Alan Thicke married actress Gloria Loring, known for starring in programs such as 'Days of Our Lives', in 1970, and he had the two sons Brennan Thicke and Robin Thicke. Half-brother Carter Thicke would become another member of the clan years later after Alan Thicke divorced and remarried. Brother Robin grew up in a household filled with music, with his dad being a singer (of tracks such as "Thicke of the Night") as well as a co-composer for several TV show theme songs and a seminal actor on both the big and small screens (examples being the shows 'Growing Pains' and 'How I Met Your Mother').
The young Robin Thicke taught himself to play piano at the age of twelve. Even at the age of fourteen, he found that he could play just about anything that he heard on the radio, feeling a drive to keep going further. Before his days as a singer-songwriter performing his own material,Robin Thicke wrote songs for the soul and pop groups 3T (with 1995's "Sexual Attention" bringing Thicke alongside Damon Thomas), Brownstone (with 1997's "Around You"), and Color Me Badd (an example being 1996's "Sexual Capacity"). He also collaborated with the acclaimed production duo of Jimmy Jam and Terry Lewis on several songs for Jordan Knight's 1999 self-titled album. Thicke seemed to receive a great omen when Knight's album was certified Gold and gained huge fan acclaim.
In 2000, Thicke went to work on material for his debut album, which ended up being titled 'A Beautiful World'. The album focused more on blue-eyed soul than his pop-centered offerings for other artists, and he mixed in influences from eclectic funk (in the vein of the British group Jamiroquai) and and modern neo-soul music (in the vain of Canadian crooner Remy Shand). Thicke hoped that he was primed for huge things by late 2002 when the album became ready for release.
Thicke's lead single, called "When I Get You Alone", had a distinctive music video made for it. The disco and slick rnb fueled track sounded rather unlike the commercial pop ethos of the time, having a distinctive sampling of Walter Murphy's 70s dance music hit "A Fifth of Beethoven" (which itself had been inspired by Beethoven's Fifth Symphony). The video featured an unshaven Thicke, with long, grungy hair, as a courier racing through the streets of Manhattan on a bicycle. It received some rotation on MTV 2 and BET's "Rated Next", the song being spun moderately on urban radio. On the Hot 100, it reached #29 quite quickly, yet it fell out the chart just as fast. Globally, however, the song was quite popular. With his single peaking at #17 in Australia, #15 in Belgium, #15 in Italy, #8 in New Zealand, and #5 in the Netherlands, Thicke felt that he wanted another shot at the 'big time' in the U.S.
Devising the re-release of this album, which it then gaining its final title of 'A Beautiful World', Thicke added a few extra songs that he seemed confident of. Yet the album received very little corporate promotion, irritating Thicke despite the release of a second single, a Prince-like groove mixing funk with rock called "Brand New Jones". The album debuted at #152 in the Billboard 200 and didn't do much from there, selling a mere 59,000 copies. Still, his work ended up being received well by many critics and musical peers, with Trevor Nelson and Lil' Wayne (Weezy's 2005 release 'Tha Carter, Vol. 2' would even include some of Thicke's work) lauding Thicke's music, as well as many fans.
In 2004, artist Pharrell Williams asked Jimmy Iovine, CEO of Interscope, “What are you doing with Robin Thicke?” A few months later, Robin was recording a new single, titled “Wanna Love You Girl” with Pharrell in Miami, as a newly signed artist on Pharrell’s label, Star Trak Records. With the two musicians sharing the same love for genre-hopping, deliberately 'retro' music, the single immediately attracted the attention of radio and club DJs across the world after its August 2005 release. The song often given revamped names such as "Wanna Love U Girl", "Wanna Love You Girl (Feat. Pharrell)", and the like, it ended up doing very well in the U.K. in particular, hitting #5 on Trevor Nelson's BBC Radio 1 "Soul Nation" chart.
Now appealing more to the mainstream, Thicke cut off his trademark long hair in an attempt to further recreate himself. By October 2006, when his second album, titled 'The Evolution of Robin Thicke', came out in its entirely, he had built up a ton of momentum, and his work paid off. Thicke earned the #1 slot on the Billboard Top R&B/Hip-Hop Albums chart, and additional singles such as "Got 2 Be Down" and "Lost Without U" saw huge fan responses. As the months went by, his album even earned platinum certification by the RIAA.
Having 'made it' in the truest sense commercially as well as critically, Thick remarked, "My greatest desire with this album was to write songs that were completely honest and sing them with the emotion I was feeling when I wrote them, so that whoever listens to my music is brought as close to my experiences and life as possible."
With this intention, Robin created songs such as, “Lost without You” (the second single). An instant classic, this song is about Robin’s insecurities and his need to be desired and loved. With sweeping vocals over rhythmic Spanish guitar, this song takes you away and makes you sing along.
On the psychedelic, “High School Man” is where Robin infuses rock and hip-hop and poetically admits “I’m a hater” as he hates on those with more success than him realizing, ironically, he just wants what they have.
Finishing off The Evolution of Robin Thicke is the hopeful and encouraging “Thank You.” On this gospel inspired, piano ballad Robin sings, “maybe I’m the one who never gets up ‘till he falls,” making the discovery that he has to be thankful for everything that comes into his life…the tears, the joy, the failures and the successes.
Always carrying a heavy heart, Robin taught himself to play piano at the age of twelve so he could have an outlet to express himself. By the age of fourteen, he could play anything he heard on the radio. At sixteen, with no formal training, Robin began professionally writing and producing music for recording artists like Brandy and Brian McKnight. Over the years he has amassed dozens of gold and platinum records with artists including Usher, Mary J. Blige, Michael Jackson and Christina Aguilera.
Reflective, redemptive, passionate and etched with a soulfulness that is undeniable, The Evolution of Robin Thicke is an imaginative and heart-felt album that you cannot help but be moved by, bob your head to and smile throughout.
The album was released on October 3rd, 2006 and includes songs with Lil Wayne and Faith Evans, as well as Pharrell. The song "Got 2 Be Down" featuring Faith Evans was recently leaked (June '06). There will be two to three more videos released before the album comes out. Lately, there was a Busta Rhymes remix video shot for "Wanna Love You Girl," a Lil’ Wayne feat Robin Thicke "Shooter" video, and Robin has released the video for "Lost Without You," making that song the official 2nd single of the album.
The Man
robin thicke Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Joe Perry
Robin Thicke
And yours truly
This is history in the making
(Now say it with me)
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
(Say it with me)
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh
They say he don't rap no more
They say like LeBron he ain't got the heat no more
They say he ain't street no more
But like Jay say how sick am I, wish 'em health for sure
But I'm cool with it, act a fool with it
Went to one of my old neighborhoods and built a school in it
It's crazy baby the way that the eighties made me
I thank God every day that music saved me
I thank my mom for all the vision she gave me
I thank Miami for the way you raised me
I'm a bad man, in an evil world
(That's right)
And you're my type of goody two-shoes girl
(Give it to me baby)
Baby I'm a bad man, in a woman's world
(Ha, ha)
Come on over, give me what I deserve
(Give it to me baby)
Are you ready for love?
Come on get it, girl
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
Come on get it, girl
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
Building a billion dollar business from an ounce
Not bad for a Cuban that came from the south
Mami let's make like tig ol' bitties and bounce
So we can make like a baby in here now
I'm cool with it, act a fool with it
Made my own playbook, I got no rules in it
I like the girls that's freaky, wild, yeah, and crazy
I like the girls that dirty dance, I'm Swayze
I like the girls that's hot, and fire and blazing
I like the girls that like the sex amazing
I'm a bad man, in an evil world
(That's right)
And you're my type of goody two-shoes girl
(Give it to me baby)
Baby I'm a bad man, in a woman's world
(Ha, ha)
Come on over, give me what I deserve
(Give it to me baby)
Are you ready for love?
Come on get it, girl
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
Come on get it, girl
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh
I'm a bad man
I know how to move in a room full of woo's
Baby, I'm a bad man
I'm a good man, good guy, but don't get it confused
Baby, I'm a bad man
And I still fight every day like I ain't got nothing to lose
That's right
Baby I'm a bad man, in an evil world
(That's right)
And you're my type of goody two-shoes girl
(Give it to me baby)
Baby I'm a bad man, in a woman's world
(Ha, ha)
Come on over, give me what I deserve
(Give it to me baby)
Are you ready for love?
Come on get it, girl
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
Come on get it, girl
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
Baby, I'm a bad man
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
Baby, I'm a bad man
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Oooh
The lyrics to Robin Thicke's song "The Man" convey a sense of confidence and self-assurance. It opens with a shoutout to the collaborators on the song – Travis Barker, Joe Perry, and Robin Thicke himself – suggesting that they are making history with the creation of this track. The repetition of "Ooh-ah" throughout the song adds a catchy and playful element to the lyrics.
The first verse reflects on the criticisms and doubts that the singer has faced. People may say that he no longer raps or has lost his talent, but he remains unfazed by these opinions. He alludes to LeBron James and his ability to remain dominant despite doubts, comparing himself to the basketball player. The line "like Jay say how sick am I, wish 'em health for sure" references the rapper Jay-Z and suggests that the singer is so skilled that even his critics should wish him well. The verse also highlights the singer's philanthropy, mentioning how he built a school in one of his old neighborhoods, perhaps foreshadowing his desire to make a positive impact.
The chorus emphasizes the singer's self-perception as a "bad man" in an evil world. Despite this characterization, he expresses that he is drawn to a type of woman who is a "goody two-shoes," implying a sense of contrast and attraction to someone who challenges his bad-boy persona. He desires to be rewarded for his confidence and attitude, asking for what he deserves.
The second verse starts with a play on words, referencing his Cuban heritage and success in building a billion-dollar business from very little. He then uses a double entendre with the phrase "tig ol' bitties" to suggest a desire for movement and freedom. The verse continues to focus on his carefree and rule-breaking nature, expressing a preference for women who are uninhibited and unafraid to express their sexuality. He is attracted to confident, fiery, and sexually adventurous women.
The second chorus repeats the earlier sentiments, reinforcing the singer's self-image as a bad man in an evil world. It also emphasizes his ability to navigate social situations and maintain his sense of self. He acknowledges that he can be both a good guy and a bad man, and that fighting for what he wants is a daily struggle.
Overall, the lyrics of "The Man" showcase the singer's confidence, defiance of criticism, and desire for a certain type of woman who matches his energy and attitude. It celebrates individualism while highlighting the importance of self-belief and the necessity of fighting for what one deserves.
Line by Line Meaning
Travis Barker
Acknowledging the presence and collaboration of Travis Barker in the song
Joe Perry
Acknowledging the presence and collaboration of Joe Perry in the song
Robin Thicke
Acknowledging the presence and contribution of Robin Thicke in the song
And yours truly
Referring to himself as part of the collaboration
This is history in the making
Highlighting the significance of the collaboration and the song's potential impact
(Now say it with me)
Encouraging listeners to actively participate and engage with the song
Ooh-ah, ooh-ah
Repeating a catchy vocalization to create a memorable and engaging sound
They say he don't rap no more
Addressing rumors or perceptions that the artist no longer focuses on rap
They say like LeBron he ain't got the heat no more
Drawing a comparison to LeBron James losing his dominance in basketball and suggesting people think the artist has lost his edge
They say he ain't street no more
Addressing perceptions that the artist has become disconnected from the streets or the urban lifestyle
But like Jay say how sick am I, wish 'em health for sure
Comparing himself to Jay-Z and emphasizing his own talent and success while expressing the desire for well-being towards his critics
But I'm cool with it, act a fool with it
Expressing contentment despite the criticism and embracing a carefree attitude
Went to one of my old neighborhoods and built a school in it
Highlighting the artist's positive impact by investing in his community and providing educational opportunities
It's crazy baby the way that the eighties made me
Reflecting on the influence of the 1980s era on his personality and music style
I thank God every day that music saved me
Expressing gratitude for the power of music in his life and acknowledging its role in his salvation
I thank my mom for all the vision she gave me
Acknowledging the influence and guidance of his mother in shaping his artistic vision
I thank Miami for the way you raised me
Expressing appreciation for the city of Miami and its impact on his upbringing and artistic development
I'm a bad man, in an evil world
Embracing a confident and assertive persona, acknowledging the challenging nature of the world
(That's right)
Affirming the statement and emphasizing its correctness
And you're my type of goody two-shoes girl
Describing the artist's affinity for a certain type of well-behaved, innocent girl
(Give it to me baby)
Indicating a desire for the girl to give the artist what he wants or desires
Building a billion dollar business from an ounce
Highlighting the artist's success and ability to generate significant wealth from a small initial investment
Not bad for a Cuban that came from the south
Expressing pride in his Cuban heritage and emphasizing his achievements despite humble beginnings
Mami let's make like tig ol' bitties and bounce
Using playful language to suggest leaving or moving on to something better
So we can make like a baby in here now
Using metaphorical language to imply engaging in intimate or sexual activities
Made my own playbook, I got no rules in it
Highlighting the artist's independence and willingness to defy conventional norms or expectations
I like the girls that's freaky, wild, yeah, and crazy
Expressing a preference for women who are adventurous, bold, and uninhibited
I like the girls that dirty dance, I'm Swayze
Comparing himself to the late actor Patrick Swayze, known for his role in the movie 'Dirty Dancing,' to emphasize his affinity for women who enjoy dancing provocatively
I like the girls that's hot, and fire and blazing
Expressing attraction to women who are physically attractive and possess a vibrant, energetic personality
I like the girls that like the sex amazing
Acknowledging a preference for women who share his enthusiasm and passion for satisfying sexual experiences
I know how to move in a room full of woo's
Asserting his ability to navigate and command attention in a setting filled with individuals seeking his approval or admiration
I'm a good man, good guy, but don't get it confused
Asserting that despite his bad boy persona, he possesses positive qualities and should not be misunderstood
And I still fight every day like I ain't got nothing to lose
Expressing a determined mindset and relentless drive to succeed, regardless of the risks involved
Are you ready for love?
Posing a question to the listener, asking if they are prepared for a romantic or passionate connection
Come on get it, girl
Encouraging the girl to actively pursue the affection or connection being offered
Lyrics © HIPGNOSIS SONGS GROUP, Regard Music, WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC, BMG Rights Management, Sony/ATV Music Publishing LLC, REACH MUSIC PUBLISHING, Downtown Music Publishing, Warner Chappell Music, Inc.
Written by: Armando Christian Perez, Jenny Owen Youngs, Davy Nate, Thomas Peyton, Eric Frederic
Lyrics Licensed & Provided by LyricFind
@idklol4278
He had the Black community in a chokehold with this one
@julieariellemwihaki7647
I thought this song is Usher's.
@urworstnightmarefr
FOR REAL i ain’t even know he was white until i looked up the music video 😭
@cbutler528
Lmfao HE REALLY DID! EVEN THE MEN! it was a time
@carolinelayade7703
What does that stupid comment mean.😯
@idklol4278
@@carolinelayade7703 that the whole black community loved this song. Are you dense?
@cheatcodecharlie
2023 and im still playing this on repeat! What a timeless classic!! We need 1 more like this Robin
@seankornegay3160
Yessir
@TheEdgabriel
La música buena y de calidad con el tiempo se valoriza más que buen ritmo
@victoriaqueen9934
Yes indeed!