Get Low
Ying Yang Twins Lyrics

Three, six, nine, damn, she fine
The performer acknowledges that he finds a woman present in the club attractive.

Hopin' she can sock it to me one mo' time
The performer wants to have sexual intercourse with the woman.

Get low (get low), get low (get low)
The artist is encouraging the audience to dance provocatively and grind against each other.

To the window (to the window)
The performer is indicating a direction to dance towards.

To the wall (to the wall)
Another indication of the direction in which to dance.

'Til the sweat drop down my balls (my balls)
The performer is getting into the dance and sweating profusely.

'Til all these bitches crawl (crawl)
The crowd is highly energized and riled up at this point.

'Til all skeet-skeet mothafucka (mothafucka)
The lyrics are becoming even more explicit, with a reference to ejaculation.

'Til all skeet-skeet, goddamn (goddamn)
The performer expresses his satisfaction after having achieved orgasm.

'Til all skeet-skeet goddamn (goddamn)
Reinforcing the previous lyric, the performer again expresses his satisfaction.

Shorty crunk, so fresh, so clean
The performer describes the woman he has his eye on, stating that she is very attractive.

"Can she fuck?" That question been harassin' me
The performer is questioning whether the woman is skilled in sexual maneuvers.

In the mind, this bitch is fine
The performer is thinking very positively about the woman he is fixated on.

I done came to the club 'bout fifty 'leven times
The performer has visited this club many times.

Now, can I play with yo' panty line?
The performer wants to engage in sexual intimacy with the woman.

The club owner say I need to calm down
The performer is being told to relax by the club's owner.

Security guards go to sweatin' me now
Security personnel are observing the performer carefully.

Nigga drunk than a mothafucka, threaten me now
The performer is intoxicated and someone is threatening him.

She gettin' crunk in the club, I mean, she work it
The performer continues to lust after the woman he's fixated on.

And then I like to see them females twerkin'
The performer is expressing his appreciation for sexually suggestive dance moves.

Takin' her clothes, off buck naked
The performer is imagining the possibility of the woman taking off all her clothes.

ATL ho, don't disrespect it
The performer is calling the woman an 'ATL ho,' indicating a belief that she comes from Atlanta, and ensuring that he is the only one allowed to insult her.

P-Pop yo' pussy like this
The performer is encouraging the crowd to dance in a sexually suggestive manner.

'Cause Yin Yang Twins in this B-I-itch
The Yin Yang Twins are present and performing.

Lil Jon & the East Side Boyz with me
Lil Jon & the East Side Boyz are also present and performing.

And we all like to see ass and titties
The performers are all attracted to sexual features of women.

Now bring yo' ass over here, ho
The performer is calling a woman over in a sexually suggestive manner.

And let me see you get low if you want this thug
The performer is offering himself to the woman as a partner for sexually suggestive dancing.

Now take it to the floor (to the floor)
The performer is encouraging the woman to dance lower to the ground.

And if yo' ass wanna act (what?)
The performer is asking the woman what she wants to do next.

Then you can keep ya ass where you at
If the woman doesn't want to dance in a sexually suggestive manner, she can choose to stay where she is.

Let me see you get low (you scared, you scared)
The performer is teasing the woman, suggesting that she may be too intimidated to dance sexually.

Drop that ass to the floor (you scared, you scared)
The performer is urging the woman to let loose and dance more provocatively.

Drop that ass, ayy, shake it fast ayy
The performer is describing how he wants the woman to dance.

Pop that ass to the left and the right, ayy
With this lyric, the performer continues to describe how he wants the woman to dance.

Now back (ah), back, back it up (ah)
The performer is instructing the woman to dance while moving backwards.

Ayy, back (ah), back, back it up (ah)
This lyric is repeated to reinforce the previous instruction.

Now stop (oh), then wiggle wit' it (yeah)
The performer is making suggestions for a more varied and nuanced dance routine.

Stop (oh), then wiggle wit' it (yeah)
This lyric is repeated to further reinforce their dance routine.

Stop (oh) then wiggle wit' it, wiggle wit' it (yeah)
Another repetition of the previous lyric, further emphasizing the suggested dance move.

Now give me my dub back, go an get ya friend
The performer is demanding payment for the services rendered by the woman, and telling her to bring along a friend next time.

Stupid bitch standin' there while I'm drinkin' my Hen'
The performer is frustrated with a woman who is standing nearby while he's drinking his beverage.

Steady lookin' at me, still askin' questions
The woman is irritating the performer, as she keeps asking him questions.

Time's up, nigga, pass me another contestant
The performer is done interacting with this woman and is ready to move on to someone else.

Ho, move to the left if you ain't 'bout fifty
The performer is calling out a woman who is not as young or attractive as some of the other ladies there.

Done talk through three or four songs already
The woman has been talking throughout the performance so far.

Lookin' at a nigga with yo' palm out
The performer is annoyed with the woman who is requesting payment from him.

Bitch, I ain't even seen you dance
The performer is frustrated that the woman is requesting payment even though she hasn't danced for him.

Twerk somethin' baby, work somethin' baby
The performer is asking the woman to dance in a sexually suggestive manner.

Poppin' pussy on the pole, do yo' thang baby
The performer is describing the type of dancing that he wants the woman to do.

Slide down that bitch a little bit, then stop
The performer is describing another sexually suggestive dance move.

Get back on the floor, catch yo' balance, then drop
The performer is encouraging the woman to dance quickly and with enthusiasm.

Now bring it back up, clap yo' ass like hands
The performer is guiding how he wants the woman to dance.

I just wanna see yo' ass dirty dance
Finally, the performer states that he just wants to see the woman dance in a sexually suggestive way.

Yin Yang, we done it again
The performers are congratulating themselves on releasing another successful song.

And put it on the map like, "hah"
This is an assertion that the song has become popular and well-known.

Goddamn (goddamn)
The performers are expressing their satisfaction with the song's success.

Yeah, y'all twerkin' a little bit ladies (a little bit)
The performers are addressing the women in the audience, stating that they need to dance more provocatively.

But ya got to twerk it a little harder then that (a little harder)
The performers are reinforcing the idea that the women need to dance more suggestively.

Right now I need all the ladies that know they look good tonight (where my sexy ladies?)
The performers are addressing the women who know they look good and are asking them to dance more seductively.

We want y'all to just do this shit like this
The performers are encouraging the women to follow their lead and dance in the way they have described.

Bend over to the front, touch ya toes
The performer is describing a dance move in which women bend over and touch their toes.

Back that ass up and down and get low (get low)
The performer is instructing the women in the audience to dance low to the ground and more sexually suggestive.