymczyk. Once again it was to do well, achieving silver disc status. There's the Rub included the instrumental piece F.U.B.B. Steve Upton was arrested in New Zealand for announcing at a concert it's full title. In New Zealand, swearing in public is a criminal offense, and when Upton announced the title at an outdoor concert, a woman sunbathing in her garden nearby complained to the mayor. Upton spent the night in jail, and the album reached #3 in New Zealand due to the publicity.
It was inevitable that a turkey was due and to fans Locked In (1976) fit this bill. This record was not released -- it escaped! Fortunately things were much better with the quality of the following albums and although the high chart positions were gone, the fans were enjoying some competent, well-crafted output.
After 11 years in the band, Martin Turner decided to leave. This move began a period of frequent changes of bass player with the likes of John Wetton and Trevor Bolder being two of the better known; however, Wishbone Ash always has attracted musicians of the highest order. A much more controversial move was the introduction of Clair Hamill to fill in some of the vocal talent Martin had taken away with him. Clair was not popular with the fans which was perhaps a little unfair. She had contributed backing vocals on Just Testing (Turner's last album (1980), which he had also produced) and had co-written the excellent Living Proof, which is still a crowd favourite today. Her stay was short-lived with Andy Powell taking on more vocal duties. Wisefield left in late 1985 and the band continued to tour with various replacements, but were very much in limbo until 1987 when a miracle occurred. Miles Copland persuaded the original lineup to reform for a project for a music charity that he was helping, and a Hammersmith Odeon concert which the BBC recorded resulted. The project produced an instrumental album Nouveau Calls (1987), which was very well received. Even better received was the fact that three years of the original lineup were to follow.
Just when things were going so well, Steve Upton decided to quit the business entirely in 1990, to be replaced by Ray Weston. Martin Turner carried on for another year before leaving to pursue a solo career, and Ted left two years later. The next five years saw lots of personnel changes, but eventually resulted in a good period of stability with Ray Weston returning and Bob Skeet joining on bass in 1998.
The new millennium has also seen stability in respect of Andy's guitar partner, with the last 6 years being filled by Ben Granfelt and subsequently Muddy Manninen, both of whom come from Finland. 2005 saw Wishbone Ash celebrate their 35th year. 2006 heralded the new album Clan Destiny (the first featuring Muddy as guitarist). 2007 saw the exit of long-term drummer Ray Weston, due to the increasingly hectic pace of band life. Joe Crabtree (formerly of The David Cross band) stepped up to fill his place. With regard to new releases, 2007 saw First Light, which features original recordings of the songs featured on their debut album, as well as some outtakes. Also released that year was the new album The Power of Eternity (partly featuring Joe Crabtree on drums), which coincided with the Autumn tour.
Wishbone Ash are still performing 150 gigs a year in the U.S. and Europe. They get very supportive crowds with good numbers turning out all over Europe -- the U.S. tends to attract smaller audiences, but very committed fans. If you want to hear classic Wishbone Ash, get ahold of Argus. Visit their web site www.wishboneash.com, where tour dates and albums, etc. can be obtained.
Driving a Wedge
Wishbone Ash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Dredging up the past
Look what you did
It weren't meant to last
Talk to your lawyer
He'll understand
The company you keep
It's so easy to get caught in the game
It so easy to be hit with the blame
Stop the bus
And let me off
I'm outta dough
I can't barely pay
I'm in a bind
Did you really doubt
I would jump and shout
Thought you had it made
Dwelling on the distant the past
It just wasn't meant to last
The song "Driving a Wedge" by Wishbone Ash is a reflection on the destructive power of decisions that we make in our lives. The lyrics suggest that our past decisions and the people we associate with can have a profound impact on our present circumstances. The opening line "Driving a wedge" implies the act of splitting something apart or creating a division. The next line "Dredging up the past" confirms that the lyrics refer to the consequences of past actions.
The lyrics "Look what you did, it weren't meant to last" suggest that the actions of the past have led to present difficulties. The singer then appeals to a lawyer for help, indicating that the repercussions of what was done in the past have legal consequences. The next line "The company you keep is the measure of the man" suggests that the people we choose to associate with can make or break us. It speaks to the importance of surrounding ourselves with positive influences and avoiding people who might lead us down a negative path.
The chorus of the song "Stop the bus and let me off, I'm outta dough, I can't barely pay" speaks to the challenges and difficulties of life that can arise from past decisions. The lyrics "Did you really doubt I would jump and shout, thought you had it made" suggest that the singer was led to believe that things were going to be alright, but the reality of the present circumstances is quite different. The final line of the song "Dwelling on the distant past, it just wasn't meant to last" suggests that moving on from the past and looking towards the future is the best way to overcome past difficulties.
Line by Line Meaning
Driving a wedge
Creating division and conflict
Dredging up the past
Bringing up old, unresolved issues
Look what you did
Examining the consequences of someone's actions
It weren't meant to last
Acknowledging that something was not meant to continue indefinitely
Talk to your lawyer
Suggesting seeking legal advice
He'll understand
Trust that the lawyer will have insight into the situation
The company you keep
The people you associate yourself with
Is the measure of the man
Character is judged by the company one keeps
It's so easy to get caught in the game
Falling into a situation or pattern of behavior that is difficult to escape
It's so easy to be hit with the blame
Being unfairly accused of wrongdoing
Stop the bus
Wanting to get off or halt progress
And let me off
Desiring to exit a situation or circumstance
I'm outta dough
Being financially depleted
I can't barely pay
Struggling to make ends meet
I'm in a bind
Being in a difficult, stressful situation
Did you really doubt
Asking someone if they truly questioned your actions
I would jump and shout
Reacting enthusiastically to a positive outcome
Thought you had it made
Believed that one had secured success or stability
Dwelling on the distant past
Continuously revisiting old experiences or memories
It just wasn't meant to last
Accepting that something was never intended to be forever
Contributed by Nolan N. Suggest a correction in the comments below.