Our Daughter's Wedding
A prototypical early-'80s synthesizer act, New York trio Our Daughters Wedding is best remembered for the 1981 disco crossover hit "Lawnchairs." Motivated by the punk revolution, the band formed as a standard guitar/bass/drums rock unit in 1977. Taking their group's name from the section divider in a greeting card display stand, members Layne Rico (synthesizers), Keith Silva (vocals/synthesizers) and Scott Simon (saxophone/synthesizers) kept the outfit running with its original instrumentation until 1978. Read Full BioA prototypical early-'80s synthesizer act, New York trio Our Daughters Wedding is best remembered for the 1981 disco crossover hit "Lawnchairs." Motivated by the punk revolution, the band formed as a standard guitar/bass/drums rock unit in 1977. Taking their group's name from the section divider in a greeting card display stand, members Layne Rico (synthesizers), Keith Silva (vocals/synthesizers) and Scott Simon (saxophone/synthesizers) kept the outfit running with its original instrumentation until 1978. In 1979, the three decided to re-form the band, using rhythm machines and synthesizers.
Much like the group's most obvious sources of inspiration -- electronic trailblazers Kraftwerk and Suicide -- Rico, Silva, and Simon viewed their band as coming firmly from the rock tradition. In interviews, they claimed to have little in common with then-contemporary synth-driven acts like Depeche Mode and Orchestral Manoeuvres in the Dark, who they decried as gimmicky fluff.
On their own Design label, Our Daughters Wedding made their vinyl debut in the summer of 1980 with "Nightlife," a three-song 7." In November of that year, the band released its second single, "Lawnchairs," which quickly gained attention on college radio and in the dance clubs in major U.S. cities. Based on the strength of the record's showing, EMI America signed the group and re-released "Lawnchairs," which reached Number 49 on the British charts and peaked at Number 31 on the Billboard disco chart. The group followed up with a 12" EP., "Digital Cowboy" (1981) and an album, Moving Windows (1982). Unable to recapture the chart success of "Lawnchairs," the band broke up in 1983.
Much like the group's most obvious sources of inspiration -- electronic trailblazers Kraftwerk and Suicide -- Rico, Silva, and Simon viewed their band as coming firmly from the rock tradition. In interviews, they claimed to have little in common with then-contemporary synth-driven acts like Depeche Mode and Orchestral Manoeuvres in the Dark, who they decried as gimmicky fluff.
On their own Design label, Our Daughters Wedding made their vinyl debut in the summer of 1980 with "Nightlife," a three-song 7." In November of that year, the band released its second single, "Lawnchairs," which quickly gained attention on college radio and in the dance clubs in major U.S. cities. Based on the strength of the record's showing, EMI America signed the group and re-released "Lawnchairs," which reached Number 49 on the British charts and peaked at Number 31 on the Billboard disco chart. The group followed up with a 12" EP., "Digital Cowboy" (1981) and an album, Moving Windows (1982). Unable to recapture the chart success of "Lawnchairs," the band broke up in 1983.
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Lawn Chairs
Our Daughter's Wedding Lyrics
Lawnchairs are everywhere
They're everywhere
My mind describes them to me
Only to me
Lawnchairs are everywhere
They're everywhere
My mind describes them to me
Only to me
As you screen out the light that colors your skin
Can you just wear protection?
Are you having some fun?
Some fun
And are you sleeping with someone special tonight?
Does she drink tall drinks
Just to make it feel right?
Feel right
Because lawnchairs are everywhere
They're everywhere
My mind describes them to me
Only to me
Lawnchairs are everywhere
They're everywhere
My mind describes them to me
Only to me
And it's a holiday in the middle of the week
As you leave from your job
Just like a holiday
And it's a holiday in the middle of the week
As you leave from your job
For only two weeks
She's a boy that we like and gonna go far
She's a boy that we like
And he's gonna go far
Well, she's got to and he's got to and we got to
She's a boy that we like and gonna go far
She's a boy that we like
And he's gonna go far
Because lawnchairs are everywhere
They're everywhere
My mind describes them
Lawnchairs are everywhere
They're everywhere
And my mind describes them
Lawnchairs are everywhere
They're everywhere
And my mind describes them
Lawnchairs are everywhere
They're everywhere
And my mind describes them
And my mind describes them
Contributed by Caroline W. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Gabriel Mansilla
The intro sounds like OMD
P J
@David Holdstock I think is a case of same synths more than anything
P J
@mitchell baker Wasn't before. OMD existed before and released singles same time as this- to be fair OMD had the same sound a year or so before but not important.
Brian Baker
@Gabriel Mansilla totally agree.
Gabriel Mansilla
+David Holdstock true! nice note
Gabriel Mansilla
+David Rocastle
Messages from OMD 2 May 1980
"Lawnchairs" (1980)
Who know! Maybe just the same time, the same technology
Rachel Hilgert
best new wave song ever
Larinho2
I have the promo 7" and 12", used to play it in the clubs I worked in. Great song!
Matt Lohrke
bears more than a passing resemblance to OMD's "Messages" and "Electricity."
David Tate
Yup, exactly my thoughts.