What to Do
don toliver & travis scott Lyrics


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Why did we fall that evening?
Silhouettes for the evening
You might just be my type
And I know just what you like but I'm

Still fucked up (yeah)
Still fucked up (uh-huh) (yeah)
Don't know what to do
Still fucked up (yeah)
Still fucked up (uh-huh) (yeah)
Don't know what to do

I woke up on the seventeenth
Drunk as hell, you tellin' me
I was in the club, full of jealousy
Damn near caught a felony
One thing I know, two just wanna ride (uh-uh)
I did it outside (uh-uh)
I, you better go hide (uh-uh)
Put it on her feet and I glide
Step with the three like Clyde
Slide, slide
We rock the cream on the pie
But that's my better side (yeah)
I can't tell a lie (uh-uh)
This is televised (uh-uh)
You need better guys

Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)
Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)

Woke up on the seventeenth
With them tattoos, just is tellin' me
And them fantasies is outstandin' me
I'm only on the beat between 10 and 3
Took you, move you outside to the West
Down Southside by the 'jects
Tell me what a time, what a wreck
Never let it down, never let
Always thought T was a rex
Never thought T was a wreck
Put the ice T on your neck (neck)
When it go cold make you sweat
Never let you go, never (go, go)
Never let you go, you the best
But never let it go to your head (no)
I always got control of the
Whoa (yeah)

Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)
Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)

Silhouettes for the weekend
And you might just be my type
And I know just what you like but I'm

Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)
Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)

Fuck the club up
Still with my dogs
Please don't make the wrong moves, 'cause my weapon cocked

Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)
Still fucked up (yeah)
Still fucked up (uh-huh)
Don't know what to do (yeah)

Still fucked up
Still fucked up (yeah)
Still fucked up
Still fucked up (yeah)
Still fucked up
Still fucked up (yeah)




Still fucked up
Still fucked up (yeah)

Overall Meaning

The song "What To Do" by Don Toliver & Travis Scott is essentially about feeling lost and unsure of what to do amidst being drunk and high. The opening lines "Why did we fall that evening? Silhouettes for the evening, you might just be my type" is about the singer meeting someone new who gives them both an adrenaline rush and a sense of confusion. They are attracted to this person, but due to their intoxicated state and the circumstances surrounding their meeting, they are unsure of what to do next.


The chorus "Still fucked up (yeah) Don't know what to do" is a repetition of the singer's feelings of being lost and unable to make decisions. The lyrics also touch upon themes of jealousy and reckless behavior that comes with being drunk and high. The verses depict scenarios where the singer is at a club and getting into trouble due to their intoxication. They are caught in a state of limbo between wanting to have fun and acting out on their impulses while also being aware of the consequences.


Overall, the song explores the disorienting nature of being under the influence and not knowing how to navigate through social situations. It delves into the singer's emotional state of not being in control and feeling helpless.


Line by Line Meaning

Why did we fall that evening?
Questioning the events that led up to a downfall.


Silhouettes for the evening
The imagery and atmosphere of the night setting.


You might just be my type
The singer expresses a potential romantic interest in someone.


And I know just what you like but I'm
Despite knowing what the person likes, the artist has an issue/problem.


Still fucked up (yeah)
The artist is still struggling with personal issues and may be under the influence.


Don't know what to do
In this state, the singer is unsure of how to proceed in any given situation.


I woke up on the seventeenth
Referencing a specific day, the singer recalls a previous event that occurred.


Drunk as hell, you tellin' me
The artist was highly intoxicated and is being informed of their previous actions by another person.


I was in the club, full of jealousy
The artist was at a club at the time of the event and feelings of jealousy were present.


Damn near caught a felony
The situation was close to resulting in a major criminal offense.


One thing I know, two just wanna ride (uh-uh)
Two people want to ride or be with the singer, but only one thing is certain.


I did it outside (uh-uh)
The event occurred or was done outside of a building or establishment.


I, you better go hide (uh-uh)
A warning to someone to find a safe place to avoid any trouble.


Put it on her feet and I glide
A reference to dancing, where the singer dances with someone and makes it look effortless.


Step with the three like Clyde
The singer references a basketball player, Walt Clyde Frazier, as they smoothly move in a manner similar to him.


Slide, slide
A continuation of the dance reference, where the artist slides across the dance floor.


We rock the cream on the pie
The artist and their group of friends celebrate and enjoy their success and achievements.


But that's my better side (yeah)
Despite the good times, a darker side of the singer exists or is revealed.


I can't tell a lie (uh-uh)
Honesty is important to the singer and they refuse to lie about something.


This is televised (uh-uh)
The events of the artist's life could be on display for others to see, potentially leading to consequences.


You need better guys
The importance of choosing people in one's life who are better influences and have more positive behavior.


Woke up on the seventeenth
A repeat of the previous reference to the day the event occurred.


With them tattoos, just is tellin' me
The singer notices and is drawn to tattoos on another person.


And them fantasies is outstandin' me
The artist is intrigued by the other person's fantasies and imaginations.


I'm only on the beat between 10 and 3
The singer references how they are only available or active at certain times of the day.


Took you, move you outside to the West
Actions taken by the singer to relocate themselves and possibly another person to a different location or setting.


Down Southside by the 'jects
The singer and others are located in a southern area, possibly a lower-income housing project.


Tell me what a time, what a wreck
The artist seeks to understand how a situation or event went so wrong or became a disaster.


Never let it down, never let
The importance of not giving up or letting a situation defeat you.


Always thought T was a rex
A reference to the singer being seen as a king or royalty with the nickname 'T'.


Never thought T was a wreck
Despite being seen as royalty or great, the singer is also struggling with personal issues.


Put the ice T on your neck (neck)
The artist references a chain or necklace with an 'ice' or diamond jewel that spells out their nickname 'T'.


When it go cold make you sweat
The jewelry is so valuable that when it goes missing or is stolen, the person who took it is put under pressure or in danger.


Never let you go, never (go, go)
The artist never wants to let the other person go, despite the difficulties they may face.


Never let you go, you the best
The importance of the other person, who is seen as the best, and the desire to keep them close.


But never let it go to your head (no)
An important reminder to the other person not to let their success or achievements negatively impact their personality or character.


I always got control of the
The singer is in control of their actions and what happens in their life.


Whoa (yeah)
An expression of surprise or excitement.


Fuck the club up
A reference to partying hard and making a lot of noise or causing a ruckus at a club or event.


Still with my dogs
The artist is still with their friends or associates, despite any personal issues or problems they may face.


Please don't make the wrong moves, 'cause my weapon cocked
A warning to others to not provoke the artist or make any mistakes that could lead to violence.


Still fucked up
Reiterating the struggles the singer is facing and the potential effects of substance use.


Still fucked up
The repetition highlights the severity of the situation and how it still affects the singer.




Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Caleb Toliver, Jacques Webster, James Austin Cyr, Julius Brown, Niv Kalisky, Sarah Elizabeth Schachner, Mike G. Dean

Lyrics Licensed & Provided by LyricFind
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