Scott Grooves
Patrick Scott aka Scott Grooves received his house music baptism from Jeff Mills' legendary The Wizard radio shows and going to the legendary Music Institute. It was at this seminal club that he met Kevin Saunderson. After forging a friendship with Kevin, Scott tinkled the keyboards for Inner City. After hearing a Soma (Funk D'Void) record in a Detroit record store Scott Grooves sent a demo of his album to the Soma office. The rest is history!
Scott made his debut on Soma with the sublime "A New Day" (Soma 58). Read Full BioPatrick Scott aka Scott Grooves received his house music baptism from Jeff Mills' legendary The Wizard radio shows and going to the legendary Music Institute. It was at this seminal club that he met Kevin Saunderson. After forging a friendship with Kevin, Scott tinkled the keyboards for Inner City. After hearing a Soma (Funk D'Void) record in a Detroit record store Scott Grooves sent a demo of his album to the Soma office. The rest is history!
Scott made his debut on Soma with the sublime "A New Day" (Soma 58). With heart-stopping chords and stunning stuttering breakbeats, the first mix takes you on a wonderful ten minute ride through rhythm and melody, Detroit stylee! On the flip, the second mix is one for the proper house heads with its piano riffs and uplifting strings. This mix was caned by the Slam boys and the Sub Club's Harri with roof raising effects.
Scott's next release was his collaboration with Roy Ayers in a rendition of Lonnie Liston Smith's classic "Expansions" (Soma 65). This release originated after Scott approached Roy when he was playing a concert in Detroit. The superb track also featured the talents of Charles Green on Rhodes, Carl Homes on Bass. Remixes come from Spiritual Life's Joe Claussell and the Ballistic Brothers. After being Pete Tong's essential new tune and being hammered by the likes of Giles Peterson and Bob Jones, this release briefly enjoyed a national chart position (68).
These two releases were a prelude to his debut album "Pieces of a Dream" (Soma LP/CD11). This is an exquisite collection of pure house music. Featured on the album are tracks which showcase the talents of actual Detroit musicians. "The Sax Speaks" is pure street jazz soul featuring the spectacular saxophone talents of Keith Kaminski. "The Scat Groove" features scat vocals by Gwen Fox, a singer in Blues clubs around Detroit. Perry Hues, who has worked with George Benson (and in fact plays this on a guitar gifted to him by Benson), inputs guitar riffs on this laidback house version of the Wes Montgomery classic "Bumpin' on the Sunset", here entitled "Bumpin' on the Underground". On the final track on the album "Feels So Good" Scott is accompanied by Charles "The Maestro" Hicks on this sublime house track.
The most talked about track from the album is "Mothership Reconnection". This sees Scott coming together with Parliament/Funkadelic legend George Clinton in a remake of the original classic "Mothership Connection". This collaboration began when Scott found live tapes of George Clinton and Parliament / Funkadelic in his recording studio — which is owned by Clinton! When Scott approached them about a house remix he was told "it better be good!"; they certainly were not disappointed. This is due for release in single format with stunning remixes from Daft Punk (their only mix of 1998), Slam, and Funk D'Void. The Daft Punk mix has also been Pete Tong's Essential new tune.
Scott is currently working on his second album for Soma.
Scott made his debut on Soma with the sublime "A New Day" (Soma 58). Read Full BioPatrick Scott aka Scott Grooves received his house music baptism from Jeff Mills' legendary The Wizard radio shows and going to the legendary Music Institute. It was at this seminal club that he met Kevin Saunderson. After forging a friendship with Kevin, Scott tinkled the keyboards for Inner City. After hearing a Soma (Funk D'Void) record in a Detroit record store Scott Grooves sent a demo of his album to the Soma office. The rest is history!
Scott made his debut on Soma with the sublime "A New Day" (Soma 58). With heart-stopping chords and stunning stuttering breakbeats, the first mix takes you on a wonderful ten minute ride through rhythm and melody, Detroit stylee! On the flip, the second mix is one for the proper house heads with its piano riffs and uplifting strings. This mix was caned by the Slam boys and the Sub Club's Harri with roof raising effects.
Scott's next release was his collaboration with Roy Ayers in a rendition of Lonnie Liston Smith's classic "Expansions" (Soma 65). This release originated after Scott approached Roy when he was playing a concert in Detroit. The superb track also featured the talents of Charles Green on Rhodes, Carl Homes on Bass. Remixes come from Spiritual Life's Joe Claussell and the Ballistic Brothers. After being Pete Tong's essential new tune and being hammered by the likes of Giles Peterson and Bob Jones, this release briefly enjoyed a national chart position (68).
These two releases were a prelude to his debut album "Pieces of a Dream" (Soma LP/CD11). This is an exquisite collection of pure house music. Featured on the album are tracks which showcase the talents of actual Detroit musicians. "The Sax Speaks" is pure street jazz soul featuring the spectacular saxophone talents of Keith Kaminski. "The Scat Groove" features scat vocals by Gwen Fox, a singer in Blues clubs around Detroit. Perry Hues, who has worked with George Benson (and in fact plays this on a guitar gifted to him by Benson), inputs guitar riffs on this laidback house version of the Wes Montgomery classic "Bumpin' on the Sunset", here entitled "Bumpin' on the Underground". On the final track on the album "Feels So Good" Scott is accompanied by Charles "The Maestro" Hicks on this sublime house track.
The most talked about track from the album is "Mothership Reconnection". This sees Scott coming together with Parliament/Funkadelic legend George Clinton in a remake of the original classic "Mothership Connection". This collaboration began when Scott found live tapes of George Clinton and Parliament / Funkadelic in his recording studio — which is owned by Clinton! When Scott approached them about a house remix he was told "it better be good!"; they certainly were not disappointed. This is due for release in single format with stunning remixes from Daft Punk (their only mix of 1998), Slam, and Funk D'Void. The Daft Punk mix has also been Pete Tong's Essential new tune.
Scott is currently working on his second album for Soma.
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04Mothership Reconnection (feat.Parliament/Funkadelic) - (Daft Punk Remix)Scott GroovesScott Grooves
10Mothership Reconnection (feat. Parliament/Funkadelic) - (Daft Punk Remix)Scott GroovesScott Grooves
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Mothership Reconnection
Scott Grooves Lyrics
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
If you hear any noise
(It's just me and the boys)
Hit me
(You gotta hit the band)
Lyrics © Kobalt Music Publishing Ltd.
Written by: George Bernard Worrell, George Jr. Clinton, William Earl Collins
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
fnckyoutoo
Imagine hearing that on radio, no Shazam no nothing, fall in love with this song from the first note and not knowing the name for months to be able to find it.
Paolo Negro
For me for years except for the artist's name🤣🤣🤣i found It by accident😅😅😅
Vapeur de Pisse 𓂺
Yeah sure I was there in the 90s too bro. Even today I listen to sets with no tracklist and Shazam only helps with mainstream garbage
ross pearson
happened to me took me till 2020 to find this
verapamil07
I didn't know for more than a decade, had it on my VHS and lost the VHS. I found it on youtube by explaining how it goes with words
Sadio Sow
Have been there to 😭
A. S. García
Esta pieza musical es inigualable, un clásico que hará parte de la historia de quienes vivimos la mejor época de la música electrónica (los 90s) explícitamente de la escena electrónica francesa. Magnifica canción tan inusual como su video.
Diego Fernando Murillo Valencia
Hombre, llevaba 20 años buscándola, y tienes razón, en los 90's veía un canal llamado MCM el cual era pura música francesa, aún hay muchas canciones que quisiera encontrar de ese hermoso canal pero solo recuerdo fragmentos del video y la canción 🥺
Kiran Thomasson
Can't get enough of them beautiful 90's graphics :-)
Adralight / L.D.N.
J'aurais mis une dizaine d'année à retrouver ce morceau...Avec seulement le clip en tête, ce fut difficile...Bref, toujours revenir à l'évidence des sonorités daftpunkienne ^^