York is an German electronical music duo founded in 1997 by brothers Torsten Stenzel & Jรถrg Stenzel. Producing Trance, Downtempo and House their productions are know for catchy guitar hooks and delicate dance textures.
Torsten Stenzel began his musical career early in his childhood, learning the piano from the tender age of 5 when he began his classical training. Until the age of 18 classical music and theory were his life, even playing the church organ in his home town for 2 years. In the early 90's his orientation changed and he discovered the rapidly growing techno/house movement. Little by little he put together his own studio and combined parts of his own musical production skills under the broad control of classical theory.
Torsten is currently one of the hottest and most in demand producers in Germany having worked with the likes of Tina Turner, Jennifer Paige, All Saints, Moby, Tarja Turunen, Faithless, Vanessa Mae, Chris Rea, ATB, Rick Nowels, Rob Davis and Nadja Benaissa. With 20 years of production experience and several Gold & Platinum awards, the 'Echo' Nomination and 3 million sold records, Torsten Stenzel is without a doubt a 'Master of Club and Dancemusic'.
Jรถrg Stenzel has since the age of 11 been interested in stringed instruments, the guitar in particular, and characteristic of great guitarists such as Hendrix and Santana. He has become an outstanding contributor in the studio, and in 1997, while he was busy with ideas to combine guitar anthems with current house and trance grooves, Torsten joined him with his own ideas and 'YORK' was born.
Jรถrg's very talented guitar skills are still today widly respected within the dance scene. Furthermore considered the key elements of several 'York' productions.
The York discography includes work with Roger Shah, ATB, Schiller, Taucher, Dj Sakin & Friends etc.
Faces
York Lyrics
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You try to crack a smile as I ask how you've been
But you can't hide it anymore I know what's there
And what lies behind that empty blank stare
Fresh off your two minutes of hate
Your red face reflecting off the plates
Who is the man that I don't recognize
Has what I've what I've know of you all been a lie
Two faces
Two Faces
Which one is the real you
Two faces
Two faces
Two faces
Please tell me I haven't got a clue
Your silly antics they were so unreal
Driving to school with the dog at the wheel
Laughter from the back seat at what was going on
The confused horror of the soccer moms
You got two faces
Two faces
Two Faces
Which one is the real you
Two faces
Two faces
Two faces
Please tell me I haven't got a clue
Sitting round the table now I'm back home again
I try to crack a smile as you ask how I've been
My sticks and stones might break your bones but bruises don't last
Like vitriol I'm spittin from behind my mask
I got two faces
Two faces
Two faces
Which one is the real me
Two faces
Two faces
Two faces
There's only one that I want you to see
Two faces
Two faces
Two faces
Two faces
Two faces
Two faces
Two faces
Two faces
The song "Faces" by York depicts a complex and introspective look at the duality of human nature and the masks we wear in different situations. The opening scene describes a tense family gathering where the singer confronts someone who has been putting up a faรงade, pretending to be fine but unable to conceal their true emotions. The reference to "two minutes of hate" suggests a deep-seated anger or resentment simmering beneath the surface, impacting the dynamics of the relationship.
The lyrics delve deeper into the theme of dual personalities, questioning the authenticity of the person in question. The use of imagery like "red face reflecting off the plates" and "two faces" underscores the idea of hiding one's true self behind a mask. There is a sense of betrayal and disappointment as the singer realizes that they may not have truly known the person they are confronting, leading to a palpable sense of uncertainty and confusion.
As the narrative unfolds, memories of past interactions resurface, illustrating the profound impact of one's multiple personas on others. The absurd scene of driving to school with a dog at the wheel and the ensuing laughter juxtaposed with the disapproving gaze of the "soccer moms" highlights the contrast between the carefree faรงade and the judgment of society. The juxtaposition of comical anecdotes with a sense of underlying tension further underscores the complexity of human relationships and the struggles with authenticity.
The final verses bring the reflection back to the singer, acknowledging their own insecurities and internal conflict. The admission of wearing "two faces" and the desire for only one to be seen reveals a vulnerability and longing for acceptance. The repetition of "two faces" throughout the song serves as a poignant reminder of the constant battle between authenticity and facade, inviting listeners to contemplate their own complexities and the masks they wear in their daily interactions. Ultimately, "Faces" encapsulates a deep exploration of the intricacies of human nature and the struggle to navigate our dual identities in a world that often demands conformity and masks.
Lyrics ยฉ O/B/O DistroKid
Written by: James Linscheid
Lyrics Licensed & Provided by LyricFind
Bianca Kanu
Nah ppl in new york be mean asf๐
PinkVersace
@Chi_Town83 Fool nah Chicago ainโt worse
Boujee. Best
@BallGawd literally love it
BallGawd
That's why i love it here ๐
TAJ B
I swear
Boujee. Best
@Chi_Town83 Fool that just how we are in your face n aggressive as fuck lmaoo
Nicole DeMerrill
These girls really standing in line waiting to be judged by these so called men..... this generation๐คฆ๐พโโ๏ธthis shit funny as hell and degrading at the same time
Evan Reaves
Arenโt the girls judging the men as well? ๐ค
Jascky
They mainly all know eachother chill it's jokes
Tristan
They all bond off camera and know the video is a joke, youโre just soft.