The definitive Afroamerican gospel group in the jubilee quartet style.
<… Read Full Bio ↴The definitive Afroamerican gospel group in the jubilee quartet style.
Founded as the Golden Gate Jubilee Quartet in Norfolk, Virginia in 1934 by A. C. “Eddie” Griffin, Robert “Peg” Ford, Henry Owens, and Bill Johnson, they began as a traditional jubilee quartet, combining the clever arrangements associated with barbershop quartets with rhythms borrowed from the blues and jazz.
The makeup of the group changed over the years, as some members were drafted during the war and new members were brought in to replace those who had retired or left to join other groups. William Langford joined the group when Griffin left in 1935 and Orlandus Wilson replaced Ford the same year. Clyde Riddick replaced Langford in 1938, Johnson left in 1948 to join “The Jubalaires” and Owens left the group later to become a preacher and solo artist. Riddick remained with the group until his retirement in 1995 and Wilson until his death in 1998.
The Gates had a broad repertoire of styles—from Owens’ mournful, understated approach in songs such as Anyhow or Hush, Somebody’s Calling My Name, to the group’s highly syncopated arrangements in Shadrach, Meshach and Abendigo. Like The Mills Brothers of popular music, they would often include vocal special effects in their songs, imitating train sounds in songs such as Golden Gate Gospel Train. Langford often sang lead, using his ability to range from baritone to falsetto, while Johnson narrated in a hip syncopated style that became the hallmark for the group.
<… Read Full Bio ↴The definitive Afroamerican gospel group in the jubilee quartet style.
Founded as the Golden Gate Jubilee Quartet in Norfolk, Virginia in 1934 by A. C. “Eddie” Griffin, Robert “Peg” Ford, Henry Owens, and Bill Johnson, they began as a traditional jubilee quartet, combining the clever arrangements associated with barbershop quartets with rhythms borrowed from the blues and jazz.
The makeup of the group changed over the years, as some members were drafted during the war and new members were brought in to replace those who had retired or left to join other groups. William Langford joined the group when Griffin left in 1935 and Orlandus Wilson replaced Ford the same year. Clyde Riddick replaced Langford in 1938, Johnson left in 1948 to join “The Jubalaires” and Owens left the group later to become a preacher and solo artist. Riddick remained with the group until his retirement in 1995 and Wilson until his death in 1998.
The Gates had a broad repertoire of styles—from Owens’ mournful, understated approach in songs such as Anyhow or Hush, Somebody’s Calling My Name, to the group’s highly syncopated arrangements in Shadrach, Meshach and Abendigo. Like The Mills Brothers of popular music, they would often include vocal special effects in their songs, imitating train sounds in songs such as Golden Gate Gospel Train. Langford often sang lead, using his ability to range from baritone to falsetto, while Johnson narrated in a hip syncopated style that became the hallmark for the group.
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Platinum Golden Gate Quartet
The Golden Gate Quartet Lyrics
Alabama Bound I'm Alabama bound I'm Alabama bound And if the train don't t…
Basin Street Blues Won't you come along with me To the Mississippi We'll take a…
Didn't It Rain Didn't it rain children, talk about rain oh my Lord Didn't…
Ezekiel Saw the Wheel Ezekiel saw the wheel rolling A great big wheel turning over…
Honey Pie She was a working girl North of England way Now she's hit…
Joshua Fit the Battle of Jericho Joshua fit de battle of Jericho, Jericho, Jericho. Joshua fi…
Nobody Knows the Trouble I've Seen Nobody knows the trouble I've seen Nobody knows but He knows…
Oh Happy Day Oh happy day (oh happy day) Oh happy day (oh…
On The Sunny Side Of The Street Walked with no one and talked with no one And I…
Rock My Soul Rock my soul in the bosom of Abraham, rock my soul…
Roll Jordan Roll Well, now roll Jordan, roll (Why don't you?) Roll, Jordan,…
Rudolph the Red Nose Reindeer Oh oh oh oh Rudolph the red-nosed reindeer Had a shiny nose…
Saint Louis Blues I hate to see that evening sun go down, I…
Shadrack The story of Shadrack, Meshach and Abednego! There was th…
Swing Low Sweet Chariot Swing Low, Sweet Chariot comin' for to carry me home I look'…
The Dock Of The Bay Sittin' in the mornin' sun I'll be sittin' when the evenin'…