1. Wood is an experimental noise/ambient music project started in 2023
I… Read Full Bio ↴1. Wood is an experimental noise/ambient music project started in 2023
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2. Traditional Rock and Americana from James Maddock and company.

He's just an ordinary guy. We know that because he's forever telling us he's just an ordinary guy in that likable, down-to-earth, "fancy a drink, pal?" sort of way.

But how many ordinary guys do YOU know who amble nonchalantly on stage looking as if they're about to pick a fight with a karaoke machine and then sing with a sublime power that charms and chills in equal measure? How many ordinary guys do YOU know who write a whole catalogue of songs with such emotional depth that they sound like classics the instant you hear them?

He's a Midlands lad called James Maddock from the English city of Leicester, famous for... well, Leicester's not famous for anything at all really. But for years, he's had this unfeasible dream of making wonderful music under the name of Wood and, hey, dreams come true.... "We used to be called 'The Gift Of Love,'" he remembers, "and we were talking one night about music and I said, 'On all the records I really love -- like Dylan and The Band -- you can picture the room they're playing in and you can hear the wood.' And it suddenly hit me. WOOD! That was the name I wanted for my band."

James picked up his first instrument -- the ukulele that his granddad used to play in wartime bands -- at the age of eight. His dad, an optician, filled the house with jazz and if you venture into Leicester on a wet weekend you might still find Mr. Maddock playing in a jazz band in some remote corner.

"By the time I was 14, I started thinking seriously about being able to play the guitar," James recalls, "and I was pretty good at it. I had this great guitar teacher and at the end of a lesson he'd say, 'You should check out this record by Neil Young.... ' I worked on a market stall on a Saturday and I'd go in, get my wages, and then go and buy a Neil Young record. And the next week he'd say, 'have you heard Ry Cooder...?,' and it went on from week to week... The Eagles, Jackson Browne... and all the West Coast stuff...."

"Then I found Born To Run at a friend's house and it completely blew me away," he continues. "I was a big Bruce fan, still am. The Band's second album was a seminal influence on me too. Bob Dylan is a big hero for me."

James Maddock moved to London when he was 20 and served his apprenticeship in covers bands working the ...ahem... boisterous London Irish pub circuit. He played in the Arsenal Tavern, North London, every weekend for several years, an achievement that surely merits some sort of long service gold medal award. It was hard, the audiences took no prisoners and you could play there for a hundred years without being discovered, but James wouldn't have missed it for the world. And besides, from this unglamorous environment of beer, tobacco and loud covers of old standards and the hits of the day, the first splinters of Wood began to emerge about three years ago. "I took over as singer and started doing my favorite songs -- Creedence Clearwater Revival and Bob Marley stuff -- but all the time I was also writing my own songs."

They even recorded some demos of his material (at Abbey Road Studios, no less, where they fantasized about being rich and famous as they arrived to be gawked at and have their pictures taken by Japanese tourists) and waited for unspeakably lavish offers to flood in. Strangely enough, they didn't. But James somehow knew his music's spiritual home was America. "Two of the albums I most identify with are Late For The Sky (Jackson Browne) and Harvest (Neil Young). I love songwriters and I try to combine melodies and story. I've always liked my music to be quite gentle, with an acoustic, friendly feel...."

At a time when nothing got signed in the UK unless it came with nasal voices and loud twanging guitars and could be marketed as "Brit pop," James suddenly found himself flown to New York where a chance play of the demo sufficiently impressed Columbia Record executives to offer him a record deal. Classic songs. Beautiful melodies. Great lyrics. Choruses just made for dancing on the ceiling. A voice to sell your grandmother for. Where had this boy BEEN all their lives?!

"They got me to fly out there and do a gig in their offices!," James exclaims. "It was pretty scary! You spend all your life trying to get to this point and suddenly you're standing there with your guitar and it's all hanging on what you do in 20 minutes in that office."

The boy obviously done good. His old Leicester schoolchum, Bill Newsinger (guitar), and the other two Wood mainstays, Jim O'Malley (bass) and Steve Jackson (drums), found themselves finally summoned to Tongue & Groove Studio in Philadelphia, Pennsylvania, to record, with producer Dave "Stiff" Johnson, the album they'd begun to despair would ever get made. "It really is a dream come true!," James admits. "When you've spent so long scrubbing around trying to get £50 together for rehearsals you think it will never happen. But when it does happen it's a huge responsibility. I'm learning a lot about myself through this."

The first Wood album, Songs From Stamford Hill, is not only full of unfeasibly memorable melodies and immaculately crafted songs, it has some telling lyrics. "I'd written hundreds of songs before," James estimates, "but when we called the band 'Wood,' everything seemed to fall into place." The album's title was inspired by the area of London where James was living at the time most of the songs on the record were written.

You may already know the opening track, "Stay You," which is featured on the best-selling Top 10 album Songs From Dawson's Creek (Columbia/Sony Music Soundtrax). "Never Ending," the album's closing song, is another key track, a particularly poignant, nostalgic autobiographical song about growing up in Leicester and losing touch with schoolfriends. All of James' years of frustration are reflected in the lyric of "Knock It On The Head," in which he promises to allow himself just one last crack at this music nonsense before giving it all up to get a proper job. Then again, you don't have to spend long in his company to know he could NEVER give it up!

James has a rare way with a sentimental love song, as well. "I really love 'Our Time Has Come', it's so SOPPY!" he laughs. "There's only about three chords in it too, but there's a symmetry as well." And then there's 'You Make Me Feel Bad.' "Oh, that's about a girlfriend who made me decorate the apartment about four times," he admits. "I'd do it and she'd turn round and say, 'Oh I don't like that color!.'" All human life is here.

Wood. Crazy name. Perhaps. Ordinary guy. We think not!
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(3)Wood is rapper from Houston, Tx.
He is member of S.U.C. ( Screwed Up Click) & Half Dead Organization.

(4)Wood is also an instrumental band from Wheaton, IL. They are, what you call, like-minded forward thinkers. http://www.myspace.com/ourbandwood

(5)Wood is also a project by Wouter 'Wood' Loderichs, operating from Apeldoorn, The Netherlands . On his debut he mixes hiphop, funk, rock, blues and a tinge of industrial. More info can be found at his MySpace page.

(6) Wood is also a young Norwegian pop comet, also known as Elsa Marie Skjong. http://soundcloud.com/woodnorway/wood-honey-youre-a-dog

7. Stoner/Doom Metal from Rennes, France

Bandcamp

8. French rapper signed to GrintaRecords who started in 2020

https://www.instagram.com/woodsvs_/

Never A Day
Wood Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Don't go standin' there
Blockin' my view
And spoilin' my night
You know why we're here
She's an old flame
I'm tryin' to lay
And if beauty sleep
Can really work

She must of just woken up
So rub your eyes
'Cause seein' is believin'

Never a day goes by
Without something
Stopping me hard in my tracks
I could be happy
And I'll never know it
Till never a day comes back

If words alone sound cheap
When I come around
You'll wanna be out
I want that window seat
If I'm goin' down
I wanna see out
And she's happy now
I'm goin' home
Another day
Another cruel reminder

Never a day goes by
Without something
Stopping me hard in my tracks
I could be happy
And I'll never know it
Till never a day comes back

Never a day goes by
Without something
Stopping me hard in my tracks
I could be happy
And I'll never know it
Till never a day comes back

Could be a song on the radio
Could be that feeling from long ago
Could be that accidental photo I find
When I'm lookin' for somethin' else
But I found you

Never a day goes by
Without something
Stopping me hard in my tracks
I could be happy
And I'll never know it
Till never a day comes back

Never a day goes by
Without something
Stopping me hard in my tracks

I could be happy
And I'll never know it

Overall Meaning

"Never A Day" by Woods is a melancholy song about the pain of lost love. The singer is longing to be with someone who is no longer a part of his life, and each passing day without her is a struggle. The first verse sets the scene in a way that seems almost confrontational, with the singer telling someone not to block his view, as he is trying to pursue someone he used to be involved with. The second verse is more introspective, with the singer admitting that he could be happy if only he could let go of the past. However, he is haunted by memories of his lost love and is unable to move on. He is reminded of her at every turn, whether it's through a song on the radio or an old photograph. The chorus repeats the main theme of the song: that every day without her is hard, and that he will never be truly happy until she comes back.

The lyrics are deceptively simple, yet carry a lot of emotional weight. The repetition of "never a day goes by" serves to underscore the idea that the singer is stuck in a rut and unable to move on. The line "I could be happy and I'll never know it till never a day comes back" is particularly powerful, as it suggests that the singer is so consumed by his longing for his lost love that he is unable to appreciate anything else in life. Despite the sadness of the lyrics, the song is also quite catchy and melodic, with a guitar-driven sound that is both laid-back and catchy.

Line by Line Meaning

Don't go standin' there
Please don't block my view

Blockin' my view
Blocking what I'm trying to see

And spoilin' my night
Ruining my good time

You know why we're here
You understand our purpose for being here

She's an old flame
She was a past romantic interest

I'm tryin' to lay
I'm trying to have sex

And if beauty sleep
If sleeping can make someone more attractive

Can really work
Has the desired effect

She must of just woken up
She just woke up and may now look more attractive

So rub your eyes
Wake yourself up and make sure you're seeing things clearly

'Cause seein' is believin'
Trust what you see visually