Dirty Projectors is an experimental pop group led by singer/songwriter and … Read Full Bio ↴Dirty Projectors is an experimental pop group led by singer/songwriter and multi-instrumentalist David Longstreth which formed in 2002 in Brooklyn, New York, United States.
The current lineup of Dirty Projectors is Dave Longstreth (vocals, guitar, other instruments), Nat Baldwin (bass), Mike Johnson (drums), Maia Friedman (guitar, keyboards, vocals), Felicia Douglass (percussion, keyboards, vocals), and Kristin Slipp (keyboards, vocals).
Based in Bedford-Stuyvesant, Brooklyn with connections to the Portland, OR music scene, the group has produced a distinctive sound of electronic experimentation, melded with traditional instruments and harmonically complex vocals. Their recordings range from Prince-style one-man-recording-studio productions (The Glad Fact), to arranged orchestrations (the "Slaves' Graves" half of Slaves' Graves & Ballads), to basic voice over nylon-string guitar (the "Ballads" half of the aforementioned) to an amalgamation of all these tactics (the 'glitch opera' of The Getty Address and the mixed nature of New Attitude EP). Throughout, Longstreth's aggressively melodic vocals provide a consistent identity for otherwise widely divergent approaches to pop music. Longstreth claims influences ranging from Don Henley to Mariah Carey. The former's influence is most easily seen in The Getty Address album, which is a conceptual opera written from the point of view of Henley as a Spanish Conquistador, though the latter's vocal gymnastics clearly provide a clue to Longstreth's approach. Rise Above is an attempt to re-imagine the lyrics of Black Flag's DamagedDamaged album from memory over complex music that sees influence from the contemporary African blues and funk of such artists as Ali Farka Toure and Konono No. 1.
Members of Dirty Projectors collaborated with Björk to perform an original composition by Longstreth, written for five voices and acoustic guitar, as part of a charity concert to benefit Housing Works, a nonprofit organization dedicated to providing shelter for homeless men, women, and children suffering from AIDS.
The current lineup of Dirty Projectors is Dave Longstreth (vocals, guitar, other instruments), Nat Baldwin (bass), Mike Johnson (drums), Maia Friedman (guitar, keyboards, vocals), Felicia Douglass (percussion, keyboards, vocals), and Kristin Slipp (keyboards, vocals).
Based in Bedford-Stuyvesant, Brooklyn with connections to the Portland, OR music scene, the group has produced a distinctive sound of electronic experimentation, melded with traditional instruments and harmonically complex vocals. Their recordings range from Prince-style one-man-recording-studio productions (The Glad Fact), to arranged orchestrations (the "Slaves' Graves" half of Slaves' Graves & Ballads), to basic voice over nylon-string guitar (the "Ballads" half of the aforementioned) to an amalgamation of all these tactics (the 'glitch opera' of The Getty Address and the mixed nature of New Attitude EP). Throughout, Longstreth's aggressively melodic vocals provide a consistent identity for otherwise widely divergent approaches to pop music. Longstreth claims influences ranging from Don Henley to Mariah Carey. The former's influence is most easily seen in The Getty Address album, which is a conceptual opera written from the point of view of Henley as a Spanish Conquistador, though the latter's vocal gymnastics clearly provide a clue to Longstreth's approach. Rise Above is an attempt to re-imagine the lyrics of Black Flag's DamagedDamaged album from memory over complex music that sees influence from the contemporary African blues and funk of such artists as Ali Farka Toure and Konono No. 1.
Members of Dirty Projectors collaborated with Björk to perform an original composition by Longstreth, written for five voices and acoustic guitar, as part of a charity concert to benefit Housing Works, a nonprofit organization dedicated to providing shelter for homeless men, women, and children suffering from AIDS.
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The Glad Fact
Dirty Projectors Lyrics
ground underfoot You didn't say what you meant How should I have known…
imaginary love My love Won't you talk to me Won't you lay with me My…
Like Fake Blood In Crisp October The new feelings will rise up like fake blood in…
Lit from Below The trees lit from below looked like the face of…
My Offwhite Flag I copped a feel Of the wall Trying to find the…
naked we made it We laid on the roof, looked at stars 'til two, And…
off science hill Off science hill is a fenced off lot Your classic parking…
spirit-future medley "Can they break my spirit?" Spiro Agnew said that But I…
the glad fact Well here I go again Well here I go again Here I…
the highway is a foggy knife The highway is a foggy knife Through night time hills I…
the minutes The more minutes I live The less I can account for The…
three brown finches Like two brown finches, talk-talking away Gone is the aftern…
two brown finches Like two brown finches, talk-talking away Gone is the after…
winter is here Worlds collide and conquer Annihilated in each other Only on…