(1) Australian indie rock band the Griswolds became an overnight sensation in their homeland with their catchy tunes, laid-back style, and party-hearty philosophy. Named after Chevy Chase's hapless family in the Vacation movies, the Griswolds were formed in 2012 by singer Christopher Whitehall, guitarist Daniel Duque-Perez, bassist Tim John, drummer Chris Riley, and keyboardist Lachlan West. The band came together after Whitehall and Duque-Perez began working up song ideas together, and one sounded good enough that it deserved a band to play and record it. The band had already begun work on their debut EP when they came up with the name the Griswolds; and when they finished recording the song "Mississippi," they wasted no time posting it online, and the song was promptly embraced by music bloggers. Radio soon followed, and Australian radio powerhouse Triple J put "Mississippi" into regular rotation; it would become their most played song of 2012. After the debut EP, Heart of a Lion, climbed the Australian charts, the Griswolds proved they had the live show to back up their skills in the studio, playing memorable sets at the Big Day Out, Parklife, and Homebake Festivals, and making their first forays into Europe. In May 2013, the group made its American debut with a show in Brooklyn, New York, and they were signed by Wind-Up Records, who issued the EP in the United States as "Mississippi" made its way onto the college radio charts. In early 2014, the Griswolds went into the studio with producer Tony Hoffer to start work on their first full-length album. Their full length debut Be Impressive arrived in August 2014.
http://www.wearethegriswolds.com
(2) Toledo, OH-based brothers Art and Roman Griswold began playing blues together in 1959. In 1997, they released All the Way Down, their third studio album and the only one widely available to date, for the London-based JSP Records. On the recording, Art Griswold plays guitar and sings, while Roman contributes vocals and Hammond B-3 organ.
Both Art and Roman grew up surrounded by the sounds of bent guitar strings and wailing harmonicas. Art got his first guitar at age 17 after a motorcycle wreck laid him up for a few months. He moved to Little Rock, AR and began sitting in with people like Big Moose Walker and others. After moving to Toledo, he became the guitarist for Little Walter Mitchell and honed his craft at a variety of Toledo blues clubs.
Both brothers began their musical education with gospel music, listening to the radio and ordering the latest recordings by Elmore James, Muddy Waters, and others. By 1959, Art was joined in Toledo by his older brother Roman, who had completed a hitch in the armed forces, and quickly made his mark as a harmonica player. Roman hooked up with Art’s band and the Griswolds landed a job at the club Hines Farm, where they had the opportunity to polish their chops backing up touring musicians like Jimmy Ricks, vocalist Little Esther Phillips, Freddie King, and Jimmy McCracklin. Finally, by 1965, Art Griswold opened his own tavern and made his own band the house band, playing six days a week. At this point, Roman began to pick up keyboards, since the lengthy jam sessions were taking their toll on him.
The Griswolds first entered the recording studio in the mid-’60s for the Fortune label in Detroit, where they recorded singles including “Pretty Mama” and “What the Judge Man Did to Me.” Their singles found some airplay on R&B-oriented radio stations, and they began to tour regionally in Detroit, Houston, Memphis, and New Orleans. The Griswolds continued to record (mostly singles) for small labels throughout the ’70s disco boom, but by the ’80s, they recorded and released their first full-length album, Two Aces and a Jack, with Toledo blues singer Big Jack Reynolds; the resulting airplay for the release brought them the chance to jam with Lee Atwater at a fund-raiser for President Reagan.
In 1990, the band, by this point paragons of the Toledo blues scene, recorded a live album, Full Time Blues, for the Highball label. Also in the early ’90s, they released a studio album, The Reel Deal, for the same label. Saxophonist Rick “Big Daddy Cool” Schefdore joined the band in 1991, and he brought a wealth of experience to the group. He wrote two of the songs on All the Way Down and produced the band’s first widely distributed album. Cockeyed World followed in early 2001.
(2) Source: The Grisswolds - (Allmusic) Artist Biography by Richard Skelly
SOMEBODY
The Griswolds Lyrics
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Don’t say that it’s over as soon as you’re sober
A hole in my lung, a twist in my tongue
I hope I’m someone, I hope I’m somebody to you
Somebody, somebody to you
Somebody, somebody to
All these nights, tried to ‘pologise
A kiss on her shoulder, to just let ya know there’s
A hole in my lung, a twist in my tongue
I hope I’m someone, I hope I’m somebody to you
Somebody, somebody to you
Somebody, somebody to you
Somebody, somebody to you
Somebody, somebody to
Sometimes it’s hard to make it through…
I hope I’m somebody to you
Somebody, somebody to you
Somebody, somebody to you
Somebody, somebody to you
(Somebody, somebody to you)
One more night, blame it on human nature
One last try, got so much more to say
(I’m freaking out, don’t walk away)
(I’m freaking out, don’t walk away)
(I’m freaking out, don’t walk away)
(don’t walk away, don’t walk away)
A hole in my lung, a twist in my tongue
I hope I’m someone,
I hope I’m somebody to you
(I’m freaking out, don’t walk away)
(I’m freaking out, don’t walk away)
(I’m freaking out, don’t walk away)
(don’t walk away)
Somebody to
The lyrics of The Griswolds' song "Somebody" explore feelings of insecurity, longing for validation, and the fear of being alone. The repetition of the phrase "somebody to you" suggests a desire to be seen and recognized by someone else.
In the first verse, the singer refers to "all these lies, sharp as a knife," indicating a history of deceit or dishonesty. They express the hope that the relationship is not over, pleading for the other person not to leave as soon as they become sober. The metaphor of a "hole in my lung" and a "twist in my tongue" suggests emotional pain and difficulty expressing themselves, emphasizing their longing to be somebody important to the other person.
The second verse continues to explore the effort put into the relationship, as the singer mentions their attempts to apologize and show affection through a kiss on the shoulder. Despite their efforts, there is still a sense of uncertainty and self-doubt, as they hope they are someone worth being with. The repetition of "somebody to you" reinforces this desire for validation and importance in the eyes of the other person.
The chorus repeats the longing to be somebody to the other person, emphasizing the importance of recognition and connection. The line "Sometimes it's hard to make it through" suggests that the singer is struggling with the ups and downs of the relationship, further highlighting their vulnerability and need for reassurance.
In the final section of the song, the singer pleads for one more chance, attributing their mistakes to human nature. They express their frustration and desperation, acknowledging that they have so much more to say but fearing it may not be enough to salvage the relationship. The repetition of "I'm freaking out, don't walk away" illustrates the fear of being abandoned and left alone. Ultimately, they reiterate their hope of being somebody to the other person, emphasizing their longing for connection and the fear of being rejected.
Overall, "Somebody" captures the universal longing for validation, recognition, and fear of abandonment in a relationship. It explores the emotional vulnerability and insecurity that can come with feeling the need to be somebody important to another person.
Line by Line Meaning
All these lies, sharp as a knife
Numerous deceitful statements that are cutting and hurtful
Don’t say that it’s over as soon as you’re sober
Don't claim that the relationship is finished once you're no longer under the influence
A hole in my lung, a twist in my tongue
Feeling emotionally and physically damaged
I hope I’m someone, I hope I’m somebody to you
I desire to be important and valued by you
Somebody, somebody to you
I want to be seen as somebody meaningful in your life
All these nights, tried to ‘pologise
Countless nights spent attempting to apologize
A kiss on her shoulder, to just let ya know there’s
A gesture, a kiss on the shoulder, to communicate that
Sometimes it’s hard to make it through…
Occasionally, it becomes challenging to endure
One more night, blame it on human nature
Blaming our actions on our inherent human tendencies
One last try, got so much more to say
A final attempt to express feelings and thoughts
(I’m freaking out, don’t walk away)
(I'm panicking, please don't leave)
(don’t walk away, don’t walk away)
(Please don't leave)
Somebody to
A person who is valued and cherished
I hope I’m someone
I desire to be seen and appreciated as an individual
(I’m freaking out, don’t walk away)
(I'm panicking, please don't leave)
(don’t walk away)
(Please don't leave)
Somebody to
A person who is valued and cherished
Lyrics © Universal Music Publishing Group
Written by: CHRISTOPHER MICHAEL WHITEHALL, DANIEL DUQUE-PEREZ, LACHLAN WEST, NICHOLAS PETRICCA
Lyrics Licensed & Provided by LyricFind