Zekira
Zaïko Langa Langa Lyrics
Zekira yoka
Balobi na tika nzela yango
Nameki na benda nzoto
Kasi motema eko tingama
Ricky Lumbu
J'assume
Wuta lokola okende
Omema molimo na ngai
Nioso mbala moko
Ba pasi nakomona
Pe ya ngai pema nioso
Yango wana oza kosilisa
Bolingo pasi
Kala na ngai
Ekomi lelo
Ba amoureux nioso
Nde ba lela
Na ndenge nako niokwama
Ekoyeba kaka Nzambe
Zekira sala noki okoya ko kuta
Moto basi bakunda
C'est la vérité rien que la vérité
Tuna baye baza na nga elongo
Nabandi kosila nzoto
Noki te okoyoka nga nadangwe
Ndeko ya mwasi yaka kobikisa ngai
Nakeyi kopesa nzoto na losambo
Pasteur akoyeba te eza faute ya l'amour
Zekira
Zekira sala noki okoya ko kuta
Moto basi bakunda
C'est la vérité rien que la vérité
Tuna baye baza na nga elongo
Nabandi kosila nzoto
Noki te okoyoka nga nadangwe
Zeki zeki mwinda ya motema
Na weli fidelité
Famille batuni nga tina na kokondo
Napesa eyano nini
Meka kotekela nga ndambo ya gentil
Napemisa mabanzo
Nasenga nzambe tosala ba promesse
Tofanda réalité
Nakosenga na Nzambe amour apesa nga na yo
Ezongela yo ata na ndoto oh
Zeki zeki mwinda ya motema
Na weli fidelité
Famille batuni nga tina na kokondo
Napesa eyano nini
Meka kotekela nga ndambo ya gentil
Napemisa mabanzo
Nasenga nzambe tosala ba promesse
Tofanda réalité
Naleli pe na tina motema etikali polele
Yo olukaka solution na bika
Wapi Eddy Kashama
Zeki zeki mwinda ya motema
Na weli fidelité
Famille batuni nga tina na kokondo
Napesa eyano nini
Meka kotekela nga ndambo ya gentil
Napemisa mabanzo
Nasenga nzambe tosala ba promesse
Tofanda réalité
Writer(s): N'yoka Longo
Contributed by Tyler T. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Zaiko Langa Langa (also spelled Zaïko Langa Langa and in other variants) are a seminal soukous band from DR Congo. The word "Zaiko" is a portmanteau for the lingala phrase Zaire ya bankoko, meaning "Zaire of our ancestors", where "Zaire" must be read as a reference to the river by that name, now called Congo. The meaning of the phrase "Langa Langa" is controversial; according to the band's website, it means "marvelous" or "almighty".
Founded in the early 1969 by D. Read Full BioZaiko Langa Langa (also spelled Zaïko Langa Langa and in other variants) are a seminal soukous band from DR Congo. The word "Zaiko" is a portmanteau for the lingala phrase Zaire ya bankoko, meaning "Zaire of our ancestors", where "Zaire" must be read as a reference to the river by that name, now called Congo. The meaning of the phrase "Langa Langa" is controversial; according to the band's website, it means "marvelous" or "almighty".
Founded in the early 1969 by D.V. Moanda, Marcelin Delo, Henry Mongombe, Olemi Eshar-Eshar dem'belina and Andre Bita, Zaiko Langa Langa survived into the 2000s (decade), and have been largely popular through the decades. Because of their "rebel" and "hippie" attitude, and their innovative approach to soukous, they became a symbol of the new generations of post-independence Zaire, and are sometimes compared to the Rolling Stones for their appeal on the Congolese youth.
The band has experienced several personnel changes, and a number of prominent soukous musicians have been in their lineup; examples are Bozi Boziana, Dindo Yogo, Evoloko Jocker, N'Yoka Longo and Bimi Ombale. Several soukous band formed as spin-offs of Zaiko Langa Langa; these include Isifi Lokole, Yoka Lokole, Viva La Musica, Langa Langa Stars, Zaiko Familia Dei, Basilique Loningisa, Choc Stars, Anti Choc, and Zaiko Nkolo Mboka. This large group of related bands is sometimes referred to as "Clan Langa Langa" (i.e., "the Langa Langa family").
In 2000, Zaiko Langa Langa were awarded by the Congolese Media Association as the best Congolese musical group of the 20th century.
The band was formed in 1969 with the provisional name "Orchestra Zaiko". The original lineup was composed of Papa Wemba, Mavuela Somo, Evoloko Lay Lay, Teddy Sukami, Oncle Bapius, Zamuangana le meilleur and Manuaku Waku (also known as Pépé Fely) and N'Yoka Longo. The band also had a pop section, which was playing before the soukous section, with Bimi Ombale, Mbuta Matima and Mashakado Mbuta. Moanda, Mongombe, Marcelin, Waku, Longo and Bita were all from a former band called Bel Guide National. They were mostly students coming from upper-class families of Kinshasa.
The sound of Zaiko Langa Langa was revolutionary with respect to the soukous tradition. They adopted a more up tempo beat, abandoned wind instruments and emphasized snare drums and lead electric guitars (and eventually also synthesizers). The percussion rhythms were adapted from traditional Congolese music and the sebene became more prominent. Their vocal lines made a large use of the call and response schemes. Their frenetic stage shows featured a frontline of four singers.
Because of these innovations, they are sometimes referred to as the founders of the "third school" of soukous. The "first school" is probably that of soukous bands of the 1950s, such as Grand Kalle et l'African Jazz and OK Jazz, while the "second school" could be that of Sam Mangwana's African Fiesta. While their "rebel" attitude, which resembled that of the hippie movement, earned them the sobriquet of "Zaire's Rolling Stones".
Zaiko quickly became one of the most popular groups of Zaire, and had a large fan base among Kinshasa's juvenile. In the 1970s, Zaiko's singers Evoloko "Lay Lay" Joker, Papa Wemba, Gina Efonge, Mavuela Somo, Nyoka Longo and Bimi Ombale popularized a dance known as cavacha, also spelled "kavasha, that was a decade-lasting craze in most East Africa.
In 1974, Zaiko Langa Langa were amongst the Zairean bands to be invited to play in Zaire '74, a huge musical event celebrating the Rumble in the Jungle.
In the mid 1970s the band lost some of its most important members. Papa Wemba, Bozi Boziana, Mavuela Somo and Evoloko left in 1974 to create Isifi Lokole; the same year, Papa Wemba, Bozi Boziana and Mavuela abandoned Evoloko after a conflict of leadership in the groupe between Evoloko and Papa Wemba to form Yoka Lokole in 1976. In 1980, guitarist Manuaka Waku also founded his own group, Grand Zaiko Wa Wa. After a brief period of inactivity, the band returned in 1975, and in the following years maintained a prominent position in the soukous scenes, while competing with its own spin-offs such as Isifi Melodia, Yoka Lokole and later on in 1977 Viva La Musica of Papa Wemba after he left Yoka Lokole after another conflict of leadership between him and Mavuela Somo. The outcome of the personnel changes in the band was the establishment of N'Yoka Longo as the new leader, and new entries such as Lengi Lenga, Bakunde Ilo Pablo and Likinga. Zaiko Langa Langa's production of the latter 1970s are particularly sophisticated both in terms of melody and orchestration, and the choreography of the live performance was also richer than it was in the early years. In 1975 too saw the establishment of the longest serving front singers of Zaiko in Nyoka Longo, Bimi Ombale, Lengi Lenga and Likinga Redo who will become for fourteen years the face of Zaiko and impose Zaiko as the ultimate heavy weight of youth music in Zaire. The success of the band was so huge and unprecedented in Zairian music history that all the presonnel that have left the band were queuing to return. In 1977, Bozi Boziana rejoined the group, followed by Mashakado Mbuta and Evoloko in 1980.
Despite new internal quarrels and personnel changes with the departure of Evoloko, Bozi and Djo Mali in 1981 to form Langa Langa Stars, Zaiko Langa Langa were successful throughout the 1980s. The band was touring Europe and Africa regularly and was the first Zairian band to visit Japan. At the end of the decade at the height of their glory and having establish themselves as legends in Zaire, the band experienced another major split, between the two leaders of the group Nyoka Longo and Bimi Ombale. The band was divided in two with every musician choosing his camp between the two leaders who were part of Zaiko since it creation. With Meridjo, Bapius, Matima, Zamuangana who were part of Zaiko from it creation staying with Nyoka Longo followed by Dindo Yogo and the band was called then Zaiko Langa Langa Nkolo Mboka, and was considered as the original Zaiko, to differentiate it from the band of Bimi Ombale which was called Zaiko Langa Langa Familia Dei and had Lengi Lenga, Ilo Pablo, JP Buse and the rest of the musicians that came in the 1980s. Later on, N'Yoka Longo's group reacquired the original name "Zaiko Langa Langa", which has maintained until today. N'Yoka Longo is still the leader of the group.
In 2002, Zaiko performed in the mythic arena Zenith of Paris, France. More than 6.000 fans attended. This was considered by many as the renaissance or rebirth of Zaiko. In fact, as earlier as 1988, Zaiko, being very popular at that time, made plan to perform in Zenith but the great split that occurred in the band stopped it for doing so.
Zaiko spent 6 and half years in Europe (2002–09). Its Headquarters ware based in Bruxelles, Belgium. But the band gave more concerts in France and other countries around Europe. During that time in Europe, Zaiko released three albums: Eureka (2002), Empreintes (2004), Recontres (2006). In the last album, Nyoka Longo invited many former Zaiko musicians like Malage, Beniko Popolipo; and a retired Congolese musician Tony Dee Bokito. He also recruited from Kinshasa, the son of late Dindo yogo, Lola Muana.
During the time the Band was in Europe, Nyoka Longo, in 2006, charged Lola Muana who was then in Kinshasa to form a group that would promote Zaiko music in D.R.Congo. Lola recruited and formed a subsidiary group of Zaiko called Les Ganers de Zaiko. Bapius Muaka, a longtime guitarist bass player who left the group during a minor split of 1999, joined the Ganers too.
The group returned in D.R.Congo in January 2009 with only five musicians: Nyoka Longo, Doudou Adoula, Shou Lay Evoloko, Gege Mangaya and Lola Muana. Other members of the group defected and stayed in Europe where they formed a new band named Les Stars de Zaiko under the leadership of Adamo Ekula. Couple years later, they renamed their new band Zaikas Kolo Mboka.
Since his recruitment in Zaiko, Lola Muana was regarded by many as the principal heir of Zaiko. But in 2009, he was forced to quit the group because of his proposal to have a valid work contract with the group. His request was denied by the President of Zaiko, N'Yoka Longo Mvula Jossart. The son of Evoloko, Shou Lay, who backed Lola's request left the group too. In November 2011, Lola Muana was reinstated in the group.
Zaiko Langa Langa were both influential in their own right and through their many spin-offs. Most of these maintained a strong link to the original formation, and this is often reflected by the names they adopted. The groups that somehow belong to the Zaiko Langa Langa "franchise" are collectively known as the "Clan Langa Langa". This includes:
Isifi Lokole - Papa Wemba, Bozi Boziana, Evoloko Jocker, Mavuela Somo
Yoka Lokole - Papa Wemba, Bozi Boziana, Mavuela Somo
Grand Zaïko Wa Wa (1975–?) - Manuaku Waku who was joined by successful singers like Shimita, Djo Poster among others
Viva La Musica (1977–?) - Papa Wemba, joined by Emeneya Mubiala, dindo yogo
Choc Stars - Bozi Boziana, Tshimpaka Roxy joined by Ben Nyamabo, Karlito Lassa, Defao
L'Orchestre Anti-Choc - Bozi Boziana, joined by Deyesse Mukangi, Jolie Detta, Dodoli, Walingonda, Fifi Mofude, etc.
Langa Langa Stars (1981–1984) - Evoloko Jocker, Bozi Boziana, Tshimpaka Roxy and Djo Mali
TPOK Jazz (1984–1983) - François Luambo Makiadi
Zaïko Langa Langa Nkolo Mboka - N'Yoka Longo, Meridjo, Dindo Yogo, Oncle Bapius, Zamuangana, Nono Atalaku and Matima. They were joined by Malage de Lugendo, Adamo, Baroza, Shiro Shiro,
Zaïko Langa Langa Familia Dei - Lengi Lenga, Ilo Pablo, Bimi Ombale, Beniko Popolipo, Petit Poisson, Djimi Yaba
Zaiko Universel (1999–2000)- Meridjo, Bapius Muaka
Langa Langa Rénové - Evoloko Jocker
Basilique Loningisa - Bimi Ombale
Ngwaka Aye- Dindo Yogo
Les Quatros de Langa Langa, Papa Wemba, Evoloko, Bozi Boziana, Gina Efonge
Les Stars de Zaiko, Now called Zaikas Kolo Mboka, Adamo Ekula, Petit Poisson, Tshanda, Papy Cocaine, etc.
Clan Petrole (1983–1940) - The Best Collections.
Discography
* 1970 : Pauline
* 1972 : L'amoureux decu
* 1973 : Mete la vérité, chouchouna
* 1974 : Liwa ya somo
* 1981 : Sarah Djenni
* 1983 : La Tout Neige
* 1985 : Zaiko Eyi Nkisi
* 1985 : Eh Ngoss! Eh Ngoss! Eh Ngoss!
* 1986 : Bongoville
* 1986 : Pusa Kuna... Serrez! Serrez!
* 1987 : Bongama Kamata Position
* 1987 : Subissez les conséquences
* 1988 : Nippon Banzai au Japon
* 1989 : Jetez l'Eponge
* 1990 : Zaiko Langa-Langa F. D.
* 1992 : L'Autentique Zaiko Langa Langa
* 1993 : Jamais sans nous
* 1993 : Zaire-Ghana (recorded in Accra in 1976, produced by Henri Bowane)
* 1995 : Avis de recherche
* 1995 : Zekete Zekete
* 1996 : Sans issue
* 1996 : Pacha labaran
* 1997 : Papa Omar
* 1997 : Onassis
* 1997 : Muvaro
* 1997 : Le beau temps
* 1997 : Bongo bouger
* 1997 : Bacline Lesson One
* 1997 : Poison
* 2000 : Etumba ya la vie
* 2001 : Legend
* 2002 : Anthologie
* 2003 : Sentiment Awa / Essesse
* 2003 : Eureka!
* 2004 : Empreinte
* Zaire Congo Dance
* Zaiko Langa Langa
* Saisie en Douane... 20 Ans Déjà
* Ici Ça Va... Fungola Motema
* Out of Africa
Founded in the early 1969 by D. Read Full BioZaiko Langa Langa (also spelled Zaïko Langa Langa and in other variants) are a seminal soukous band from DR Congo. The word "Zaiko" is a portmanteau for the lingala phrase Zaire ya bankoko, meaning "Zaire of our ancestors", where "Zaire" must be read as a reference to the river by that name, now called Congo. The meaning of the phrase "Langa Langa" is controversial; according to the band's website, it means "marvelous" or "almighty".
Founded in the early 1969 by D.V. Moanda, Marcelin Delo, Henry Mongombe, Olemi Eshar-Eshar dem'belina and Andre Bita, Zaiko Langa Langa survived into the 2000s (decade), and have been largely popular through the decades. Because of their "rebel" and "hippie" attitude, and their innovative approach to soukous, they became a symbol of the new generations of post-independence Zaire, and are sometimes compared to the Rolling Stones for their appeal on the Congolese youth.
The band has experienced several personnel changes, and a number of prominent soukous musicians have been in their lineup; examples are Bozi Boziana, Dindo Yogo, Evoloko Jocker, N'Yoka Longo and Bimi Ombale. Several soukous band formed as spin-offs of Zaiko Langa Langa; these include Isifi Lokole, Yoka Lokole, Viva La Musica, Langa Langa Stars, Zaiko Familia Dei, Basilique Loningisa, Choc Stars, Anti Choc, and Zaiko Nkolo Mboka. This large group of related bands is sometimes referred to as "Clan Langa Langa" (i.e., "the Langa Langa family").
In 2000, Zaiko Langa Langa were awarded by the Congolese Media Association as the best Congolese musical group of the 20th century.
The band was formed in 1969 with the provisional name "Orchestra Zaiko". The original lineup was composed of Papa Wemba, Mavuela Somo, Evoloko Lay Lay, Teddy Sukami, Oncle Bapius, Zamuangana le meilleur and Manuaku Waku (also known as Pépé Fely) and N'Yoka Longo. The band also had a pop section, which was playing before the soukous section, with Bimi Ombale, Mbuta Matima and Mashakado Mbuta. Moanda, Mongombe, Marcelin, Waku, Longo and Bita were all from a former band called Bel Guide National. They were mostly students coming from upper-class families of Kinshasa.
The sound of Zaiko Langa Langa was revolutionary with respect to the soukous tradition. They adopted a more up tempo beat, abandoned wind instruments and emphasized snare drums and lead electric guitars (and eventually also synthesizers). The percussion rhythms were adapted from traditional Congolese music and the sebene became more prominent. Their vocal lines made a large use of the call and response schemes. Their frenetic stage shows featured a frontline of four singers.
Because of these innovations, they are sometimes referred to as the founders of the "third school" of soukous. The "first school" is probably that of soukous bands of the 1950s, such as Grand Kalle et l'African Jazz and OK Jazz, while the "second school" could be that of Sam Mangwana's African Fiesta. While their "rebel" attitude, which resembled that of the hippie movement, earned them the sobriquet of "Zaire's Rolling Stones".
Zaiko quickly became one of the most popular groups of Zaire, and had a large fan base among Kinshasa's juvenile. In the 1970s, Zaiko's singers Evoloko "Lay Lay" Joker, Papa Wemba, Gina Efonge, Mavuela Somo, Nyoka Longo and Bimi Ombale popularized a dance known as cavacha, also spelled "kavasha, that was a decade-lasting craze in most East Africa.
In 1974, Zaiko Langa Langa were amongst the Zairean bands to be invited to play in Zaire '74, a huge musical event celebrating the Rumble in the Jungle.
In the mid 1970s the band lost some of its most important members. Papa Wemba, Bozi Boziana, Mavuela Somo and Evoloko left in 1974 to create Isifi Lokole; the same year, Papa Wemba, Bozi Boziana and Mavuela abandoned Evoloko after a conflict of leadership in the groupe between Evoloko and Papa Wemba to form Yoka Lokole in 1976. In 1980, guitarist Manuaka Waku also founded his own group, Grand Zaiko Wa Wa. After a brief period of inactivity, the band returned in 1975, and in the following years maintained a prominent position in the soukous scenes, while competing with its own spin-offs such as Isifi Melodia, Yoka Lokole and later on in 1977 Viva La Musica of Papa Wemba after he left Yoka Lokole after another conflict of leadership between him and Mavuela Somo. The outcome of the personnel changes in the band was the establishment of N'Yoka Longo as the new leader, and new entries such as Lengi Lenga, Bakunde Ilo Pablo and Likinga. Zaiko Langa Langa's production of the latter 1970s are particularly sophisticated both in terms of melody and orchestration, and the choreography of the live performance was also richer than it was in the early years. In 1975 too saw the establishment of the longest serving front singers of Zaiko in Nyoka Longo, Bimi Ombale, Lengi Lenga and Likinga Redo who will become for fourteen years the face of Zaiko and impose Zaiko as the ultimate heavy weight of youth music in Zaire. The success of the band was so huge and unprecedented in Zairian music history that all the presonnel that have left the band were queuing to return. In 1977, Bozi Boziana rejoined the group, followed by Mashakado Mbuta and Evoloko in 1980.
Despite new internal quarrels and personnel changes with the departure of Evoloko, Bozi and Djo Mali in 1981 to form Langa Langa Stars, Zaiko Langa Langa were successful throughout the 1980s. The band was touring Europe and Africa regularly and was the first Zairian band to visit Japan. At the end of the decade at the height of their glory and having establish themselves as legends in Zaire, the band experienced another major split, between the two leaders of the group Nyoka Longo and Bimi Ombale. The band was divided in two with every musician choosing his camp between the two leaders who were part of Zaiko since it creation. With Meridjo, Bapius, Matima, Zamuangana who were part of Zaiko from it creation staying with Nyoka Longo followed by Dindo Yogo and the band was called then Zaiko Langa Langa Nkolo Mboka, and was considered as the original Zaiko, to differentiate it from the band of Bimi Ombale which was called Zaiko Langa Langa Familia Dei and had Lengi Lenga, Ilo Pablo, JP Buse and the rest of the musicians that came in the 1980s. Later on, N'Yoka Longo's group reacquired the original name "Zaiko Langa Langa", which has maintained until today. N'Yoka Longo is still the leader of the group.
In 2002, Zaiko performed in the mythic arena Zenith of Paris, France. More than 6.000 fans attended. This was considered by many as the renaissance or rebirth of Zaiko. In fact, as earlier as 1988, Zaiko, being very popular at that time, made plan to perform in Zenith but the great split that occurred in the band stopped it for doing so.
Zaiko spent 6 and half years in Europe (2002–09). Its Headquarters ware based in Bruxelles, Belgium. But the band gave more concerts in France and other countries around Europe. During that time in Europe, Zaiko released three albums: Eureka (2002), Empreintes (2004), Recontres (2006). In the last album, Nyoka Longo invited many former Zaiko musicians like Malage, Beniko Popolipo; and a retired Congolese musician Tony Dee Bokito. He also recruited from Kinshasa, the son of late Dindo yogo, Lola Muana.
During the time the Band was in Europe, Nyoka Longo, in 2006, charged Lola Muana who was then in Kinshasa to form a group that would promote Zaiko music in D.R.Congo. Lola recruited and formed a subsidiary group of Zaiko called Les Ganers de Zaiko. Bapius Muaka, a longtime guitarist bass player who left the group during a minor split of 1999, joined the Ganers too.
The group returned in D.R.Congo in January 2009 with only five musicians: Nyoka Longo, Doudou Adoula, Shou Lay Evoloko, Gege Mangaya and Lola Muana. Other members of the group defected and stayed in Europe where they formed a new band named Les Stars de Zaiko under the leadership of Adamo Ekula. Couple years later, they renamed their new band Zaikas Kolo Mboka.
Since his recruitment in Zaiko, Lola Muana was regarded by many as the principal heir of Zaiko. But in 2009, he was forced to quit the group because of his proposal to have a valid work contract with the group. His request was denied by the President of Zaiko, N'Yoka Longo Mvula Jossart. The son of Evoloko, Shou Lay, who backed Lola's request left the group too. In November 2011, Lola Muana was reinstated in the group.
Zaiko Langa Langa were both influential in their own right and through their many spin-offs. Most of these maintained a strong link to the original formation, and this is often reflected by the names they adopted. The groups that somehow belong to the Zaiko Langa Langa "franchise" are collectively known as the "Clan Langa Langa". This includes:
Isifi Lokole - Papa Wemba, Bozi Boziana, Evoloko Jocker, Mavuela Somo
Yoka Lokole - Papa Wemba, Bozi Boziana, Mavuela Somo
Grand Zaïko Wa Wa (1975–?) - Manuaku Waku who was joined by successful singers like Shimita, Djo Poster among others
Viva La Musica (1977–?) - Papa Wemba, joined by Emeneya Mubiala, dindo yogo
Choc Stars - Bozi Boziana, Tshimpaka Roxy joined by Ben Nyamabo, Karlito Lassa, Defao
L'Orchestre Anti-Choc - Bozi Boziana, joined by Deyesse Mukangi, Jolie Detta, Dodoli, Walingonda, Fifi Mofude, etc.
Langa Langa Stars (1981–1984) - Evoloko Jocker, Bozi Boziana, Tshimpaka Roxy and Djo Mali
TPOK Jazz (1984–1983) - François Luambo Makiadi
Zaïko Langa Langa Nkolo Mboka - N'Yoka Longo, Meridjo, Dindo Yogo, Oncle Bapius, Zamuangana, Nono Atalaku and Matima. They were joined by Malage de Lugendo, Adamo, Baroza, Shiro Shiro,
Zaïko Langa Langa Familia Dei - Lengi Lenga, Ilo Pablo, Bimi Ombale, Beniko Popolipo, Petit Poisson, Djimi Yaba
Zaiko Universel (1999–2000)- Meridjo, Bapius Muaka
Langa Langa Rénové - Evoloko Jocker
Basilique Loningisa - Bimi Ombale
Ngwaka Aye- Dindo Yogo
Les Quatros de Langa Langa, Papa Wemba, Evoloko, Bozi Boziana, Gina Efonge
Les Stars de Zaiko, Now called Zaikas Kolo Mboka, Adamo Ekula, Petit Poisson, Tshanda, Papy Cocaine, etc.
Clan Petrole (1983–1940) - The Best Collections.
Discography
* 1970 : Pauline
* 1972 : L'amoureux decu
* 1973 : Mete la vérité, chouchouna
* 1974 : Liwa ya somo
* 1981 : Sarah Djenni
* 1983 : La Tout Neige
* 1985 : Zaiko Eyi Nkisi
* 1985 : Eh Ngoss! Eh Ngoss! Eh Ngoss!
* 1986 : Bongoville
* 1986 : Pusa Kuna... Serrez! Serrez!
* 1987 : Bongama Kamata Position
* 1987 : Subissez les conséquences
* 1988 : Nippon Banzai au Japon
* 1989 : Jetez l'Eponge
* 1990 : Zaiko Langa-Langa F. D.
* 1992 : L'Autentique Zaiko Langa Langa
* 1993 : Jamais sans nous
* 1993 : Zaire-Ghana (recorded in Accra in 1976, produced by Henri Bowane)
* 1995 : Avis de recherche
* 1995 : Zekete Zekete
* 1996 : Sans issue
* 1996 : Pacha labaran
* 1997 : Papa Omar
* 1997 : Onassis
* 1997 : Muvaro
* 1997 : Le beau temps
* 1997 : Bongo bouger
* 1997 : Bacline Lesson One
* 1997 : Poison
* 2000 : Etumba ya la vie
* 2001 : Legend
* 2002 : Anthologie
* 2003 : Sentiment Awa / Essesse
* 2003 : Eureka!
* 2004 : Empreinte
* Zaire Congo Dance
* Zaiko Langa Langa
* Saisie en Douane... 20 Ans Déjà
* Ici Ça Va... Fungola Motema
* Out of Africa
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Siraje Kifamunyanja
`` Cela est important pour nous tous car la Cour internationale de justice et des droits de l'homme doit agir maintenant pour empêcher les femmes d'être physiquement torturées. Ils doivent agir au nom de toutes les femmes pour changer la façon dont les femmes sont traitées et fournir une compensation aux femmes qui ont été maltraitées par le gouvernement. Les femmes doivent être libres de s'exprimer et ne pas être contraintes à la prostitution. Le gouvernement et les politiciens utilisent les femmes comme des affaires, en leur enlevant leurs droits humains et en utilisant leur corps. Ils profitent du chômage, quand ils le veulent. Ils ne respectent pas leur propriété et n’ont aucun travail ni aucun droit en dehors de leurs propriétés. Le viol est illégal mais des femmes sont violées dans de nombreux pays, parfois devant leur propre famille. Les violeurs ne portent délibérément pas de préservatifs infectant les femmes par des IST. C'est une question de pouvoir et de violence. Les filles et les femmes sont blâmées par la société. Ce sont des esclaves. Veuillez soutenir cette cause pour votre sœur, votre fille et votre petite-fille. Aimez la page «Droits des femmes» et partagez-la avec vos amis ou votre famille. Membres du parlement. 14 ans Ne les empêchez pas d'aller à l'étranger. pour les arrêter, ils ne les protègent pas. donnez-leur des droits humains, n'utilisez pas vos droits. Utilisez les droits de l'homme. ils ont le droit d'aller à l'étranger. Ils sont humains. Partout dans le monde, la loi martiale contrôle Votre communauté de 14 à 90 ans, ils vont à l'étranger pour changer la vie. ils ont des droits. Nouveau Vous avez de l'expérience Nous devons respecter les droits de l'homme. Pour les protéger, merci de visiter ma page et de cliquer pour créer un lien comme partager avec les amis et la famille pour arrêter la violence pour leur donner des droits communautaires depuis 14 ans, ils ont une grande violence qui les touche et les défie. Les hommes et les femmes doivent être libres. Les hommes ne devraient pas forcer les femmes à leur parler. Les femmes devraient avoir le droit de parler à qui elles veulent. N'importe qui devrait être capable et libre d'écrire et de parler sans commettre de crime. Comme les hommes Personne ne devrait blâmer quelqu'un d'autre qui leur parle sans son intérêt comme crime. Et si elle ne veut pas parler à un homme, elle peut l'arrêter sans le juger d'acime. Aucune loi ne devrait les punir. Si vous voulez parler, vous avez le droit de parler. Si vous ne voulez pas parler, vous n'avez pas besoin de parler. Cela ne devrait pas être un crime ♥ La communauté, c'est comme aller faire du shopping. Parfois, vous pouvez trouver des choses et vous ne pouvez pas vous vendre.
Parfois, vous aussi ne pouvez pas vous permettre d'acheter des choses en raison de leur prix et un commerçant ne vous jugera pas. Si les hommes et les femmes sont libres, il y aura moins de violence envers eux deux. Ne blâmez pas un commerçant si vous n'avez pas l'argent pour acheter un produit. Alors ne faites pas la même chose avec d'autres personnes dans la rue. Gardez cela à l'esprit et nous pouvons mettre fin à la violence contre les hommes et les femmes. ♥ Ne parlez pas, ils sont vos droits La communauté des droits de l'homme signifie quand un homme et une femme s'aiment et se jouent l'un l'autre. et ils se suivent. C'est ce que c'est d'être libre. Être libre de se suivre, de s'aimer et de ne pas se forcer. Amour mutuel et suivi mutuel, sans violence ni force. ♥ S'écrire les uns pour les autres, contacter et envoyer des messages est une manière de se respecter. Et votre histoire reste entre vous ♥ C'est un message à votre gouvernement quel pouvoir voulez-vous que la police arrête la violence familiale parce que seule la police a le pouvoir de le faire et elle ne travaille pas pour résoudre cette violence, pour résoudre cette violence familiale afin que les familles puissent devenir des biens indépendants et arrêter pension alimentaire pour enfants, lorsqu'une femme et un homme vivent ensemble, ils ne peuvent pas être expulsés parce que les indépendants viennent, lorsque certains membres de la famille travaillent, il ne peut pas payer d'impôt seul, lorsque vous prenez votre retraite et que vous devez être indépendante elle-même, donc c'est juste, je sais nous avons de l'expérience pour résoudre ce problème la violence familiale Et c'est une violence familiale économique très dure, je suis très heureux de voir la société ils ont beaucoup d'expérience pour arrêter la violence des serveurs, par exemple en Libye, ils ont une approche pacifique et humaine de la gouvernement, ils construisent la nouvelle expérience sans violence, je suis très satisfait de la façon dont vous abordez cela sans violence, maintenant je veux que vous preniez rendez-vous ensemble pour discuter de la façon de mettre fin à la violence familiale, je pense que nous avons la même douleur autour de la violence familiale, ensemble, nous pouvons mettre fin à la violence familiale, l'enseignement dans la famille est très important, nous apprenons aux animaux à être amicaux avec les gens et les autres, nous devons faire de même pour les gens,
Quand j'avais 10 ans, j'étais assis avec ma femme oncles, ma femme oncles a pété et elle a eu trois enfants, que nous étions assis ensemble, les enfants ont commencé à se battre pour savoir qui ont pété de peur d'accuser leur mère, tout le long de la mère juste était assis et ne reconnaissait pas le fait de péter, alors les enfants ont continué à se battre, j'avais peur de dire pété, et à la place, je lui ai dit d'arrêter les enfants de se battre, je marchais dans la rue avec ma famille oncles, et il avait un enfant sur le dos, encore une fois sa femme a pété et blâmé les enfants, elle a giflé les enfants même si c'était elle qui avait pété, puis je l'ai confrontée qu'elle ne pouvait pas frapper les enfants pour quelque chose qu'elle avait fait puis elle s'est excusée auprès de moi, mais je lui ai dit de ne pas m'excuser, de m'excuser auprès de vos enfants, j'ai appris que quand quelqu'un est dans une situation de pouvoir, le pouvoir entre dans sa tête au point où il pense qu'il est parfait, cela est montré par la mère qui grignote les enfants même bien qu'elle soit celle qui a pété, je suis triste de savoir que les politiciens au pouvoir et cette femme n'est pas différente, elle cause un problème et en blâme les autres, elle cause le problème au parlement d'utiliser un langage raciste, maintenant cette langue s'est infiltrée dans la société et provoque la violence dans nos rues, et elles ne veulent pas s'excuser qu'ils ont causé, alors maintenant, au lieu de s'excuser de l'avoir causé, ils accusent les réseaux sociaux de l'avoir publié,
Mes amis membres du parlement. arrêtez de forcer vos choix. dans la communauté, chacun a le choix d'établir une relation avec qui il veut, peu importe qu'il soit jeune ou vieux. Donc, si contre le choix de la personne, vous contre les droits de l'homme. les hommes et les femmes sont libres. il y aura moins de violence contre les deux. Même si ce sont vos enfants, ils ont leurs choix et vous avez vos choix. Si vous avez des choix, vous le violez. Nous devons garder les droits des autres. Nous avons travaillé dur pour donner à chacun ses droits pour mettre fin à la violence qui cause des problèmes à nos enfants et aux autres. 😅 Excusez mon anglais car ce n'est pas ma langue maternelle. Le gouvernement qui abuse constamment des gens en ne leur donnant pas suffisamment de droits a amené une partie du public à se transformer en criminels eux-mêmes, par exemple si une mère devait préparer un repas pour ses enfants puis leur refuser la nourriture, cela signifierait qu'ils devraient le faire. se défendre par tous les moyens, même si cela signifie voler. La mère ne peut pas leur reprocher d'avoir volé parce qu'elle les a mis dans cette situation en leur refusant une nécessité fondamentale qui était là pour eux. Le gouvernement nie les nécessités de base qui poussent une partie du public à se tourner vers les activités criminelles pour des choses simples. Cela cause du stress et fait des choses qui ne sont pas bonnes. S'ils peuvent éduquer les gens et ne pas les accuser. S'ils acceptent que les règles ne sont pas correctes, ils devraient accepter et donner raison aux gens. Ces choses affectent tout le monde car elles entraînent un équilibre social et économique. Attaquer parfois les entreprises et les propriétaires d'entreprise qui affectent les personnes qui dépendent des services de l'entreprise. Les gens manquent de beaucoup d'argent pour acheter des necestés. Cela attachait toutes les affaires. Les affiches ne pouvant pas envoyer de lettres. Le commerce du téléphone, des salons intéressés par les bars et autres.
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Christ ONDJANGUIS
Ah la belle époque, qui est là 2020
Thea Kamutondo
Trooop la belle époque
Munguci D. Etriga
African Union should decree Congolese Rhumba a continental matter!
Emma Ibn-talal Ikhwan
wow, Zaiko Langa Langa, still going 2020. C'est tres bon
Oliver Nawej
6:10 jsuis revenue içi en 2020 just pour cette partie 🇨🇩🇨🇬✌🏽
kadirov Nara
Le son du catch👌⚡
Richard Mlingi
Amaizn song
Basile Haim
Toutes les chansons de cet album sont a prendre sans modération.
Le Saint Narius Dunda
@Jamaica Southside Avis de recherche.
Ernesto Nukia3
@Jamaica Southside Avis de recherche