Hasna el Becharia
Hasna el Becharia is a female Gnawa musician from Algeria. Her home town, Bechar, is in the desert area of southern Algeria.
Hasna started off as an Arab-Berber style wedding musician. She started to play this type of music by herself in 1972 along with 3 friends, two of whom, Zorah and Kheira, are still with her until this day. At first, Hasna played acoustic guitar using the desert's traditional tunes. Eventually she had to resort to the electric guitar instead Read Full BioHasna el Becharia is a female Gnawa musician from Algeria. Her home town, Bechar, is in the desert area of southern Algeria.
Hasna started off as an Arab-Berber style wedding musician. She started to play this type of music by herself in 1972 along with 3 friends, two of whom, Zorah and Kheira, are still with her until this day. At first, Hasna played acoustic guitar using the desert's traditional tunes. Eventually she had to resort to the electric guitar instead, so that she could be heard above the noise her vast audience was making while singing along with her! Hasna and her friends became well known in southern Algeria.
A major event took place 4 years later in 1976 - a concert in Bechar organized by the Union of Algerian Women, with the legendary Hasna and her band being guest stars. Like numerous Algerian gnawa musicians, Hasna takes her roots in the popular wedding repertoire. She also plays oud, derbouka, bendir and even banjo (but never gumbri, an instrument she used to play discreetly behind closed doors in her home).
In January 1999, Hasna arrived in Paris, invited to the « Women of Algeria » festival at the Cabaret Sauvage, just as Souad Massi was. Fascinated by her music, the festival organisers decided to put her on stage every night, although it had planned that she play one evening only. Journalists and producers came to see this incredible woman guitar player from the desert and the French newspaper «Libération » published an article about her. She decided to saty in Paris because the circumstances in Algeria were difficult for her to live under. In August that year Hasna joined the French electronic musician Fred Galliano in a concert at the “Festival de Jazz à Vienne”.
Other highlights of Hasna's career were to star in the “Gnaoua Festival of Essaouira” and the “Beautiful Nights of Ramadan”. Both concerts were broadcast worldwide on TV5.
Hasna works with the theatre/circus company 'Salam Toto' in a show where horses dance to her music.
Hasna was one of the main figures of the “Festival Voix de Femmes” (Women’s Voices festival) in 2002 in Bruxelles. Hasna performed at London's South Bank in 2003.
Hasna's first recording, the 9-track CD Djazair Johara, was released in 2001. Hasna composed most of the recorded songs in France. Totally uncorrupted by stage or studio performance, she takes advantage of these new experiences to explore the sound of guitars, vocal timbres on different tonalities, to improvise and make new encounters: listen out for mesmerizing polyrhythms! The recording includes great musicians from Algeria, but also from Morocco, Tunisia and Niger. They have brought perfection and rigor. Thus Hasna's work achieves a dimension far beyond the scope of Algerian music.
Source: http://www.africanmusiciansprofiles.com/Hasna.htm
Hasna started off as an Arab-Berber style wedding musician. She started to play this type of music by herself in 1972 along with 3 friends, two of whom, Zorah and Kheira, are still with her until this day. At first, Hasna played acoustic guitar using the desert's traditional tunes. Eventually she had to resort to the electric guitar instead Read Full BioHasna el Becharia is a female Gnawa musician from Algeria. Her home town, Bechar, is in the desert area of southern Algeria.
Hasna started off as an Arab-Berber style wedding musician. She started to play this type of music by herself in 1972 along with 3 friends, two of whom, Zorah and Kheira, are still with her until this day. At first, Hasna played acoustic guitar using the desert's traditional tunes. Eventually she had to resort to the electric guitar instead, so that she could be heard above the noise her vast audience was making while singing along with her! Hasna and her friends became well known in southern Algeria.
A major event took place 4 years later in 1976 - a concert in Bechar organized by the Union of Algerian Women, with the legendary Hasna and her band being guest stars. Like numerous Algerian gnawa musicians, Hasna takes her roots in the popular wedding repertoire. She also plays oud, derbouka, bendir and even banjo (but never gumbri, an instrument she used to play discreetly behind closed doors in her home).
In January 1999, Hasna arrived in Paris, invited to the « Women of Algeria » festival at the Cabaret Sauvage, just as Souad Massi was. Fascinated by her music, the festival organisers decided to put her on stage every night, although it had planned that she play one evening only. Journalists and producers came to see this incredible woman guitar player from the desert and the French newspaper «Libération » published an article about her. She decided to saty in Paris because the circumstances in Algeria were difficult for her to live under. In August that year Hasna joined the French electronic musician Fred Galliano in a concert at the “Festival de Jazz à Vienne”.
Other highlights of Hasna's career were to star in the “Gnaoua Festival of Essaouira” and the “Beautiful Nights of Ramadan”. Both concerts were broadcast worldwide on TV5.
Hasna works with the theatre/circus company 'Salam Toto' in a show where horses dance to her music.
Hasna was one of the main figures of the “Festival Voix de Femmes” (Women’s Voices festival) in 2002 in Bruxelles. Hasna performed at London's South Bank in 2003.
Hasna's first recording, the 9-track CD Djazair Johara, was released in 2001. Hasna composed most of the recorded songs in France. Totally uncorrupted by stage or studio performance, she takes advantage of these new experiences to explore the sound of guitars, vocal timbres on different tonalities, to improvise and make new encounters: listen out for mesmerizing polyrhythms! The recording includes great musicians from Algeria, but also from Morocco, Tunisia and Niger. They have brought perfection and rigor. Thus Hasna's work achieves a dimension far beyond the scope of Algerian music.
Source: http://www.africanmusiciansprofiles.com/Hasna.htm
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Hakmet Lakdar
Hasna el Becharia Lyrics
حكمة الاقدار اللي مارحمت قلبي ولا بغاتني
نبقي جواركم تبرد ناري ناري ناري
قلت له يا بابا راني هاجر هاد المكان
قال لي سير او كان يا ابني طريق سلامةتنادي عليك
يشالي العلام الوداع ياما
لاحوني في دشور خالية و غرارة الايام
واللي فات جبال عالية ما ينفع ننام
راني مشيت في المكتاب راني مشيت
حامل في يدي كتاب راني مشيت
سالتك يا النجمة واش انت نجمة الافراح
لله اخبريني بغيت قلبي يرتاح
Contributed by Noah A. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
marc olivier lacoste
cette femme seule est un trésor pour l'Algérie, Merci madame
Mourad Alili
كاين بعض الناس تقول إن هذه الأغنية مغربية الأصل وهذا خطأ، بل هي أغنية لحسنة البشارية 100%. وسوف أقدم لهؤلاء بعض الدروس في الفن والتاريخ لكي يعرف الفرق بين تشابه كلمتين والفن الأصيل.
أولا هناك فرقة مغربية اسمها مجموعة لرصاد أدت أغنية سنة 1979 واسمها "حكمت لقدار" بعد ذلك قامت فرقة مغربية جزائرية (العضو الجزائري الوحيد فيها هو حميد بارودي) مقيمة في ألمانيا واسمها Dissidenten، ومعناها بالألمانية "المتمردون" بإعادة تلك الأغنية تحت نفس العنوان. وهذه الأغنية المعادة هي ليست الأغنية الحالية التي أدتها حسنة البشارية. ولكم أن تتأكدوا بأنفسكم. فاستمعو في اليوتوب إلى أغنية حكمت لقدار لمجموعة لرصاد وسترون أنها ليست نفس الأغنية. التشابه فقط هو في العنوان، فالكلمات ليست نفسها واللحن ليس نفسه. ومن يقول أن أي أغنية تحمل عنوان "حكمت لقدار" هي مغربية، هو كمن يقول أن أي أغنية تحمل كلمة "حبيبي" هي مصرية أو لبنانية.
الأغنية الحالية هي جزائرية 100% لحسنة البشارية.
خاوتي حنا ما نسروقوش الغنا. راك تتكلم عن قارة اسمها الجزائر. الجزائر أكبر بلد في افريقيا والعاشر عالميا. دولة ذات تنوع فكري وثقافي وتاريخي غني وثري جدا. بلد بمثل هذا الجمال لا يعيد ما ينتجه غيره، بل غيرنا من يتعلم منا. قبل ما تحكي على الجزائر لازم تتوضا وتغسل فمك مليح.
وعاشت فلسطين
Niel James
Hadi ghanatha 3la waldha mat kharjat 3lih had ghonya makan la Maghreb la fir9a la Walo
hunteroi storme
@belle vie ههه ماشي كيفكيف الفن واللبسة. الفن عالمي. انا جامي لقيت المشكل هذا غير بين دزيرية والمغاربة، حرب في التعليقات، ياودي اسمع الاغنية ولا تحوس مغربية ولا ماليزية ولا من الفضاء
belle vie
@hunteroi storme لا متغلتش روحك سما كان نجي نلبس صوالحك بلا منقولك سما عادي؟؟لا عيب عليا كان نزيد من فوق هذوا ديالي
hunteroi storme
مغربية ولا جزائرية سي كيف كيف، هناك تقارب في الاذواق ونفس اللغة تقريبا الخ، انا تعجبني الأغنية نسمعها وتربح. زعما كي نكون جزائري ونكتشف بلي الأغنية مغربية تولي فجأة ماتعجبنيش؟
Nevergiveup Free
@Fi-Geek لالا عندهوم برك نفس العنوان لكن الكلمات و اللحن مختلف و أبصم بالعشرة أنك نسيت كلمات اغنية حكمت لقدار لفرقة لمرصاد و التي أعاد غناءها حميد بارودي مع أحد أعضاء فرقة لمشاهب المغربية في التسعينات وفي عدة مرات حميد بارودي ذكر بلي الأغنية لفرقة لرصاد
Lilia H
C’est la tracy champan De l Algérie ❤️❤️❤️❤️❤️❤️ je l’écoute tjr en 2020 😍
Carla Bruni
Tracy Chapman de l Algérie
alfarwq alfarwq
J'aime beaucoup Cette musique.Roumanie