As one of the six epicenters of Southern hip hop, Memphis has always had a thriving underground capable of producing major platinum superstars such as Eightball & MJG, 3-6 Mafia and Project Pat,Skip a.k.a Gianni Booker. All of the above-mentioned artists at one point in time literally dominated the cityβs underground rap scene before going on to become national superstars. Next up to bat is Yo Gotti, M-Townβs current underground rap kingpin. Like his namesake John Gotti, the Memphis based rapper has been running the Southern underground scene with an iron fist for the past. Known and respected throughout the South for his skill and finesse on the microphone, Yo Gotti is one the Southβs most respected young rappers.
Born Mario Mims, Yo Gotti grew up in the infamous Ridge Crest Apartments in a North Memphis neighborhood called Frazier. His childhood was typical for a poor ghetto youth in the Deep South. Raised in a family of hustlers and exposed to hard times 24 hours a day the Tennessee rap titan soon turned to the only thing that he knew could get him paid, hustling. βBeing from the hood things like hustling will come your way,β says Yo Gotti. βEverybody in my family hustled in some kinda way.β Ironically, hustling is what ultimately led Yo Gotti to rapping.
Taking his cue from Memphis rap legends such as Eightball & MJG, Al Kapone, Gangsta Black, Triple 6 Mafia and Kingpin Skinny Pimp, all of whom he lists as influences, Yo Gotti released his own underground tape entitled, Youngster on the Come Up and placed it on consignment at local mom & pop record stores as well as hustling it out the trunk. The tape sold like hotcakes on the street and made Yo Gotti the hottest rapper on the streets of Memphis. From the Dope Game to the Rap Game, Yo Gottiβs sophomore effort sold so well that Select-O-Hits, a local based independent distributor offered him a small deal and the Memphis rapper more than doubled his fan base with absolutely no marketing or promotions. Soon he found himself ranked among the cityβs top rappers. In addition to being featured on the cover of Murderdog Magazine along side his idols Kingpin Skinny Pimp and Al Kapone his record From the Dope Game to the Rap Game made the list for the magazineβs top independent record for the year 2000.
Two years later he inked a distribution deal with TVT Records and released the critically acclaimed album Life, which did respectable numbers for an independent label. βIt sold about 40 or 50,000, with no promotions or video,β says Yo Gotti. βThat record did what it did on its own.β But as the old saying goes when one door is closed another opened. Gottiβs reputation as the king of Memphis continued to spread and that eventually led him to a production deal with Cash Money/Universal records for his group the Block Burnaz. With his TVT sophomore album entitled Back 2 Da Basics, Yo Gotti returns with the same hardcore street flavor that his die-hard fans have come to know and love, only this time around the true king of Memphis has elevated his game a bit. Given the fact that his last record didnβt do the type of big number heβd hope for youβd think that Yo Gotti would switch up his style to reach a larger audience. Right? Wrong! According to Gotti his street credibility with his underground fans means more to him than gold or platinum status.
βThe one thing that you have to understand is that when you create a fan base off of street product the last thing you wanna do is disrespect them by changing because of the record companies and stuff like that. When you do that you change what created you. To me it is very important that I keep in tune with the people that helped to sell 40,000 records independently. Thatβs why I call my record Back 2 Da Basics.β
Produced by DJ Thoomp, Mannie Fresh, Carlos Brody and newcomers Street Tunes, Back 2 Da Basics offers fans a gritty, insiderβs view into the real streets of Memphis as seen through the eyes of Yo Gotti. Nowhere is this viewpoint more intense than on βFull Time,β the amped up lead single βand featured in the MTV Filmsβ Hustle & Flow movie - with a thunderous bass and intoxicating beat that espouses Gottiβs formula to success βhustle full time.
βA lotta cats wanna be a rapper or a street hustler but they donβt wanna put in the time that it takes,β says Yo Gotti. βThey want the money and the cars and the girls, but they donβt wanna work hard for it. But to be successful at anything you gotta grind for it.β On the song βMama We Gone Be Alright,β he waxes introspective by reflecting on all of the hard times that he and his family have suffered through the years and offers her hope-filled words encouragement. βMama We Gone Be Alrightβ along with the gripping tune βMy Storyβ emerges as two of the most interesting songs on Back 2 Da Basics. These three titles along with club banging songs like βShortyβ featuring Baby make Back 2 Da Basics one of the best albums of the year.
Buss Down
Yo Gotti Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ayy, you know when it come to these hoes, man, I'm a- (I-I-I-I am)
Different type of nigga (I am)
And I mean that respectfully, not disrespectfully, you know what I'm sayin'? (I am)
And I like different type of bitches too, you know what I'm sayin'? (yeah, yeah)
You know how we do it, CMG, baby, know what I mean? (What's happenin'?)
Pink Richards and shit, you know what I'm sayin'? (What's happenin'?)
Pink Cullinans and shit, you know what I'm sayin'?
Let's get it
I just bust my wrist down (bust my wrist down, woo)
Bust my bitch down (bust my bitch down, yeah)
Boo, grrt, boo, grrt, boo, grrt, boo
Yeah, I'm up now (yeah, I'm up now)
Yeah, I'm up now
Yeah, I can't come down (boo, boo)
I'm too far up now, yeah (yeah)
Big boss nigga in a Phantom with a bitch in the backseat (woo, woo, woo)
Real street nigga, ball seven days a week like an athlete (I am, I am)
Cut off one bitch, more hoes comin' like a track meet (phew, phew, phew)
Yeah, she a ratchet ho, nigga, ratchet attract me (lil' gangster)
Got a boutique, gave her two-fifty, she ain't have to ask me
All in the pussy, no rubber, I just hope she took a Plan B (on God)
Stand up nigga, need a stand up bitch, ain't no playin' me (ain't no playin' me)
I'm in the end zone, never in the friendzone, bitch can't fan me (touchdown)
And her ex can't stand me (and he shouldn't)
'Cause I'll make his bitch do somethin' that he couldn't
Yeah, I know that pussy is power (power)
She know that pussy is ours (ours)
Get her wet, she gon' run like a shower (swish)
Lay in that pussy for hours, yeah
I just bust my wrist down (bust my wrist down, woo)
Bust my bitch down (bust my bitch down, yeah)
Boo, grrt, boo, grrt, boo, grrt, boo
Yeah, I'm up now (yeah, I'm up now)
Yeah, I'm up now
Yeah, I can't come down (boo, boo)
I'm too far up now, yeah
Big dude, baby (him), CMG nigga, I'm pressure (dude)
She ain't ever seen no nigga like this (no, no)
Cartier white face bezel (bling)
Rich young nigga, they hate it
I love it, got stars in my black Tesla (skrrt)
Lil' mama say that she feelin' a nigga (ooh)
I spoil her, then don't text her (ooh, ayy, ayy)
Pussy power, pussy cream, it flower
She gon' bounce that ass for big dude even though she ours
Money flyin', you know we here, CMG got power (gang, gang)
Get wrong, you gon' die here (grr), we shoot down twin towers (bah)
Make that pussy pop (ayy), bitch, I'm freaky (ayy), let me see somethin' (pussy)
Don't grab on my dick in public (watch out, watch out)
If you ain't gon' eat nothin' (suck somethin')
She sent me a message like, "I miss you, bae, come be somethin'" (ayy)
CMG the gang, bitch (gang, gang)
We so high that we can't see nothin' (gang, gang, gang, gang)
I just (big dude) bust my wrist down (grrt, grrt, bust my wrist down)
Bust my bitch down (big dude, bust my bitch down, yeah)
Boo, boo, boo, boo
Yeah, I'm up now (yeah, I'm up now, big dude)
Yeah, I'm up now
Yeah, I can't come down
I'm too far up now, yeah (gang, gang)
Ha, ha, ha
Gang, gang
CMG, brr, gang, gang
The lyrics to Yo Gotti's song "Buss Down" depict his confident and assertive attitude towards women and his success. He acknowledges that he is a different kind of individual, implying that he stands out and is not your typical person. He emphasizes that he likes different types of women, suggesting that he is attracted to variety and doesn't limit himself to a specific type. Yo Gotti proudly represents his record label CMG (Collective Music Group) and mentions luxury items like "Pink Richards" and "Pink Cullinans," which are likely references to expensive watches or jewelry.
In the chorus, Yo Gotti proclaims that he has attained success and elevated his status, using the phrase "bust my wrist down" as a metaphor for his personal achievements. He asserts that he can't come down from his current position because he has risen too high and has no intention of descending. This reinforces his confident and dominant persona.
The second verse describes Yo Gotti's lavish lifestyle and his preference for women who align with his street persona. He boasts about his ability to attract multiple women, comparing it to a track meet where more women continuously come to him. He mentions his willingness to invest in a woman, expressing that he expects loyalty and sincerity in return. Yo Gotti also highlights his charisma and ability to capture the attention of women, even if their ex-partners disapprove of him.
The song's overall message revolves around Yo Gotti's confidence, success, and attraction to a variety of women. He embraces his unique personality and enjoys the fruits of his labor, showcasing his extravagant lifestyle and his ability to win over women with his charm and power.
Line by Line Meaning
Yeah, yeah, yeah, yeah
Expressing excitement or agreement.
Ayy, you know when it come to these hoes, man, I'm a- (I-I-I-I am)
Confidently stating that when it comes to dealing with women, the singer is skilled and experienced.
Different type of nigga (I am)
Referring to oneself as unique and distinct from others.
And I mean that respectfully, not disrespectfully, you know what I'm sayin'? (I am)
Clarifying that the previous statement is to be taken in a positive and respectful manner.
And I like different type of bitches too, you know what I'm sayin'? (yeah, yeah)
Expressing a preference for a variety of women, highlighting personal taste and diversity.
You know how we do it, CMG, baby, know what I mean? (What's happenin'?)
Referring to the singer's affiliation with CMG (Collective Music Group) and asking if the listener understands.
Pink Richards and shit, you know what I'm sayin'? (What's happenin'?)
Referring to expensive jewelry or assets, specifically highlighting pink diamonds.
Pink Cullinans and shit, you know what I'm sayin'?
Referring to luxury cars, specifically highlighting pink Rolls-Royce Cullinans.
Hustle with you, invest in you, you know what I'm sayin'? (Yeah)
Expressing a desire to work hard and financially support the listener.
Let's get it
Encouraging action and motivation to achieve goals together.
I just bust my wrist down (bust my wrist down, woo)
Referring to the act of purchasing an expensive watch and customizing it.
Bust my bitch down (bust my bitch down, yeah)
Referring to giving expensive gifts or providing financial support to one's partner.
Boo, grrt, boo, grrt, boo, grrt, boo
Using sound effects to add emphasis or excitement.
Yeah, I'm up now (yeah, I'm up now)
Indicating that the singer is successful and in a favorable position.
Yeah, I can't come down (boo, boo)
Feeling too accomplished or motivated to lower one's current status or achievements.
I'm too far up now, yeah (yeah)
Being at a level of success or popularity that is difficult to surpass or bring down.
Big boss nigga in a Phantom with a bitch in the backseat (woo, woo, woo)
Portraying oneself as a powerful and influential individual with a luxury car and a woman accompanying them.
Real street nigga, ball seven days a week like an athlete (I am, I am)
Identifying as someone associated with street life who consistently excels and performs like a professional athlete.
Cut off one bitch, more hoes comin' like a track meet (phew, phew, phew)
Ending a relationship with one woman but quickly attracting and engaging with multiple others, comparing it to a track meet with numerous participants.
Yeah, she a ratchet ho, nigga, ratchet attract me (lil' gangster)
Expressing an attraction to women who may be considered wild, rebellious, or unconventional.
Got a boutique, gave her two-fifty, she ain't have to ask me
Owning a clothing store and generously providing 250 dollars to a woman without her needing to request it.
All in the pussy, no rubber, I just hope she took a Plan B (on God)
Engaging in unprotected sex and relying on the woman to have taken emergency contraception afterward.
Stand up nigga, need a stand up bitch, ain't no playin' me (ain't no playin' me)
Desiring a loyal and trustworthy partner who will not deceive or manipulate the singer.
I'm in the end zone, never in the friendzone, bitch can't fan me (touchdown)
Asserting that the artist is always successful in romantic pursuits and never ends up in a platonic friendship with a woman.
And her ex can't stand me (and he shouldn't)
Acknowledging that the woman's previous partner dislikes or resents the singer, which is understandable.
'Cause I'll make his bitch do somethin' that he couldn't
Implying that the singer is able to satisfy the woman sexually or fulfill her desires in ways her ex-partner was unable to.
Yeah, I know that pussy is power (power)
Recognizing the influence and control that women's sexuality can have over individuals.
She know that pussy is ours (ours)
Asserting that both the artist and the woman are aware of the shared possession or control over her sexual prowess.
Get her wet, she gon' run like a shower (swish)
Stating that arousing the woman sexually will lead her to become excited or enthusiastic, just like water running in a shower.
Lay in that pussy for hours, yeah
Expressing a desire to engage in prolonged sexual activity.
Big dude, baby (him), CMG nigga, I'm pressure (dude)
Referring to oneself as a physically imposing individual and a member of CMG, asserting one's dominance or authority.
She ain't ever seen no nigga like this (no, no)
Highlighting the artist's uniqueness and suggesting that the woman has not encountered someone similar before.
Cartier white face bezel (bling)
Showing off a luxury watch with a white face and diamond bezel.
Rich young nigga, they hate it
Acknowledging that the artist's wealth and youth attract negative attention or envy from others.
I love it, got stars in my black Tesla (skrrt)
Enjoying the attention and admiration received, and mentioning owning a black Tesla car with a starry interior.
Lil' mama say that she feelin' a nigga (ooh)
Referring to a younger woman who is expressing attraction or affection towards the artist.
I spoil her, then don't text her (ooh, ayy, ayy)
Indicating that the singer treats the woman well and showers her with gifts, but does not maintain consistent communication with her.
Pussy power, pussy cream, it flower
Acknowledging the influential and pleasurable aspects of female genitals.
She gon' bounce that ass for big dude even though she ours
Describing how the woman will dance provocatively for the singer, despite the fact that they both claim ownership or influence over her.
Money flyin', you know we here, CMG got power (gang, gang)
Boasting about the abundance of money and success associated with CMG, representing their influential and powerful position.
Get wrong, you gon' die here (grr), we shoot down twin towers (bah)
Asserting that any threat or opposition will lead to severe consequences, comparing the potential outcome to the tragic events of the 9/11 attacks.
Make that pussy pop (ayy), bitch, I'm freaky (ayy), let me see somethin' (pussy)
Expressing a desire for sexual activity, encouraging the woman to engage in explicit actions or behavior.
Don't grab on my dick in public (watch out, watch out)
Advising against inappropriate or public displays of affection or sexual behavior.
If you ain't gon' eat nothin' (suck somethin')
Implying that if the woman is not willing to perform oral sex, she should refrain from other sexual actions as well.
She sent me a message like, 'I miss you, bae, come be somethin'' (ayy)
Sharing a message received from the woman, expressing her longing for the artist's presence and intimate engagement.
CMG the gang, bitch (gang, gang)
Reasserting the affiliation with CMG and using the term 'bitch' as an exclamatory expression.
We so high that we can't see nothin' (gang, gang, gang, gang)
Metaphorically describing the feeling of being intoxicated or euphoric, emphasizing the unity and bond within CMG.
Ha, ha, ha
Expressing laughter or amusement.
Gang, gang
Affirming the unity and camaraderie within the group.
CMG, brr, gang, gang
Further emphasizing the affiliation with CMG and demonstrating enthusiasm for the group.
Lyrics Β© Kobalt Music Publishing Ltd.
Written by: Aleksander Arsic, Francis Michael Vulton, John Lotts, Jose Soto, Mario Mims
Lyrics Licensed & Provided by LyricFind
@BlackHippie2020
This the best song on this album.
@Supertoxie1
Dope ass beat and nostalgic.
@leorodriguez3762
Another dj zirk sample !!!
@antwaneclaxton8695
Gotti on a project pat beatπͺπ
@pimpsno6164
Project Pat nem stole it from Dj Zirk - 2 thick(song)
@TrvpNuki33
@@pimpsno6164 they bought it from them you mean
@beezyndee3034
@@TrvpNuki33 Paul and juicy made that beat for Dj zirp so technically he did sample 36
@Memphi5Made901
@@beezyndee3034 dj zirk made his own beats, he the main one Paul and juicy got their style from besides squeeky
@marcusburnett2236
Thatβs a Sqeeky or Zirk sample of Killa B
@tammybryant3521
Gotti, CMG ππβ€