Emojis de Corazones
Wisin Lyrics

Directamente desde La Base
Starting off strong, this song is coming straight from La Base, representing the artist's origins and roots

Jhay Corte' (woh-oh)
Featuring Jhay Cortez, a talented artist, adding his unique style and sound to the song

W (Los Legendarios)
Also featuring W (Wisín) and Los Legendarios, a renowned production duo known for creating hit songs

(Ozuna)
Additionally, with the involvement of Ozuna, a popular reggaeton artist, this song brings together a powerhouse of talents

Emojis de corazone', sí (de corazone')
Referring to the heart emojis, which symbolize love and affection, the artist expresses his desire and intention to connect emotionally

Yo quiero contigo
The artist is expressing his desire to be with the person he is addressing, emphasizing his romantic interest in them

Aunque tenga un par de opcione' (par de opcione')
Acknowledging that there may be other options available, the artist asserts that he still chooses to be with the person he desires despite these alternatives

De tú y yo haciéndolo
Expressing a desire for physical intimacy with the person, the artist imagines a scenario in which they engage in intimate activities together

Baby, tuve visione' (tuve visione')
Having visions of being together with this person, the artist desires a future with them and sees potential for a lasting connection

Ya preparé lo' blunte'
Preparing the necessary resources, such as marijuana (blunts), the artist ensures that they are ready to enjoy each other's company and have a good time

Sigue la' instruccione'
Advising the person to follow the instructions, the artist suggests that they should trust in him and let him lead the way

Y, baby, si yo te llamo
Explaining that when he calls the person, it is a sign of his desire and longing to see them

Es que te quiero ver
The artist wants to spend time with the person because he genuinely cares about and loves them

Si estamo' solo', sabe'
If they are alone, the person knows that they have the opportunity for intimacy and can fully enjoy each other's company

Ya que vamo' a amanecer
Anticipating a night of passion and intimacy, the artist suggests that they will experience a beautiful sunrise together

No' vamo' a comer
Referring to the act of making love, the artist implies that they will engage in intimate activities

Nadie tiene que saber
Emphasizing the need for discretion, the artist implies that their relationship should remain private and secret

Se queda entre nosotro'
Whatever happens between them should only be discussed and known by the two of them, maintaining their privacy

Pa' cuando quiera' volver
Leaving the possibility open for the person to return whenever they desire, the artist expresses a desire for a lasting connection

Y es que yo te vi sin ropa, ay, Ave María (María)
Having seen the person without clothes, the artist uses the expression 'Ave María' to convey his surprise and awe at their beauty

Hasta sin hambre yo a ti te comería (comería)
Metaphorically expressing his intense desire and attraction, the artist says he would consume the person even without being hungry

Tú y yo solo' con dos copa' de sangría (sangría)
Imagining a romantic scenario, the artist pictures himself and the person enjoying each other's company over two glasses of sangria, a drink associated with relaxation and fun

Si mi mente hablara, me censurarían
Indicating that his thoughts are so explicit that he would be censored if they were vocalized, the artist suggests his intense passion and desire for the person

Ángel, perdóname, Dio' (Dio')
Calling himself an 'angel,' the artist asks for forgiveness from God for his explicit thoughts and desires, recognizing the need for redemption

No sé qué nos dio (qué nos dio)
Expressing confusion and bewilderment, the artist is unsure of why they both feel such intense desire and passion for each other

Y si es por mí, ya que se joda
Asserting that he doesn't care about external factors, the artist implies that he is willing to face any consequences for his desires and actions

Sé que nos vio (uh)
Aware that they are being observed, the artist acknowledges that someone has witnessed their intimate connection

Tiene' par de amiguito'
Referring to the person's friends, the artist implies that they have a few close friends who are aware of their relationship

Y ninguno la dio (ninguno la dio)
However, none of those friends were able to provide the same level of satisfaction and fulfillment as the artist

Nos vemo' siempre que envío un mensaje de vo'
Implying that they meet up whenever the artist sends a voice message, the artist suggests that they have a secret code or arrangement for their encounters

Y como tú no la hay
Acknowledging the person's uniqueness and special qualities, the artist emphasizes that there is no one else like them

Bendición a tu mai (amén)
Showing respect and admiration, the artist blesses the person's mother, recognizing her influence in shaping the person he desires

Si tú fuera' tequila, te bebería strike
Comparing the person to tequila, a strong alcoholic drink, the artist playfully suggests that he would consume them in one gulp (strike) if they were a drink

Y tú ere' un problema como dice DY
Acknowledging that the person can be a challenge or 'problem,' the artist references DY (Daddy Yankee), another renowned reggaeton artist known for his lyricism and provocative nature

Obedece tu sed como si yo fuera Sprite
Drawing a comparison to the popular soda 'Sprite,' the artist suggests that the person should satisfy their desires and thirst for him as if he were the refreshing soda

Maquillaje en la cartera (sí)
Referring to the person's habit of carrying makeup in their purse, the artist hints at their readiness and preparedness for any situation

Tiene los ojo' como Rosario Tijera (La Presión)
Describing the person's eyes as captivating and reminiscent of Rosario Tijera, a character known for her intense and powerful gaze, the artist implies the person's seductive and alluring nature

Mi blanquita como Christina Aguilera
Comparing the person's fair complexion to Christina Aguilera, a famous singer known for her beauty, the artist compliments their physical appearance

A vece' yo la busco en el Porsche Carrera, eh
Expressing his desire for the person, the artist humorously suggests that he looks for them in expensive sports cars like a Porsche Carrera

Nos besamo' lentamente
Describing their intimate encounters, the artist expresses how they kiss passionately and slowly, savoring each moment

Como un tatuaje permanente
Comparing their connection to a permanent tattoo, the artist highlights the depth and permanence of their emotional bond

Ya tú no sale' de mi mente
The person constantly occupies the artist's thoughts, and they cannot get them out of their mind

Por eso e' que, baby
This is the reason why the artist refers to the person as 'baby,' expressing their strong emotional attachment

Si te llamo
When he calls the person, it is a sign of his affection and longing for them

Es que te quiero ver
His desire to spend time with the person stems from his genuine love and emotional connection with them

Si estamos solo', sabe'
If they are alone, the person understands that they have the opportunity to fully enjoy each other's company and intimacy

Ya que vamo' a amanecer
Expecting a beautiful sunrise together, the artist suggests that their time spent together will be filled with passion and joy

Nos vamo' a comer
Referring to their intimate activities, the artist implies that they will engage in physical intimacy

Nadie tiene que saber
Emphasizing the importance of discretion, the artist implies that their relationship and activities should remain private and known only to them

Se quedará entre nosotros
Whatever happens between them should be kept confidential and not shared with others

Pa' cuando quieras volver
Leaving the possibility open for the person to return whenever they desire, the artist expresses a desire for a lasting connection

Si las mirada' mataran
Playfully suggesting the power of their intense gazes, the artist humorously states that if looks could kill, they would already be at the person's funeral

Ya yo estuviera en el entierro (en el entierro)
Asserting that their intense gazes would have caused their demise, the artist humorously suggests that he would already be at their funeral

Le gusta que en la cama yo le haga el encierro
Revealing a shared interest in intimate activities, the artist acknowledges that the person enjoys their sexual encounters with him

Eso' olore' se quedan en el aire del Ferro
The lingering scents of their intimate encounters remain in the atmosphere, reminding the artist of their passionate moments together

A ese culito yo me aferro
Expressing his desire to hold onto the person tightly, the artist playfully refers to their derriere as the object of his affection

Es que si tú me llama'
If the person calls him, showing their desire for him, the artist is ready to respond and be with them

A la troca yo le llego (le llego)
Indicating his willingness to go wherever the person desires, the artist humorously states that he will arrive in his car (troca) to meet them

Pa' que no llegue' tarde
To avoid being late, the artist is committed to reaching their meeting place on time

De camino lo hacemo'
Implying that they can engage in intimate activities during their journey or commute, the artist suggests their readiness for physical intimacy

Y no se puso pantie'
Humorously revealing a playful and intimate detail, the person didn't wear underwear for their encounter

Porque sabe a lo que vino (a lo que vino)
Emphasizing their mutual understanding and agreement, the artist implies that the person is well aware of the purpose and intention of their encounter

Ma', le gusta beber vino y hacerlo divino
Recognizing the person's enjoyment of wine and intimate activities, the artist suggests that they have a good time together, indulging in their desires

Doble click la Beretta (la Beretta)
Describing a seductive action, the artist compares his arousal to the sound of pulling the trigger on a Beretta gun, expressing his intense desire for the person

Eso e' pa'l novio bobo tuyo
Playfully insulting the person's current boyfriend, the artist suggests that their intimate encounters are reserved for him and not the insignificant other

Tengo un palo que azota como Vegeta
Using Vegeta, a powerful character from the anime Dragon Ball Z, as a metaphor, the artist implies that he possesses great strength and vigor in intimate encounters

Ay recordar eso tiempo' de la glorieta
Referencing an idyllic past, the artist nostalgically recalls moments of happiness and intimacy shared together

Soy tu Romeo y te lo vo'a poner, Julieta
Drawing a comparison to the iconic romantic characters Romeo and Juliet, the artist playfully suggests that he is the Romeo to their Juliet, expressing his romantic and passionate intentions

Y no (no)
Asserting that there is no rush or pressure in their relationship, the artist emphasizes the importance of taking their time

No hay prisa, bebé (no hay prisa, bebé)
There is no need to hurry or rush, emphasizing the importance of enjoying the present moment with their partner

Si terminamo', repetimo' otra ve' (woh-oh-oh)
If they finish their intimate activities, the artist suggests that they can repeat them again, highlighting their satisfaction and desire for more

Estar número uno comprando consciencia
Being at the top of his game, the artist emphasizes his success and ability to control his actions and decisions

Soy multimillo, cabrón, haz la diligencia (haz la diligencia), jaja
Showing off his wealth and success, the artist asserts his financial status and playfully suggests that others should follow his lead and make the necessary arrangements to spend time with him

Hello? (Oh-oh)
Introducing a change in the tone and atmosphere, the artist humorously mimics a phone call, indicating a shift in the song's narrative

Cuando te llamo, respondes
When he calls the person, they answer, suggesting a strong and responsive connection between them

Dime cuándo, dime dónde
Asking the person to reveal when and where they can meet, the artist expresses his eagerness and longing to be with them

Si eres loca con besarme
If the person enjoys kissing him passionately, the artist encourages them to embrace their desires and passion

No sé por qué tú lo escondes
Expressing confusion and curiosity, the artist wonders why the person hides their desire and affection for him

Tu cuerpo me arrebata
The person's body captivates and overwhelms the artist, igniting his passion and desire for them

Con esos ojos de gata
Referring to the person's seductive and alluring eyes, the artist analogizes them to the eyes of a cat, emphasizing their captivating nature

Eso que tienes me mata, tú me matas (W)
The person's qualities and presence have a profound effect on the artist, metaphorically 'killing' him with their charm and allure

Mami, cuando yo te llamo pienso en tu body
When he calls the person, the artist's thoughts are consumed by their body, showing his intense desire and attraction towards them

Yo siempre estoy pendiente a tus storie' (¡duro!)
The artist is always paying attention to the person's social media stories, indicating his keen interest and curiosity about their daily life

Chula, recuerdo aquella noche en el lobby (¡duro!)
Reminiscing about a past encounter, the artist recalls a memorable night in the lobby, highlighting the strong connection and memorable experiences they shared

Ponte coqueta y tírame los emojis (go!)
Encouraging the person to flirt and send him flirty emojis, the artist playfully suggests that they engage in a playful and flirtatious exchange

Me dice: 'Papi, agresivo'
The person refers to the artist as 'papi' (daddy) and encourages him to be more assertive and aggressive in their encounters, adding an element of power dynamics

Vi como tú eres el objetivo (oh-oh)
Acknowledging that he is the person's objective or target, the artist recognizes their desire and intentions towards him

Esta noche vamos a hacer todo lo prohibido (W)
Promising a night of excitement and indulgence, the artist suggests that they will engage in activities that are considered forbidden or taboo

¿Que tú eres la más rica? Definitivo
Affirming that the person is the most beautiful and desirable, the artist asserts their attractiveness and value in his eyes

Solo quiero que prendas ese motor rotativo (Ozuna)
Expressing his desire for the person to ignite their passion and desire, the artist playfully compares them to a rotating engine, emphasizing their ability to excite and enthrall him