Francesco Cavalli (February 14, 1602 – January 14, 1676) was an Italian com… Read Full Bio ↴Francesco Cavalli (February 14, 1602 – January 14, 1676) was an Italian composer. His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron, a Venetian nobleman.
Cavalli was born at Crema, Lombardy. He became a singer at St Mark's in Venice in 1616, second organist in 1639, first organist in 1665, and in 1668 maestro di cappella. He is, however, chiefly remembered for his operas.
He began to write for the stage in 1639 (Le nozze di Teti e di Peleo), and soon established so great a reputation that he was summoned to Paris in 1660 to produce an opera (Xerse). He visited Paris again in 1662, producing his Ercole amante at the Louvre, which was written in honour of the marriage of Louis XIV. He died in Venice at the age of 73.
Cavalli was the most influential composer in the rising genre of public opera in mid-17th century Venice. Unlike Monteverdi's early operas, scored for the extravagant court orchestra, Cavalli's operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses.
Cavalli introduced melodious arias into his music and popular types into his libretti. His operas have a remarkably strong sense of dramatic effect as well as a great musical facility, and a grotesque humour which was characteristic of Italian grand opera down to the death of Alessandro Scarlatti. Cavalli's operas provide the only example of a continuous musical development of a single composer in a single genre from the early to the late 17th century in Venice — only a few operas by others (e.g. Monteverdi and Antonio Cesti) survive. The development is particularly interesting to scholars because opera was still quite a new medium when Cavalli began working, and had matured into a popular public spectacle by the end of his career.
Cavalli wrote thirty-three operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana (Library of St Mark) at Venice. Copies of some of the operas also exist in other locations. In addition, nine other operas have been attributed to him, though the music is lost and attribution impossible to prove.
In addition to operas, Cavalli wrote settings of the Magnificat in the grand Venetian polychoral style, settings of the Marian antiphons, other sacred music in a more conservative manner (notably a Requiem Mass in eight parts [SSAATTBB], probably intended for his own funeral), and some instrumental music.
Cavalli was born at Crema, Lombardy. He became a singer at St Mark's in Venice in 1616, second organist in 1639, first organist in 1665, and in 1668 maestro di cappella. He is, however, chiefly remembered for his operas.
He began to write for the stage in 1639 (Le nozze di Teti e di Peleo), and soon established so great a reputation that he was summoned to Paris in 1660 to produce an opera (Xerse). He visited Paris again in 1662, producing his Ercole amante at the Louvre, which was written in honour of the marriage of Louis XIV. He died in Venice at the age of 73.
Cavalli was the most influential composer in the rising genre of public opera in mid-17th century Venice. Unlike Monteverdi's early operas, scored for the extravagant court orchestra, Cavalli's operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses.
Cavalli introduced melodious arias into his music and popular types into his libretti. His operas have a remarkably strong sense of dramatic effect as well as a great musical facility, and a grotesque humour which was characteristic of Italian grand opera down to the death of Alessandro Scarlatti. Cavalli's operas provide the only example of a continuous musical development of a single composer in a single genre from the early to the late 17th century in Venice — only a few operas by others (e.g. Monteverdi and Antonio Cesti) survive. The development is particularly interesting to scholars because opera was still quite a new medium when Cavalli began working, and had matured into a popular public spectacle by the end of his career.
Cavalli wrote thirty-three operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana (Library of St Mark) at Venice. Copies of some of the operas also exist in other locations. In addition, nine other operas have been attributed to him, though the music is lost and attribution impossible to prove.
In addition to operas, Cavalli wrote settings of the Magnificat in the grand Venetian polychoral style, settings of the Marian antiphons, other sacred music in a more conservative manner (notably a Requiem Mass in eight parts [SSAATTBB], probably intended for his own funeral), and some instrumental music.
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01Gli amori d'Apollo e di Dafne: Prologue: Gia dell'alba vicina (Sonno, Morfeo, Itaton, Panto)8:46Francesco Cavalli
02Gli amori d'Apollo e di Dafne: Act I Scene 1: Delicata fanciulla (Titone, Aurora)8:20Francesco Cavalli
03Gli amori d'Apollo e di Dafne: Act I Scene 2: Gradita poverta (Cirilla, Alfesibeo)11:05Francesco Cavalli
04Gli amori d'Apollo e di Dafne: Act I Scene 3: Figlia, le cui bellezze illustrano (Giove, Venere, Amore)6:39Francesco Cavalli
05Gli amori d'Apollo e di Dafne: Act I Scene 4: O piu d'ogni ricchezza (Dafne, Prima Ninfa, Seconda Ninfa)14:54Francesco Cavalli
06Gli amori d'Apollo e di Dafne: Act I Scene 5: Quel bel fior di giovinezza (Filena, Dafne)4:30Francesco Cavalli
07Gli amori d'Apollo e di Dafne: Act I Scene 6: Come folle sei tu, superba (Filena)2:47Francesco Cavalli
08Gli amori d'Apollo e di Dafne: Act I Scene 7: E quando sara il di (Cefalo, Aurora)11:01Francesco Cavalli
09Gli amori d'Apollo e di Dafne: Act I Scene 8: Volgi, deh volgi il piede (Procri)6:28Francesco Cavalli
11Gli amori d'Apollo e di Dafne: Act II Scene 1: Discendo dall'Olimpo (Apollo, Prima Musa, Seconda Musa, Terza Musa)7:29Francesco Cavalli
12Gli amori d'Apollo e di Dafne: Act II Scene 2: Ahi, che gli studi, e l'arti (Alfesibeo)2:13Francesco Cavalli
13Gli amori d'Apollo e di Dafne: Act II Scene 3: Io voglio certo far le vendette (Amore, Apollo)6:55Francesco Cavalli
14Gli amori d'Apollo e di Dafne: Act II Scene 4: Ma che veggio, che miro (Apollo, Dafne)12:29Francesco Cavalli
15Gli amori d'Apollo e di Dafne: Act II Scene 5: Orme d'un pie rubello (Apollo)0:31Francesco Cavalli
16Gli amori d'Apollo e di Dafne: Act II Scene 6: Dunque tu vuoi partire? (Cefalo, Aurora)6:39Francesco Cavalli
17Gli amori d'Apollo e di Dafne: Act III Scene 1: E sarai cosi stolta (Filena, Dafne)5:22Francesco Cavalli
18Gli amori d'Apollo e di Dafne: Act III Scene 2: Figlia indarno da me soccorso (Peneo, Dafne)4:38Francesco Cavalli
19Gli amori d'Apollo e di Dafne: Act III Scene 3: Ohime, che miro? (Apollo, Amore)7:01Francesco Cavalli
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CAVALLI: Gli amori d'Apollo e di Dafne
Francesco Cavalli Lyrics
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