Rachele Lynae
With a voice as bold, expansive and deeply hued as the Alaskan sky that bla… Read Full Bio ↴With a voice as bold, expansive and deeply hued as the Alaskan sky that blanketed her childhood, Rachele Lynae is an impressive new artist whose talent, drive and creative range are quickly distinguishing her from other country newcomers.
Possessing a voice and personality that leap through the speakers and command attention, Rachele has made her national debut with “Party ‘Til the Cows Come Home,” a rollicking party anthem that showcases her strong, supple vocals and inimitable style. The song is supported with a video shot by award-winning director Trey Fanjoy that spotlights Rachele’s self-assured performance skills and natural charisma in front of the camera.
Rachele describes her style as a fusion of her favorite sounds. “Obviously, I’m a country rocker,” she says with a broad smile. “And I have a little bit of a bluesy voice so there’s a soulful thing that peeks its head occasionally. Stylistically, most of my songs are fun, sassy and empowering.”
Her voice reverberates with an emotional intensity reminiscent of Martina McBride’s best work, yet she’s also drawn comparisons to Jason Aldean because of her gutsy, go-for-broke style and high octane live performances. Off stage, she has a sweet girl next door quality that endears her to fans, yet on stage she unleashes her passion for music and gives audiences a performance they can’t forget.
Rachele knew at an early age that she wanted to pursue a career in music and she wasn’t shy about stating her ambitions. “I always wanted to sing country music,” says the petite brunette, whose father is a commercial fisherman. “When I was 10, I remember sitting in my dad’s truck and saying, ‘Dad, we don’t have a lot of time. LeAnn Rimes was 13 when she released “Blue.” We don’t have time! We have to get on this!’”
By the time she was 10-years-old, Rachele had already been singing in church for five years and admits her identity as an artist has been shaped by her Alaskan upbringing. “There are a lot of really creative people, especially in Kodiak because it’s a different scene,” she says. “Alaska is full of different types of people. There are a lot of artists that paint or draw. There are a lot of writers just because you are inspired by the beauty. There wasn’t much of a professional music scene, but it was a good place to foster creativity. I grew up with that uninhabited space to become creative and grow my artistry.” She began writing songs when she was 12-years-old, and by the time she was 17, she had hit the road and began gaining a reputation as a riveting live performer. “I was traveling and doing concerts up and down the west coast,” she says. “It was wonderful, a huge experience.”
Rachele moved to Nashville to attend Belmont University, the prestigious school that groomed such country notables as Josh Turner, Trisha Yearwood and Brad Paisley. Like many of the artists currently reigning on the country charts, Rachele honed her skills performing at some of Nashville’s famed honky tonks, including Tootsie’s Orchid Lounge. At the end of her senior year, she recorded a five-song EP that she shared with musician/manager, Jimmy Murphy. He was so impressed with her voice and the caliber of her songwriting that he shared Rachele’s music with his daughter Jamie O’Neal. Known for such hits as “There Is No Arizona” and “When I Think About Angels,” O’Neal is a gifted singer/songwriter who has added producer to her resume in recent years. Jamie and Rachele immediately connected and began working on the young artist’s new project.
“It’s been awesome,” Rachele says of working with O’Neal. “When I first came to her studio, I was so excited to be working with Jamie. I was a little intimidated at first, but she put me at ease the moment we met. We both have really big voices, so musically, we connected immediately. She’s been a big influence on me as a vocalist and I couldn’t be more thrilled about the music we’re making together.”
Working with O’Neal, Rachele has crafted an impressive collection that showcases her depth and diversity as an artist. “Party ‘Til the Cows Come Home” is an all out party anthem that makes it impossible to sit still. Rachele penned the energetic romp with O’Neal, Murphy and hit Nashville tunesmith Stephanie Bentley whose credits include the Faith Hill smash “Breathe.”
Whether she’s singing about healing, moving on or just having fun on a Saturday night, Rachele Lynae is a dynamic songwriter who knows how to bring emotional punch to any topic. Though she loves performing up tempo songs, she doesn’t shy away from exploring life’s more difficult moments. “I write what I know,” she says, “so my songs are going to reflect something that I’m going through or I have gone through or that one of my closest friends has gone through. It’s close enough so that I can feel it.”
Rachele also has a gift for taking people on the journey with her during her live performances. “On stage you get to go up there and live these songs,” she says. “It just transcends you to a whole other place and you get to take people with you. It’s really cool because it’s almost like each song is its own little world. You are inviting everyone to the party with you. It’s so cool to be able to go completely into that moment in a song. I love it!”
Possessing a voice and personality that leap through the speakers and command attention, Rachele has made her national debut with “Party ‘Til the Cows Come Home,” a rollicking party anthem that showcases her strong, supple vocals and inimitable style. The song is supported with a video shot by award-winning director Trey Fanjoy that spotlights Rachele’s self-assured performance skills and natural charisma in front of the camera.
Rachele describes her style as a fusion of her favorite sounds. “Obviously, I’m a country rocker,” she says with a broad smile. “And I have a little bit of a bluesy voice so there’s a soulful thing that peeks its head occasionally. Stylistically, most of my songs are fun, sassy and empowering.”
Her voice reverberates with an emotional intensity reminiscent of Martina McBride’s best work, yet she’s also drawn comparisons to Jason Aldean because of her gutsy, go-for-broke style and high octane live performances. Off stage, she has a sweet girl next door quality that endears her to fans, yet on stage she unleashes her passion for music and gives audiences a performance they can’t forget.
Rachele knew at an early age that she wanted to pursue a career in music and she wasn’t shy about stating her ambitions. “I always wanted to sing country music,” says the petite brunette, whose father is a commercial fisherman. “When I was 10, I remember sitting in my dad’s truck and saying, ‘Dad, we don’t have a lot of time. LeAnn Rimes was 13 when she released “Blue.” We don’t have time! We have to get on this!’”
By the time she was 10-years-old, Rachele had already been singing in church for five years and admits her identity as an artist has been shaped by her Alaskan upbringing. “There are a lot of really creative people, especially in Kodiak because it’s a different scene,” she says. “Alaska is full of different types of people. There are a lot of artists that paint or draw. There are a lot of writers just because you are inspired by the beauty. There wasn’t much of a professional music scene, but it was a good place to foster creativity. I grew up with that uninhabited space to become creative and grow my artistry.” She began writing songs when she was 12-years-old, and by the time she was 17, she had hit the road and began gaining a reputation as a riveting live performer. “I was traveling and doing concerts up and down the west coast,” she says. “It was wonderful, a huge experience.”
Rachele moved to Nashville to attend Belmont University, the prestigious school that groomed such country notables as Josh Turner, Trisha Yearwood and Brad Paisley. Like many of the artists currently reigning on the country charts, Rachele honed her skills performing at some of Nashville’s famed honky tonks, including Tootsie’s Orchid Lounge. At the end of her senior year, she recorded a five-song EP that she shared with musician/manager, Jimmy Murphy. He was so impressed with her voice and the caliber of her songwriting that he shared Rachele’s music with his daughter Jamie O’Neal. Known for such hits as “There Is No Arizona” and “When I Think About Angels,” O’Neal is a gifted singer/songwriter who has added producer to her resume in recent years. Jamie and Rachele immediately connected and began working on the young artist’s new project.
“It’s been awesome,” Rachele says of working with O’Neal. “When I first came to her studio, I was so excited to be working with Jamie. I was a little intimidated at first, but she put me at ease the moment we met. We both have really big voices, so musically, we connected immediately. She’s been a big influence on me as a vocalist and I couldn’t be more thrilled about the music we’re making together.”
Working with O’Neal, Rachele has crafted an impressive collection that showcases her depth and diversity as an artist. “Party ‘Til the Cows Come Home” is an all out party anthem that makes it impossible to sit still. Rachele penned the energetic romp with O’Neal, Murphy and hit Nashville tunesmith Stephanie Bentley whose credits include the Faith Hill smash “Breathe.”
Whether she’s singing about healing, moving on or just having fun on a Saturday night, Rachele Lynae is a dynamic songwriter who knows how to bring emotional punch to any topic. Though she loves performing up tempo songs, she doesn’t shy away from exploring life’s more difficult moments. “I write what I know,” she says, “so my songs are going to reflect something that I’m going through or I have gone through or that one of my closest friends has gone through. It’s close enough so that I can feel it.”
Rachele also has a gift for taking people on the journey with her during her live performances. “On stage you get to go up there and live these songs,” she says. “It just transcends you to a whole other place and you get to take people with you. It’s really cool because it’s almost like each song is its own little world. You are inviting everyone to the party with you. It’s so cool to be able to go completely into that moment in a song. I love it!”
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Rachele Lynae Lyrics
Braggin on Ya Been talking you up all over town I like to think…
Breaking Chains (Hey hey Hey hey) He could sit on this couch Not do sh…
Can You I was a yes ready waiting on you babe You were…
Cigarette Quick to light and slow to burn Soothes the pain and…
Clean Round about dinner time Every summer night I'd wander out a …
Come This Far I left home with a head of steam Pocket full…
Cut Me Off Eight o'clock and the lights are dimming Another glass of wh…
Done Is Done So this is it This is what it feels like in…
Enough Everybody’s always looking for excuses Tryin to be anything …
Fishin for Something Been out with the girls all night long Kickin it up…
Fishin' For Somethin' Been out with the girls all night long Kicking it up…
Fishin' For Something Been out with the girls all night long Kickin it up…
Got It Bad I don’t wanna say Wanna say But I’ll say it I don’t wanna…
Ground Me Like the universe knows how to keep the stars Like the…
Oh My Heart Oo Oo Dropping on a dime I was on your side I…
Old Fashioned Love Changing out the pictures on the wall It’s funny you were No…
Out On The Floor Me and my girls now here we go Another Friday night…
Party 'Til The Cows Come Home Take your cares off, put your boots on I know a…
Quicksand He's got the smooth talk Whiskey on the Rocks Kinda slick in…
Run Away I’m restless wreckless Never finding my way home Looking for…
Running out of Reasons You could have left You could have checked out but you…
Sometimes You Fly No warning signs I’m lost in your eyes You make me crazy I…
Sticky Summer Lovin Windows down I feel the hot air Lip gloss stickin to…
Touch the Stars Roll those wheels around Head 'em over to my house The day…
Two for One Special I'll get the tape, you get the rope Don't forget your…
Vinyl You show up here looking like A postcard cover of a…
Words In Red Momma taught me right from wrong Knew every gospel song Ever…