The Neighbourhood is an American alternative rock/dark pop band that formed… Read Full Bio ↴The Neighbourhood is an American alternative rock/dark pop band that formed in Newbury Park, California, USA in August 2011. The band consists of Jesse Rutherford, Jeremy Freedman, Zach Abels, and Mikey Margott. Brandon Fried (drums) was kicked out of the band on November 15 2022 after groping allegations. Bryan Sammis (drums) left the group in January 2014.
The band released their first EP, I'm Sorry... in January 2013, where their single Sweater Weather reached #1 in the U.S. Alternative Tracks and #8 on the U.S. Rock Tracks and #33 on the Billboard Hot 100. The song also charted at #68 in Canada. Their first album, I Love You. was released on April 23, 2013.
In early 2012 a mysterious band appeared online. The group, The Neighbourhood, revealed no biographical information, no photos and no backstory, offering only a moody track titled "Female Robbery." Fans and the press were confounded, scouring the Internet for any information that might lead them to the identity of these musicians. Pieces of the puzzle, some reflecting reality and some not so much, began to emerge. The Neighbourhood were a quintet. They were from California despite the British spelling of their name. They had a second track, "Sweater Weather," which had an accompanying -- and equally dark -- video.
Although The Neighbourhood's identity remained hazy, it became clear that the music they were making felt transformative to critics and fans alike. The evocative combination of rock instruments with R&B and hip-hop aesthetics seemed, in many ways, revelatory, a reimagining of sounds that seemed to make people clamour for more information with even greater fervour. In April, BBC Radio One DJ Zane Lowe, an early champion of the group, let it slip that The Neighbourhood was the handiwork of musician Jesse Rutherford, a resident of Newbury Park, CA. By early May, as the band unveiled a free, self-released EP titled "I'm Sorry," it became understood that the identity of this young band was, ultimately, secondary to the music itself.
So who is The Neighbourhood? In essence, the group, which was formed in August 2011, is a collection of five friends who make music together. They're headed by Rutherford, a 21-year-old singer who has dabbled in various genres, including hip-hop, before crafting the merge of sounds that categorizes The Neighbourhood's style. Their debut EP was produced by Justyn Pilbrow, who brought Emile Haynie on board to collaborate on "Female Robbery." The EP, recorded at the end of last year, is composed of shadowy, emotional music with visuals to match. And it's all part of the band's master plan.
"I always have a strong vision before I go into anything," Rutherford says. "I don't know how to make music any other way. It was all in my head, and that vision for the music was to make hip-hop beats with guitars and I was going to sing and rap over them. We wanted to do that hip-hop aesthetic on an indie platform."
"I'm Sorry," a five-song disc, is a precursor to the band's debut album, which is also being produced by Pilbrow and Haynie. The album, expected out in March 2013, will expand the group's moody sensibility, which pairs brooding layers of instrumentals with Rutherford's hip-hop-inspired croon. The style, which the band has dubbed "black and white" due to its confident inspirations, is based largely on rhythm, as evidenced by the EP. "When I started in music I started doing drums and then I started doing vocals," Rutherford explains. "And then I combined the two together because to me rapping is just rhythmic vocals. I think the rhythm of hip-hop is really what got me into it. It's not just words being said; it's about how the words are said."
In the end, all you need to know about The Neighbourhood is in that music and in those words. There are more facts, more pieces of the puzzle, more information to unveil. But what's the fun in being given the full picture when you can slowly discover it for yourself? It's better to leave some mystery lingering. Because, after all, it's that unknowing that brought The Neighbourhood to people's attention to begin with.
The band released their first EP, I'm Sorry... in January 2013, where their single Sweater Weather reached #1 in the U.S. Alternative Tracks and #8 on the U.S. Rock Tracks and #33 on the Billboard Hot 100. The song also charted at #68 in Canada. Their first album, I Love You. was released on April 23, 2013.
In early 2012 a mysterious band appeared online. The group, The Neighbourhood, revealed no biographical information, no photos and no backstory, offering only a moody track titled "Female Robbery." Fans and the press were confounded, scouring the Internet for any information that might lead them to the identity of these musicians. Pieces of the puzzle, some reflecting reality and some not so much, began to emerge. The Neighbourhood were a quintet. They were from California despite the British spelling of their name. They had a second track, "Sweater Weather," which had an accompanying -- and equally dark -- video.
Although The Neighbourhood's identity remained hazy, it became clear that the music they were making felt transformative to critics and fans alike. The evocative combination of rock instruments with R&B and hip-hop aesthetics seemed, in many ways, revelatory, a reimagining of sounds that seemed to make people clamour for more information with even greater fervour. In April, BBC Radio One DJ Zane Lowe, an early champion of the group, let it slip that The Neighbourhood was the handiwork of musician Jesse Rutherford, a resident of Newbury Park, CA. By early May, as the band unveiled a free, self-released EP titled "I'm Sorry," it became understood that the identity of this young band was, ultimately, secondary to the music itself.
So who is The Neighbourhood? In essence, the group, which was formed in August 2011, is a collection of five friends who make music together. They're headed by Rutherford, a 21-year-old singer who has dabbled in various genres, including hip-hop, before crafting the merge of sounds that categorizes The Neighbourhood's style. Their debut EP was produced by Justyn Pilbrow, who brought Emile Haynie on board to collaborate on "Female Robbery." The EP, recorded at the end of last year, is composed of shadowy, emotional music with visuals to match. And it's all part of the band's master plan.
"I always have a strong vision before I go into anything," Rutherford says. "I don't know how to make music any other way. It was all in my head, and that vision for the music was to make hip-hop beats with guitars and I was going to sing and rap over them. We wanted to do that hip-hop aesthetic on an indie platform."
"I'm Sorry," a five-song disc, is a precursor to the band's debut album, which is also being produced by Pilbrow and Haynie. The album, expected out in March 2013, will expand the group's moody sensibility, which pairs brooding layers of instrumentals with Rutherford's hip-hop-inspired croon. The style, which the band has dubbed "black and white" due to its confident inspirations, is based largely on rhythm, as evidenced by the EP. "When I started in music I started doing drums and then I started doing vocals," Rutherford explains. "And then I combined the two together because to me rapping is just rhythmic vocals. I think the rhythm of hip-hop is really what got me into it. It's not just words being said; it's about how the words are said."
In the end, all you need to know about The Neighbourhood is in that music and in those words. There are more facts, more pieces of the puzzle, more information to unveil. But what's the fun in being given the full picture when you can slowly discover it for yourself? It's better to leave some mystery lingering. Because, after all, it's that unknowing that brought The Neighbourhood to people's attention to begin with.
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Chip Chrome & The Mono-Tones (Deluxe)
The Neighbourhood Lyrics
BooHoo Boo-hoo I heard what's happenin' lately Why I'm so down But …
Cherry Flavoured Sweet and sour motivation Wish I could keep concentration I…
Devil's Advocate One, two, three, four Ha ha Na-na-na, na-na Na-na, na-na, na…
Hell or High Water I went through hell To get to high water And now I'm…
Here We Go Again You showed me What I couldn't see But it's only Killed my ho…
Lost in Translation I wonder if they see That you don't belong to me Wish…
Middle of Somewhere I was on the outside looking in Now I'm on the…
Over the Influence Everything started with instinct My heart and my body felt i…
Pretty Boy (No more) (No more) Even if my heart stops beatin' You're t…
Silver Lining You had your heart on your sleeve the last time Took…
Stargazing Take it from the top If I start I just can't…
The Mono-Tones Boys, boys, boys, boys, boys Voice in my head, telling me…
The Shining I've been hiding You've been shining Like diamonds blinding …
Tobacco Sunburst Left with a black eye That was the worst I've felt In…
Chloe Naughton
on West Coast
I don't know if I'm right or not, but I feel like when they sing "If the sun was God, I'd be covered in faith, If the ocean was the Devil, I'd be covered in hate", it means more than he's got a tan and swims in the ocean a lot. But I can't put my finger on what it could mean...