Metropolis
Wu Syndicate Lyrics
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It all started with snortin up D
Breakin in apartments, rollin in stolen cars
Stickin dicks, trickin in strip bars
Fly niggaz, whips tinted, switch it up, cop granted
Onslaught twisted, Bougard in the Clark, ripped sinned
Sudafed heads bent over when they sniffed it
Project song, birds tempted while the D's skipped it
from after buck, the Hollywood swingin in Eddie Bauer truck
Close cuts, devious Devastator hot tracks bang
Very marvelous hearts string, wobbly dart sting
Melody, plated in gold, but hold the legacy
Destiny, to the death of me, roll with Killa Bees
[Chorus (x2): Joe Mafia]
Metropolis ghetto politics, mob hits
Thug logic is hot, I can't stop it
It's easier to knob and hard to knock two
City lights, gettin busy like J. lockin who
[Joe Mafia]
Benevolent, shine fluorescent, produce novelist transcripts
The power surge cut the lights out, save all that shit for the fuckin birds
Murder is Texas, asserted to death, perverted the skets
You confer with nothin less, the quick death
Get the head gased, dead fast, ready rock, hand cock
I shit your whole cast and I ain't dyin for friends
Onyx dense, instead of slugs, dunn, I'd rather drop jems
from fake thugs frontin, I'm not him
Since my life worth nothin, I'm not him don't get it confused
I hold peace but got a short fuse, so watch your mouth dude
In ghost towns, no white sheets, dunn, nice
when on the mic piece, 3 points stance with metal cleets
I tackle the track, a battle cat
Leave the grade off the wall, mad mafia rap, cannibal impact
I rattle clicks and I ain't havin shit, I'm emphatic wish
Strategic war tactics you lack, murder one element
[Chorus]
[Joe Mafia]
It all floors from the source, abort the cause of this
Corporates you could take an add-on, puffin some ?
Snake bite, venomous peak game with the swiftness
Crack vile smile, stuff my hand shakes, fuckin with grinches
Higher cake look, it's easier with hooks
Pipes grillin mafia, but you shook with it sunnin who
My team spitted, niggaz on some petty ass pleads
stoppin for murder reps, I plnat my lice fan on the streets
Stretch, escapin death with every step, hold my own weight
Control fate, plus with sole mate, on some mistakes
And who bets on who bubble gates, my mental beyond moets and cristal
I'm poppin high burnin pistols and need no switch dials
Dealin with cats lustin for scraps, whippin hustle cracks
We block jostle, fuckin with rats, rollin out welcome mats
It's hellbound, bustin my crown, seven point five
Known to get live, conquer new land, I will survive
[Chorus (x2)]
The lyrics to "Metropolis" by Wu Syndicate, as performed by Joe Mafia, are a gritty and intense portrayal of life in the city streets, particularly in impoverished neighborhoods where crime and violence are ever-present. Mafia recounts how his life of crime began with drug use and escalated to breaking and entering and auto theft. He describes the "fly niggaz" who ride around in tinted cars, their illicit activities ultimately granted a measure of protection from law enforcement. Mafia is unflinching in his portrayal of the brutality of the world he inhabits, where murder is commonplace and life is cheap. Yet even in this dark environment, Mafia asserts his own agency and determination to survive. He declares himself a member of the Wu-Tang Clan, the influential hip-hop collective of which Wu Syndicate is an offshoot, and proclaims his commitment to "roll with Killa Bees" (a reference to the Wu-Tang motto).
The chorus of the song repeats the line "Metropolis ghetto politics, mob hits," underscoring the idea that life in the city is shaped by corrupt power structures and deadly rivalries. Mafia continues to describe the harsh realities of his world, including the pervasiveness of drugs and the necessity of being constantly on guard. He contrasts the allure of wealth and power with the cost of achieving it, citing the example of a Texas-style execution as a cautionary tale. Mafia's verse ends with a bravado-laced assertion of his own prowess as a rapper and a warrior, prepared to take on any challenge.
Overall, "Metropolis" is a hard-hitting and unvarnished portrait of urban life, emphasizing not only the dangers and injustices but also the resilience and determination of those who survive in that environment.
Line by Line Meaning
It all started with snortin up D
The singer's journey of criminal actions began with drug abuse
Breakin in apartments, rollin in stolen cars
The singer committed burglary and grand theft auto
Stickin dicks, trickin in strip bars
The singer engaged in prostitution and/or sexual exploitation at strip clubs
Fly niggaz, whips tinted, switch it up, cop granted
The artist and their associates drove flashy cars with tinted windows, and often switched cars to avoid police detection
Onslaught twisted, Bougard in the Clark, ripped sinned
The artist describes a violent encounter or altercation involving individuals named Bougard and Clark
Sudafed heads bent over when they sniffed it
Addicted individuals would bend over in a submissive position when snorting drugs
Project song, birds tempted while the D's skipped it
The singer and their associates engaged in drug dealing and prostitution in public housing projects, while law enforcement turned a blind eye
Now add it up, jungle younger days, my head is struck
Looking back at his youth, the artist is still affected by the violence and criminal activity he experienced
from after buck, the Hollywood swingin in Eddie Bauer truck
The artist reminisces about the days when he had money and drove expensive vehicles
Close cuts, devious Devastator hot tracks bang
The artist is skilled at writing and performing rap, and his music is popular among fans
Very marvelous hearts string, wobbly dart sting
The singer's music is emotional and powerful, and has a significant impact on listeners
Melody, plated in gold, but hold the legacy
The artist values his music and its message as something timeless and priceless
Destiny, to the death of me, roll with Killa Bees
The singer is committed to his music and his fellow members of the Wu-Tang Clan, even if it means risking his life
Metropolis ghetto politics, mob hits
The singer describes the corrupt and violent nature of urban society, including organized crime
Thug logic is hot, I can't stop it
The singer acknowledges the allure and danger of criminal activity
It's easier to knob and hard to knock two
It's easier to go along with criminal activity and harder to resist it or lead a more lawful life
City lights, gettin busy like J. lockin who
The city is alive and bustling, just like the famous DJ Jazzy Jeff, who produces vibrant music
Benevolent, shine fluorescent, produce novelist transcripts
The singer is talented at writing and producing rap music, and his lyrics are both powerful and creative
The power surge cut the lights out, save all that shit for the fuckin birds
The singer mocks the concept of people talking about their problems or boasting about their crimes, as it's meaningless and irrelevant
Murder is Texas, asserted to death, perverted the skets
The artist references a deadly act of violence in Texas, which he views as a perverse and senseless act
You confer with nothin less, the quick death
The artist has no mercy for those who cross him, and considers death as an appropriate punishment
Get the head gased, dead fast, ready rock, hand cock
The artist is prepared to kill quickly and efficiently, using firearms
I shit your whole cast and I ain't dyin for friends
The singer doesn't hesitate to kill anyone who stands in his way, even if they are friends or associates
Onyx dense, instead of slugs, dunn, I'd rather drop jems
The artist would rather drop jewels of wisdom and knowledge than shoot bullets at others
from fake thugs frontin, I'm not him
The singer calls out those who pretend to be tough and intimidating, stating that he is the real deal
Since my life worth nothin, I'm not him don't get it confused
The singer views his life as having little value, but also states that he is unafraid to defend himself and those close to him
I hold peace but got a short fuse, so watch your mouth dude
The singer is generally peaceful, but can quickly become violent if provoked, so others should be careful how they speak to him
In ghost towns, no white sheets, dunn, nice
The artist describes deserted, abandoned towns where there is no presence of the Ku Klux Klan, which he views as a positive thing
when on the mic piece, 3 points stance with metal cleets
The artist is aggressive and dominant when performing rap, and compares his stance to that of a football player ready to tackle an opponent
I tackle the track, a battle cat
The singer aggressively attacks the rap music he performs, like a fierce and competitive animal
Leave the grade off the wall, mad mafia rap, cannibal impact
The singer's music is raw and intense, leaving a strong impression on listeners
I rattle clicks and I ain't havin shit, I'm emphatic wish
The artist is unafraid to confront those who he views as enemies, and expresses his wishes and intentions confidently
Strategic war tactics you lack, murder one element
The artist mocks his enemies for being unprepared and unskilled, while asserting his own strategic planning abilities
It all floors from the source, abort the cause of this
The artist traces the root of his and other's criminal activity back to its source, and suggests that stopping that source would prevent further crime
Corporates you could take an add-on, puffin some ?
The singer suggests that corporate executives are involved in drug trafficking, and mockingly asks if they are snorting cocaine
Snake bite, venomous peak game with the swiftness
The artist describes himself as a dangerous and skillful individual, ready to strike quickly
Crack vile smile, stuff my hand shakes, fuckin with grinches
The singer enjoys making deals involving drugs and money, even if it means interacting with untrustworthy and greedy individuals
Higher cake look, it's easier with hooks
The singer prefers to make money illegally, which is easier but also more dangerous than earning it lawfully
Pipes grillin mafia, but you shook with it sunnin who
The singer describes a confrontation with an individual who is pretending to be tough and intimidating, but is actually scared and vulnerable
My team spitted, niggaz on some petty ass pleads
The artist and his associates are skilled at rapping, while their enemies are focused on trivial, meaningless conflicts
stoppin for murder reps, I plnat my lice fan on the streets
The artist is involved in violent conflicts and is constantly on guard, but also expresses his confidence and pride
Stretch, escapin death with every step, hold my own weight
The singer has survived numerous deadly situations and is able to handle himself in dangerous situations
Control fate, plus with sole mate, on some mistakes
The singer believes in having control over one's destiny, and has found a dependable partner to share his life with
And who bets on who bubble gates, my mental beyond moets and cristal
The artist doesn't concern himself with trivial matters such as gambling, and describes his thoughts as being deep and philosophical
I'm poppin high burnin pistols and need no switch dials
The artist is skilled at using firearms and doesn't need any adjustments or modifications to his weapons
Dealin with cats lustin for scraps, whippin hustle cracks
The artist is dealing with desperate, impoverished individuals who will do anything for money or drugs
We block jostle, fuckin with rats, rollin out welcome mats
The singer and his associates are prepared to defend themselves against threats from enemies, while also welcoming those who are loyal allies
It's hellbound, bustin my crown, seven point five
The lifestyle the artist leads is dangerous and self-destructive, but he is willing to accept that risk
Known to get live, conquer new land, I will survive
The singer is confident in his abilities to perform well in musical performances, and he is determined to succeed in life despite the dangers he faces
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, ONErpm
Written by: EDWARD ALAN CLARKE, IAN FRASER KILMINSTER, PHILIP JOHN TAYLOR
Lyrics Licensed & Provided by LyricFind