Colombian salsa band which in the '90s began to rival the success of Jairo … Read Full Bio ↴Colombian salsa band which in the '90s began to rival the success of Jairo Varela's Grupo Niche, who during the previous decade had transformed Colombian commercial music with a confident, sassy sound aped by countless others. A contributing factor to Guayacán's success was that they dared to be different: "Guayacán's sound is rootsier, more apparently fixed in the structure of the Cuban guaguancó and montuno, sparser, darker, with stripped-down arrangements," said UK salsa deejay Tomek. Named for a type of wood typically used in Colombia by the coastal blacks to build their houses on stilts, Guayacán embodies the musical concept of Alexis Lozano, the band's director, trombonist, guitarist, tres and güiro player, arranger and producer, who is obsessed about the need for a musical philosophy, and harshly judges those who lack one.
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
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01Guayacan Cubano: El Carretero / El Paralitico / Chicharrita / Cañonazo / Cachita / Caramelo / Pare Cochero6:47Guayacan
02Guayacan Cumbiambero: La Pollera Colora / Tina / La Butifarra / Vaca Vieja / La Piña Madura / Josefa Matia / Pie Peluo6:38Guayacan
03Guayacan Venezolano: Sapuara / La Cocoita / Carmen / El Porteño / Prestame Tu Maquina / Ay Mi Tio / Mataron Al Chivo5:35Guayacan
04Guayacan Mix: Amor Traicionero / Te Amo, Te Extraño / Invierno en Primavera / Como Una Hoguera / Vas a Llorar / Oiga Mire Vea / Arriba Mi Folklor / Por Bocon / Teresita / Muchachita / Mi Billete / Ves6:26Guayacan
05Guayacan Pasodobles: España Cañi / Ni Se Compra Ni Se Vende / Feria de Manizales / Silverio / Te Quiero Porque Te Quiero6:04Guayacan
07Guayacan Dominicano: Compadre Pedro Juan / La Resbaloza / Piano Merengue / El Barbarazo / La Empaliza / A La Rigola / Apagame La Vela / El Baile del Perrito / Palo Bonito / Negrito del Batey6:36Guayacan
08Guayacan Currulao: Mi Buenaventura / Mi Peregoyo (Hasta Cuando Te Tolero) / La Muy Indigna / Caderona / Pachito Eche6:08Guayacan
09Guayacan de Serenata: Los Aretes de la Luna / Convergencia / El Reloj / Perfidia / Negrura6:00Guayacan
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Como en un baile
Guayacan Lyrics
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